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Inside the Hirshhorn Museum’s curved corridors, a breathtaking swirl of color and texture transforms an ordinary white wall into a dynamic, sculptural tapestry. Layers upon layers of paint and mixed media slice through the space like the strata of an ancient canyon, revealing a vibrant spectrum: crimson reds, sunlit yellows, oceanic blues, and earthy browns all colliding in a rhythmic cacophony.
This installation—part painting, part sculpture—embodies the tension between art as surface and art as environment. The artist (Mark Bradford, known for his large-scale, collage-like work) uses found materials, paper, and rope embedded into thick acrylic layers to create these textured topographies that recall maps, urban streetscapes, or the scars of time itself. The resulting effect invites viewers to walk alongside, lean in, and get lost in the cracks and crevices, discovering hidden details that emerge with every step.
The visual complexity of the installation mirrors Washington, D.C.’s own layered history. The museum’s circular architecture frames this contemporary piece, giving it a sense of perpetual motion—like a time capsule caught in flux. The experience is both intimate and monumental, pulling you in with its tactile presence while simultaneously enveloping you in the grand narrative of modern art.
A few museum visitors drift along the edge of the installation, their silhouettes dwarfed by the scale of the work. Their presence emphasizes the human dimension within this sea of materiality. The interplay of shadows and light from the overhead spotlights accentuates the tactile richness, transforming the wall into a living, breathing surface.
For visitors, this installation is more than a viewing experience—it’s a sensory journey that fuses color, history, and place, embodying the pulse of the Hirshhorn Museum and contemporary art in the nation’s capital.
This is the exterior of a newly completed apartment building on the edge of Oxford. Taken in my role of in-house photographer for Riach Architects. The building recently won an Oxford Preservation Trust Environmental Award.
Louboutin is a new weekly contract. They have a healthy budget but a tiny shop. In that sense it is an unusual challenge, as most of the time I'm trying to make a little money go a long way. Here I will be attempting the opposite.
Cymbidum orchids were wired into water phials and fed into a dome of chicken wire to create the shape. The shop is very colourful, so the palette of I will use will be quite restrained (although I did use a neon perspex plinth!) until I am more familiar with the store.
This layered cityscape of San Francisco captures the architectural diversity and vertical drama of the Cathedral Hill and Lower Pacific Heights neighborhoods. In the foreground, we see a modernist apartment building with a sleek, gray-toned façade and clean-lined bay windows. Its horizontal rhythm and sharp geometry reflect mid-century and contemporary design trends, framed with a subtle cantilevered red awning.
But what truly commands attention is the richly ornamented brick high-rise in the background. With its elaborate cornice, white terra cotta trim, and bold window framing, the building exemplifies early 20th-century apartment house design—part Beaux-Arts, part Spanish Colonial Revival, and unmistakably San Franciscan. Set at a corner, the structure stands as a historic anchor amid more recent development, offering a tactile sense of the city’s architectural evolution.
This portion of Geary Boulevard, known for its steep grade and mix of residential and civic buildings, reveals the layering of time that defines much of San Francisco. The angled late-morning light casts dramatic shadows along the façades, highlighting decorative moldings and the crisp rhythm of windows and balconies.
A wide-angle lens captures the contrast in style and scale, making this image a study in architectural juxtaposition: minimalism meets ornament, soft shadows meet bright stucco, and early-century grandeur meets contemporary restraint. For lovers of urban form and light-play, this is a quintessential San Francisco moment.
The image showcases Pier 27 in San Francisco, prominently known for its James R. Herman Cruise Terminal. The entrance area is marked with clear signage displaying "Pier 27" and "James R. Herman Cruise Terminal," welcoming visitors and cruise passengers. The modern architecture is evident in the building's large glass windows and clean lines, presenting a sleek, contemporary look. The area is meticulously maintained, with a spacious plaza and steps leading up to the terminal. Street lamps and a bench in the foreground add a touch of everyday charm.
Pier 27 serves as a significant hub for cruise ship activity in San Francisco. The terminal is strategically located to provide easy access to the city's attractions and stunning waterfront views. It's not just a transit point but a starting place for exploring the vibrant culture and history of San Francisco. The architecture and design reflect the city's blend of modernity and tradition, creating a welcoming atmosphere for travelers.
Visitors often appreciate the calm and orderly environment of Pier 27, especially when embarking on or disembarking from their cruise journeys. The terminal's efficient design ensures a smooth flow of passengers, enhancing the overall travel experience. The surrounding area, with its inviting open spaces and thoughtful urban design, offers a pleasant spot for relaxation and photography.
Whether you're setting sail on an exciting adventure or simply exploring the waterfront, Pier 27 stands out as a noteworthy landmark in San Francisco. Its blend of functionality, modern design, and connection to the city's maritime heritage makes it a memorable and essential part of any visit to the area.
Tucked into the upscale enclave of Sea Cliff in San Francisco, this corner residence is a striking study in mid-century modernism—an unexpected but welcome contrast to its more traditional neighbors. Clean lines, minimalist facades, and an emphasis on horizontal volumes give the home its modernist credentials, while the restrained material palette—textured concrete, smooth stucco, and dark metal-framed windows—adds architectural depth. The subtle terrazzo-like façade offers visual texture without disrupting the home’s otherwise monochromatic elegance.
What makes this home especially captivating isn’t just its geometry but its context. Sea Cliff is famed for its early 20th-century mansions and Spanish Revival villas, but this residence bucks the trend, opting instead for a Zen-like simplicity reminiscent of 1960s and '70s design philosophies. Framed by meticulously sculpted trees and manicured greenery, the landscaping further underscores the influence of Japanese and California Modern design—a tranquil foreground to a boldly restrained home.
Though the architect remains unidentified, the design ethos feels informed by the likes of Edward Killingsworth or perhaps even Joseph Eichler’s influence, with its clear focus on indoor-outdoor harmony and unadorned elegance. This is modernism built for longevity—not to shout, but to last.
Located just minutes from the Lands End Lookout and China Beach, this Sea Cliff gem speaks to the power of architectural restraint in a neighborhood known for opulence. It's a quiet showstopper, and for lovers of design, an under-the-radar must-see on any San Francisco architecture tour.
Ann Pibal’s LDFSX (2008), on view at the Hirshhorn Museum, is a striking exploration of geometry, balance, and color theory that challenges our perception of space. Painted in acrylic on panel, this 45 x 60 inch work features a hypnotic network of orange and white lines intersecting across a black background, creating an intricate dance of form and rhythm that evokes both architecture and abstraction.
Pibal’s composition is built on a minimalist grid structure, where diagonal and horizontal lines intersect, overlap, and create dynamic shapes that seem to push and pull at the boundaries of the canvas. The bold orange lines exude a vibrant energy against the stark black, while the white lines add a sense of balance and structure, guiding the eye through the work’s shifting planes.
Installed on a vivid orange wall, the painting’s chromatic tension extends into the gallery itself, blurring the line between artwork and environment. The interplay between the painting’s internal geometry and its external setting enhances its immersive quality, inviting viewers to engage with the piece both visually and physically.
LDFSX embodies Pibal’s distinctive approach to painting, where precision meets spontaneity and order meets complexity. The work reflects her interest in modernist ideals while embracing contemporary design sensibilities. Visitors at the Hirshhorn are encouraged to lose themselves in the painting’s rhythmic interplay of lines, discovering new angles and perspectives with each step.
This installation exemplifies the Hirshhorn Museum’s commitment to presenting innovative contemporary art that invites reflection, conversation, and delight in the power of form and color.
Rising like a prism in the heart of the nation’s capital, the Conrad Hotel in Washington, D.C. is a sleek testament to contemporary luxury and thoughtful design. Captured here on a crisp winter day, the glass façade reflects its surroundings—and itself—with hypnotic symmetry. Located on New York Avenue NW near CityCenterDC, this modernist masterpiece by Herzog & de Meuron brings a European architectural sensibility to the American skyline. The mirror-like surfaces blur the lines between structure and sky, creating a visual paradox that draws the eye and rewards it with layers of abstraction. In the foreground, a Capital Bikeshare station anchors the scene in everyday D.C. life, while the juxtaposition of old and new buildings tells a story of a city forever evolving. Whether admired for its engineering, aesthetics, or as a sanctuary for travelers, the Conrad is more than a hotel—it’s a reflective experience, both literally and metaphorically.
Call it a 'straw-nado' if you like(!). Late July and August is when London becomes a ghost town and the shop is quiet, giving me an afternoon to play with a bit of window design, using whatever's on hand.
For this display, I taped some old branches to buckets into a cone shape, then after covering the frame in chicken wire, I wired on the straw from bales belonging to a previous window display.
The buckets were filled with sunflower plants and then the straw cones were hung in the window. The pale straw and bright sunflowers made this an easy-to-see design in our very reflective windows.
Nestled in the heart of San Francisco’s dynamic Mission Bay neighborhood, Avalon at Mission Bay stands as a testament to modern living with a historical twist. This residential haven boasts sleek lines and expansive windows that reflect the area’s industrial past while embracing contemporary aesthetics. With its prime location, residents enjoy easy access to waterfront parks, bustling markets, and cultural hotspots like Oracle Park – home of the Giants.
Avalon at Mission Bay offers more than just luxury apartments; it’s an urban retreat steeped in local history. Once an industrial hub teeming with warehouses and rail yards, Mission Bay has transformed into a vibrant community where past and present merge seamlessly. The architecture of Avalon mirrors this evolution with its minimalist design punctuated by bold color accents that pay homage to the area’s artistic spirit.
Living here means indulging in top-tier amenities against the backdrop of San Francisco’s iconic skyline. From state-of-the-art fitness centers to tranquil courtyards, Avalon caters to those who appreciate style without sacrificing substance. It’s not just about having a place to live; it’s about experiencing life at its finest amidst landmarks like the UCSF campus and Oracle Park.
For those seeking connectivity, culture, and comfort wrapped up in architectural sophistication, Avalon at Mission Bay is not just an address; it’s a destination for discerning urbanites who crave insider access to one of San Francisco’s most sought-after neighborhoods.
This is the kind of styling I don't do very often, but I really admire people who do this look expertly, for example:
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The best thing is that I didn't buy anything for this display (except the colchicum bulbs, which I intend to use in displays this Autumn) and relied on bits of furniture and props hanging around the shop as well as old plants and flowers.
I will recreate this look for an area of the Grove next week, but I know it will not look as good as it does against the concrete walls of our shop.
This colorful Matryoshka style statement beaded necklace was created by hand.
She has a lovely black face and playful Braids hair.
The beads made from needle felted wool (100% wool), scissors cut wool felt, painted wood and black stone.
by Nufar Livny Laskov
Nestled in the heart of San Francisco’s vibrant cityscape, Park Terrace stands as a testament to the city’s rich architectural heritage and modern luxury. This multi-story residential building seamlessly blends historical charm with contemporary design, making it a coveted address for urban dwellers. The lower section of the building features classic brick red walls, reminiscent of San Francisco’s storied past, while the upper levels boast sleek white and glass elements, epitomizing modern sophistication.
Each balcony at Park Terrace offers a private vantage point to the bustling streets below, providing residents with an intimate connection to the city’s dynamic energy. The penthouse level, with its expansive windows, frames breathtaking panoramic views of San Francisco’s iconic skyline, bathing the interiors in natural light and luxury.
Park Terrace’s strategic location ensures easy access to local hotspots, cultural landmarks, and lush green spaces, making it an ideal abode for those who seek convenience wrapped in elegance. The building’s design is a harmonious blend of traditional and contemporary elements, reflecting the city’s evolution from its historical roots to its present-day cosmopolitan allure.
I started out with clear vases for this design, but as soon as I saw the large mop head of hydrangea in one of these green bottle vases, I changed my mind. The Eucharis were going to be angled at the top of the bottle vases with the hydrangea.
At the market I looked for another interesting grass to add to the design, but then I found the lovely branches of crab apple instead. This changed the whole 'story'. With branches of apple and hydrangeas in place, the vases became tree trunks, the apple and hydrangea became the canopy and the Eucharis the underplanting, to create a fresh-looking woodland scene in green and white.
It wasn't easy to photograph as either the hydrangea looked too dark or I bleached out the white Eucharis. The cropped picture before the one was the best compromise I could get for the exposure.
I had the idea for this decoration after seeing a colleague create giant baubles by attaching small ones to a large styrene ball.
The styrene ball was sprayed brown, onto which I glued 100s of fir cones. They interlocked with each other, thus concealing the ball. Oversize glass baubles on silk ribbon were then draped over the final design
1920 x 1200 @ 72 dpi wallpaper..Released under a creative commons with attribution license. Free for personal and commercial usage..Download and enjoy.
The Silver Birch trunks were sprayed with white emulsion and then tied to the pillars. By using white cable ties, we were able to quickly create branches for the trees, using magnolia. I chose magnolia branches because they were relatively cheap and for their interesting shapes, which allowed me to 'sculpt' these trees the way I wanted.
By using cable ties, you don't need someone assisting you, as you can fix things into place very quickly.
Nestled in Tokyo’s Roppongi district, this striking cylindrical building immediately stands out amid the sleek glass skyscrapers that define the city’s skyline. Its corrugated concrete facade, a rare design choice in a landscape dominated by steel and glass, gives it a sculptural, almost organic feel. The textured surface plays with light and shadow, creating an ever-changing visual effect depending on the angle of the sun.
This building is a perfect example of Japan’s modernist architectural movement, where architects often blur the line between art and function. The narrow footprint of the structure hints at Tokyo’s real estate constraints, where every square meter is maximized. The vertical slit windows reinforce the sense of height while maintaining privacy—common in Japanese urban design.
The intersection in the foreground is a classic example of Tokyo’s pedestrian-friendly infrastructure. The clearly marked crosswalks, traffic signals, and designated pedestrian zones emphasize Japan’s meticulous urban planning. The ginkgo trees lining the sidewalk add a touch of greenery, a stark contrast to the geometric forms of the surrounding architecture.
This building’s distinctive facade, combined with its placement in the city, makes it a hidden gem for architecture enthusiasts and urban photographers alike. Whether you’re exploring Roppongi’s contemporary landmarks or simply admiring Tokyo’s blend of the old and new, this structure is a reminder of how Japan continuously pushes the boundaries of architectural design.
This colorful Matryoshka style statement beaded necklace was created by hand.
She has a lovely black Dress and an Attractive Bright red hair.
The beads made from needle felted wool (100% wool), Scissors cut wool felt, painted wood and black stone.
by Nufar Livny Laskov
Apparently, Haemanthus (Blood Lily) has only one supplier in the Netherlands, which makes them an expensive purchase. Thankfully they are quite dramatic when open and look great with equally long-lasting Sandersonia. This is about as close as I get to 'tropical' at The Connaught.
One of the many great things about having a flickr page, is seeing where my visitors come from. Often it is because I am blogged and visiting these blogs provide me with fresh sources of inspiration and new ideas.
I pitched 'vintage French Christmas at home' to Koffmann's, which gave the opportunity to indulge my desire to do more styling. As Koffmann's Restaurant is particularly difficult to photograph, my partner very kindly allowed me to use his flat for these pictures to showcase my creations.
Here I sourced vintage ribbon from www.beyond-fabrics.com/ to tie around jars of old Christmas baubles.
It's always difficult to photograph this backlit area, especially if using dark coloured flowers. Thankfully I was blessed with an overcast day which helped even out the light. The best light is in the afternoon, but reception gets a little crazy then, making clear shots of the flowers tricky.
This is a tight crop from the original picture of the whole arrangement, as I like the colour limitation in this view.
Miss Cloudia- hand crafted mixed media art doll. Made to my original design, each doll is a unique one of a kind piece of art.
The doll head was made with needle felted wool, hand embroidered accessories and plastic body.
Miss Cloudia has a grey cloud shaped head and big blue dreamy eyes that looking up at the sky, a fancy dress full of stars and a delicate thin body.by Nufar Livny Laskov
Capturing the graceful flow of form and reflection, this piece stands as a sleek highlight in any gallery.
Being a florist means often getting up before the birds! This installation had to be complete by 7am, when service starts in Espelette.
I wanted to create a naturalistic-looking coppice using birch poles. Five poles were attached to a large sheet of wood with long screws and then secured at the top forming a sturdy free-standing core into which further birch poles could be tied.
The canopy of branches, from which the vandas hang was made up of several pieces of dead ivy wood, which I found in a local cemetery (this involved me rummaging around at twighlight and clambering over a fence!). The ivy wood had the perfect shape to provide the horizontal accent for the canopy.
The sheer volume of all the wood meant we had to make two trips in the van to get everything into the hotel (there were three trees made in total). It took two hours for two people to complete.