View allAll Photos Tagged Crops

the corn (maiz) is suffering from several weeks of drought and temperatures in the high thirties

An image of the five crop circles taken from the top of my van which was parked on the edge of the highway next to the wheat field in Holmesville, Ontario near Goderich.

Red and white single engine and cockpit crop sprayer

Old Crop Duster by David Lear. Camera Canon EOS 7D

Biplane sprayer at work over fields by Brodhead, WI

Design: RIA by Berroco

Size: xs

Yarn: Merino de Luxe by YarnArt, 2 skeins

Needle: 3.00 mm, 3.50 mm

Beads: wooden, 8 mm

 

Ravelry:

www.ravelry.com/projects/Carmela-Biscuit/ria

Blogged:

carmelabiscuit.blogspot.com/

At Warehead Farm, milling grain is grown by the farmer.

Throughout the growing cycle the crops are tended to by a variety of machines in order that pesticides and fertilisers can be applied.

Today this sprayer, a Bateman 3000, was in use and can be seen here applying a pesticide to the crops.

100% crop of a sample picture taken with a Steinheil Quinar 135/3.5 wide open.

Fresno State Campus Farm almond orchard, cover crop planting, Oct. 17, 2017, photo by Geoff Thurner, Copyright 2017.

Floral diagrams of pollinator dependent crops

 

©FAO/Guida Joseph

NRCS District Conservationist Larrette Kolbe looks over a field recently planted with a cereal rye cover crop. planted field. Brian Jackson farm the land near Storm Lake, IA in Buena Vista County. Drainage from the farm goes directly into Storm Lake. The cover crop is used in conjunction with no-till farming, grassed backslap terraces, and grassed waterways for soil protection and strong nutrient management.

 

Please Credit: NRCS/SWCS photo by Lynn Betts

Photo: Photo Lê Trung

Makeup & Hair: Nhi Shuri Make Up 0906262039

Location: Princess Anna

Costume: Canary Fashion

Website: www.canary.com.vn

Số 4 Trần Nhật Duật Q1

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ufo1pf0 cropped and scaled by a factor of 5 without interpolation

Oklahoma Texas Border (SEA-DFW)

not sure which crop is better

The Doll Project is a series of conceptual digital photographs that uses fashion dolls to embody the negative messages the media gives to young girls. Though it would not be fair to blame it all on Barbie, there have been many instances in which she has come dangerously close. I chose to use Barbie dolls because they are miniature mannequins, emblems of the fashion world writ small, a representation of our culture's impossible standards of beauty scaled to one sixth actual size. The little pink scale and How To Lose Weight book are both real Barbie accessories from the 1960s. They are recurring motifs in the pictures in the series, symbolizing the ongoing dissatisfaction many girls and women feel about their weight and body image. The dolls' names, Ana and Mia, are taken from internet neologisms coined by anorexic and bulimic girls who have formed online communities with the unfortunate purpose of encouraging each other in their disordered eating. With each passing era, Ana and Mia are younger and younger, and the physical ideal to which they aspire becomes more unattainable. They internalize the unrealistic expectations of a society that digitally manipulates images of women in fashion and beauty advertisements and value their own bodies only as objects for others to look at and desire.

 

Read more about the project here:

tiffanygholar.blogspot.com/2008/08/doll-project.html

 

Purchase prints here:

society6.com/TiffanyGholar

 

Buy the book on Amazon and Etsy.

Only for JKPP. Thank you.

This photo was shot for a self portrait project.

Cover crops in a Washington County, Iowa, farm field.

 

Please Credit: NRCS/SWCS photo by Lynn Betts

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