View allAll Photos Tagged Crops
Black grout looked horrible. I don't think I should have made a black background. It kind of swallowed the piece up. But I put a metallic silver wash on it & it helped.
Cropped into this odd format, otherwise SOOC. The surface of the frozen Baltic Sea has melted here and there due to warm weather this week, but when I took this picture it was down to a nice -4C (25 F) again. Hanko, Finland, the sunset capital : )
Bryce and Brian Irlbeck adapted an old drill to interseed cover crops in knee-high corn on their farm in Carroll County, IA. They are experimenting with interseeding to get more diversity and a longer growth period for cover crops to build soil more quickly.
Please Credit: NRCS/SWCS photo by Lynn Betts
Taken from my walk up to Colmers Hill in Bridport, Dorset, England. It looks like a crop from last year of Sweetcorn.
Sorghum crops in Aweil South.
Read more about FAO and the crisis in South Sudan.
Photo credit must be given: ©FAO/Y. Bum. Editorial use only. Copyright FAO
UV shot showing breakdown of crop tee mesh. UVs separated to allow individual customization using HUD and poly face selection (three faces, front, back and sleeves/ribbing).
Ioni's Creations
Cropped top with ribbed waist and scoop neck in cream white.
one size fits most
Made and designed by Ioni of Ioni's Creations
$65
I cropped out the prettiest area of this agate and to emphasize the fortifications surrounding the groups of plumes and their variety of colors.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Sirklene som tegner seg i åkeren avslører strukturer i undergrunnen som er rester etter utplanerte gravhauger fra jernalderen.
Circles in the fields reveal underground structures which are remains of destroyed iron age burial mounds. Skatval, Norway 2007.
Church Tower Set 1/8
PRESS L TO VIEW ON BLACK.
I prefer this crop rather than the full sweep. I didn't think it looked right or worked well. Again taken with my phone camera.
Justine Henin beating Amelie Mauresmo (7-5, 6-7, 7-6) to win the SIngles title at the Eastbourne International Women's tournament on Saturday 23 June 2007
Had a very strange bug in Aperture today. After cropping a photo (not the one that is visible, but the one that is in the selected stack), the visible redraw issues occurred. In the Console thousands of messages were scrolling by, such as:
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextSetAlpha: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextGetCompositeOperation: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextSetCompositeOperation: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextDrawImage: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextRestoreGState: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextRestoreGState: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextClipToRect: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextConcatCTM: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextSetPatternPhase: invalid context
My wife and I took a walk in our neighborhood this evening. We passed a field where the unknown crop is breaking ground.
This is one of mine. A header I made for my own project. The 960x198 pixel project which has its own group here on flickr and a page on my site telling you all about it.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com