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GP Images by Gianpierre Soto is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
fire 2
creative commons
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Festival « Art Souterrain », édition 2020.
Type : Photographie.
Zone : Complexe Guy-Favreau
Description de l'œuvre :
Le projet photographique Anarchitecture déconstruit notre environnement urbain quotidien pour en offrir une nouvelle réalité. Par son travail de fragmentation de l’image et de mise en opposition d’éléments, Ratsi opère une ou plusieurs remodélisation du paysage par le traitement numérique de clichés.
Ce projet considère la réalité objective, l’espace et la matière comme des notions d’information intangibles.
Par le biais de la décomposition photographique, Ratsi crée une cassure dans cette réalité objective (celle des grands ensembles urbains), altérant notre perception du réel. Ces architectures du quotidien deviennent à la fois étranges et familières, proches et lointaines.
En interrogeant l’individu sur sa capacité à reconstruire ce que l’artiste a morcelé, Olivier Ratsi provoque une forme d’interaction entre l’œuvre et le spectateur.
Commissaire : Juliette Bibasse
Biographie – Olivier Ratsi:
Olivier Ratsi est un artiste visuel français basé à Paris.
Se basant sur l’expérience de la réalité et de ses représentations ainsi que sur la perception de l’espace, il conçoit des œuvres qui amènent le spectateur à se questionner sur sa propre interprétation du réel.
Durant le processus de création, Olivier Ratsi met en œuvre des dispositifs de déconstruction des repères spatio-temporels en s’appuyant sur la technique de l’anamorphose qu’il développe au cours de ses recherches.
Opérant une cassure dans la réalité objective, ses créations ne se veulent pas tant un déclencheur d’émotions ou un moyen de perturber les sens qu’un catalyseur de points de vue, de références culturelles et psychologiques. Ainsi, le spectateur n’est nullement privé de sa capacité subjective de reconstruction/reconstitution de la réalité et est invité à prendre position afin de vivre l’œuvre en fonction de son propre ressenti.
Olivier Ratsi est connu comme l’un des cofondateurs et un ancien membre du collectif d’artistes AntiVJ. Travaillant maintenant comme artiste indépendant, il a présenté ses œuvres lors d’expositions individuelles et collectives à travers le monde.
www.artsouterrain.com/activite/anarchitecture-olivier-ratsi/
really loving growing and eating these Padrón peppers year. They are doing so well in the polytunnel.
ready for the oven
On Saturday 8 June, the 15th national rally since October 2023 was organised by the Palestine Solidarity Campaign and other groups, and possibly as many as 175,000 protesters marched across central London from Russell Square to Whitehall and Parliament Square.
It is difficult to estimate the total number of demonstrators but I stopped on Horse Guards Avenue to photograph individuals and groups, and it took at least an hour for the majority of the marchers to pass.
At exactly the same time as the front of the march was arriving in Whitehall, Israel's armed forces conducted an assault on the Nuseirat Refugee camp in Gaza which resulted in the rescue of 4 hostages, but in which 274 Palestinians and one Israeli soldier were killed. One man who was in the market buying vegetables at the time the assault occurred, described to the BBC how "people's bodies were in pieces, scattered in the streets, and blood stained the walls."
www.bbc.co.uk/news/articles/cw44ve90dppo
The attack lasted some 75 minutes and caused horrific devastation to the area. Karin Huster who worked with Doctors Without Borders at the nearby Al Aqsa hospital commented
"There is nothing, nothing at all that justifies what I saw today... Nothing. These children — the 3-month-old, the 7-year-old, the 12-year-old who died — the 25-year-old man, the 78-year-old woman, who all have horrendous injuries. Why did they deserve this? And why is the world looking on in silence? To what level of horror do we need to go before we finally do something, before we finally tell Israel that this is not acceptable?”
theintercept.com/2024/06/10/nuseirat-massacre-israel-host...
Despite the staggering death toll it was hailed as a "stunning triumph" by Britain's "Sunday Telegraph" while Senator Tom Cotton described it as as "wonderful day," praising the "truly heroic, well-executed mission" and declared he was "very dismayed" by the New York Times and Washington Post which had been critical of Israel regarding the number of civilians killed. [1]
Would we have seen such jubilant commentary if 274 British or American citizens had been slaughtered during an operation to rescue hostages?
Rather more soberly some Arab media described the operation as a "massacre."
www.al-akhbar.com/Palestine/382962/مذبحة-في-الم...
As of the date of posting (11 June 2024) at least 37,702 Palestinians have been killed since 7 October, including more than 15,000 children. An estimated 10,000 are missing, of whom most are probably dead.
There is also an unknown number of additional deaths due to excess mortality from food shortages, disease and difficulties in obtaining essential medical care and medicines, while more than 84,000 Palestinians have been injured, many of them with life-changing injuries including many amputations.
According to the United Nations, as of 9 June, more than half of all residential buildings have been destroyed or damaged but with some key infrastructure the destruction is even more devastating - including 130 ambulances, 267 places of worship, 80% of commercial facilities and 88% of school buildings damaged or destroyed. Additionally some 83% of groundwater wells are no longer operational.
www.aljazeera.com/news/longform/2023/10/9/israel-hamas-wa...
FOOTNOTE
1. Sources- re: the Daily Telegraph editorial and commentary by Senator Tom Cotton.
vinnews.com/2024/06/09/sunday-telegraph-praises-israels-s...
www.dailywire.com/news/tom-cotton-rips-pro-hamas-voices-c...
www.telegraph.co.uk/opinion/2024/06/08/we-must-back-israe...
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A creative commons PHOTO LICENSE for COMMERCIAL USE for this photo is AVAILABLE for over sixty NGOs and socialist or progressive publications which are listed on the link below
Although this image is being posted on an attribution noncommercial share alike basis CC BY-NC-SA 2.0 DEED, the following organisations and publications listed on the link below are also welcome to reproduce it even if it is for commercial purposes. However please publish the image on the same attribution noncommercial share alike basis. For more info or if any other organisation, person or publication wishes to publish this photo on a commercial basis please email me at alisdare@gmail.com.
Custom dready tam hat knitted from handdyed, some handspun wool yarn. I knit several strands at once for thickness and color variegation.
cc: by-sa Sarah Klockars-Clauser
for more information: creativecommons.org/licenses/by-sa/3.0/us/
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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Based on information from the source, this image is believe to be in the public domain. It is up to the user to make their own determination. Additional information is provided below, usually the entire online file, to assist you in doing so. Public domain images SHOULD NOT BE ATTRIBUTED TO PINGNEWS. Please attribute the repository and the originator. If you can add "via pingnews" or a link back to this site it is appreciated. While it may appear with this image, the attribution license does not apply to pingnews in this instance as we are neither the creator of nor the archive for this work.
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Public Domain. Suggested credit: Graphic Arts/Library of Congress via pingnews. Additional information from source:
TITLE: Westminster exterior / J. Alphege Brewer ; Henry C. Brewer.
CALL NUMBER: PGA - Brewer, J. Alphege--Westminster exterior (D size) [P&P]
REPRODUCTION NUMBER: LC-DIG-pga-00300 (digital file from original print)
LC-USZ62-95750 (b&w film copy neg.)
SUMMARY: Parliament with boats on water in foreground.
MEDIUM: 1 print : etching, color.
CREATED/PUBLISHED: c1920 Aug. 6.
CREATOR:
Brewer, J. Alphege, etcher.
RELATED NAMES:
Brewer, Henry C., etcher.
NOTES:
Copyright by Alfred Bell & Co., London, England.
SUBJECTS:
Waterfronts--England--London--1920.
Government buildings--England--London--1920.
FORMAT:
Etchings 1920.
DIGITAL ID: (digital file from original print) pga 00300 hdl.loc.gov/loc.pnp/pga.00300
(b&w film copy neg.) cph 3b41887 hdl.loc.gov/loc.pnp/cph.3b41887
VIDEO FRAME ID: LCPP003B-41887
CONTROL #: 91789369
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From my archives..... This is from the Wayanad trip that I went in October last year. Had edited it in November and had totally forgotten about it. Found it during a search for some images in my hard disk. The cold & rainy feel of the shot & the windy nature of the click made me post this today....(It is slightly chill & looks like it might rain anytime here in Chennai!!!)
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
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More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
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Nitcho Reinhardt Trio opptrer på Cosmopolite under Django-festivalen 2016.
Oslo [Norway]
© 2016 Tore Sætre
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You can find my #textures and frames in www.texturepalace.com
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Free for use (as an adaptation) in any commercial or noncommercial work. These textures are NOT to be for sale individually or as part of a collection. May be distributed freely if this message is included. See this link for details:
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
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