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Sobre andenes, zonas verdes o sobre espacio público destinado para peatones, está prohibido estacionar vehículos.

 

#ParqueateBien

Old Crane Controls

Took a little adventure route home on my commute from work tonight. Curtis and I headed into town via RR tracks and Napa Pipe recon...started at Southern Crossing and went all the way to college....so incredible-so many interesting old buildings and sites

Dream Control

Swarovski Belts & Bluetooth Headsets

 

Model: Sayaka

 

Los Angeles, CA

Gates and Air Traffic Control tower (1962) - LaGuardia Airport - August 2010

You control your iPod using the controls on the jacket. You can disable the control pad by holding down the Volume Decrease (-) and Volume Increase (+) buttons for 2 seconds. Enable the controls again by holding down the Volume Decrease (-) and Volume Increase (+) buttons for 2 seconds. That is kick ass!

Radio Control Soaring National Championships, held July 21-28, 2018, at the International Aeromodeling Center in Muncie, Indiana.

 

July 22, 2018

 

Photos by Jenni Alderman.

Máquina de bobinado multicabezal con control de servomotores y sincronización de variadores por Ethernet

Click on pic to view on black...

Control room at RAF Upper Heyford

Marino de Luanco - Real Avilés (Amistoso)

Olympus E-410, Sigma Mini-wide II

A corregedora nacional de Justiça, a ministra Eliana Calmon, defendeu nesta quarta-feira a participação do controle externo como ferramenta de combate à corrupção, durante Seminário Transparência e Controle, realizado no Centro de Convenções de Vitória (ES), em comemoração aos 55 anos de criação do Tribunal de Contas do Espírito Santo (TCE-ES). “A moderna democracia não dispensa os órgãos de controle. Há internamente nas instituições governamentais um espírito de corpo, que tenta protegê-las de qualquer embate. Os controles fora das instituições, mas fazendo parte do Estado, são de importância fundamental”, disse a ministra.

Leia mais: www.cnj.jus.br/noticias/cnj/20367-corregedora-defende-tra...

Foto: Assessoria de Imprensa TCE-ES

James Wadham photos - the first Mission Motorsport Launch Control event. All images are available for use - please credit Mission Motorsport / Launch Control in any use.

The amplifier sound controls for an electric guitar is my submission for the "control" themed weekly challenge

nasa mission control center

Built from a Tamiya kit.

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Here's the control system for my face.

 

The eye direction is controlled by another smaller nurbs curve control infront of the face. It's like zorro's eye mask thing.

 

All the controls here are made from nurbs curves and clusters. I followed the Digitial Tutors tutorial along with some of Jasons material to create my blendshapes and controls. There is also my own personal touch in there too when it comes to the controls, as sometimes I thought the controls mentioned in the DT tutorials were VERY vague. Such as using a box to control the tongue when yo ualready have another half a dozen boxes controlling everything else.

 

So I made my own shapes which are by FAR easier to use and understand. An F for the f shape your mouth makes which all you have to do is scale F in the Y to change. Same for the U and M apart from the fact that you scale the U on the X axis to get the desired result. The chinc ontrol is there also as a round shape at the bottom and the arrow over it is the jaw roll.

 

Then there is the mouth shape with various controls inside and to the sides of it. The mouth shape isn't a control in itself, the arrow within the mouth shape is. That is linked to a cluster which controls vertices of the mouth shape to make it appears as if the mouth shape is either smiling or not smiling thus making it easier to recognise what your face is doing. The smaller peanutty shape in the middle of the mouth is the tongue control. The two arrows by the side of the motuh shape are the right and left grin controls.

 

The nose shape in the middle of the G.U.I. controls the main snarl where as the two arrows by either side are parented to this control and control the left and right snarl. The peanut shapes under the eyes control the left and right eye twitches, the lower of the two shapes above the eyes controls the left and right blink/wink and the two shapes above those control the eyebrow raises. All of th eye controls use the Translate Y axis for movement.

 

The final shape within the G.U.I. controls the angry and sad expressions. The circle does nothing but represent the face, whilst the arrow has the same function as the mouth/smile/frown control; it moves vertices to make a sad/menacing face. As for the exclamation above the head that makes the characters eyes go wide with shock and slightly adjusts the area around the eyes when moved up and down. All the controls are linked to the outside face shape for ease of movement if they are in the way.

 

I decided to link my cluster controls to arrows because cluster can be hard to select at the best of times and it saves me having to unslect the selection boxes in the Maya G.U.I.

Real Sporting de Gijon - Real Oviedo (1ªCadete 11/12)

i think this was someones place of residence.. i don't know, but i do know i went in there, without permission and took this photo. i am out of control.

Lead singer of Aiden and William Control

There is a pool in Victoria Park where people race their remote controlled boats. They are very fast!

Control switch duplicates the shutter button. "Off" is not pushed, "Half" is the shutter button half pressed on the camera. "Full" is the shutter pressed fully to trigger.

This is part of an Atlas Imperial Diesel Engine that is sitting outdoors on display at Independence Mine in Hatcher Pass, Alaska.

Youth explored the “Magic of Electricity” by creating a light switch. Instructor: Erica Peterson, Extension Intern

Hoje quem comanda a TV sou eu!!!!

On Scene of a CONTROLLED BURN at 1200 East Kansas City Road at Mahaffie Farmstead in Olathe on April 6, 2012 at about 920 hours.

 

Picture ID# 3908

Too fast on the scooter - Watch Out!

Old Control Room (launch Room) of an Atlas Misslie Silo, located at Keene, Kansas, Marion Doss and Nick Snow are looking at old plans of the site.

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