View allAll Photos Tagged Content
For more information, visit the project website: www2.gov.bc.ca/gov/content/transportation/transportation-...
His lively eyes give the impression of a severe and annoyed look.
Ses yeux vifs, donnent l'impression d'un regard sévère et contrarié.
'28 in a Crate' Large View On Black
abandoned 28 years marmora mines rock crusher room
The Marmora Mine
Marmora is located between the towns of Madoc and Havelock along highway 7 in Hastings County. The name Marmora is taken from the latin word for "marble".
The area was known for its rich iron content and mining operations began as early as the 1820's to extract and smelt this mineral. Today you will find the remains of the water-powered refinery along the eastern bank of the Crowe River while the northern bank of the Crowe held the richest ore deposits.
At its prime, the area was home to as many as two dozen mines. Perhaps the most successful of the mines was that of the Marmoraton which opened in 1955. The Marmoraton was owned by Bethlehem Steel Mills of New York and exported iron ore pellets.
In 1953, before the Marmoraton could open, engineers first had to blast through 120 feet of limestone before reaching the high grade ore which was underneath. One blasted out, the open pit mine measured approximately 1700 feet by 1200 feet and reached 600 feet deep.
The mine employed some 300 men who worked to fill the 30 to 35 railway cars daily for transport south to Picton port where it was loaded into boats. The mine produced 520,000 tons of pellets anually.
When the mine closed in 1979, it had mined almost 1.3 million tons of iron ore. Over time, underground streams and rainfall have slowly filled two thirds of the mine with water. So much so that it is now officially classified as a lake.
Aqui otra gorjuss... no estoy tan contenta como con la 1º.. sobre todo por el paraguas que menuda guerra que me dio..pero echa queda... esta para la habitacion de mis hijas.
(antes de que me digáis que tiene copy right aviso que no la he usado con fines comerciales sino para uso personal, si quereis adquirir cualquiera de los productos de santoro, aqui os dejo la pagina www.gorjuss.co.uk/)
“When you are content to be simply yourself and don't compare or compete,
everybody will respect you.”
~Lao Tzu
“Do everything. Love as much as you can. it may hurt but it helps us grow.
Give all you have...you may be poor but you will be content.
Always forgive....your heart can not afford not to.
Teach what you know and learn what you don't.
Stay open to all”
~Anon
“Be content with what you are, and wish not change; nor dread your last day, nor long for it”
~Marcus Aurelius
By using Content Aware Scale in CS4, you can easily squish faces together with a click of a button. Keep in mind this is NOT the Liquify tool.
how to: using content aware scale in cs4: photoextremist.com/2009/10/make-surreal-faces-using-conte...
Quoting from the HONK! Festival 2010 – Press Release, including Participants & Schedule of Events (as of 9/10/2010)
HONK! FESTIVAL 2010
FIFTH ANNUAL
this year featuring
[subject to revision]
• What Cheer? Brigade (Providence, RI)
• Veveritse (Brooklyn, NY)
• Titanium Sporkestra (Seattle, WA)
• Springville All Star Marching Band (Springville, NY)
• Seed and Feed Marching Abominables (Atlanta, GA)
• Rude Mechanical Orchestra (Brooklyn, NY)
• Minor Mishap Marching Band (Austin, TX)
• Leftist Marching Band (Portsmouth, NH)
• Himalayas (NY, NY)
• Extraordinary Rendition Band (Providence, RI)
• Environmental Encroachment (Chicago, IL)
• DJA-Rara (Brooklyn, NY)
• Detroit Party Marching Band (Detroit, MI)
• Bread and Puppet Circus Band (Glover, VT)
• Brass Liberation Orchestra (Oakland, CA)
• Black Bear Combo (Chicago, IL)
• Barrage Band Orchestra (Baltimore, MD)
with locals
[subject to revision]
• AfroBrazil
• AMP (Activist Music for the People) Radical Marching Band
• Bahamas Junkanoo Jumpers
• Dirty Water Brass Band
• Emperor Norton's Stationary Marching Band
• Expandable Brass Band
• Factory Seconds
and
• Second Line Social Aid & Pleasure Society Brass Band
October 8-10
based
in
Davis Square, Somerville
&
Harvard Square, Cambridge
ALL
[EXCEPT FOR ONE VERY AFFORDABLE EVENT]
FREE AND OPEN TO ALL
(Somerville & Cambridge, MA) Born out of a need for street bands to celebrate their social activist side, the increasingly popular HONK! Festival is back for a 5 year with opportunities galore for participants and festival goers to enjoy themselves immensely. Rain or shine on Columbus Day weekend, October 8-10, the streets primarily in and around Davis Sq. and spilling out into Harvard Square will be teeming with bands raising a good time ruckus.
The confirmed HONK! band count is currently at 25, with one to two new ones being added weekly. But when the final count is in, this year up to 30, there’ll still be no stopping individuals who suddenly feel the need to jump in at the last minute. In today’s parlance, HONK! 2010 already has an app for that! Opportunities abound not only for festival invitees but for the spur of the moment merry maker, including a chance to play music with the October 10th impromptu “community band” made up of individual musicians, who are not affiliated with any of this year’s HONK! bands, but are interested in participating in the gigantic HONK! Parade to Reclaim the Streets for Horns, Bikes and Feet.
Festival updates can be found at www.honkfest.org, twitter.com/honkfest/, and www.facebook.com/honkfestival, or by calling 617-383-HONK (4665). Listed on the next few pages is the festival schedule as it now stands:
2010 WEEKEND SCHEDULE:
Friday, October 8, 1-5 pm
HONK! In The Neighborhoods
Visiting HONK! bands will team up with their local counterparts to perform and interact at several Boston-area Boys and Girls Clubs, as well as at other non-profit venues or gatherings. At this writing the following clubs and organizations who will be participating are:
Yawkey Club of Roxbury, 115 Warren St., Roxbury; Charlestown Club, 15 Green Street, Charlestown; Blue Hill Club, 15 Talbot Ave., Dorchester; South Boston Club, 230 West Sixth Street, South Boston; Union Square Main Streets, Union Square, Somerville; Zumix, 260 Summer St., East Boston; and the Food Not Bombs gathering at Park St. on the Boston Common.
Many of these events are free and open to all.
For information: 617-383-HONK (4665), info@honkfest.org
Saturday, October 9, 12:30 pm-9 pm
HONK! On Davis Square
Up to 30 activist street bands, from near and far, will perform outdoors for free. An Opening Ceremony to be held at 12:30 pm in 7 Hills Park, Davis Square, Somerville. At this writing the following bands will be participating, listed in alphabetical order: AfroBrazil, AMP (Activist Music for the People) Radical Marching Band, Bahamas Junkanoo Jumpers, Barrage Band Orchestra, Black Bear Combo, Brass Liberation Orchestra, Bread and Puppet Circus Band, Detroit Party Marching Band, Dirty Water Brass Band, DJA-Rara, Emperor Norton's Stationary Marching Band, Environmental Encroachment, Expandable Brass Band, Extraordinary Rendition Band, Factory Seconds, Himalayas, Leftist Marching Band, Minor Mishap Marching Band, Rude Mechanical Orchestra, Second Line Social Aid & Pleasure Society Brass Band, Seed and Feed Marching Abominables, Springville All Star Marching Band, Titanium Sporkestra, Veveritse, and What Cheer? Brigade.
Davis Square, Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
Free and open to all; rain or shine.
For information: 617-383-HONK (4665), info@honkfest.org
Sunday, October 10, noon-2 pm
HONK! Parade to Reclaim the Streets for Horns, Bikes and Feet
Led by the Mayors of Somerville and Cambridge, the parade will feature all the HONK! bands, plus the Bread & Puppet Theater, the impromptu “community band,” and many local arts and community organizations, such as Green Streets Initiative, Bikes Not Bombs, 350.org, Open Air Circus, Puppeteers Cooperative, Livable Streets, and Sprout. The parade assembles at 11 am, and the route starts in Davis Square, Somerville, at noon, making its way to Harvard Square’s Oktoberfest celebration in Cambridge. To participate in the parade or to volunteer as a parade facilitator, contact parade@honkfest.org.
[Conveniently located near the Davis, Porter, and Harvard Square stops on the Red Line and several MBTA bus
connections.]
Free and open to all; rain or shine.
For information: 617-383-HONK (4665), info@honkfest.org
Sunday, October 10, 2-6 pm
HONK! at Oktoberfest
Several HONK! bands will be featured in Harvard Square’s Oktoberfest.
[Conveniently located near the Harvard Square stop on the Red Line and several MBTA bus connections.]
Free and open to all; rain or shine.
For information, visit www.harvardsquare.com, 617-491-3434, hsba@harvardsquare.com
Sunday, October 10, 8 pm-midnight
HONK! Blow-Out
Featuring all the HONK! bands, performing up to 10 minute sets each. At this writing the following bands will be participating, listed in alphabetical order: AfroBrazil, AMP (Activist Music for the People) Radical Marching Band, Bahamas Junkanoo Jumpers, Barrage Band Orchestra, Black Bear Combo, Brass Liberation Orchestra, Bread and Puppet Circus Band, Detroit Party Marching Band, Dirty Water Brass Band, DJA- Rara, Emperor Norton's Stationary Marching Band, Environmental Encroachment, Expandable Brass Band, Extraordinary Rendition Band, Factory Seconds, Himalayas, Leftist Marching Band, Minor Mishap Marching Band, Rude Mechanical Orchestra, Second Line Social Aid & Pleasure Society Brass Band, Seed and Feed Marching Abominables, Springville All Star Marching Band, Titanium Sporkestra, Veveritse, and What Cheer? Brigade.
Somerville Theatre
55 Davis Square, Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
Ticket: $10 general admission.
For tickets and information: (617) 625-5700, http://feitheatres.com/somerville-theatre/
Leading up to this year’s Columbus Day weekend events, there are several preliminary events worth noting:
Through Thursday, September 30, 2010:
HONK! Photo Exhibit
Features 7 photographers: Greg Cook, Tiffany Knight, Mark Dannenhauer, Jesse Edsell-Vetter, Benjamin Greenberg, Chris Yeager & Akos Szilvasi. Their photos are inspired by HONK! Festival 2009.
The Inside-Outside Gallery (aka the CVS windows)
CVS Pharmacy
1 Davis Square, Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
Free and open to all.
For more information, photoshow@honkfest.org.
Monday, September 13, 7-8:30 pm:
We Love HONK! Volunteers Meeting
Sign-up gathering to help in all the ways that make HONK! possible. Individuals and groups interested in participating in the parade, to be held from noon-2 pm on October 10th, are also encouraged to attend. Fun is guaranteed!
Somerville Public Library (West Branch)
40 College Ave., Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
For more information, contact volunteers@honkfest.org.
Tuesday, September 21, 10 am-11 pm:
Flatbread Pizza For HONK! Benefit
All day, with a special 7:30 pm performance by the Second Line Social Aid & Pleasure Society Brass Band. Flatbread in Somerville is donating a portion of the cost of every pizza pie purchased during the day to the HONK! Festival.
Flatbread Company
45 Day Street, Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
For more information, contact benefit@honkfest.org.
The HONK! Festival is a good idea coming to fruition. A need had been identified, not only on the part of musicians — of a particular persuasion — who have a penchant for gathering to raise a awareness about issues that need attention. But also a need is there on the part of the audience — not necessarily of any persuasion — to bask in the glow of this unusual phenomenon.
As often as bands congregate to HONK in protest, they also perform to celebrate the causes and institutions they support: multicultural festivals, peace conferences, social forums, artists’ collectives, community gardens, block parties, neighborhood fundraisers, relief benefits and homeless shelters. In every case, the HONKers’ ultimate goal is to have fun, to relish the art of making fun as a form of individual and collective transcendence, and to encourage others to see and do the same.
The HONK! Festival Committee would like to give special thanks to the following for their support of this year’s
HONK! Festival: City of Somerville, the Somerville Arts Council, RESIST, Harvard Square Business Association, Davis Square businesses, and last but not least, the local Davis Square community, whose support in terms of in-kind donations of food and public services, housing for upwards of 300 musicians, and cash contributions, is vital to keeping the HONK! effort going.
###
--submitted by marycurtinproductions
c/o Mary Curtin
[contact info deleted, for her privacy --cdevers.]
"dedicated to staging insightful entertainment, particularly in non-traditional venues"
2019-03-22 (Friday)
2019_005
2019#346 Whitewave (Sophie) _____ as Zelda from Zelda - Breath of the Wild
Thank you for any group invites which I'd be glad to accept. However, if I can't check the content of such groups ("This group is not available to you") I'd rather not add any of my photos. Thank you for your understanding.
Indecentt.tumblr.com
If you are going to use my photos for anything, please give my flickr or tumblr credit!
Je suis un canichou heureux, je viens de passer un examen chez la Madame en vert. J'ai obtenu la mention très bien.
Léchouillettes à tout le monde: les taties, les amis, les copains et les copines.
Challenging (the) Content – Content made in Europe in the digital economy on 8 October 2018. Picturing Federal Minister Gernot Blümel. Copyright BKA/Andy Wenzel
Tiki
Tiki is human-like figure that represents Polynesian semi-gods, which means deified ancestors and heads, who are sublimed after their death. According to its guardian role, they mainly symbolize protection. If you love playing pc games, you’ll find that in many lost temples, Tiki patterns are often carved on pillars or stone gate.
Tiki plays a very important role in Polynesian culture. Tiki’s organs are often separately drawn to represent different meanings. For example, nose symbols mean sniffing danger before its coming. Tiki’s eyes, nose, mouth and side faces are all important design elements and most Polynesian tattoo designs contain one or more tiki symbols.
Sea Shell
In Polynesian tattoo designs, shells are very common in many designs, especially turtle shells. Turtle shell is a symbolization of turtle, which is a very important sea creature in all the cultures of Polynesian triangle. It has more meanings than other symbols. Some complex turtle designs could have quite a lot of meanings, according to its elements embedded in. Basically, turtle shells symbolize longevity, wellness, fertility and peace
Shark Teeth
Shark teeth is another fish symbol which is very popular among Polynesian tattoo fans. Nearly over 50% Polynesian tattoo designs have shark teeth symbols embedded in. It’s also called “niho mano” in Polynesian language.
Shark teeth usually represents shelter or coverage, guidance, power, ferocity, adaptability, etc. In Polynesian legend, sharks also represent the god of Polynesian people. It has lots of variations and combinations, like the ones showed in the pictures above.
Ocean
Ocean symbols are very common among Polynesian tattoo designs. They are usually used to not only express specific meanings but also fill some blank blocks in order to shape complete patterns. Polynesian people regard the ocean as their final destination where they go when passed away. So sometimes the ocean is a symbol of death, or the world beyond. Besides, the ocean is also regarded as their source of food and can represent life, fertility and persistence. Ocean waves are used to symbolize the other world beyond too, which is a homeland where all ancestors live, where they’ll eventually be. The picture above shows its basic pattern and variations and a few application samples will listed below.
Contentas por llegar a la hermosa edad de las ilusiones es como lucieron Victoria Rosales Chávez, Ileana Sarmiento Ovalle, Natasha Lara Pérez, Laura Paola Sánchez Elizondo y Olga Sofía Durón Cantú.
Quito (Ecuador) 22 de septiembre de 2022
Propedéutico Content Camp, donde los estudiantes conocen las 7 carreras de La Metro.
Foto: Ximena Padilla / La Metro
Three cars from Lancia's line-up in front of this dealership in Eindhoven. In Fiat's plans for the future there seems to be no room for Lancia internationally. In Italy the Ypsilon may remain in production but elsewhere the brand is going to be stopped.
Quoting from the HONK! Festival 2010 – Press Release, including Participants & Schedule of Events (as of 9/10/2010)
HONK! FESTIVAL 2010
FIFTH ANNUAL
this year featuring
[subject to revision]
• What Cheer? Brigade (Providence, RI)
• Veveritse (Brooklyn, NY)
• Titanium Sporkestra (Seattle, WA)
• Springville All Star Marching Band (Springville, NY)
• Seed and Feed Marching Abominables (Atlanta, GA)
• Rude Mechanical Orchestra (Brooklyn, NY)
• Minor Mishap Marching Band (Austin, TX)
• Leftist Marching Band (Portsmouth, NH)
• Himalayas (NY, NY)
• Extraordinary Rendition Band (Providence, RI)
• Environmental Encroachment (Chicago, IL)
• DJA-Rara (Brooklyn, NY)
• Detroit Party Marching Band (Detroit, MI)
• Bread and Puppet Circus Band (Glover, VT)
• Brass Liberation Orchestra (Oakland, CA)
• Black Bear Combo (Chicago, IL)
• Barrage Band Orchestra (Baltimore, MD)
with locals
[subject to revision]
• AfroBrazil
• AMP (Activist Music for the People) Radical Marching Band
• Bahamas Junkanoo Jumpers
• Dirty Water Brass Band
• Emperor Norton's Stationary Marching Band
• Expandable Brass Band
• Factory Seconds
and
• Second Line Social Aid & Pleasure Society Brass Band
October 8-10
based
in
Davis Square, Somerville
&
Harvard Square, Cambridge
ALL
[EXCEPT FOR ONE VERY AFFORDABLE EVENT]
FREE AND OPEN TO ALL
(Somerville & Cambridge, MA) Born out of a need for street bands to celebrate their social activist side, the increasingly popular HONK! Festival is back for a 5 year with opportunities galore for participants and festival goers to enjoy themselves immensely. Rain or shine on Columbus Day weekend, October 8-10, the streets primarily in and around Davis Sq. and spilling out into Harvard Square will be teeming with bands raising a good time ruckus.
The confirmed HONK! band count is currently at 25, with one to two new ones being added weekly. But when the final count is in, this year up to 30, there’ll still be no stopping individuals who suddenly feel the need to jump in at the last minute. In today’s parlance, HONK! 2010 already has an app for that! Opportunities abound not only for festival invitees but for the spur of the moment merry maker, including a chance to play music with the October 10th impromptu “community band” made up of individual musicians, who are not affiliated with any of this year’s HONK! bands, but are interested in participating in the gigantic HONK! Parade to Reclaim the Streets for Horns, Bikes and Feet.
Festival updates can be found at www.honkfest.org, twitter.com/honkfest/, and www.facebook.com/honkfestival, or by calling 617-383-HONK (4665). Listed on the next few pages is the festival schedule as it now stands:
2010 WEEKEND SCHEDULE:
Friday, October 8, 1-5 pm
HONK! In The Neighborhoods
Visiting HONK! bands will team up with their local counterparts to perform and interact at several Boston-area Boys and Girls Clubs, as well as at other non-profit venues or gatherings. At this writing the following clubs and organizations who will be participating are:
Yawkey Club of Roxbury, 115 Warren St., Roxbury; Charlestown Club, 15 Green Street, Charlestown; Blue Hill Club, 15 Talbot Ave., Dorchester; South Boston Club, 230 West Sixth Street, South Boston; Union Square Main Streets, Union Square, Somerville; Zumix, 260 Summer St., East Boston; and the Food Not Bombs gathering at Park St. on the Boston Common.
Many of these events are free and open to all.
For information: 617-383-HONK (4665), info@honkfest.org
Saturday, October 9, 12:30 pm-9 pm
HONK! On Davis Square
Up to 30 activist street bands, from near and far, will perform outdoors for free. An Opening Ceremony to be held at 12:30 pm in 7 Hills Park, Davis Square, Somerville. At this writing the following bands will be participating, listed in alphabetical order: AfroBrazil, AMP (Activist Music for the People) Radical Marching Band, Bahamas Junkanoo Jumpers, Barrage Band Orchestra, Black Bear Combo, Brass Liberation Orchestra, Bread and Puppet Circus Band, Detroit Party Marching Band, Dirty Water Brass Band, DJA-Rara, Emperor Norton's Stationary Marching Band, Environmental Encroachment, Expandable Brass Band, Extraordinary Rendition Band, Factory Seconds, Himalayas, Leftist Marching Band, Minor Mishap Marching Band, Rude Mechanical Orchestra, Second Line Social Aid & Pleasure Society Brass Band, Seed and Feed Marching Abominables, Springville All Star Marching Band, Titanium Sporkestra, Veveritse, and What Cheer? Brigade.
Davis Square, Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
Free and open to all; rain or shine.
For information: 617-383-HONK (4665), info@honkfest.org
Sunday, October 10, noon-2 pm
HONK! Parade to Reclaim the Streets for Horns, Bikes and Feet
Led by the Mayors of Somerville and Cambridge, the parade will feature all the HONK! bands, plus the Bread & Puppet Theater, the impromptu “community band,” and many local arts and community organizations, such as Green Streets Initiative, Bikes Not Bombs, 350.org, Open Air Circus, Puppeteers Cooperative, Livable Streets, and Sprout. The parade assembles at 11 am, and the route starts in Davis Square, Somerville, at noon, making its way to Harvard Square’s Oktoberfest celebration in Cambridge. To participate in the parade or to volunteer as a parade facilitator, contact parade@honkfest.org.
[Conveniently located near the Davis, Porter, and Harvard Square stops on the Red Line and several MBTA bus
connections.]
Free and open to all; rain or shine.
For information: 617-383-HONK (4665), info@honkfest.org
Sunday, October 10, 2-6 pm
HONK! at Oktoberfest
Several HONK! bands will be featured in Harvard Square’s Oktoberfest.
[Conveniently located near the Harvard Square stop on the Red Line and several MBTA bus connections.]
Free and open to all; rain or shine.
For information, visit www.harvardsquare.com, 617-491-3434, hsba@harvardsquare.com
Sunday, October 10, 8 pm-midnight
HONK! Blow-Out
Featuring all the HONK! bands, performing up to 10 minute sets each. At this writing the following bands will be participating, listed in alphabetical order: AfroBrazil, AMP (Activist Music for the People) Radical Marching Band, Bahamas Junkanoo Jumpers, Barrage Band Orchestra, Black Bear Combo, Brass Liberation Orchestra, Bread and Puppet Circus Band, Detroit Party Marching Band, Dirty Water Brass Band, DJA- Rara, Emperor Norton's Stationary Marching Band, Environmental Encroachment, Expandable Brass Band, Extraordinary Rendition Band, Factory Seconds, Himalayas, Leftist Marching Band, Minor Mishap Marching Band, Rude Mechanical Orchestra, Second Line Social Aid & Pleasure Society Brass Band, Seed and Feed Marching Abominables, Springville All Star Marching Band, Titanium Sporkestra, Veveritse, and What Cheer? Brigade.
Somerville Theatre
55 Davis Square, Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
Ticket: $10 general admission.
For tickets and information: (617) 625-5700, http://feitheatres.com/somerville-theatre/
Leading up to this year’s Columbus Day weekend events, there are several preliminary events worth noting:
Through Thursday, September 30, 2010:
HONK! Photo Exhibit
Features 7 photographers: Greg Cook, Tiffany Knight, Mark Dannenhauer, Jesse Edsell-Vetter, Benjamin Greenberg, Chris Yeager & Akos Szilvasi. Their photos are inspired by HONK! Festival 2009.
The Inside-Outside Gallery (aka the CVS windows)
CVS Pharmacy
1 Davis Square, Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
Free and open to all.
For more information, photoshow@honkfest.org.
Monday, September 13, 7-8:30 pm:
We Love HONK! Volunteers Meeting
Sign-up gathering to help in all the ways that make HONK! possible. Individuals and groups interested in participating in the parade, to be held from noon-2 pm on October 10th, are also encouraged to attend. Fun is guaranteed!
Somerville Public Library (West Branch)
40 College Ave., Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
For more information, contact volunteers@honkfest.org.
Tuesday, September 21, 10 am-11 pm:
Flatbread Pizza For HONK! Benefit
All day, with a special 7:30 pm performance by the Second Line Social Aid & Pleasure Society Brass Band. Flatbread in Somerville is donating a portion of the cost of every pizza pie purchased during the day to the HONK! Festival.
Flatbread Company
45 Day Street, Somerville
[Conveniently located near the Davis Square stop on the Red Line and several MBTA bus connections.]
For more information, contact benefit@honkfest.org.
The HONK! Festival is a good idea coming to fruition. A need had been identified, not only on the part of musicians — of a particular persuasion — who have a penchant for gathering to raise a awareness about issues that need attention. But also a need is there on the part of the audience — not necessarily of any persuasion — to bask in the glow of this unusual phenomenon.
As often as bands congregate to HONK in protest, they also perform to celebrate the causes and institutions they support: multicultural festivals, peace conferences, social forums, artists’ collectives, community gardens, block parties, neighborhood fundraisers, relief benefits and homeless shelters. In every case, the HONKers’ ultimate goal is to have fun, to relish the art of making fun as a form of individual and collective transcendence, and to encourage others to see and do the same.
The HONK! Festival Committee would like to give special thanks to the following for their support of this year’s
HONK! Festival: City of Somerville, the Somerville Arts Council, RESIST, Harvard Square Business Association, Davis Square businesses, and last but not least, the local Davis Square community, whose support in terms of in-kind donations of food and public services, housing for upwards of 300 musicians, and cash contributions, is vital to keeping the HONK! effort going.
###
--submitted by marycurtinproductions
c/o Mary Curtin
[contact info deleted, for her privacy --cdevers.]
"dedicated to staging insightful entertainment, particularly in non-traditional venues"
This is a very happy Conure after eating his regular dinner (pellets), a bowl of veggies (onions, corn, potatoes, carrots, and lima beans), and then for dessert, he had almost 1/2 of a banana chopped up.
He is a full baby who will be ready for bed any minute now :)
POSTER - LOCANDINA -
www.chiesasarda.it/wp-content/uploads/2020/11/de-andre_la...
www.900letterario.it/wp-content/uploads/2014/06/fabrizio-...
img.ubiklibri.it/images/9788896212042_0_900_0_0.jpg
www.musiculturaonline.it/p/wp-content/uploads/2021/02/b-M...
Phrases from “The Good News - Frasi da “La Buona Novella” –
In the pity that does not give in to rancor, mother, I learned love.
Nella pietà che non cede al rancore, madre, ho imparato l’amore.
(il testamento di Tito);
I don't want to think of you as the son of God, but as the son of man, my brother too.
Non voglio pensarti figlio di Dio, ma figlio dell’uomo, fratello anche mio.
(Laudate Hominem);
If you had not been the son of God, I would still have you as my son.
Non fossi stato figlio di Dio, t’avrei ancora per figlio mio.
(Tre Madri);
……………………..
Alda Merini:
“The Cross is not a Roman pole, but the wood on which God wrote his gospel”.
“La Croce non è un palo dei romani, ma il legno su cui Dio ha scritto il suo vangelo.
----------------------------------------------------------
click to activate the small icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream (it means the monitor);
or…. Press the “L” button to zoom in the image;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
………………………………………………………
Good Friday is an anniversary which in Sicily acquires a cathartic meaning for those who are searching, not only photographically, for popular traditions (we find them widespread throughout Sicily), which are nothing other than a social, cultural event, which merge into a single past and present; from the web "popular traditions are a historical memory linked to customs and rituals that have given shape to the values and beliefs of that culture". Easter in Sicily can be a source of research, it can appear not without contradictions, citing the thoughts of that great Sicilian thinker Leonardo Sciascia, for him Sicily cannot be called Christian referring to the Sicilian festivals, at most it is only in appearance, in those properly pagan explosions tolerated by the Church; Sciascia addresses the topic as an introductory essay in the book "Religious celebrations in Sicily", illustrated with photographs of a young and still unknown Ferdinando Scianna, a book that did not fail to raise some controversy due to the Sicilian thinker's introductory note, thus being in open controversy with the sacredness of that popular Sicilian devotion (the book was criticized by the Holy See newspaper, the Osservatore Romano), Sciascia writes: “what is a religious festival in Sicily? It would be easy to answer that it is anything but a religious holiday. It is, first of all, an existential explosion; the explosion of the collective id, where the collectivity exists only at the level of the id. Since it is only during the celebration that the Sicilian emerges from his condition of a single man, which is the condition of his vigilant and painful superego, to find himself part of a class, of a class, of a city". Another Sicilian thinker, writer and poet, Gesualdo Bufalino, provides interesting indications on the meaning that Sicilians give to these traditional popular events, he says "during Easter every Sicilian feels not only a spectator, but an actor, first sorrowful and then exultant , for a Mystery that is its very existence. The time of the event is that of Spring, the season of metamorphosis, just as the very nature of the rite is metamorphic in which, as in a story from the Puppet Opera, the battle of Good against Evil is fought. Deception, Pain and Triumph, Passion, Death and Resurrection of Christ are present."
In short, Easter in Sicily is a deeply felt anniversary throughout the island since ancient times, it has always had as its fulcrum the emotional participation of the people, with representations and processions which have become rites and traditions which unequivocally characterize numerous Sicilian centres, which they recall the most salient moments narrated in the Gospels and which recall the Passion, Death and Resurrection of Jesus Christ, with processions formed by the various brotherhoods (sometimes with theatrical re-enactments) which have within them contents and symbols often coming from the Spanish domination, which took place in Sicily between the 16th and 17th centuries
This year, for Good Friday, I was looking for traditions that were "outside the most well-known circuits", in the past I have alternated traditional religious processions known, with lesser-known ones; I considered various possibilities, then I decided to go to a town that is described as being located in a remote and isolated location in the province of Messina, the town is Capizzi. Good Friday in Capizzi takes place in two phases, there is the daytime procession in which three floats are carried on the shoulders, that of the Ecce Homo, that of the Sorrowful Virgin, and that of the Pietà (with the Virgin Mary holding her Dead Son in her arms), then there is the afternoon procession, which continues until late in the evening, in this evening procession the float carrying the Ecce Homo is missing, while two others are added, there is the one with the Urn carrying the Dead Christ (this figure, that of the Dead Christ, in Capizzi, is called "Father of Divine Providence"), and there is the float carrying the "Holy Cross", on it, during the route along the streets of the town, you can see the villagers placing long linen sheets, who often lean out directly from the balconies or windows of their houses to place them over it. The procession is made up of devotees and local personalities, the police and Capizzi's musical band, and two brotherhoods, that of the SS. Sacrament (the brothers are recognizable by a light yellow cloak), and that of the Good Death (whose followers wear a black cloak); the procession advances along the route in absolute silence, silence is Sacred, the bells stop ringing, the procession walks slowly, an exception to the silence comes from the sad, mournful music played by the band and the drumbeats played in mourning; the route includes steep descents, and equally steep (and tiring) climbs. The afternoon-evening procession reaches the locality of "Tre Croci", here the Archpriest, Don Antonio, delivered his panegyric, using profound words, full of Hope, Charity, Love, remembering that Christ always forgives everyone. In the afternoon, in the Mother Church, the celebration of the Passion of Christ takes place; we witness the rite of the Adoration of the Holy Cross, and the veneration of the "Father of Divine Providence", subsequently there is the rite in which the Archpriest sprinkles the body of the Dead Christ with rose petals, and anoints it with perfumed oils (to recall what is written in the Gospel of John (19:38-42), Joseph of Arimathea, a disciple of Jesus, secretly for fear of the Jews, asked Pilate for permission to take the body of Jesus, Pilate agreed, but Nicodemus also joined Joseph, carrying about thirty kilos of a mixture of myrrh and aloe, sprinkling it on the body: they took the body of Jesus, wrapped it in bandages together with the aromas, according to the funeral custom of the Jews). During the rite of the Adoration of the Cross, in the Mother Church (and also in the Tre Croci area), there is a song sung by the young people of the village, who in chorus sing the “song of the improperia”, which would be in sung form the reproaches that Jesus Christ addresses to his people, because they were responsible for His crucifixion: it is therefore a plaintive dialogue between the crucified Christ and his people; this song dates back to the sixth century, having arrived in the West from the Church of Jerusalem.
…………………………………………………
Il Venerdì Santo è una ricorrenza che in Sicilia acquista un significato catartico per chi è alla ricerca, non solo fotografica, delle tradizioni popolari (le troviamo diffuse in tutta la Sicilia), che altro non sono che un evento sociale, culturale, che fondono in un tutt’uno passato e presente; dal web “le tradizioni popolari sono una memoria storica legata ad usanze e ritualità che hanno dato forma ai valori e alle credenze di quella cultura”. La Pasqua in Sicilia può essere fonte di ricerca, essa può apparire non priva di contraddizioni, citando il pensiero di quel grande pensatore Siciliano che fu Leonardo Sciascia, per lui la Sicilia non può dirsi cristiana riferendosi alle feste Siciliane, al massimo lo è solo in apparenza, in quelle esplosioni propriamente pagane, tollerate dalla Chiesa; Sciascia affronta l’argomento come saggio introduttivo nel libro “Feste religiose in Sicilia”, illustrato con fotografie di un giovane ed ancora sconosciuto Ferdinando Scianna, libro che non mancò di sollevare qualche polemica per la nota introduttiva del pensatore Siciliano, essendo così in aperta polemica con la sacralità di quella devozione popolare Siciliana (il libro fu oggetto di una stroncatura da parte del quotidiano della Santa Sede, l’Osservatore Romano), Sciascia scrive: “che cos’ è una festa religiosa in Sicilia? Sarebbe facile rispondere che è tutto, tranne che una festa religiosa. E’, innanzi tutto, un’esplosione esistenziale; l’esplosione dell’es collettivo, dove la collettività esiste soltanto a livello dell’es. Poiché e soltanto nella festa che il siciliano esce dalla sua condizione di uomo solo, che è poi la condizione del suo vigile e doloroso super io, per ritrovarsi parte di un ceto, di una classe, di una città ”. Altro pensatore, scrittore e poeta Siciliano, Gesualdo Bufalino, fornisce indicazioni interessanti sul senso che i Siciliani danno a questi eventi popolari tradizionali, egli dice “durante la Pasqua ogni siciliano si sente non solo uno spettatore, ma un attore, prima dolente e poi esultante, per un Mistero che è la sua stessa esistenza. Il tempo dell’evento è quello della Primavera, la stagione della metamorfosi, così come metamorfica è la natura stessa del rito nel quale, come in un racconto dell’Opera dei Pupi, si combatte la lotta del Bene contro il Male. Sono presenti l’Inganno, il Dolore e il Trionfo, la Passione, la Morte e la Resurrezione di Cristo”.
In breve, la Pasqua in Sicilia è una ricorrenza profondamente sentita in tutta l’isola fin dall’antichità, essa ha sempre avuto come fulcro la commossa partecipazione del popolo, con rappresentazioni e processioni divenuti riti e tradizioni che caratterizzano inequivocabilmente numerosissimi centri Siciliani, che rievocano i momenti più salienti narrati nei Vangeli e che ricordano la Passione, la Morte e la Resurrezione di Gesù Cristo, con cortei formati dalle varie confraternite (a volte con rievocazioni teatrali) che hanno in se contenuti e simbologie spesso provenienti dalla dominazione Spagnola, avvenuta in Sicilia tra il XVI ed il XVII secolo.
Quest’anno, per il Venerdì Santo, ero alla ricerca di tradizioni che fossero “al di fuori dei circuiti più noti”, in passato ho alternato processioni tradizionali religiose note, a quelle meno note; ho preso in considerazione diverse possibilità, poi ho deciso di recarmi in un paese che viene descritto essere situato in una località remota ed isolata della provincia di Messina, il paese è Capizzi. Il Venerdì Santo a Capizzi, si svolge in due fasi, c’è la processione diurna nella quale vengono portate in spalla tre vare, quella dell’Ecce Homo, quella della Vergine Addolorata, e quella della Pietà (con la Vergine Maria che tiene in braccio suo Figlio Morto), poi c’è la processione del pomeriggio, che prosegue fino a sera inoltrata, in questa processione serale manca la vara che reca l’Ecce Homo, mentre se ne aggiungono altre due, c’è quella con l’Urna che reca il Cristo Morto ( questa figura, quella del Cristo Morto, a Capizzi, viene chiamata “Padre della Divina Provvidenza”), e c’è la vara che reca la “Santa Croce”, su di essa, durante il percorso lungo le vie del paese, si assiste al poggiare di lunghe lenzuola di lino da parte dei paesani, che spesso si sporgono direttamente dai balconi o dalle finestre delle loro case per deporle a scavalco su di essa. La processione è formate, oltre che dai devoti e dalle personalità del paese, dalle forze dell’ordine e dalla banda musicale di Capizzi, da due confraternite, quella del SS. Sacramento (i confratelli sono riconoscibili da un mantello giallo chiaro), e quella della Buona Morte (i cui adepti recano un mantello nero); la processione avanza lungo il percorso in assoluto silenzio, il silenzio è Sacro, le campane smettono di suonare, la processione cammina lenta, una eccezione al silenzio proviene dalla musica mesta, triste, suonata dalla banda e dai colpi di tamburo suonati a lutto; il percorso prevede ripide discese, ed altrettanto ripide (e faticose) salite. La processione pomeridiana-serale giunge fino alla località “Tre Croci”, qui l’Arciprete, Don Antonio, ha proferito il suo panegirico, usando parole profonde, colme di Speranza, Carità, Amore, ricordando che Cristo perdona sempre, tutti. Il pomeriggio, in Chiesa Madre, si assiste alla celebrazione della Passione di Cristo; si assiste al rito dell’Adorazione della Santa Croce, ed alla venerazione del “Padre della Divina Provvidenza”, successivamente c’è il rito nel quale l’Arciprete cosparge il corpo del Cristo Morto con petali di rosa, e lo unge con olii profumati (a rievocare quante scritto nel Vangelo di Giovanni (19:38-42), Giuseppe di Arimatea, discepolo di Gesù, in segreto per timore dei Giudei, chiese a Pilato il permesso di prendere il corpo di Gesù, Pilato acconsentì, ma anche Nicodemo, si unì a Giuseppe, portando circa trenta chili di una mistura di mirra e di aloe, cospargendone il corpo: essi presero il corpo di Gesù, lo avvolsero in bende insieme con gli aromi, secondo l'usanza funebre dei Giudei). Durante il rito dell’Adorazione della Croce, in Chiesa Madre (ed anche in località Tre Croci), c’è il canto intonato dai giovani del paese, che in coro cantano il “canto degli improperia”, che sarebbe in forma cantata i rimproveri che Gesù Cristo rivolge al suo popolo, poiché si è reso responsabile della Sua crocifissione: esso è quindi un dialogo lamentoso tra Cristo crocifisso e il suo popolo; questo canto risalirebbero al VI secolo, giunto in occidente proveniente dalla Chiesa di Gerusalemme.
………………………………………….