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"Never Forget that contentment is the greatest wealth"
I could have stayed here for hours and watched this gorgeous duck stroll around this pond. His contentment made me feel the same way...it was contagious! He was "reflecting" contentment to me: ). I find that it can be the same way when being around people who exuded contentment, makes me want to linger in their presence. As Timothy says, "Godliness with contentment is great gain." The only way I experience this myself, is if I stay tight with God and talk to him about everything. Then, even if my storms don't go away, I stay in the "eye of the storm" at peace. It's a beautiful thing!
Enjoy every moment, it's a choice and they all count! Lovin' all your creative, unique, colorful, ingenious and incredible shots! Keep em' comin! : )
flickriver.com/photos/javier1949/popular-interesting/
Mercado Municipal y Polideportivo Barceló y Biblioteca Pública Municipal Mario Vargas Llosa
Calle Barceló 4-6, c/v a Mejía Lequerica 9 y a Beneficencia 7-9 Madrid,
Nieto Sobejano Arquitectos: Fuensanta Nieto y Enrique Sobejano. Proyecto Concurso: 2007. Arquitecto de proyecto: Alfredo Baladrón, Alexandra Sobral. Coordinación de proyecto: Patricia Grande. 2008
Dirección de obra: Nieto Sobejano Arquitectos. Construcción: 2009–14
La intervención realizada sobre el área del Mercado Barceló comprende espacios públicos, edificios e instalaciones temporales que forman parte de un mismo conjunto. Los autores comentan acerca del proyecto:
Su denominación múltiple -mercado/polideportivo/biblioteca- anuncia ya un protagonismo colectivo y revela la condición social del programa: un mercado compacto sobre el que se eleva un pabellón deportivo enmarcando la ciudad y frente al que se ubica una biblioteca volada por encima del patio de un colegio. Se asume así la coexistencia de tres concepciones simultáneas (contenedor, marco, puente) que responden a distintas variantes estructurales (pórtico, voladizo, viga) y generan a su vez diferentes espacios cívicos alrededor: una calle cubierta, una plaza longitudinal, una terraza elevada. En esta matriz combinatoria, equilibrio de necesidades funcionales, sistemas estructurales y espacios urbanos, radica la condición densa e híbrida que caracteriza la actuación. En el límite entre el centro antiguo de Madrid y su posterior ensanche, rodeado de edificaciones históricas y construcciones contemporáneas, calles estrechas, plazas y ensanchamientos, el mercado -cuyo interior no se ha construido respetando el proyecto original de los autores- se expresa como un cuerpo autónomo, situado en la confluencia de las calles Mejía Lequerica y Beneficencia a las que se abre en sus distintas fachadas. Separado por una estrecha una calle-galería interior de acusada proporción vertical, el pabellón polideportivo se asoma en voladizo por encima del mercado, cuya cubierta es en realidad una gran terraza pública elevada desde la que se divisan los tejados de Madrid. La biblioteca, situada al otro lado de una nueva plaza longitudinal, sobrevuela el patio del colegio al que se adosa para formar un conjunto relacionado formalmente con los otros edificios. La definición geométrica y la expresión material de sus cerramientos anuncian que -pese a sus diferentes usos- las nuevas edificaciones pertenecen a un mismo tiempo y lugar. Una piel formada por piezas de vidrio moldeado de grandes dimensiones -blanco y opalino- unifica su apariencia exterior transmitiendo ligereza y unidad al conjunto.
Mercado: El eje del nuevo mercado es una elevada galería cubierta de gran de altura, donde esbeltas escaleras mecánicas suben y bajan hacia la terraza y los comercios de las plantas superiores, invitando a los paseantes a atravesar el edificio desde la calle Mejía Lequerica hacia la nueva plaza posterior. Grandes paños de vidrio dejan ver los puestos de mercado que se disponen en bandas paralelas de amplias calles interiores. Tanto si se entra al mercado desde la calle como si se hace desde la plaza, un vacío vertical hace percibir al usuario la dimensión espacial en las tres plantas que abarca el local. Un conjunto de escaleras paralelas a la galería conecta los diferentes niveles, mientras que un núcleo compacto de montacargas, ascensores y aseos comunica las plantas en toda su altura, incluso hasta los sótanos de almacenes, carga/descarga y aparcamiento. El cerramiento exterior está formado por piezas lineales de vidrio moldeado blanco en U, de 50 cm de anchura, formando una piel continua opalina que envuelve todos los edificios del conjunto.
Polideportivo: El nuevo polideportivo está situado sobre los tejados de Madrid. La cubierta del mercado es en realidad una gran plaza de 1500 m2 en la que los niños juegan, los jóvenes hacen deporte, los mayores toman el sol, o simplemente se asoman a observar el perfil de la ciudad. Un núcleo de comunicación independiente y una larga rampa mecánica han permitido llegar directamente a este nivel, donde también se ubican vestuarios, aseos, control y acceso a la zona deportiva. Los escolares del colegio vecino acceden directamente desde el patio de la escuela por medio de una conexión subterránea. Un café acristalado queda bajo una gran losa sobre la que se sitúa el pabellón cubierto. El núcleo de comunicaciones llega hasta el último nivel dividiendo el espacio en dos áreas: las salas de gimnasia hacia la calle Barceló y el pabellón polideportivo propiamente dicho, abierto a través de un gigantesco ventanal de 32 metros de longitud hacia las azoteas de la ciudad.
Biblioteca: La biblioteca configura en su volumen lineal una nueva manzana con el colegio existente al que complementa. Concebida como un edificio-puente, libera el espacio inferior para ampliar el patio de juegos del colegio, apoyándose en dos cuerpos que albergan los núcleos de comunicación, acceso y servicios. De este modo, las dos plantas superiores longitudinales permiten la ubicación de los espacios de lectura y reunión del programa, con distintas configuraciones posibles. Comparte materiales de cerramiento con el mercado y polideportivo, admitiendo de este modo la presencia de una luz natural tamizada en las áreas interiores de lectura.
europaconcorsi.com/projects/276602
www.baunetz.de/meldungen/Meldungen-Mercado_de_Barcelo_in_...
www.metalocus.es/content/es/blog/nuevo-mercado-barcel%C3%... hicarquitectura.com/2013/12/nieto-sobejano-mercado-barcelo/ arqa.com
Nieto Sobejano Arquitectos:
A series of AI-generated pictures of Penelope C. in different art styles.
To be continued.
Pictures made with Midjourney.
I'm always happy to accept invites to groups as long as I can see their content. Should I see "this group is not available to you", my pictures won't be made available to that group. Thanks for your understanding.
When you’re wrapped in the arms of your loved one, you feel a sense of security and comfort like no other. It’s a magical place where all worries melt away and only love remains. It’s a place where you can be yourself, without any judgment or fear. It’s a place where you find solace and peace.
Full preview:
hearthis.at/chibar.records/set/jona-marrero-riky-lopez-pa...
Tracks:
I Want to Be a DJ 00:05:40
I Want to Be a DJ (Migue Boy’s Remix) 07:20
Babylon 06:16
LC 35172
© 2016 Chibar Records
EAN 4250325383876
Release date 2016-03-18
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Yedigün Portakal Drink is a popular orange-flavored beverage from the Yedigün brand. It is known for its refreshing taste and is typically enjoyed as a soft drink. Here are some relevant details:
Yedigün Portakal Drink typically contains water, sugar, orange juice concentrate, and carbon dioxide for carbonation. Some variations may also include preservatives and flavoring agents.
The drink generally offers a sweet flavor profile with a moderate calorie content, largely derived from sugars. Exact nutritional values can vary based on the specific formulation.
The beverage has received positive feedback for its taste, making it a popular choice among consumers looking for a fruity soft drink option.
motorchase.com/wp-content/uploads/2016/07/Audi-A8-Body-In...
A tia de uma ex-mulher só dirigia carros grandes. E ela era péssima motorista. Ambas as coisas estavam relacionadas: ela dirigia veículos grandes porque ela era horrível na direção. Quando lhe perguntei sobre como essas coisas se relacionavam, ela me disse que acreditava que um carro maior a deix...
motorchase.com/pt/2016/07/encare-nos-dirigimos-origamis-d...
Mingle Media TV and host Misty Kingma were in Vegas at CES 2012 and covered the inaugural IAWTV Awards. The International Academy of Web Television (IAWTV) Awards is the first award show within the Web television industry to be presented by content creators, for content creators. From studio content producers to YouTube celebrities, those successfully creating entertainment for digital platforms were celebrated via 33 categories honoring web series and online talent, in front of the camera and behind the scenes.
For more information about the IAWTV Awards visit their website at iawtvawards.org.
For more coverage of this event and others, watch our video interviews from the Red Carpet and follow us on Twitter and Facebook here:
www.minglemediatv.com/redcarpetreport.html
The Benton County Courthouse was listed on the National Register of Historic Places in 1978. Portions of the content on this web page were adapted from a copy of the original nomination document. [†] Adaptation copyright © 2011, The Gombach Group.
Description
The Benton County Courthouse, sited on a full block, is a major landmark in downtown Corvallis. Narrowly missing becoming the state capital in 1855, Corvallis, in the heart of the Willamette Valley where the Marys River empties into the Willamette River, later became home of the state Land Grant College. The Benton County Courthouse, dedicated on July 4, 1888, was designed by Portland architect Delos D. Neer in the High Victorian Italianate style.
The extreme dimensions of the building are 73x116 feet. The plan is H-shaped: the end blocks rise three stories above the daylight basement, and the connecting center wing is two stories in height. The 32-inch thick walls of the basement are of heavily rusticated ashlar grey granite, and the rest of the structure is stuccoed brick. The first story is rusticated and the upper stories are plain with string courses and quoins in low relief. The whole is surmounted by a bracketed cornice with classical detail and a hipped roof.
A tower-like pavilion and single-story portico on the east end make the entrance. A female head is carved in the portico arch keystone.
A broken pediment is set in the tower cornice, in which stands a Goddess of Justice, probably cast tin, the last example of its type in situ in the Willamette Valley. The tower rises one story above the pediment, then tapers inward with a mansard-like roof to the cubical clock block above, which is crowned with a pyramidal roof.
There are two bells in the tower, as well as the large pendulum and weights of the original clock mechanism. The clock is now electrically powered. The one-word legends carried on each of the clock faces add up to "The Flight of Time." There were originally eighteen chimneys on the roof, which have been removed. Otherwise, the exterior remains unaltered and in good condition.
For a period of at least ten years, the Benton County Courthouse has been generally recognized by the County Commissioners and the community as a historic property worthy of preservation. Nevertheless, with demand for increased services, the County was pressed to seek room for expansion.
Following the failure of a bond issue for construction of a new courthouse in 1974, Benton County embarked upon a facilities-expansion program which was aimed at reserving the courthouse exclusively for Court-related activities.
A two-story Health and Law Enforcement Unit was erected on the neighboring block due west of the courthouse, and a Corrections Division wing was added to the historic courthouse structure. The latter replaced a single-story, detached jail dating from 1929. The new facilities were opened for use in 1976. The Corrections Wing is joined to the central section of the north elevation of the courthouse. It covers an area of approximately 50x43 feet. Except for a central utility superstructure, it is one story above grade and, consequently, does not obscure one's view of the courthouse. It is a concrete block construction with form-textured concrete facing and ribbed steel roofing. The overall color of the new wing, which is grey, blends reasonably well with the high masonry ground course of the courthouse. The perimeter and southerly half of the courthouse block retain the parklike atmosphere created by mature shade trees, lawn, box hedges, and occasional bedding plants.
The Benton County Courthouse interior was remodeled piecemeal over the years. For example, ceilings were lowered, certain spaces subdivided, heating and lighting systems upgraded, and so on. One of the two stairways originally at the east or formal entrance end, was removed and replaced by an elevator. Benton County is now proceeding with a renovation and restoration plan which achieves a satisfactory balance between preserving historic features of the building's interior, on the one hand, and providing additional usable space in support of the Courts, on the other.
The original floor plan provided one large central Circuit Courtroom on the second floor with offices and smaller Courts in the wings and on other floors. In order to maintain all of the Courts and related functions under one roof, the original Circuit Courtroom will remain divided, though not precisely as it is now [1977], and undeveloped spaces will be utilized. Because most of the alterations were additive in nature, much original finish work, including plaster ceiling ornament and white pine wainscoting, will be revealed. Where necessary, new details will match or blend with the original in style. Much of the original courtroom furniture is still in use in the building.
Significance
The Benton County Courthouse is understood to be the oldest standing active courthouse in Oregon. It was dedicated on July 4, 1888. Its architectural style is High Victorian Italianate, and it remains in remarkably sound condition.
One of the smallest counties in Oregon, Benton County has an area of less than 670 square miles. It lies in the mid-section of the Willamette Valley, south of Portland. It was established in 1847 by the Provisional Government and named for Thomas H. Benton, US Senator from Missouri, a strong advocate of the Oregon Country.
The 1888 population of Corvallis, county seat for Benton County, was about 1,500. Passenger train service came in 1880, but riverboat travel continued long after that time. As late as 1887 the catalog of Oregon Agricultural College, now Oregon State University, advised students to reach Corvallis from the north by riverboat. The population of the county is now about 50,000. Some 30,000 reside in Corvallis.
The first courthouse was constructed in 1855. It was replaced in 1888-1889 by the present one, which is the oldest active courthouse in the state.
The first one cost $6,200, part of which was withheld from the contractor because of poor workmanship. The present Benton County Courthouse cost about $70,000 and was financed by a two-mill levy. It was authorized in 1888, and constructed in 1888-1889.
A new jail was built at the same time to the south of the courthouse. It cost an additional $14,500. The original jail was succeeded by a single-story, tile-roofed structure on the north in 1929 and, more recently, by the single-story Corrections Wing of 1974-1976,
Delos D. Neer of Portland was the architect for the Benton County Courthouse. He was born in Charlottesville, New York in 1847. During the Civil War he served in the Union Army and participated in several battles, including the campaign of the Shenandoah Valley under the command of Phil Sheridan. Following the war he became an apprentice builder and earned journeyman carpenter status in 1868. He married in 1869 but his wife, Alfrelia, died in 1873 following the infancy death of their two children. Neer moved to San Francisco in 1875, where he practiced his trade. From California he journeyed to Portland in 1879 and began a serious study of architecture. The following year he opened an architectural office in East Portland which proved to be successful. Besides the Benton County Courthouse, he designed several other county courthouses in Oregon including the Washington, Clackamas, and Lake County courthouses, and the Snohomish County Courthouse in Snohomish, Washington. He was the architect of the Barr Block, one of Portland's early imposing business blocks. Neer designed many other buildings in Oregon and was active until his death in 1917.
The Benton County Courthouse was built of native stone and brick made on the site. The sand for the exterior stucco and interior plastering was shipped to Corvallis in sacks from Lewisville, Washington Territory. It was brought to Portland on a barge in a loose state and then placed in sacks and transferred about the distance of a block to the river steamer Bently, then taken to Salem, transferred to the smaller barge Three Sisters, and carried to Albany. At Albany it was loaded on rail cars for the final leg to Corvallis. A February 22, 1889 article in The Corvallis Gazette explained why: "The contracts call for the very best material in building this structure and, as no sand suitable could be procured at any nearer point this is the reason why it is brought from the above point (Lewisville)."
Nineteen large stones, eleven of which are as long as the front entrance of the courthouse is wide, were procured in San Francisco. They were utilized for the steps; their thickness being around eight inches and width around 16 inches.
A "Journal of the Benton County Court" for 1888 provided the exact costs for most of the construction work and materials at a total of $67,145.41.
Although the boiler and hot water were installed at time of construction, almost every room had a chimney connection for a wood-burning stove. Some of these were used. The eighteen small chimneys that once lined the roof have been removed. The building was piped for acetylene gas lights. The pipes can still be seen in the first floor hall.
The Howard tower clock was installed soon after the building was finished. It used weights for power which needed to be re-wound every week, a two-hour process. The weights and huge pendulum are still in the tower.
The old city fire bell is also there. It was tolled by a rope that ran through the upper floors, and down the front stairwell to the front door.
The Benton County Courthouse was erected in approximately one and one-half years. Although it is the oldest constructed courthouse in active use in Oregon today, its architectural integrity is intact and its condition is excellent. Moreover, a recent construction program which respected the courthouse as the focal element of an enlarged complex was completed to good effect in 1976. The county is now [1977] embarked upon a renovation and restoration plan for the interior of the courthouse, now wholly devoted to activities of the Courts.
References
Mines, H.K., compiler, An Illustrated History of the State of Oregon (Chicago: Lewis Publishing Co., 1893), 646-647. Note on the architect, Delos D. Neer.
Strand, A.L., correspondence as Benton County Commissioner to Byron Weston Co., Dalton, Mass., December 18, 1968. Establishes that Benton County Courthouse is oldest courthouse in Oregon still in use for original purpose. Attachments include abstracts from the Journal of the Benton County Court, 1887-1888.
Stadsvold, Cy, AIA, Benton County Courthouse Study (Corvallis, 1977). Renovation plan and history of the Courthouse. Includes bibliography.
† David W. Powers, and Paul B. Hartwig, Historican, Oregon State Historic Preservation Office, Benton County Courthouse, Corvallis, OR, nomination document, 1977, National Park Service, National Register of Historic Places, Washington, D.C.
www.livingplaces.com/OR/Benton_County/Corvallis_City/Bent...
Contentas por llegar a la hermosa edad de las ilusiones es como lucieron Victoria Rosales Chávez, Ileana Sarmiento Ovalle, Natasha Lara Pérez, Laura Paola Sánchez Elizondo y Olga Sofía Durón Cantú.
only codding...
Dictionary
Definitions from Oxford Languages
To cod
verb
gerund or present participle: codding
INFORMAL•BRITISH
play a joke or trick on (someone).
"he was definitely codding them"
From the upcoming Series : 'Prostate Daze: The Waning of the Latter Ages'.
With apologies to James Joyce, Marcel Duchamp, Johan Huizinga, and all those of a certain age.
Perhaps laughter is the best medicine.
I post these images and their content, not for fame or sympathy. I don't want or need anyone's sorrow, or praise. I’m hoping, these post will expose the extent our government agencies, corporations and some in law enforcement, will go to, to cover-up the truth. Please take a moment to read through this. I’ve spent the last 19 years of my life, trying to expose this. Share it with someone it may help.
This is some of the cost, I pay for Free Speech. Some, have payed far more. This is medication, I depend on daily. In the package was my blood pressure meds and medication for enlarged prostate. With intentional acts like this, who wouldn’t need high blood pressure meds. I too, have extremely large balls. The balls; from being a whisltleblower, consistently exposing corruption and Gangstalking The VA (Veterans Administration) won’t help me with that. They will contribute, to the constant harassment and Gaslighting. I know these are serious violations, but I have to keep my sense of humor. I won’t let these parasites, keep me down.
On my previous post (The American Bully Part 3), I mention, some of the Malevolent Characteristics of a Gangstalker. The image you see is retaliation for that. I wrote “The Post Office workers, that deliver your mail after the holidays, your birthday, or not at all”. Four days later, this is the package I received. There was a small tare in the package, that was over-killed with tape. Three of my medications; the bottles and caps were destroyed. Only a small portion of their medication, was in the bottom of the package. That’s why I used the plate. Not only were my meds in the package, but two other prescription, for another veteran, were included.
My meds came from a VA pharmacy in my state. The other veteran’s meds, came from a different VA pharmacy, in an adjoining state. That veteran’s meds were slightly dented, but not busted open.
When I pulled the package out of my mail box, I took a picture of it. This isn’t the first time I’ve had my meds tampered with. I took a video, as I pull the contents out of the bag. I also, took plenty of pictures. I called the VA pharmacy, right after, had a woman call me shortly after. With the information I gave her; she said she would have my and the other veteran’s meds expedited. Those involved in Gangstalking; could care less about anyone, or anything else they affects, as long as it has an impact on their target. I’ll probably not receive my blood pressure meds, before I run out. Do you think I might need it, with this kind of crap, continually happening?
I will be filing HIPPA and Mail Tampering, violation complaints, to the proper authorities. Again, having to deal with so many corrupt government agencies. I’ve had many delinquent excuses from agencies like these. I have my doubts. Do you really think someone will actually give a shit? Aren’t you fed up with the excuses; being treated like an ignorant child?
I’ve had problems with the mail carriers after moving here, in January, 2024. On 4-11-24, a carrier drove into my yard, along the side of my driveway. She deliver a package, to large to put in my mailbox. She apparently, had to drive on my lawn, to do so. You can see my drive, in the previous post. The same carrier, kept pulling far into my yard, to put mail in my mailbox. I put a security sign, from the security company I use for home security, beside the mailbox to prevent this. The next delevery, on 5-13-24, she ran over it, bent it so bad; I can’t use it. I had security videos of those, and pictures of the ruts, she made in my yard. I took them to the Post Office Manager. I didn’t get all pissy. I even asked her, if there was anything I could do to help. She looked at them, said she would come out and take a look. She came out, looked at my yard, gave me a call and said she would talk with the carriers.
I installed a new mailbox, shifted and stabilized the post. It put it closer to the road, in hope she wouldn’t keep driving onto my yard. It was better for a few months. Now it’s back to the same-o. Also, the Sherrif that was supposedly looking for a runaway girl, that was supposedly hiding in the woods behind my house. Drove into my yard, when my other driveway, was right beside where he pulled in.
Now the Gaslighting has increased dramatically. From the past and another previous post; The American Bully Part 2, I wrote “As we get close to the entrance; there’s a red pickup truck setting by the entrance. We pull up, and beside this truck. They dart off ahead of us; to the same parking area. There are many parking areas, in this rec area; but they pull into the same spot we normally park in. I park a few spots away”. A few days after posting that; a red truck, same make and model, delivers my mail. This person not only delivered, but took a second lap around the turn-a-round, in front of my house. I also. had someone open my mailbox and leave it open on 12-22-24, and 12-27-24. Now, I have someone in the neighborhood; tampering with my security camera feed. Along with that, I had several packages delivered, after the Christmas Holiday. My brother, living on a Caribbean Island; received his packages. They were sent from our same family members, living 13 hours, from my home. He received his, well before Christmas. Me, well after. Do you truly think; these are all coincidences?
The perps involved in Gangstalking, love to use their colors. It’s another trigger they use when Gaslighting and harassing. That’s partiality where the label Gangstalking, derived from. Also, blow-back from my previous two post; has these parasites, bumping up the harassment. Usually after a post like the “American Bully Part 3”, these parasites will crawl under their rocks for a day or two. Then, they get the all clear, come buzzing out like angry hornets. Local Law Enforcement, has given them a free pass to perform their Nefarious acts. Many in the community, dancing in the streets with glee.
Targeting, has become one of America’s favorite pastimes. Take a good look at our society. If you’re a Targeted Individual, violence is not the answer. Educate yourself, document everything, stay true to your character. It may seem like it, but you’re not alone. I’ll always be here, let everyone know, what we are going through; in a country that’s supposed to be Free.
Thanks for visiting my photostream. All content, photos, are free to download, copy, share and print. I hope it will help someone struggling with this vile cycle of hate. Please keep my logos on all photos.
Not content to let Kiwi stand on the back of the chair undisturbed, Sugar flies over and changes his perspective on the world. (That, and apparently grabbed at a feather on the back of his neck! Really, she's usually quite nice, in a clueless sort of way. She just likes to land as close as possible to her good friend, and what's closer than exactly where he's standing?)
ispirato da Gli Amanti di Magritte
www.tuttomagritte.altervista.org/wp-content/gallery/opere...
"Gli amanti" o "Les amants" ( 1928, olio su tela, 54x73 cm, New York, Richard S.Zeisler Collection). In quest'opera è presente uno dei temi che ha caratterizzato, in questo periodo, la pittura di Magritte, ed in altre opere gli amanti ritornerano ma col volto scoperto o con i volti affiancati. Il dipinto ci mostra due persone che si baciano ed hanno i volti coperti da un panno bianco, un panno già visto nella "Storia Centrale", opera considerata da David Sylvester piena di riferimenti al suicidio della madre, ma ipotizza anche che sia un invenzione dell'artista il volto coperto della madre morta, vista la sua ossessione nel coprire i volti. Questo tema è inserito nella questione del visibile e invisibile, su cui Magritte torna più volte e nel 1929 scrive in Le parole e le immagini : " Un oggetto può implicare che vi sono altri oggetti dietro di esso". Il bacio fra i due amanti è un' immagine che parla di morte e dell'impossibilità di comunicare, i due personaggi dietro il panno si scambiano un amore muto che conosce solo il linguaggio del corpo. Quest'opera è un richiamo all'opera di de Chirico: " Ettore e Andromaca"; due manichini che tentano un analogo e impossibile abbraccio in un'atmosfera melodrammatica ed i manichini mantengono una certa distanza dallo spettatore, al contrario in Magritte non si può sfuggire dall'angoscia, non si tratta di un'umanità simulata ma negata nelle sue caratteristiche essenziali e mutilata della sua individualità.
See the "Hidden Faces" set, link below! I've had fun taking photos for this set. Most of the time, however when I see a "hidden face" I don't have my camera. Have a nice weekend!
Instead of Tesco being the first to introduce new Matchbox five vehicle sets in the UK its now down to Sainsbury's who only started stocking the brand again a few months back.
The new MBX Wagons II assortment is clearly a big draw for me and indeed many collectors with its 100% licensed content, the star of the show being this 1965 Austin Mini Van. Not a wagon of course but i've absolutely no qualms about this castings inclusion.
Chrome would have been nice of course but i'm loving its UK themed Gloucester themed florists livery and classic contemporary colour scheme.
Mint and boxed.
[PT]
Comboio: CONTENTO 80830.
Material Circulante: CP 4722 + 6 Sgnss + 5 Sggmrss + 2 Lgnss + 2 Lgs + 1 Sgmms.
Sentido: Terminal XXI > Terminal de Mercadorias da Bobadela.
Local: Vila Nova da Rainha.
[ENG]
A container freight train from Sines to Bobadela, at Vila Nova da Rainha.
Content curation is becoming everyday more important as brands notice that taking care of consumers’ limited time is a way to add value to their lives and to build a relationship with them. It’s not anymore just about creating, now it’s about finding, rating and aggregating.
Expect this trend to grow during 2010.
316 views not one comment.
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Speed view my Photostream with Flickriver, click the link then just Scroll with your mouse or swipe on your mobile.
This is a low resolution watermarked upload, for a full size file please contact Terry Eve Photography via Flickr mail.
Perhaps an all too simplistic diagram for such a complex subject. But there is a definite balance to strike when considering the layout of a web page in relation to the users and the client's wants and needs. The purpose of the page will obviously influence this but its something that is a constant struggle and getting it right results in conversions, and increased user interaction.
[Contenti un bip]
Cristina mi scrive.
e-mail #29.
Ancora un taxi driver a risolvere le situazioni della nostra vita.
Succede ieri, a strapparci dalla melassa dell'addio. Che poi melassa
non è, che poi addio non è. Vero? Ti ripeto quello che ho già avuto
modo di scriverti. Dell'addio io vedo lo strappo, e al diavolo tutte
le finte teorie psicosomatiche del dover essere contenti a tutti i
costi, perchè sono scelte volute, desiderate e ambite, tutto fatto
per ottenere the best of everything. Contenti un cazzo! ecco ho
scritto la mia parolaccia e sono venuta meno alla regola che per
scrivere (bene o male) non è necessario cadere nella volgarita
(anche questa senza accento). Lasciami questo momento, queste battute
per essere insanamente teatrale. Facciamo le fighe, è per forza una
cosa WOW, in fondo un pezzo del tuo cuore va solo dall'altra parte
del mondo, ma c'è skype, ci sono le email, ci sono i bastimenti che
portano le lettere e i mailboxes, le ordinazioni dei jeans e delle
altre cose cool che non si trovano in Italia, proprio come gli
emigranti di 50 anni fa e ci sono nove ore di fuso orario a rallentare e dilatare la vita.
Contente a tutti i costi, abbiamo già un viaggio da organizzare.
Ti dicevo l'altro giorno che forse la differenza tra essere single e
essere sposati sta nel rapporto con le tue amiche. Da single ci parli,
da sposata gli comunichi delle cose e le tue amiche non possono far
altro che ascoltare decisioni tutte già prese. Ale, ti chiedo
solo di non lasciarti sopraffare da tutto, perchè il confine tra il
coraggio della scelta e il subire gli eventi è labile.
Non lasciarti sopraffare dal mio melodramma, dalla distanza,
dall'Ammmmericccca, dalla microsoft, da Starbucks, dalla solitudine,
dalla paura, dal fuso orario, dalle serie dei telefilm senza
sottotitoli, dal thank'sgiving day e dal barbecue perchè resterai
sempre quella di Ostuni che si faceva svegliare alle otto per
continuare a dormire fino alle 12.00 e perché ...stai facendo la cosa
più giusta che potevi fare. Stai addentando la tua vita fino in fondo
e solo questo vale il rischio del pigiamone di acrilico che
indosserai per adeguarti ai costumi degli indigeni del luogo. Ti amo
amica mia
Ps se lo fai... il pigiamone di acrilico...dico... vengo là e............