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Photo by Chris Boland / www.chrisboland.com
El cubo de la escalera del monasterio, está decorada con una cruz con una calavera (Gûlgaltâ en arameo) al pie. El significado religioso de la calavera y los huesos cruzados se ha perdido a través del tiempo.
Juan 19:17
Jesús, cargando sobre sà la cruz, salió de la ciudad para dirigirse al lugar llamado "del Cráneo", en hebreo, "Gólgota".
The monastery stairwell has a cross with a skull (Gûlgaltâ in Aramaic) on its base. The religious meaning of the skull and the crossed bones has faded as time has passed.
John 19:17
And carrying his cross by himself, he went out to the so-called Place of the Skull, which is called in 'Hebrew' Golgotha.
This work is licensed under a Crew ative Commons Attribution-No Derivative Works 3.0 License.
Mi blog: nicoli.mx
Twitter: @chepenicoli
Friends and family help to carry Nellie from her home to the waiting truck, on her way to the family grave site a few hundred yards away. This photo carries a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported license. Please use the following attribution in all uses: Photo courtesy of C.L. Hickerson
Protest against doublethink - a peace dove is a paraglider while genocide is self defence
On Sunday 5 May, activists campaigning for a Gaza ceasefire, including several students, demonstrated outside London's police headquarters at New Scotland Yard following the arrest of four protesters the previous day. They had been at a protest outside University College London where they had been holding a large banner with a picture of a dove of peace grasping a key (symbolising the famous key of return) flying through a breach in the infamous separation wall.
The separation wall doesn't stand anywhere near Gaza, and 80% of it doesn't even run along Israel's 1967 internationally recognised border or green line, running instead deep within the occupied West Bank separating Palestinian farmers from their land and Palestinian villagers from the water supplies. For some reason, which is difficult to comprehend, the police presumably believed that the artwork expressed support for the 7 October attack. That might be understandable if there had been a paraglider depicted or any part of the Gaza boundary, but instead it featured the separation wall which has been frequently an object of political art ever since it was constructed.
Those detained were released, according to what I heard, on bail and, I understand, in at least some instances, without their phones.
According to a tweet by Vijay Prashad quoted in the Canary - "The police said that this image at UCL was illegal because the blue sky was in reference to the weather on October 7, 2023." He added "I would like to have a conversation about art criticism with the inspector in charge from Holborn police."
www.thecanary.co/trending/2024/05/07/ucl-arrests-student-...
Hopefully someone can explain that a blue sky above the Separation Wall is nothing unusual let alone some secretive message in support of terror as can be seen in the following linked photographs of the Separation Wall - I can't see a single cloud in any of them - and most were presumably taken before 7 October 2023.
www.mediastorehouse.co.uk/discover-images-by-awl/lookout-...
www.alamy.com/the-separation-wall-in-bethlehem-palestine-...
www.pinterest.co.uk/pin/290200769713725569/
www.dreamstime.com/stock-photography-israeli-separation-w...
www.istockphoto.com/photo/idf-tower-and-barrier-rachels-t...
www.dreamstime.com/royalty-free-stock-photos-palestinian-...
www.dreamstime.com/stock-photo-israeli-separation-wall-im...
www.istockphoto.com/photo/palestinian-children-at-playgro...
www.istockphoto.com/photo/foreign-visitors-touring-separa...
www.gettyimages.co.uk/detail/news-photo/an-eight-meter-hi...
Photo licence
Although this image is being posted on an attribution noncommercial share alike basis CC BY-NC-SA 2.0 DEED, the following organisations and publications listed on the link below are also welcome to reproduce it even if it is for commercial purposes or to raise money. However please publish the image on the same attribution noncommercial share alike basis. For more info or if any other organisation or other publication wishes to publish this photo on a commercial basis please email me at alisdare@gmail.com.
This image is free for you to use, commercially or otherwise. All I ask is that you attribute the image to myself and include a link from your blog or website to my site:
Ted Court, 2004
A photo taken on our way back from visiting Frank, Alberta sight of the Frank slide in 1903.
Questo opera è distribuito con licenza Creative Commons Attribuzione - Condividi allo stesso modo 2.0 Generico.
Black and White 5 - Augusto De Luca photographer
1980
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Painted with artrage for iPad. Love this app. You can use a virtual pallet knife to paint with and it feels so real you can practically smell the linseed oil.
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LOS ANGELES - The Los Angeles Fire Department gathered on May 5, 2022 to honor the achievements of seventy LAFD uniformed and civilian members who successfully completed the demanding process of promoting in rank or status within the Department.
Expressing her pride in their accomplishments, City of Los Angeles Fire Chief Kristin M. Crowley oversaw the formal promotion ceremony at the LAFD Frank Hotchkin Memorial Training Center in Elysian Park.
Individually honored at the event were:
PROMOTING TO BATTALION CHIEF:
Martin G. Mullen
Ricky D. Crawford
Brett R. Willis
Timothy G. Lambert
PROMOTING TO CAPTAIN II:
Abran Tapia III
Kyle M. Rausch
Timothy J. Toledo
Bryan R. Willis
Leroy R. Rogers
Santino B. Marcione
Daniel J. Will
PROMOTING TO CAPTAIN I:
Landon Rupright
Kuniyuki Kasahara
Austin M. Hajjar
Scott R. Benton
Jason E. Yim
Bryan A. Geiger
Senay I. Teklu
Dameon A. Cane
Osbaldo G. Garcia
Stephen M. Hiserman
PROMOTING TO APPARATUS OPERATOR:
Brian A. Farris
Aaron E. Brownell
Mark S. Perine
Cameron S. Sentance
PROMOTING TO ENGINEER:
Anh M. Nguyen
Garrett M. Roach
Jacob S. Gonzalez
Jake B. Lins
Paul D. Jeremica
Matthew R. Moon
Calos Zuniga
Chelsey C. Grigsby
Cody A. Morgan
Drew R. Denton
Jesus Padilla
Cody E. Eitner
Christopher R. Winn
William F. Isozaki
Presyller G. Gadia Jr.
PROMOTING TO INSPECTOR II:
Laveon Rider
Daryl S. Yoshihashi
Lance S. Kawakami
PROMOTING TO INSPECTOR I:
Mathew J. Kovar
Blake S. Robbins
Jason G. Bunn
Marteese Smith
Benjamin R. Guzman
Ildefonso Felix
Lonnie Lopez
John D. Heller
PROMOTING TO FIREFIGHTER III / PARAMEDIC:
Natalie N. Martin
A'Raymond S. Smith
Charles Flowers
Jacy W. Hernandez
Sergio Lara Jara
Edward J. Oh
Mitchell R. Wasserman
Darion M. Timmons
Zulema Chavez
Jonathan C. McNey
PROMOTING TO SENIOR COMMUNICATIONS ELECTRICIAN:
Frank Moreno
PROMOTING TO FIRE SPECIAL INVESTIGATOR:
Valerie J. Ross
PROMOTING TO SECRETARY:
Hana K. Ali
PROMOTING TO SENIOR ADMINISTRATIVE CLERK:
Gina Nelson
PROMOTING TO SENIOR ACCOUNTANT II:
Marife Espenilla
PROMOTING TO EXECUTIVE ADMINISTRATIVE ASSISTANT III:
Isela Iniquez
PROMOTING TO FIRE PROTECTION ENGINEER ASSOCIATE IV:
William D. Johns
Oscar Salgado
PROMOTING TO SENIOR PERSONNEL ANALYST II:
Irma Romanelli
----------------------------
Photo Use Permitted via Creative Commons - Credit LAFD
LAFD Event 050522-Promotion Ceremony
Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk
Parc René-Lévesque, Musée plein-air de Lachine
De retour sur les lieux de son enfance, sur la rue Roberval à Côte-Saint-Paul, LeBlanc découvre que ce quartier a subi d'importantes transformations depuis son départ en 1959. La fermeture du canal de Lachine a entraîné le déclin des activités industrielles de ce secteur et la maison où il est né et a passé son enfance, a été démolie pour faire place à une voie rapide surélevée, l'échangeur Turcot. Plus que la simple commémoration d'un souvenir personnel, cette œuvre pointe les trous de mémoire de l'histoire où s'engouffrent les lieux des petites gens. Elle parle de l'oubli et de la destrcution qui guettent leur milieu de vie. Au-delà de la valeur matérielle de ce patrimoine bâti, il pointe l'écart existant entre le sort réservé aux quartiers des villes selon le statut de ses résidents. Deux éléments sont non urbains, une rame qui souligne les origines familiales de l'artiste (Îles-de-la-Madeleine) et une pierre au sommet d'une colonne, qui rappelle non seulement les origines de l'homme à l'âge de pierre, mais aussi son lieu de résidence et d'appartenance depuis plus de vingt-cinq ans, les Laurentides.
L'œuvre a été réalisée pour le premier Salon international de sculpture extérieure de Montréal (SISEM), qui se tenait du 9 juillet au 7 septembre 1992, dont la thématique était «Aux quatre vents», dans le cadre des célébrations du 350e anniversaire de la fondation de Montréal.
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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
You are free:
to Share — to copy, distribute and transmit the work
to Remix — to adapt the work
But Under the following conditions:
Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
Noncommercial — You may not use this work for commercial purposes.
Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.