View allAll Photos Tagged Countering
Comments are welcome. I like reading comments more than watching counters increment up.
I challenged myself to remake the Gryphon but at a much smaller size. Here is the result.
Made for Mobile Frame Zero.
Today's bonus OARCB (old ass rivet counter boomer) mundane high sun, silver box, gravel pile, leaning, wirey, mindless wedgie! Continuing with my 1992 vacation, hanging out in the CRG shooting UP (and a little BN). Let's return now to those thrilling days of yesteryear and pick up where I last left off in my never ending fetish to capture a train in a perfect NGPN (National Geographic Pristine Nature) setting. So today the Wayback Machine is set to Sunday, September 27, 1992 mp 73 east of Mosier, Oregon at 9:15am.
Theo van Doesburg (1883-1931) - Counter-composition XV (1925). Shown at the temporary exhibition "Kobro and Strzemiński. Art in Turbulent Times" at the Moderna Museet, Malmö, Sweden, summer 2018. If the picture reminds you of the work of Piet Mondrian (1872-1944) you could be forgiven. Theo and Piet were friends and co-founders of the art movement De Stijl (1917). But van Doesburg was less fundamentalist than Mondrian, allowing himself to use diagonal lines, which Mondrian thought were too emotional.
The Customer Service counter, now known as "Pickup & Services", is one of the most dramatically changed areas of the store, and also one of the most difficult to photograph since people are swarming around it constantly. Instead of doing a before and after (for a change!), this previously posted photo from late June 2015 shows what it looked like prior to the remodel.
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Walmart Neighborhood Market, 2002-built, Goodman Rd. at Hurt Rd., Horn Lake MS
I believe that every action has a counter action which is sort of what happened here.....not a full mirror but two slightly different images.........
My image began life as a balloon & has been worked on several times .....
a big thanks for looking in ......very much appreciated ........ best bigger & hope you have a Great Weekend
EXPLORE \o/
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Eu ia colocar o título "Olha o frio", mas se o jogo Counter Strike tivesse um personagem feminino, este seria assim!
Pra quem não conhece o jogo, os personagens do lado Contra Terroristas são da SWAT, e esta é a semelhança, pela toca e a parte de baixo que cobre até o nariz (tipo de uma Joana Darc e tal)...
Essa é a Anuska, no mocó de lã, pois estava muito frio na sexta, brrúuu!
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Actor, Neil Pearson, draws the raffle after being the quiz master at the annual quiz night in The Clocktower Café, in aid of the adjacent David Lean Cinema in Croydon Old Town Hall. He's probably most noted for his roles in 'Drop the Dead Donkey' and 'Waterloo Road'.
STROBIST
Shot with a TTL speedlite Canon 430 EX II, which was directed to the opposite wall, so the light comes from behind and illuminates the puppet as backlight.
I have no idea, what the name of this technique could be, so I call "Counter Bouncing".
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DETAILS
Well, now, whuz 'dis again? Ok, here you go:
You know this technique of bouncing your flash over the ceiling, perhaps an Elder one tought you? So you know bouncing over the ceiling.
You know van Niekerk? Sure you do. So you know side bouncing.
And then ... we all love backlight, but backlight & bouncing??
Sure, why not :-))
Just direct your flashgun to the opposite wall, and be careful, that there is no lightspill on your mannequin (this can be managed using a flag). That's it. And the result? Well, notice the nice rim at the arms of the puppet...
And the fill light on the face of the puppet? That's the light bouncing back from me and from the scene behind me.
Piece of cake.
So now you know Counter Bouncing. .-)
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~gallo~
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Are the rigid STROBIST administrators still there?
You really did read all that text?
Ok, yes, this is on-camera flash, and this shot definitely does **not** follow your rigid rules.
So go on, kick it out of the pool. ;-))
A series with the Canon 100mm 2.8 macro in sunlight on my kitchen counter this afternoon. More at my daily photoblog PHOTO.NOISE.
Forwarded by Roger Fawcett-Tang with original articles from Bruno Maag and Jonathan Turner. Issue 02 also contains ten interviews with leading designers, illustrators and photographers. They are Corey Holms, Build, Alex Trochut, Eskimo Square, Mr Bingo, Melvin Galapon, Troika, Jamie Portch, Luke Lucas and Tim Johannis.
Issue Price: £6
(including p&p to UK)
Pages: 40pp
Format: Tabloid Newspaper
taken in Sapporo,Japan
taken on February 16, 2008
ZERO2000(6×6Pinhole) / KODAK PORTRA 160NC(expired 03/2007)
The Cherry Street Strauss Trunnion Bascule Bridge
from wiki:
A bascule bridge is a moveable bridge with a counterweight that continuously balances a span, or "leaf", throughout its upward swing to provide clearance for boat traffic. It may be single- or double-leafed.
The name comes from the French term for balance scale, which employs the same principle. Bascule bridges are the most common type of movable span because they open quickly and require relatively little energy to operate, while providing the possibility for unlimited vertical clearance for marine traffic.
en.wikipedia.org/wiki/Cherry_Street_Strauss_Trunnion_Basc...
first roll with the FPP retrochrome 320 (aka Eastman Ektachrome 2253). Shot at 400 with E6 processing.
There are more than rocks at the bottom of the falls…It must be to guide the creek for erosive purposes.
Minnehaha Falls, Minnehaha Park, Minneapolis, MN.
Some small stitch counters (only about an inch long), made by my wife, which looked really nice with the sun shining through them.
The customer service counter is just inside the main entrance at Bass Pro Shops at the Pyramid. I got a close up pic of the overhead sign, but it didn't turn out as well as some of my other sign photos.
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Bass Pro Shops, 1991-built (as The Pyramid arena), Bass Pro Dr. at Riverside Dr./Front St., Memphis
Orlando, FL. April 2019.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
Robert Kokesh bears down on the back of Mathew Miller's head with his left hand while trying to pull Miller's right arm behind Miller's back. Miller counters by pushing his thumb into his hip.
174# Championship Semifinal, Bout 503, Robert Kokesh (Nebraska) MAJ DEC Mathew Miller (Navy) MAJ DEC 17-5
OTM_0007_cr
Late May 1940
French troops with armored support counter attack a village held by the Germans near Sedan.
The Renault R35 used by the French had a more infantry support emphasis unlike other light tanks which also had reconnaissance roles. Its Puteaux SA 18 cannon was a WW1 cannon normally used against armored pillboxes or infantry.
But against tank to tank combat it really struggled.
The R35 is from Brickmania but without the trench tail. The minifigs are from their stickers packs as well which are pretty sweet! Weapons from Brickwarrios and Brickarms.
Another small diorama! Used some creator buildings and they work quite well, although I still need to make new old buildings. Let me know what you guys think!
Original Caption: Operator's console for the "whole body counter" radiation detection device at EPA's Las Vegas National Environmental Research Center, May 1972
U.S. National Archives’ Local Identifier: 412-DA-5252
Photographer: O'Rear, Charles, 1941-
Subjects:
Las Vegas (Nevada)
Environmental Protection Agency
Project DOCUMERICA
Persistent URL: research.archives.gov/description/547739
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Here the ammo counter and compass, built with bricks.
Credit to Nick Brick, I think this is his design (it's the same end result, I guessed at the internal configuration)
The Halo 3 Assault Rifle, built in Lego.
Features:
~Spring-loaded charging handle
~Removable magazine
~Removable "electronics suite"
Built without glue
Non-firing
Follow the leader at Round 4 of the 2017 Kenda Cup West race series, held at the Dirt Club near Los Alivos, CA.
Galleries: www.pbcreativephoto.com
Strobist: Profoto B1 with zoom reflector, camera right, triggered with Profoto Air Remote.
These stools from the Greensboro lunch counter where four African American young men staged a sit-in protest as they demanded the elimination of segregation.
The Greensboro Sit-Ins were non-violent protests in Greensboro, North Carolina, which lasted from February 1, 1960 to July 25, 1960. The protests led to the Woolworth Department Store chain ending its policy of racial segregation in its stores in the southern United States.
The window is reflected in the mirror. Happy Window Wednesday.
Added a second tier to the airport counter so it looked like the vintage airport counter images I found.
1. Used foam board and a cereal box cardboard. Attached with tacky craft glue and hot glue (for foam board).
2. Spray painted
3. Covered "rise" with faux woodgrain scrapbook paper
4. Added doors to lower portion of counter made from matboard covered in scrapbook paper.
5. Used craft foam for door handles
I cut everything using this purple craft board and metal straight edge/sharp X acto knife to make sure lines were all measured properly.
Happy New Year everyone! A 2023 addition to the Queensland Rail Piers art project at South Brisbane, just across the Brisbane River from the central city is this work by Bronte Naylor called Counter Balance. I did not notice until today that the ray of sunshine entering diagonally from top right provided some sort of additional counter balance feature to the shot. The unusual technique of rendering the faces faceless was also used on another artwork Beth her in Tumby Bay, South Australia. Beth also uses similar techniques in others of her work.
In her words "My piece shares a complex message about healing and achieving balance through the support of others at "tipping point". I wanted the work to create a sense of urgency and tension.
Perhaps we have all been there at some point in time.