View allAll Photos Tagged Crops
Ioni's Creations
Cropped top with ribbed waist and scoop neck in cream white.
one size fits most
Made and designed by Ioni of Ioni's Creations
$65
I cropped out the prettiest area of this agate and to emphasize the fortifications surrounding the groups of plumes and their variety of colors.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Sirklene som tegner seg i åkeren avslører strukturer i undergrunnen som er rester etter utplanerte gravhauger fra jernalderen.
Circles in the fields reveal underground structures which are remains of destroyed iron age burial mounds. Skatval, Norway 2007.
Church Tower Set 1/8
PRESS L TO VIEW ON BLACK.
I prefer this crop rather than the full sweep. I didn't think it looked right or worked well. Again taken with my phone camera.
This picture takes us back to a field at Balcathie Farm where farm workers were thinning sugar beet the traditional way. The picture was taken in 1959 by John Henderson, the farmer's son. Pictured were, from left - Charles Jorgensen, George Finlay, Ian Cummings, Jimmy Robbie, Tom Wilson, Bob Boehm, Alistair Reid and James Milne.
Had a very strange bug in Aperture today. After cropping a photo (not the one that is visible, but the one that is in the selected stack), the visible redraw issues occurred. In the Console thousands of messages were scrolling by, such as:
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextSetAlpha: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextGetCompositeOperation: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextSetCompositeOperation: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextDrawImage: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextRestoreGState: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextRestoreGState: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextClipToRect: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextConcatCTM: invalid context
Apr 22 23:25:43 TA-Computer /Applications/Aperture.app/Contents/MacOS/Aperture: CGContextSetPatternPhase: invalid context
My wife and I took a walk in our neighborhood this evening. We passed a field where the unknown crop is breaking ground.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
here all evidence about Aliens i collected till now
Most are of the Mimetic Aliens Kin ,as usual they trying to disguise themselves as electric able, plugs or even as Plants and Garden
so here you will see the portraits of most of the Aliens currently hiding in my house
The Beginning, (Crop Circles )
at first i noticed only the crop circles, dozen of them of any possible sizes
as this
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Crops destroyed for a third time this year, after the double flooding earlier this year. Filled with brackish water when the river overflowed its banks, the crop failure has already led to a sharp increase in the price of grain.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
Fête de mi automne
Bol tripode
0/
Fête de mi automne
Photographie
Classification : Photographie
Photographe : anonyme ;
Géographie : Asie – Asie du sud-est – Viet Nam – Ha Noi, thu do – Ha Noi
Date : 15-21 septembre 1926 : date de prise de vue
Matériaux et techniques : Négatif au gélatino-bromure d'argent sur plaque de verre
Dimensions et poids : Dimensions de la plaque : 10 x 15 cm
Donateur : Haut commissariat de France pour l'Indochine ;
Précédente collection : Musée de l'Homme (Photothèque) ;
Inscription : Inscription en haut : "890".Inscription gravée sur vernis en bas à gauche : "C. 890 GG".Inscription en bas à droite : "C. 890"
Exposé : Non
Numéro de gestion : PV0008762
"Fête de mi- automne (15-21 septembre 1926). Rue du Chanvre. Objets en papier."