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The Sanctuary of Truth is a magnificent temple in Pattaya, Thailand, that stands as a tribute to traditional Thai architecture and craftsmanship. The temple is entirely made of wood, with intricate carvings depicting various Hindu and Buddhist deities, as well as ancient Thai mythological figures. The construction of the Sanctuary of Truth began in 1981 and is still ongoing. The temple covers an area of over two hectares and is over 100 meters tall. It was designed by a local businessman named Lek Viriyaphant. The Sanctuary of Truth is not affiliated with any specific religion, but rather serves as a symbol of the unity of all religions and beliefs. It is a peaceful and tranquil place where visitors can reflect and appreciate the beauty of Thai culture and tradition. The Sanctuary of Truth also serves as a cultural and educational center. It hosts various workshops and events throughout the year, aimed at promoting traditional Thai arts and crafts.
The main hall of the Sanctuary of Truth is a prominent feature of this beautiful wooden structure in Pattaya, Thailand. The balcony is located on the first floor of the sanctuary and offers a nice view of the surroundings and the sea. The balcony itself is decorated with beautiful carvings and statues of mythological creatures and gods from Thai, Indian and Chinese traditions. The carvings are made by talented craftsmen who master the traditional techniques of woodworking and who have perfected the art of woodcarving to perfection. The main hall is designed as a place where visitors can admire the elaborate carvings. It also offers a chance to contemplate the complexity of the architecture and the philosophy behind the shrine. The Sanctuary of Truth is an impressive structure built as a tribute to the ancient Eastern philosophies and cultures. The main hall is just one of the many beautiful features of this shrine and a must-see for visitors visiting Pattaya.
The Sanctuary of Truth is een prachtige tempel in Pattaya, Thailand, die een eerbetoon is aan de traditionele Thaise architectuur en vakmanschap. De tempel is volledig gemaakt van hout, met ingewikkeld houtsnijwerk dat verschillende hindoeïstische en boeddhistische godheden uitbeeldt, evenals oude Thaise mythologische figuren. De bouw van het Sanctuary of Truth begon in 1981 en is nog steeds aan de gang. De tempel heeft een oppervlakte van ruim twee hectare en is meer dan 100 meter hoog. Het is ontworpen door een lokale zakenman genaamd Lek Viriyaphant. The Sanctuary of Truth is niet gelieerd aan een specifieke religie, maar dient eerder als een symbool van de eenheid van alle religies en overtuigingen. Het is een vredige en rustige plek waar bezoekers de schoonheid van de Thaise cultuur en traditie kunnen overdenken en waarderen. The Sanctuary of Truth doet ook dienst als cultureel en educatief centrum. Het organiseert het hele jaar door verschillende workshops en evenementen, gericht op het promoten van traditionele Thaise kunsten en ambachten. Er is geen vastgestelde datum voor wanneer de bouw van de Sanctuary of Truth in Pattaya zal worden voltooid, omdat het project voortdurend in ontwikkeling is en wordt uitgebreid met als doel om de tempel zo authentiek en gedetailleerd mogelijk te maken. Het doel van de bouwers is om de tempel over te dragen aan de volgende generatie, zodat deze kan worden voortgezet en onderhouden als een cultureel erfgoed en als een symbool van de Thaise traditionele waarden en geschiedenis. De centrale hal zelf is versierd met prachtig houtsnijwerk en beelden van mythologische wezens en goden uit de Thaise, Indiase en Chinese tradities. De houtsnijwerken zijn gemaakt door getalenteerde ambachtslieden die de traditionele technieken van houtbewerking beheersen en die de kunst van houtsnijden tot in de perfectie hebben geperfectioneerd.
This angle could make many think about what they are seeing; really it's only the grill insert of an antique car from around the 40's
Artisans Angkor is a Cambodian social business creating job opportunities for young people in rural areas, while reviving traditional Khmer craftsmanship (stone and wood carving, painting on statues and on silk, lacquering, and silver plating).
The organization, founded in 1992, is located on Stung Thmey Street, 2 minutes walk from the Old Market in Siem Reap centre, Cambodia.
Tétouan is famed for its fine craftsmanship and musical delicacy and has been part of the UNESCO Creative Cities Network in the area of Crafts and Folk Art since 2017. Its cultural heritage is the product of the interaction between different cultural influences throughout centuries. It is mainly characterized by its Andalusian style and way of living but both Berber, Jewish and Colonial Spanish influences are present too.
The streets are fairly wide and straight, and many of the houses belonging to aristocratic families, descendants of those expelled from Al-Andalus by the Spanish Reconquista, possess marble fountains and have groves planted with orange trees. Within the houses and riads the ceilings are often exquisitely carved and painted in Hispano-Moresque designs, such as are found in the Alhambra of Granada, and the tile-work for which Tetuan is known may be seen on floors, pillars and dados. The city has seven gates which were closed at night up until early 20th century. Many Sufi Zawiyas are scattered inside the walled old city.
Although about half the windows in the structure had been broken over its years of neglect, the beautifully detailed bay window on the front face was still intact, including the large window panes and a colorful stained glass transom panel.
Such incredible work done by the craft artisans of Ecuador. This is a close up photo of the weaving on one piece for sale in the Otavalo market. It certainly illustrates the beauty of the workmanship. Taken by my friend Vilma Suarez.
A special work of art creates an imposing entrance to welcome visitors at the majestic New Schleißheim Palace Complex near Munich, one of the largest former residences of the Bavarian royal family.
Richland Hall is a three-story, late-nineteenth century vernacular commercial building constructed in 1894 of brick. It is located in a row of small businesses across from Sylvan Park (a local city park) and a neighborhood of late-nineteenth and early-twentieth century houses in the West Nashville section of Nashville, Tennessee. It was nominated for the National Register of Historic Places under National Register criteria A & C for its association with the development of the turn-of-the-century planned community of West Nashville and its local architectural significance. The building exhibits fine craftsmanship and is one of the best neighborhood commercial buildings remaining in Nashville from the turn-of- the-century. Although the interior has been altered, the building retains its architectural and historical integrity. Dr. H.M. Pierce of Buffalo, New York founded West Nashville in 1887. He intended that the planned community on the outskirts of Nashville become an "industrial metropolis" indicative of a general trend in the U.S. and particularly of Southern urban areas in the late nineteenth century. Pierce further formed a firm to develop the area; the Nashville Land Improvement Company. Named after the stock farm on which West Nashville was built, Richland Hall was erected for the then considerable sum of $4,783.26 by James A. Bowling and Sons, Contractors and Builders. It remains today as the largest and the most architecturally significant of the four surviving late-nineteenth-century commercial buildings in West Nashville.
This building was listed on the NRHP on September 1, 1983. And all information above was taken from the original documents submitted for listing consideration and can be viewed here:
npgallery.nps.gov/NRHP/GetAsset/6cbf56d9-0ce8-4545-81f7-2...
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the link below:
This is what happens when you stupidly paint heritage brickwork and the paint traps moisture ..
LR2134
In this powerful black-and-white image, two workers are seen in a dimly lit industrial workshop. One of them is actively welding metal sheets, producing bright sparks that illuminate the dark environment, while the other sits nearby, taking a moment of rest. The surroundings are filled with heavy steel plates, gas cylinders, and machinery, creating an atmosphere of hard labor and craftsmanship. The image captures the raw intensity and dedication required in metalworking and heavy industry, highlighting the contrast between light and shadow in this gritty industrial setting.
Artisans Angkor is a Cambodian social business creating job opportunities for young people in rural areas, while reviving traditional Khmer craftsmanship (stone and wood carving, painting on statues and on silk, lacquering, and silver plating).
The organization, founded in 1992, is located on Stung Thmey Street, 2 minutes walk from the Old Market in Siem Reap centre, Cambodia.
Part of the remains of the Bethlehem Steel complex in Bethlehem, Pennsylvania. The power/blower house is on the left and the Number 2 Machine Shop is across the street on the right. Bethlehem Steel ceased operations at the Bethlehem plant in 1995 after years of financial losses and shrinking markets taken over by cheaper, foreign steel.
While making this photo I was surrounded by half a dozen very curious elderly Asian gentlemen who wanted to know what I was doing with this strange wood and brass box on a tripod. None of them spoke enough English to ask questions but I could see they were very appreciative of the craftsmanship of the strange box and the care I was taking in whatever it is I was doing.
Technical details:
Zero Image 2000 wood & brass 6x6cm pinhole (lensless) camera.
F138 aperture.
Fuji Acros 100 at ISO 100.
10 second(ish) exposure.
Semi-stand development using Kodak HC-110 1+100 dilution for 1 hour with 30 seconds initial agitation with swizzle stick and three turns @ 30 minute mark. Paterson 3 reel tank.
Negative scanned with Epson 4990 on holders fitted with ANR glass.
The old time barns built by the pioneers in Alberta's Peace Country are as much a work of art as they were practical.