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detail of the stave church of Gifhorn. Rolleiflex 3,5 MX on Ilford Delta 100, developed in Caffenol C-M(rs)
An ancient place where time stands still
This sixth century monastic site, located on the banks of the River Shannon is home to three high crosses, a cathedral, seven churches and two round towers. This great monastery was founded in 548- 9 by St. Ciarán Mac a tSaor (“son of the carpenter”), who studied under St. Finian at the famous Clonard Abbey. The strategic location of the monastery at a crossroads between the major east-west land route through the bogs of central Ireland and the River Shannon helped it become a major centre of religion, learning, craftsmanship and trade by the 9th century.
Clonmacnoise was a centre of learning excellence, and many manuscripts, including the Annals of Tighernach (11th century) and the Book of the Dun Cow (12th century), were written here. The monastery flourished for 600 years as a centre of learning and religious instruction as well as providing much of Ireland’s finest Celtic art and illuminated manuscripts.
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FELUCCA -a sailing vessel, lateen-rigged on two masts, used in the Mediterranean Sea and along the Spanish and Portuguese coasts, also a small fishing boat formerly used in the San Francisco Bay area.
Shipwright's workshop, China Camp Village, San Rafael. San Pablo Bay, Marin County,Northern California, USA
photo rights reserved by B℮n
The Sanctuary of Truth is a magnificent temple in Pattaya, Thailand, that stands as a tribute to traditional Thai architecture and craftsmanship. The temple is entirely made of wood, with intricate carvings depicting various Hindu and Buddhist deities, as well as ancient Thai mythological figures. The construction of the Sanctuary of Truth began in 1981 and is still ongoing. The temple covers an area of over two hectares and is over 100 meters tall. It was designed by a local businessman named Lek Viriyaphant. The Sanctuary of Truth is not affiliated with any specific religion, but rather serves as a symbol of the unity of all religions and beliefs. It is a peaceful and tranquil place where visitors can reflect and appreciate the beauty of Thai culture and tradition. The Sanctuary of Truth also serves as a cultural and educational center. It hosts various workshops and events throughout the year, aimed at promoting traditional Thai arts and crafts.
The entrance hall of the Sanctuary of Truth is an impressive and majestic building that serves as the gateway to the sanctuary. It is a beautiful example of traditional Thai architecture and craftsmanship. The building is decorated with beautiful carving details that reflect the work of local artisans. The carvings are very detailed and elaborate, and include depictions of gods, animals and mythological creatures. The design of the entrance hall is inspired by the Buddhist and Hindu temples in Thailand, and it has a distinctly oriental feel. Seven dragons are depicted along the entrance stairs. These dragons are decorated with beautiful carving details along with mermaids and also play an important role in Thailand's mythology and culture. The dragons are considered protectors of the temple and are important symbols of power and authority. In addition to the images of dragons, there are also images of Goddesses. The female images are often refined and detailed, with soft lines and rich textures that reflect Thai craft traditions. They are often depicted in poses that exude elegance and grace.
The Sanctuary of Truth is een prachtige tempel in Pattaya, Thailand, die een eerbetoon is aan de traditionele Thaise architectuur en vakmanschap. De tempel is volledig gemaakt van hout, met ingewikkeld houtsnijwerk dat verschillende hindoeïstische en boeddhistische godheden uitbeeldt, evenals oude Thaise mythologische figuren. De bouw van het Sanctuary of Truth begon in 1981 en is nog steeds aan de gang. De tempel heeft een oppervlakte van ruim twee hectare en is meer dan 100 meter hoog. Het is ontworpen door een lokale zakenman genaamd Lek Viriyaphant. The Sanctuary of Truth is niet gelieerd aan een specifieke religie, maar dient eerder als een symbool van de eenheid van alle religies en overtuigingen. Het is een vredige en rustige plek waar bezoekers de schoonheid van de Thaise cultuur en traditie kunnen overdenken en waarderen. The Sanctuary of Truth doet ook dienst als cultureel en educatief centrum. Het organiseert het hele jaar door verschillende workshops en evenementen, gericht op het promoten van traditionele Thaise kunsten en ambachten. Er is geen vastgestelde datum voor wanneer de bouw van de Sanctuary of Truth in Pattaya zal worden voltooid, omdat het project voortdurend in ontwikkeling is en wordt uitgebreid met als doel om de tempel zo authentiek en gedetailleerd mogelijk te maken. Het doel van de bouwers is om de tempel over te dragen aan de volgende generatie, zodat deze kan worden voortgezet en onderhouden als een cultureel erfgoed en als een symbool van de Thaise traditionele waarden en geschiedenis. De ingangshal van de Sanctuary of Truth is een indrukwekkend en majestueus gebouw dat dienst doet als de toegangspoort tot het heiligdom. Het is een prachtig voorbeeld van traditionele Thaise architectuur en ambachtelijk vakmanschap. Het gebouw is versierd met prachtige houtsnijwerkdetails die het werk van lokale ambachtslieden weerspiegelen. Het houtsnijwerk is zeer gedetailleerd en uitgebreid, en bevat afbeeldingen van goden, dieren en mythologische wezens. Het ontwerp van de ingangshal is geïnspireerd op de boeddhistische en hindoeïstische tempels in Thailand, en het heeft een uitgesproken oriëntaalse uitstraling. Langs de ingangstrap staan zeven draken afgebeeld. Deze draken zijn samen met zeemeerminnen versierd met prachtige houtsnijwerkdetails en ook een belangrijke rol spelen in de mythologie en cultuur van Thailand. De draken worden beschouwd als beschermers van de tempel en zijn belangrijke symbolen van kracht en autoriteit. Naast de afbeeldingen van draken zijn er ook Godinnen. De vrouwenbeelden zijn vaak verfijnd en gedetailleerd, met zachte lijnen en rijke texturen die de Thaise ambachtelijke tradities weerspiegelen. Ze worden vaak afgebeeld in poses die elegantie en gratie uitstralen.
photo rights reserved by B℮n
The Sanctuary of Truth is a magnificent temple in Pattaya, Thailand, that stands as a tribute to traditional Thai architecture and craftsmanship. The temple is entirely made of wood, with intricate carvings depicting various Hindu and Buddhist deities, as well as ancient Thai mythological figures. The construction of the Sanctuary of Truth began in 1981 and is still ongoing. The temple covers an area of over two hectares and is over 100 meters tall. It was designed by a local businessman named Lek Viriyaphant. The Sanctuary of Truth is not affiliated with any specific religion, but rather serves as a symbol of the unity of all religions and beliefs. It is a peaceful and tranquil place where visitors can reflect and appreciate the beauty of Thai culture and tradition. The Sanctuary of Truth also serves as a cultural and educational center. It hosts various workshops and events throughout the year, aimed at promoting traditional Thai arts and crafts. In Thai culture, goddesses are often depicted with bare breasts as a symbol of fertility, abundance and caring. This is a common motif in many Asian cultures and also appears in Indian and Balinese art, for example.
The left hall in the Sanctuary of Truth is an impressive wooden structure that resembles a cathedral. The hall has an imposing height of about 30 meters and is decorated with numerous statues and sculptures depicting Thai mythology and history. With high arches, vaults and elaborate carvings, it is reminiscent of Gothic architecture. Built using traditional woodworking techniques, the hall has over 100 beautiful carvings and sculptures depicting various aspects of Buddhism, Hindu mythology, and Thai culture. It represents the birth of life and humanity. It contains statues and sculptures depicting the creation of humanity, the earth and the cosmos. It is a fascinating place to visit for anyone interested in Thai culture and history, and who appreciate the beauty of traditional woodworking and architecture. There are images of gods and goddesses, Buddhist teachings and symbols of life and nature. Another interesting feature of the interior of the left hall is the large central atrium, which is lit by a skylight. This atrium serves as a kind of sanctuary, where visitors can meditate. In general, the inside of the left hall is a wonderful example of the rich Thai culture and history, and the wood carving techniques used to create it are very impressive.
The Sanctuary of Truth is een prachtige tempel in Pattaya, Thailand, die een eerbetoon is aan de traditionele Thaise architectuur en vakmanschap. De tempel is volledig gemaakt van hout, met ingewikkeld houtsnijwerk dat verschillende hindoeïstische en boeddhistische godheden uitbeeldt, evenals oude Thaise mythologische figuren. In de Thaise cultuur worden godinnen vaak afgebeeld met blote borsten als symbool van vruchtbaarheid, overvloed en zorgzaamheid. De bouw van het Sanctuary of Truth begon in 1981 en is nog steeds aan de gang. De tempel heeft een oppervlakte van ruim twee hectare en is meer dan 100 meter hoog. Het is ontworpen door een lokale zakenman genaamd Lek Viriyaphant. The Sanctuary of Truth is niet gelieerd aan een specifieke religie, maar dient eerder als een symbool van de eenheid van alle religies en overtuigingen. Het is een vredige en rustige plek waar bezoekers de schoonheid van de Thaise cultuur en traditie kunnen overdenken en waarderen. De linker hal in de Sanctuary of Truth is een indrukwekkende houten structuur die lijkt op een kathedraal. Met hoge bogen, gewelven en uitgebreide houtsnijwerk versieringen doet dit denken aan gotische architectuur. Het vertegenwoordigt de geboorte van het leven en de mensheid. Het bevat beelden en sculpturen die de schepping van de mensheid, de aarde en de kosmos weergeven. Het is een fascinerende plek om te bezoeken voor iedereen die geïnteresseerd is in de Thaise cultuur en geschiedenis, en die de schoonheid van traditionele houtbewerking en architectuur waarderen. Er zijn afbeeldingen van goden en godinnen, boeddhistische leerstellingen en symbolen van het leven en de natuur. Een ander interessant kenmerk van de binnenkant van de linker hal is het grote centrale atrium, dat wordt verlicht door een dakraam. Dit atrium dient als een soort van heiligdom, waar bezoekers kunnen mediteren en ontspannen
photo rights reserved by B℮n
The Sanctuary of Truth is a magnificent temple in Pattaya, Thailand, that stands as a tribute to traditional Thai architecture and craftsmanship. The temple is entirely made of wood, with intricate carvings depicting various Hindu and Buddhist deities, as well as ancient Thai mythological figures. The construction of the Sanctuary of Truth began in 1981 and is still ongoing. The temple covers an area of over two hectares and is over 100 meters tall. It was designed by a local businessman named Lek Viriyaphant. The Sanctuary of Truth is not affiliated with any specific religion, but rather serves as a symbol of the unity of all religions and beliefs. It is a peaceful and tranquil place where visitors can reflect and appreciate the beauty of Thai culture and tradition. The Sanctuary of Truth also serves as a cultural and educational center. It hosts various workshops and events throughout the year, aimed at promoting traditional Thai arts and crafts.
The entrance hall of the Sanctuary of Truth is an impressive and majestic building that serves as the gateway to the sanctuary. It is a beautiful example of traditional Thai architecture and craftsmanship. The building is decorated with beautiful carving details that reflect the work of local artisans. The carvings are very detailed and elaborate, and include depictions of gods, animals and mythological creatures. The design of the entrance hall is inspired by the Buddhist and Hindu temples in Thailand, and it has a distinctly oriental feel. Seven dragons are depicted along the entrance stairs. These dragons are decorated with beautiful carving details along with mermaids and also play an important role in Thailand's mythology and culture. The dragons are considered protectors of the temple and are important symbols of power and authority. In addition to the images of dragons, there are also images of Goddesses. The female images are often refined and detailed, with soft lines and rich textures that reflect Thai craft traditions. They are often depicted in poses that exude elegance and grace.
The Sanctuary of Truth is een prachtige tempel in Pattaya, Thailand, die een eerbetoon is aan de traditionele Thaise architectuur en vakmanschap. De tempel is volledig gemaakt van hout, met ingewikkeld houtsnijwerk dat verschillende hindoeïstische en boeddhistische godheden uitbeeldt, evenals oude Thaise mythologische figuren. De bouw van het Sanctuary of Truth begon in 1981 en is nog steeds aan de gang. De tempel heeft een oppervlakte van ruim twee hectare en is meer dan 100 meter hoog. Het is ontworpen door een lokale zakenman genaamd Lek Viriyaphant. The Sanctuary of Truth is niet gelieerd aan een specifieke religie, maar dient eerder als een symbool van de eenheid van alle religies en overtuigingen. Het is een vredige en rustige plek waar bezoekers de schoonheid van de Thaise cultuur en traditie kunnen overdenken en waarderen. The Sanctuary of Truth doet ook dienst als cultureel en educatief centrum. Het organiseert het hele jaar door verschillende workshops en evenementen, gericht op het promoten van traditionele Thaise kunsten en ambachten. Er is geen vastgestelde datum voor wanneer de bouw van de Sanctuary of Truth in Pattaya zal worden voltooid, omdat het project voortdurend in ontwikkeling is en wordt uitgebreid met als doel om de tempel zo authentiek en gedetailleerd mogelijk te maken. Het doel van de bouwers is om de tempel over te dragen aan de volgende generatie, zodat deze kan worden voortgezet en onderhouden als een cultureel erfgoed en als een symbool van de Thaise traditionele waarden en geschiedenis. De ingangshal van de Sanctuary of Truth is een indrukwekkend en majestueus gebouw dat dienst doet als de toegangspoort tot het heiligdom. Het is een prachtig voorbeeld van traditionele Thaise architectuur en ambachtelijk vakmanschap. Het gebouw is versierd met prachtige houtsnijwerkdetails die het werk van lokale ambachtslieden weerspiegelen. Het houtsnijwerk is zeer gedetailleerd en uitgebreid, en bevat afbeeldingen van goden, dieren en mythologische wezens. Het ontwerp van de ingangshal is geïnspireerd op de boeddhistische en hindoeïstische tempels in Thailand, en het heeft een uitgesproken oriëntaalse uitstraling. Langs de ingangstrap staan zeven draken afgebeeld. Deze draken zijn samen met zeemeerminnen versierd met prachtige houtsnijwerkdetails en ook een belangrijke rol spelen in de mythologie en cultuur van Thailand. De draken worden beschouwd als beschermers van de tempel en zijn belangrijke symbolen van kracht en autoriteit. Naast de afbeeldingen van draken zijn er ook Godinnen. De vrouwenbeelden zijn vaak verfijnd en gedetailleerd, met zachte lijnen en rijke texturen die de Thaise ambachtelijke tradities weerspiegelen. Ze worden vaak afgebeeld in poses die elegantie en gratie uitstralen.
With its standout Italian styling, British craftsmanship and American V8 power, the Jensen Interceptor had a statement like few other cars. Loved equally by celebrities and TV action men, the glamorous Interceptor has left a lasting impression in our motoring memories.
Launched in 1966, the handsome design by Touring of Milan challenged Aston Martin while the V8 matched American muscle cars for speed. The hand-built, fast-back body is elegant and practical with its signature wrap-around rear screen which lifts like a modern hatchback revealing a large boot. Inside the luxury continued with leather seats, Wilton carpets, electric windows and air conditioning.
By the early 1970s cheaper competitors from Jaguar and the rising fuel costs meant a car consuming 10 mpg was out of step with the era. Jensen ceased production of the Interceptor in 1976, but left behind beautiful, unforgettable cars.
This 1973 Jensen Interceptor Mark III, XBY251M, is on display in the Haynes Motor Museum in Somerset.
photo rights reserved by B℮n
The Sanctuary of Truth is a magnificent temple in Pattaya, Thailand, that stands as a tribute to traditional Thai architecture and craftsmanship. The temple is entirely made of wood, with intricate carvings depicting various Hindu and Buddhist deities, as well as ancient Thai mythological figures. The construction of the Sanctuary of Truth began in 1981 and is still ongoing. The temple covers an area of over two hectares and is over 100 meters tall. It was designed by a local businessman named Lek Viriyaphant. The Sanctuary of Truth is not affiliated with any specific religion, but rather serves as a symbol of the unity of all religions and beliefs. It is a peaceful and tranquil place where visitors can reflect and appreciate the beauty of Thai culture and tradition. The Sanctuary of Truth also serves as a cultural and educational center. It hosts various workshops and events throughout the year, aimed at promoting traditional Thai arts and crafts.
The Sanctuary of Truth is located in Pattaya, a popular coastal city in Thailand's Chonburi Province. It is located at the northern tip of the Long Beach area of Pattaya, on the Gulf of Thailand coastline. The temple is 100m high and entirely made of wood, with intricate carvings. The Four Faces Sculptures, also called the "Four Faces of Truth", are some of the most notable sculptures of the Sanctuary of Truth. Each sculpture represents an element of human existence: joy, sadness, anger and happiness. Each face has its own unique expression that reflects the specific human feeling. There is no set date for when construction of the Sanctuary of Truth in Pattaya will be completed as the project is in constant development and expansion. Work on the temple began in 1981 and has continued to date, with the aim of making the temple as authentic and detailed as possible. The goal of the builders is to hand down the temple to the next generation so that it can be continued and maintained as a cultural heritage and as a symbol of Thai traditional values and history.
The Sanctuary of Truth is een prachtige tempel in Pattaya, Thailand, die een eerbetoon is aan de traditionele Thaise architectuur en vakmanschap. De tempel is volledig gemaakt van hout, met ingewikkeld houtsnijwerk dat verschillende hindoeïstische en boeddhistische godheden uitbeeldt, evenals oude Thaise mythologische figuren. De bouw van het Sanctuary of Truth begon in 1981 en is nog steeds aan de gang. De tempel heeft een oppervlakte van ruim twee hectare en is meer dan 100 meter hoog. Het is ontworpen door een lokale zakenman genaamd Lek Viriyaphant. The Sanctuary of Truth is niet gelieerd aan een specifieke religie, maar dient eerder als een symbool van de eenheid van alle religies en overtuigingen. Het is een vredige en rustige plek waar bezoekers de schoonheid van de Thaise cultuur en traditie kunnen overdenken en waarderen. De vier gezichten sculpturen, ook wel de "vier gezichten van de waarheid" genoemd, zijn enkele van de meest opvallende beelden van de Sanctuary of Truth. Elke sculptuur vertegenwoordigt een element van het menselijk bestaan: vreugde, verdriet, woede en geluk. Elk gezicht heeft een eigen unieke expressie die het specifieke menselijke gevoel weergeeft. Er is geen vastgestelde datum voor wanneer de bouw van de Sanctuary of Truth in Pattaya zal worden voltooid, omdat het project voortdurend in ontwikkeling is en wordt uitgebreid met als doel om de tempel zo authentiek en gedetailleerd mogelijk te maken. Het doel van de bouwers is om de tempel over te dragen aan de volgende generatie, zodat deze kan worden voortgezet en onderhouden als een cultureel erfgoed en als een symbool van de Thaise traditionele waarden en geschiedenis.
Tétouan is famed for its fine craftsmanship and musical delicacy and has been part of the UNESCO Creative Cities Network in the area of Crafts and Folk Art since 2017. Its cultural heritage is the product of the interaction between different cultural influences throughout centuries. It is mainly characterized by its Andalusian style and way of living but both Berber, Jewish and Colonial Spanish influences are present too.
The streets are fairly wide and straight, and many of the houses belonging to aristocratic families, descendants of those expelled from Al-Andalus by the Spanish Reconquista, possess marble fountains and have groves planted with orange trees. Within the houses and riads the ceilings are often exquisitely carved and painted in Hispano-Moresque designs, such as are found in the Alhambra of Granada, and the tile-work for which Tetuan is known may be seen on floors, pillars and dados. The city has seven gates which were closed at night up until early 20th century. Many Sufi Zawiyas are scattered inside the walled old city.
Taken in the Hochelaga neighbourhood of Montreal one evening and found this work of art behind a Lafleur grease stop.
Many neighbourhoods like this a promoting these types of art on their building walls for a few reasons, two of which are due to the often artistic touch, as well as to avoid the much more displeasing "tagging" that occurs otherwise. Taggers have a certain respect for other graffiti artists not to deface their work when found on other canvases.
Song: Craftsmanship
Artist: Buck 65
Album: Talkin' Honky Blues
Strassberger's Conservatory is a rare example of a building type important to the cultural life of St. Louis in the late 19th & early 20th centuries. It was patterned after German conservatories familiar to many St. Louisans who had recently emigrated from Germany. It was part of an effort to preserve their traditions of forming singing societies, bands, orchestras and other musical societies. In addition to its importance as a unique building type, the Strassberger Conservatory forms part of a continuous two-to three-story commercial frontage along Grand Blvd which would be significantly diminished in character if the Strassberger were missing.
The Conservatory was built in 1904-05 and dedicated in October, 1905 as the Southside Conservatory of Music. The architect was Otto J. Wilhelmi, born in Missouri and educated in Germany. The builder was A.H. Haeseler. The style is German Classical Revival, and the construction is a good example of St. Louis brick masonry craftsmanship and ornament of the turn of the century. The founder Clemens Strassberger was born in Saxony, Germany in 1859. He was a member of a military band and traveled in Europe with bands and orchestras before emigrating to America in 1880. In St. Louis, before founding the conservatory, he was a solo cornetist with two orchestras. The conservatory first opened in 1866 in Strassberger's home. In 1892, the conservatory moved to Warren Street on the Northside. A year later, larger quarters were acquired at 22nd Street and St. Louis Avenue. The first Southside branch opened in 1901 at Grand and Cleveland Avenues. The Southside branch moved to the subject building in October 1905. This building was the first designed & built especially for the conservatory and became its headquarters. The opening was reported with illustrated articles in several English & German-language newspapers in St. Louis.
The Strassberger Conservatory building was added to the National Register of Historic Places (NRHP) on March 27, 1980. All of the information above (and more) was found on the original documents submitted for listing consideration that can be viewed here: catalog.archives.gov/id/63820855
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
Metropolitan Museum of Art
The Richard and Gloria Manney John Henry Belter Rococo Revival Parlor
The Richard and Gloria Manney Rococo Revival Parlor is a showcase of the most original of American mid-nineteenth-century furniture designers.After perfecting a lamination process that permitted layers of wood to be bent and carved to a degree previously unachievable,the German born Belter proceeded to exploit it's design possibilities to the fullest.In the 1850s his highly ornamented sets required a nationwide reputation,and demand for them soon transformed his New York shop into a large factory.
The room's architectural elements-windows,columnar screens,doorway, cornice,and rosette-are from the double parlor of an Italian style villa in Astoria, Queens,in about 1852. The original double parlor had relatively small dimensions and no fireplaces-factors that made its reconstruction in this space inadvisable.Instead,it's beautifully detailed elements were used to create the parlor of a type illustrated in a designed for an Italianate villa published by Minard LaFever in The Architectural Instructor (New York,1856, plate LXIII).
Three objects in the room-one of the console tables,the fire screen,and the mantel mirror-have recently been acquired for the permanent collection,in time for the 75th Annual Celebration,after having been loans since the room opened in 1983. The console table is a rare match to the other one installed in this room;practically mirrored images,both tables are attributed to Belter and exhibit finely executed carvings of naturalistic fruits and flowers,as well as unusually pierced legs.The firescreen retains its original needlework panel.A rococo shell is the dominant motif in the carved and gilded oval mantel mirror.Oval-shaped mantel mirrors are rather unusual, and additionally,this is the only Rococo Revival mantel mirror in the Museum's collection.
Took this picture of a beautifully carved bank door in Havana, while waiting to convert our money to Cuban pesos. Quite the experience.
Long past its useful days, the wonderful craftsmanship of builders a half century ago still shines in this delightful granary. Farming methods and buildings have changed and the emphasis today is more on the utilitarian side.
The Rotunda Hospital; Parnell Street, Dublin, by Richard Castle + John Ensor, has a little secret you may not know about. Situated in the main building is the Chapel which is internationally renowned for it's beautiful stucco work, executed by Bartholomew Cramillion in 1755-56. By any standards it is craftsmanship of the first rate. The chapel is a square double height space, now dimly lit by 19th Century stained glass. Around the first floor gallery heraldic paintings depict the arm's of the hospital's benefactors, some of which are 18th Century, and originally hung above beds in the hospital wards. Originally the colour scheme was more restrained, consisting of only white and gold, which would have been amazing.
This image is 9 photos merged using Microsoft' s Windows Live Photo Gallery and edges blurred with PS. View Large on Black or look closer at the Original
This is a beaded wooden handle from a spoon. Due to the very small depth of field, I have received the bokeh circles on the beads.
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7DWF: Fill the frame with bokeh
Crasy Thuesday Theme
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Canon 50mm 1,4
98/365
15/52