View allAll Photos Tagged Crops
No wait for basakhi: Wheat crop starts cutting before basakhi festival in manimajar near chandigarh. Anand Sharma
Fria att publicera. Ange foto Kristianstads kommun, Cecilia Sandén.
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Different crop of the previous - optimized for the 16:9 ratio of my phone screen, and pretty much guaranteed to look rubbish on Flickr's new force-justified equal-height tiled version of most pages. Hey ho.
Developing parameters fiddled with slightly, too.
Low-res sample. Free for non-commercial use. More infos here: www.arroway-textures.de/en/products/stone-1
A local farmers field full of crops, I decided to get a close up of this head and this is it completely uneditted.
This was a real bitch to paint. This is my fifth try. It still could be better, but I just can't do it again. I passed, though.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
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Crop Report, with Joel Rosario up, wins the Rushaway Stakes at Turfway Park in Florence, KY. 3.23.2013
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com