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I'think photography is one of the most creative and at the same time passive type of art. What is the most important thing in art? Create! Create something Original, something new, something never seen before. But for photography is more difficult than every other type of art, because it's only a reproduction of something that already exists. Where is art in photografy? It's in the Photographer! Art in photography is located in the sensibility of the Photografer, who after a long improvment of the camera, is able to take fast-Photo at everything that catch his or her attention, giving the color tridimensionality that he/she wants, and producing the volumetric effect that desiders.

 

I take this photo in a moment in which I've never seen a man photoed before, so I make it thinking making something new,something extrimely realistic and easy,and why not selfironic.

unleash your creativity in an innovative team bounding activity!

Hummm... not so bad.

 

This is still rough though. All I need for this work is two sheets of papers only. I think the paper should be more thick for real use.

 

I found it seems the origami works enough well to make icPod :)

 

フリーハンドでここまでできるとすると、icPod は自作できるかも。

 

Ref. : @blog, Origami Pod v. 0

Panel discussion on Global Creativity between Richard Florida, Jim Rygiel, Human Nature, and Bruce Mau.

 

More Pop!Tech art by Peter Durand of Alphachimp Studio Inc. at: www.alphachimp.com/poptech-art/

The word creativity in print letter cases

www.wemovebeyond.com/

 

At Beyond, we believe that the key to success of Generation Z in the 21st century is a hacker mindset. Imagination, curiosity, determination, self organised learning and the courage to fail and experiment are the traits that will help prepare this next generation for the unknown ahead.

 

OUR MISSION IS TO HELP TEENS FIND CONFIDENCE IN THEIR CREATIVITY AND BECOME AGENTS OF CHANGE.

 

Forget Everything You Learned About Millennials. Meet Generation Hack.

 

Generation Hack is different from the Millennial generation. They are the opposites or extreme versions of Millennials. They wish their hobby would turn into a full-time job. They are mature and in control. They would rather save money than spend it. They are determined to “make a difference” and “make an impact.” Social entrepreneurship is one of the most popular career choices for them, as they intend to change the world.

 

www.wemovebeyond.com

I enjoy presenting myself as a creative human being; a transvestite in a creative town surrounded by artwork

The assortment of "chocolate" bars Isabel made

 

Isabel created chocolate bars out of cardboard, and then wrapped them in a wrapper and wrote out the description and price on the wrapper

part of diaptych :: mεss-up N/N mεss-agε composed for YSE#17.

 

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Outlining a Theory of General Creativity . .

. . on a 'Pataphysical projectory

 

Entropy ≥ Memory ● Creativity ²

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Study of the day:

 

. . "(...) L'objet en quoi s'inscrivent les pouvoirs, de toute éternité humaine, c'est le langage. Ou pour être plus précis, son expression obligée : la langue. Le langage est une législation, la langue en est le code. Nous ne voyons pas le pouvoir qui est dans la langue parce que nous oublions que toute langue est un classement, et que tout classement est oppressif.

 

(...) Jakobson l'a montré, un idiome se définit moins par ce qu'il permet de dire que par ce qu'il oblige à dire. (...) Ainsi, par sa structure même, la langue implique une relation fatale d'aliénation. Parler, et à plus forte raison discourir, ce n'est pas communiquer, comme on le répète trop souvent, c'est assujettir. (...)

 

La langue est tout simplement fasciste ; car le fascisme, ce n'est pas d'empêcher de dire, c'est d'obliger à dire. Dès qu'elle est proférée, fût-ce dans l'intimité la plus profonde du sujet, la langue entre au service d'un pouvoir. En elle, immanquablement, deux rubriques se dessinent : l'autorité de l'assertion et la grégarité de la répétition. D'une part la langue est immédiatement assertive. (...) Ce que les linguistes appellent la modalité n'est jamais que le supplément de la langue, ce par quoi, telle une supplique, j'essaye de fléchir son pouvoir implacable de constatation. D'autre part, les signes dont la langue est faite, les signes n'existent que pour autant qu'ils sont reconnus, c'est à dire pour autant qu'ils se répètent ; le signe est suiviste, grégaire ; en chaque signe dort ce monstre : un stéréotype. (...)

 

A nous qui ne sommes ni des chevaliers de la foi, ni des surhommes, il ne reste qu'à tricher avec la langue, qu'à tricher la langue ; tricherie salutaire, esquive, leurre magnifique qui permet d'entendre la langue hors-pouvoir, dans la splendeur d'une révolution permanente du langage. (...)

 

The purpose in which the powers of any human eternity are inscribed, is the language. Languages are legislations, each language is a code. We do not see the power that is in the language because we forget that any language is a classification, and that any classification is oppressive.

 

(...) Jakobson has shown it, an idiom is defined less by what he can say than by what he forces to say. (...) Thus, by its very structure, the language implies a fatal relationship of alienation. Talking, and so even more discoursing, it is not "to communicate", as repeated too often, it is "to subdue". (...)

 

The language is quite simply fascist ; for fascism does not prevent speech, it compels speech. As soon as it is uttered, even in the intimacy of the deepest respect of the subject, the language enters the service of a Power. In it, inevitably, two topics are emerging : the authority of the assertion and the gregariousness of repetition. On the one hand, the language is immediately assertive. (...) What linguists call the mood, is nothing but additionals of the language, by which, such a petition, we try to flex its power of its implacable determinations. On the other hand, signs of which language is made, signs exist unless "they are recognized", that is to say "they are repeated". The sign is a follower, gregarious, in each sign sleeps this monster: a stereotype. (...)

 

To us who are neither knights of faith, nor supermen, it only remains to cheat with the language, to cheat the language. Healthy cheating, wonderful lure which can hear the language out of power, in the splendour of a permanent language revolution.

 

( Roland Barthes - Extrait de la Leçon inaugurale au Collège de France, le 7 janvier 1977 )

 

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rectO-persO | E ≥ m.C² | co~errAnce | TiLt

Building some nice logos on a Friday

This one is reasonably self explanatory. But I have no idea about the kangaroo ears.

©2014 RESilU | Please don't use this image without my explicit permission.

|| FreiRaum - My Blog || My most interestings

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Image: The Vision - The androgynous Spirit - NyNv || Set: T-Shaman || Image: Drum up Oblivion || || Set: T-Vision || Image: The Door or "The realistic Dream" || Schamanen || Schamanen ||

 

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To called to the shaman is the man who survived a deadly crisis and productively implement the experience of exclusion, physical and psychological threat could.

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Source:Gottwald/Rätsch, Schamanische Wissenschaften

 

Zum Schamanen berufen ist der Mensch, welcher eine todbringende Krise überlebte und die Erfahrung der Ausgrenzung, der physischen und psychischen Bedrohung produktiv umzusetzen vermochte.

 

Franz-Theo Gottwald / Christian Rätsch: Schamanische Wissenschaften - Ökologie, Naturwissenschaft und Kunst. München : Diederichs Gelbe Reihe 1998

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Re-input from one's eyes. It seems another important function of writing index cards.

Foto di Stefano Corso

DailyShoot:Make a photo with the number 4 in it one way or another. Maybe 4 items. Maybe a written number. Maybe more abstract.

 

Four parts to the base. :)

 

A friend and I experimented with wetting old books, shaping and cutting them, then drying them (http://theshoppingsherpa.blogspot.com/2011/01/books-in-bath.html ).

 

These are the results...

#1 dramatic light discovered on the dog walk at sunset

I don't know who the artist was that came up with these crazy statues in the Palace Gardens, but I think there may have been drugs involved.

Matheran - A hill resort at an altitude of 800 meters was discovered by Mr. Hugh Poyntz Malet, the then Collector of Thane in May 1850. Lord Elphinstone, the then Governor of Mumbai laid foundations of the future development of Matheran as a hill station. The popular 21km narrow gauge (2 feet) line of the mini train from Neral to Matheran was constructed in 1907 by Sir Adamjee Peerbhoy, who formed a limited company with an authorised capital of ten lakh rupees divided into 2000 shares.

The train journey from Neral to Matheran takes about 2 hours and the train runs past deep valleys and through dense forest. The track zig-zags up the side of the hill with more than 200 such sharp curves bringing into view the full beauty of the Matheran Hill.

This train service had been stopped as the tracks were wahed away by 26th July 2005 heavy rains. However the tracks have been repaired and the train is now back on track since March 2007, when it celebrated its centenary. Officials are now pushing for the train to be included into UNESCO’s World Heritage List.

Foto di Stefano Corso

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