View allAll Photos Tagged Crops
On Sunday, December 19, 2010, Zone Night Club, 133 W 18th St, Erie PA devoted their monthly FACE Drag Show to benefiting Toys for Tots. $365 and about 20 toys were collected. Fundraising efforts included performers and support staff auctioning Barbie Dolls to look themselves. Performers included show organizer Michelle Michaels, Buffy Lynn Hayes, Mistress Vanitay, Celine Dashawn, Jill Jamison, Diva D'Vyne, Angelica Redd, and Siren, Lady of the Lake. In addition, stage manager Season auctioned a Barbie doll that included her signature clipboard with spikes and a riding crop. Erie Gay News co-editor Michael Mahler took photos.
For more about Zone Dance Club, browse to www.thezonedanceclub.com. For more about Erie Gay News, browse to www.eriegaynews.com.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Cropped manga larga color burdeo (más oscurito que en la foto). Es manga 3/4, precioso. Talla estándar pero más S-M.
The new Wembley Stadium at night (crop). Taken through a limited opening crack of a 6th floor window in a hotel - the lens could only just get unobstructed view through the opening.
This design is also available on T-Shirt here : Erroba's T-Shirt shop
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If you intend to use any of my pictures, for any usage, you need to contact me first.
Best be viewed in Large
Image Details
Resolution....: 4000x4000 (without frame).
Photoshop
° Nothing
About
Planning the crop circle, but it really didn't turn out that good on the field, the actual crop circle can be found
in the previous upload.
A new batch of mathematical manipulations.
Julia and holomorphic mix.
° My photoshop tutorial on Layers, Masks, Selections & Channels.
° Channel mixer tutorial to remove lens flare spots.
You
All tips, tricks & criticism and honest opinions are highly appreciated.
Image of a corn root (top) and a soybean root (bottom) growing toward eachother. The soybeans were a volunteer crop, seeming to thrive next to the corn. Baker, MT. July, 19, 2012.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Dreimal K. Brümann, von links nach rechts:
Klaas H Brümann, geb. Peine Nds, Managing Director FotoInsight Ltd. - fotoinsight.de/
Klaus Brümann sr., geb. München, Direktor der Landwirtschaftskammer a.D.
Klaus E Brümann, geb. Monterrey Mx, Student der Engineering Physics an der Universität Oldenburg.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
cropped or uncropped, cannot decide.
Opinions, anyone? I'm leaning toward the crop, even though the brick adds context.
From the Chicago Botanic Garden
I am cropping out my 2 favorite areas of the Tapado combo sagenite to show the changes in the color of the needles - however, I will try again, due to the resolution not being as good as it could be.