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Creatures #5
Pier Giorgio De Pinto & Katja Vaghi
Una collaborazione tra il performer e artista transmediale Pier Giorgio De Pinto e la coreografa e danzatrice Katja Vaghi
Sede
i2a Istituto Internazionale di Architettura.
Limonaia di Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano, Svizzera
Durata dell'evento
Venerdì 5 Maggio, 2017
dalle 19:00 alle 19: 30 (30 minuti totali)
Sabato 6 maggio 2017
Quattro eventi: alle 11.30 poi ogni due ore ovvero 13.30, 15.30, 17:30 (30 minuti ad evento)
Creatures # 5 fa parte della Festa Danzante / Fête de la Danse / Tanzfest
Festa Danzante Ticino
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CREATURES #5 è un'installazione interattiva di Pier Giorgio De Pinto coadiuvata dalla presenza della danzatrice Katja Vaghi. Lei osserverà, riprodurrà ed elaborerà il movimento generato dal pubblico di fronte all'installazione digitale.
Oltre ai cinque sensi tradizionali, importanti per le nostre attività quotidiane ci sono anche l'equilibrio e il senso cinestetico o propriocezione. Questi ultimi due sono centrali nella danza. La danza, in tal modo, lavora prevalentemente con il nostro sesto e settimo senso! L'installazione vuole rendere il pubblico consapevole del proprio movimento e di quello degli altri per trasmettere il messaggio che qualsiasi movimento prodotto da qualcuno può potenzialmente generare materiale per la danza.
Una fotocamera tramite il software utilizzerà alcuni effetti per webcam che decodifica I visitatori davanti ad uno schermo. L'installazione modifica il risultato degli effetti grazie al movimento e alla forza della luce naturale che viene catturata dalla telecamera. Analogamente, ad intervalli specifici, la danzatrice osserverà, riprodurrà ed elaborarà i movimenti prodotti dal pubblico davanti all'installazione.
L'intento è quello di rendere il pubblico consapevole dei propri movimenti e di quelli degli altri. Quando I visitatori interagiranno con l'installazione saranno per lo più a conoscenza delle loro intenzioni, ma non del potenziale estetico che staranno generando. Allo stesso modo, il pubblico avrà la scelta di continuare ad interagire con l'installazione e/o con la danzatrice.
Un sentito grazie a Tiziana Conte, Ludovica Molo, Luca Crosta, i2a Istituto Internazionale di Architettura e a tutto lo staff di Festa Danzante.
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Creatures #5
Pier Giorgio De Pinto & Katja Vaghi
Collaboration between the performer and digital interaction artist Pier Giorgio De Pinto and the choreographer and dancer Katja Vaghi
Venue
i2a International Institute for Architecture.
Limonaia, Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano
Event duration
On Friday 5th May 2017
19:00-19:30
On Saturday6th May 2017
On going with dancer’s intervention every 2 hours for 30 min. Four slots starting at: 11.30, 13.30, 15:30, 17.30
Creatures #5 is part of the Fête de la Danse / Tanzfest / Festa Danzante
Festa Danzante Ticino
#creatures5 #festadanzante
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CREATURES #5 is an interactive installation by Pier Giorgio De Pinto supplemented with the presence of the dancer Katja Vaghi. She will observe, reproduce and elaborate the movement generated by the audience in front of the digital installation.
Beside the five traditional senses, important to our everyday activities are balance and the kinesthetic sense or proprioception. These last two are central to dance. Dance thus work predominantly with our six and seven sense! The installation wants to make the audience aware of their and other people’s movement and convey the message that any movement produced by any one can potentially generate dance material.
A camera via software will use webcam effects decoding people in front of a screen. The installation modifies the result of the effects thanks to movement and strength of natural light caught by the camera. Similarly, at set interval, the dancer will observe, reproduce and elaborate the movements produced by the audience in front of the installation.
The intent is to make the audience conscious of their own movements and that of others. When interacting with the installation they will mostly be aware of their intentions but not of the aesthetic potential they are generating. Thus, the audience will have the choice of continuing interacting with the installation and/or with the dancer.
Many thanks to Tiziana Conte, Ludovica Molo, Luca Crosta, i2a International Institute for Architecture i2a and the staff of Festa Danzante.
#creatures5 #festadanzante
Hand-cut and painted 34 piece MDF puzzles!
A collaborative project with Chris Yates! (who also took this photo)
It's been awhile since I have submitted anything here, but this month's challenge is very inspiring. A lot of work went into this project. I created this notebook cover for my sister using creatures from "Playful Animals" and "Froggy."
More photos are in my photostream and on my blog HERE:
Thanks for looking!
St Mary Redcliffe is an Anglican parish church located in the Redcliffe district of the English port city of Bristol, close to the city centre. Constructed from the 12th to the 15th centuries, the church is a Grade 1 listed building, St Mary Redcliffe is renowned for the beauty of its Gothic architecture, having been described by Queen Elizabeth I as "the fairest, goodliest, and most famous parish church in England."
Not your conventional bumblebee shot. There is something that makes me feel like this is right out of a B movie from the 60s.
Even better here 'The Creature' On Black
Bringing fictional creatures into existence within a live art and theatrical context.
Creature is a cross-disciplinary project led by SDNA in collaboration with pioneering digital media artists, neuro-scientists, electronic musicians, dancers and physical performers, and explores the ways in which we can bring fictional creatures into existence within a live art and theatrical context. The first stage of research focused on the exploration of the ideal conditions needed for the human imagination to conjure visions of a “Creature.”
From The Creature Walks Among Us, a disturbing film where scientists attempt to try and surgically alter the Creature from the Black Lagoon so that it can live on land, instead of the sea. It eventually ends up looking like Tor Johnson or Coleman Francis.
Creature with the Atom Brain.
Aldo Struyf.
3 march 2012.
Trix Antwerp.
photo: Alex Vanhee.
Creature with the Atom Brain is a Belgian alternative rock band consisting of Millionaire keyboardist Aldo Struyf (Guitar/Keys/Vocals), Michael Lawrence(Drums), Jan Wygers (Bass) and Michiel Van Cleuvenbergen (Guitar).
A towel creature created by our cabin steward relaxing in Greg and Liz's bed, remote and drink in "hand".
Tuesday March 25, 2008
Luzern, Zentral- und Hochschulbibliothek, Msc. 42. fol.: Nicolas de Lira, Commentaire de la Bible (www.e-codices.uni...) Latin Résumé du manuscrit:Le manuscrit contient le commentaire du franciscain français Nicolas de Lira (vers 1270/1275-1349) sur les livres vétérotestamentaires d’Isaïe, avec des illustrations réalisées en Suisse centrale.
my submission to the Foxtrot Collectives 2nd Issue Zine - title/theme 'the scary creature' drawn in ink and whacked into noodlechop to add a little 'out of this worldliness'!!! Is he scary???
British Library, Add MS 18850, detail of f. 9v. Book of Hours of the use of Paris, known as the ‘Bedford Hours’. Paris, early 15th century.
London BL - Harley 1340 f. 5r Pope John XXII
Vaticinia de Pontificibus
Prophecy of the popes
London British Library Harley 1340
Attributed to Joachim of Fiore
Florence, Italy, 2nd quarter of the 15th century
The next section was mainly through woodland, but occassionally passing through fields. I thought I was doing quite well and keeping up a very good pace, but little did I know that these woods would be the woods of creepy crawly hell!
From every tree over the path dangled hundreds of tiny green catapiller things which dropped onto me when I walked through. They were cute at first but after the fiftieth time of feeling the telltale wispy spider threads against my skin and then flicking the green things off my jacket, trousers and rucksack straps, it got really annoying - and slowed me down massively as I had to stop and carefully extract them from my person. Grrr! Once I'd got them off me I walked on and saw some more danglng from the trees ahead... by the end I was like a crazy woman waving a long stick in front of me to try to catch the threads and whisk them away before they attached themselves to me once again.
North Downs Way - Stage 6 - Otford to Cuxton
Ironstone intaglio: Snake-headed Genius
Period: Imperial Date: 2nd century A.D. Culture: Roman
The Metropolitan Museum of Art.
A lovable monkey creature from a dream, adorned with fluffy fur and captivating large gentle eyes. Its playful charm is accentuated by a beautiful fiery tail.
Alex Troncoso, brewer at Little Creatures and a judge at the BrewNZ Beer Awards, chats with a customer.
I have had reports that the customer is Geoffrey Scharer, owner of the first brew pub in Australia.
Creature at the winter carnival in Evolene, Switzerland. The "peluches" wear wooden masks representing cats, foxes, or wolves - rarely a human being. These face masks are real works of art and are carved by regional artists, who sometimes wear their own creations.
Their bodies are covered in untanned sheep, chamois, fox or marmot hide, and they carry cow bells, to be rung when they approach a victim!