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Cooking and washing the dishes with -Contemporary Kitchen Faucets full freedom of ovementLooking for a tool of excellent cuisine, contemporary design and multi-functional details fit in your sink? The kitchen fittings Hansgrohe Tail’s line fits perfectly into any kitchen situation and c...
Louboutin is a new weekly contract. They have a healthy budget but a tiny shop. In that sense it is an unusual challenge, as most of the time I'm trying to make a little money go a long way. Here I will be attempting the opposite.
Cymbidum orchids were wired into water phials and fed into a dome of chicken wire to create the shape. The shop is very colourful, so the palette of I will use will be quite restrained (although I did use a neon perspex plinth!) until I am more familiar with the store.
Loie Hollowell’s Boob Wheel (2019), displayed at the Hirshhorn Museum, is a powerful and provocative work that explores the intersections of the human body, abstraction, and color in contemporary art. Measuring over six feet tall, this mesmerizing acrylic and oil on canvas painting commands attention with its bold, biomorphic shapes and rich, saturated hues.
The composition centers on a symmetrically divided figure that echoes the natural curves of the human body, particularly the female form, while simultaneously abstracting it into a cosmic, almost spiritual realm. The painting’s top half features a soft oval suggesting a head, set above a geometric swirl of forms reminiscent of a breast or a planetary orbit. The lower half unfolds into a hypnotic pattern of curvilinear forms, evocative of buttocks or a cosmic landscape, all grounded by a warm, radiant orange gradient that bridges the ethereal and the earthly.
Hollowell’s signature use of vibrant blues and oranges creates a dynamic contrast that draws viewers into the painting’s depths, while the interplay of smooth gradients and subtle textures gives the work an almost tactile quality. The strategic placement of small, bright red spheres adds an element of movement and energy, echoing both the feminine and the universal.
Displayed on a salmon-hued wall, Boob Wheel becomes part of the museum’s architectural space, inviting viewers to contemplate its forms from multiple perspectives. Hollowell’s work challenges traditional notions of femininity and representation, blending the intimate with the cosmic to create a painting that is both deeply personal and profoundly universal.
Set against a clear Pacific horizon, this understated residence at 40516 Sea Ranch exemplifies the community’s devotion to architecture that yields to the land. Clad in weathered cedar, the home’s minimalist form and muted tones blend seamlessly into the dry coastal meadow—a hallmark of the Sea Ranch ethos established in the 1960s. The façade presents clean planes and deliberate restraint, concealing a warm, light-filled interior that looks outward toward the sea and sky.
The design follows The Sea Ranch’s guiding principle of “living lightly on the land.” Vertical cedar boards and unpainted finishes encourage the house to age naturally, its silvery patina reflecting years of salt air and sun. Angular rooflines and small window groupings balance privacy with panoramic views, embodying the master plan’s careful choreography of solitude, sightlines, and shared landscape. Even the driveway and fencing feel integral, forming part of an overall rhythm of simplicity, texture, and coastal harmony.
While the architecture appears modest, every element—from orientation to material choice—reveals deep environmental sensitivity. The quiet sophistication of 40516 Sea Ranch captures the enduring appeal of this Northern California icon: architecture as both refuge and reflection of the wild beauty around it.
40516 Sea Ranch is a cedar-clad modernist home designed in the Sea Ranch tradition of natural materials, environmental harmony, and quiet geometric precision along the Sonoma Coast.
This splendid Frida Kahlo one of a kind brooch is made to my original design.
The jewelry made from needle felted wool (100% wool), handmade embroidery and Czech cristal beads. by Nufar Livny Laskov
The scene features a contemporary glass façade displaying a spiral staircase, illuminated by interior lighting, alongside a parked vehicle and a fire hydrant on the street.
Call it a 'straw-nado' if you like(!). Late July and August is when London becomes a ghost town and the shop is quiet, giving me an afternoon to play with a bit of window design, using whatever's on hand.
For this display, I taped some old branches to buckets into a cone shape, then after covering the frame in chicken wire, I wired on the straw from bales belonging to a previous window display.
The buckets were filled with sunflower plants and then the straw cones were hung in the window. The pale straw and bright sunflowers made this an easy-to-see design in our very reflective windows.
The MTD Kingston Z6 is built for players who think in full bandwidth. This six-string delivers the extended range, clarity, and ergonomics that modern bassists demand, wrapped in a design that feels purposeful rather than flashy.
The sculpted body balances comfortably whether seated or standing, while the long, fast neck invites confident movement across all six strings. Chords speak clearly, low notes stay defined, and the upper register retains focus without turning brittle. This is a bass that rewards both a light touch and an aggressive attack, making it equally at home in progressive jazz, fusion, modern gospel, metal, or exploratory solo work.
Tonally, the Z6 leans toward articulation and control. The pickups translate nuance accurately, letting technique, muting, and right-hand placement shape the sound. From piano-like clarity to authoritative low-end weight, it’s a platform that responds to the player rather than imposing a fixed personality.
Visually, the figured top and clean hardware layout underscore MTD’s design philosophy: modern, functional, and quietly confident. This is not a novelty six-string—it’s a serious working instrument for players who need range, precision, and reliability without boutique pricing or fragility.
If your music asks for space, depth, and control across the entire register, the Kingston Z6 is ready to answer.
This is the kind of styling I don't do very often, but I really admire people who do this look expertly, for example:
www.flickr.com/photos/ethanollie/5681771709/in/photostream
www.flickr.com/photos/ethanollie/4514860793/in/faves-gree...
The best thing is that I didn't buy anything for this display (except the colchicum bulbs, which I intend to use in displays this Autumn) and relied on bits of furniture and props hanging around the shop as well as old plants and flowers.
I will recreate this look for an area of the Grove next week, but I know it will not look as good as it does against the concrete walls of our shop.
At the heart of Hyatt Centric Kanazawa, this exquisite kinpaku (gold leaf) installation embodies the city’s rich artistic heritage and commitment to craftsmanship. Kanazawa, often called "The City of Gold Leaf," produces nearly 99% of Japan’s gold leaf, a tradition that dates back to the Edo period.
The folded gold-leaf panels in the backdrop shimmer under soft, recessed lighting, creating a dynamic interplay of light and texture. Each delicate sheet is meticulously handcrafted, reflecting the centuries-old techniques perfected by Kanazawa’s artisans. Gold leaf has long been used in temples, shrines, and traditional crafts, symbolizing purity, longevity, and refinement.
In front of this radiant display, a carefully pruned bonsai sits atop a lush, moss-covered mound, representing the harmony between nature and Japanese aesthetics. The contrast between the organic shape of the bonsai and the geometric precision of the kinpaku backdrop creates an elegant tension, reinforcing the Japanese philosophy of wabi-sabi—finding beauty in imperfection.
The dark wooden paneling surrounding the installation adds warmth and depth, complementing the opulent gold tones. The Hyatt Centric Kanazawa, designed with a modern interpretation of traditional Japanese materials, embraces Kanazawa’s rich cultural history while offering contemporary luxury.
This installation is more than just decor—it’s an immersive tribute to Kanazawa’s craftsmanship, architectural beauty, and reverence for nature. Whether admiring the reflective glow of the gold or the delicate branches of the bonsai, visitors experience a serene blend of Japanese tradition and modern sophistication.
This is the exterior of a newly completed apartment building on the edge of Oxford. Taken in my role of in-house photographer for Riach Architects. The building recently won an Oxford Preservation Trust Environmental Award.
Nestled in the heart of San Francisco, the Fisher Atrium is a stunning example of contemporary architecture that seamlessly blends historical charm with modern design. As you step inside, you’re greeted by soaring ceilings painted in a serene sky blue, creating an airy and open atmosphere. The walls, adorned in warm peach and terracotta tones, add a touch of earthiness that grounds the space.
The atrium’s design is a masterclass in the use of natural light. Sunlight pours in from above, illuminating the space and casting dynamic shadows that shift throughout the day. This interplay of light and shadow creates a living, breathing environment that feels both timeless and ever-changing.
Architecturally, the Fisher Atrium is a nod to San Francisco’s rich history and innovative spirit. The geometric wall accents and rectangular columns echo the city’s iconic urban grid, while the balcony with its elegant railing offers a vantage point to appreciate the atrium’s grandeur. The patterned floor below adds a layer of sophistication, reminiscent of the intricate designs found in historic buildings throughout the city.
Historically, the Fisher Atrium stands as a testament to San Francisco’s evolution. It captures the essence of a city that is constantly reinventing itself, yet remains deeply rooted in its past. This space is not just a functional area but a landmark that tells the story of San Francisco’s architectural journey.
Whether you’re an architecture enthusiast or simply looking for a serene spot to reflect, the Fisher Atrium offers a unique glimpse into the soul of San Francisco. It’s a place where history and modernity coexist, creating a harmonious blend that is both inspiring and captivating.
Located in Tokyo’s prestigious Chiyoda district, The Prudential Tower is a prominent skyscraper that showcases the elegance and sophistication of modern Japanese architecture. Completed in 2002, this impressive high-rise stands as a symbol of Tokyo's global business stature. Rising to 38 stories, the tower’s sleek, vertical lines and reflective glass facade make it a remarkable addition to Tokyo’s skyline, embodying a minimalist aesthetic while commanding attention with its towering presence.
Designed with both form and function in mind, The Prudential Tower is a fusion of advanced engineering and innovative design. Its structure emphasizes energy efficiency and resilience, featuring a reinforced framework that ensures safety in Japan’s earthquake-prone environment. The glass curtain wall not only offers expansive city views but also optimizes natural lighting throughout the building, reducing the need for artificial lighting during the day and contributing to its sustainable design.
The plaza surrounding The Prudential Tower complements its modernist architecture with landscaped greenery and stone elements, creating a harmonious blend between nature and urban infrastructure. This open space provides a quiet escape for office workers and visitors alike, balancing the hustle of Tokyo’s business center with moments of tranquility.
Inside, the building serves as headquarters to several global corporations, making it a key player in Tokyo’s financial scene. Its thoughtful layout includes flexible office spaces, conference facilities, and easy access to transportation, making it an ideal hub for business professionals. The Prudential Tower not only highlights Tokyo’s architectural prowess but also reflects its commitment to sustainable and resilient urban development.
I had the idea for this decoration after seeing a colleague create giant baubles by attaching small ones to a large styrene ball.
The styrene ball was sprayed brown, onto which I glued 100s of fir cones. They interlocked with each other, thus concealing the ball. Oversize glass baubles on silk ribbon were then draped over the final design
The Silver Birch trunks were sprayed with white emulsion and then tied to the pillars. By using white cable ties, we were able to quickly create branches for the trees, using magnolia. I chose magnolia branches because they were relatively cheap and for their interesting shapes, which allowed me to 'sculpt' these trees the way I wanted.
By using cable ties, you don't need someone assisting you, as you can fix things into place very quickly.
I started out with clear vases for this design, but as soon as I saw the large mop head of hydrangea in one of these green bottle vases, I changed my mind. The Eucharis were going to be angled at the top of the bottle vases with the hydrangea.
At the market I looked for another interesting grass to add to the design, but then I found the lovely branches of crab apple instead. This changed the whole 'story'. With branches of apple and hydrangeas in place, the vases became tree trunks, the apple and hydrangea became the canopy and the Eucharis the underplanting, to create a fresh-looking woodland scene in green and white.
It wasn't easy to photograph as either the hydrangea looked too dark or I bleached out the white Eucharis. The cropped picture before the one was the best compromise I could get for the exposure.
The de Young Museum’s perforated copper façade is an architectural triumph in San Francisco’s Golden Gate Park, seamlessly blending art, nature, and innovative design. Reimagined by the renowned Swiss architectural firm Herzog & de Meuron in 2005, the building's unique textured façade is crafted from oxidized copper panels, which will continue to change color over time as they weather. This transformative aspect reflects the museum's connection to the natural surroundings of the park, creating an ever-evolving dialogue between structure and environment.
Herzog & de Meuron's design celebrates modernity while honoring the museum's rich history, replacing the original 1895 building that was damaged in the 1989 Loma Prieta earthquake. The façade is perforated with a meticulous pattern of openings, allowing light to filter through and creating dynamic shadow play on the interior during the day. The use of copper pays homage to the materials historically used in San Francisco, adding a layer of local character to the modernist design.
The de Young Museum’s striking exterior is complemented by its soaring observation tower, which offers panoramic views of the city and Golden Gate Park, making it one of the most architecturally significant museums in the United States. The juxtaposition of the textured, natural copper façade against the surrounding greenery highlights Herzog & de Meuron’s ability to merge architecture with the landscape. Today, the de Young Museum remains not only a world-class art destination but also an iconic landmark, showcasing how contemporary design can be deeply rooted in both place and history.
This colorful Matryoshka style statement beaded necklace was created by hand.
She has a lovely black face and playful Braids hair.
The beads made from needle felted wool (100% wool), scissors cut wool felt, painted wood and black stone.
by Nufar Livny Laskov
Inside the Hirshhorn Museum’s curved corridors, a breathtaking swirl of color and texture transforms an ordinary white wall into a dynamic, sculptural tapestry. Layers upon layers of paint and mixed media slice through the space like the strata of an ancient canyon, revealing a vibrant spectrum: crimson reds, sunlit yellows, oceanic blues, and earthy browns all colliding in a rhythmic cacophony.
This installation—part painting, part sculpture—embodies the tension between art as surface and art as environment. The artist (Mark Bradford, known for his large-scale, collage-like work) uses found materials, paper, and rope embedded into thick acrylic layers to create these textured topographies that recall maps, urban streetscapes, or the scars of time itself. The resulting effect invites viewers to walk alongside, lean in, and get lost in the cracks and crevices, discovering hidden details that emerge with every step.
The visual complexity of the installation mirrors Washington, D.C.’s own layered history. The museum’s circular architecture frames this contemporary piece, giving it a sense of perpetual motion—like a time capsule caught in flux. The experience is both intimate and monumental, pulling you in with its tactile presence while simultaneously enveloping you in the grand narrative of modern art.
A few museum visitors drift along the edge of the installation, their silhouettes dwarfed by the scale of the work. Their presence emphasizes the human dimension within this sea of materiality. The interplay of shadows and light from the overhead spotlights accentuates the tactile richness, transforming the wall into a living, breathing surface.
For visitors, this installation is more than a viewing experience—it’s a sensory journey that fuses color, history, and place, embodying the pulse of the Hirshhorn Museum and contemporary art in the nation’s capital.
This colorful Matryoshka style statement beaded necklace was created by hand.
She has a lovely black Dress and an Attractive Bright red hair.
The beads made from needle felted wool (100% wool), Scissors cut wool felt, painted wood and black stone.
by Nufar Livny Laskov
This striking artwork, displayed in the Hyatt Centric Kanazawa, blends traditional Japanese aesthetics with modern artistic expression. The focal point is a stylized gold-leaf bonsai, intricately crafted with delicate cutouts and layered textures, symbolizing endurance, harmony, and the beauty of imperfection—core tenets of Japanese design philosophy.
Set against a deep, swirling indigo-blue backdrop, the composition pays homage to Kanazawa’s long-standing tradition of kinpaku (gold leaf) craftsmanship. The city has been Japan’s center of gold leaf production for over 400 years, supplying artisans who decorate temples, shrines, and fine crafts with this luxurious material. Here, gold leaf is reimagined in a contemporary sculptural format, transforming the bonsai tree into a luminous, almost ethereal form.
The bold brushstrokes in the background introduce a dynamic, painterly contrast to the meticulously crafted gold foreground. This interplay between control and spontaneity reflects Japan’s ability to balance tradition and innovation, a theme deeply embedded in Kanazawa’s cultural identity.
The dark, minimalist framing around the piece allows the vibrant colors to take center stage, making it a stunning focal point in the hotel’s sophisticated interior. Whether welcoming guests or providing a moment of quiet reflection, this installation is a testament to Kanazawa’s artistic heritage and the seamless integration of past and present in modern Japanese design.
For art lovers and design enthusiasts, Hyatt Centric Kanazawa’s curated collection of regional craftsmanship, contemporary interpretations, and luxurious materials makes it a must-visit destination.
It's always difficult to photograph this backlit area, especially if using dark coloured flowers. Thankfully I was blessed with an overcast day which helped even out the light. The best light is in the afternoon, but reception gets a little crazy then, making clear shots of the flowers tricky.
This is a tight crop from the original picture of the whole arrangement, as I like the colour limitation in this view.
Step into the Hyatt Regency San Francisco’s expansive atrium, a dramatic architectural gem designed by John Portman in 1973, and you're greeted with a sense of openness and futuristic style. Famous for its 17-story vaulted ceiling, this vast indoor space was once the world’s largest hotel atrium. Portman’s signature Brutalist design blends concrete, steel, and glass into a cohesive space that feels simultaneously monumental and inviting. It's more than just a lobby—it’s a central gathering point for both guests and visitors alike, offering cozy seating nooks, geometric design elements, and a vibrant social atmosphere.
In the photo, we see one of the unique seating areas tucked into the atrium’s second-floor space. These pod-like wooden structures provide a modern and cozy refuge for guests seeking a quiet moment amidst the bustling ambiance below. The seating pods, with their sleek, angular lines, evoke mid-century modern design while complementing the overall Brutalist aesthetic of the atrium. The detailed tiling on the floor beneath these seating areas adds to the architectural charm, offering a playful contrast to the otherwise linear design of the space.
The atrium not only serves as a functional space but also as a visual spectacle, with natural light streaming through its towering glass walls, creating patterns of light and shadow that shift throughout the day. Whether you're grabbing a drink from the bar or just people-watching, the Hyatt Regency atrium offers an unforgettable San Francisco experience that blends historical architecture with contemporary comfort.
1920 x 1200 @ 72 dpi wallpaper..Released under a creative commons with attribution license. Free for personal and commercial usage..Download and enjoy.
Miss Cloudia- hand crafted mixed media art doll. Made to my original design, each doll is a unique one of a kind piece of art.
The doll head was made with needle felted wool, hand embroidered accessories and plastic body.
Miss Cloudia has a grey cloud shaped head and big blue dreamy eyes that looking up at the sky, a fancy dress full of stars and a delicate thin body.by Nufar Livny Laskov
The image showcases Pier 27 in San Francisco, prominently known for its James R. Herman Cruise Terminal. The entrance area is marked with clear signage displaying "Pier 27" and "James R. Herman Cruise Terminal," welcoming visitors and cruise passengers. The modern architecture is evident in the building's large glass windows and clean lines, presenting a sleek, contemporary look. The area is meticulously maintained, with a spacious plaza and steps leading up to the terminal. Street lamps and a bench in the foreground add a touch of everyday charm.
Pier 27 serves as a significant hub for cruise ship activity in San Francisco. The terminal is strategically located to provide easy access to the city's attractions and stunning waterfront views. It's not just a transit point but a starting place for exploring the vibrant culture and history of San Francisco. The architecture and design reflect the city's blend of modernity and tradition, creating a welcoming atmosphere for travelers.
Visitors often appreciate the calm and orderly environment of Pier 27, especially when embarking on or disembarking from their cruise journeys. The terminal's efficient design ensures a smooth flow of passengers, enhancing the overall travel experience. The surrounding area, with its inviting open spaces and thoughtful urban design, offers a pleasant spot for relaxation and photography.
Whether you're setting sail on an exciting adventure or simply exploring the waterfront, Pier 27 stands out as a noteworthy landmark in San Francisco. Its blend of functionality, modern design, and connection to the city's maritime heritage makes it a memorable and essential part of any visit to the area.
Nestled in the heart of San Francisco’s vibrant cityscape, Park Terrace stands as a testament to the city’s rich architectural heritage and modern luxury. This multi-story residential building seamlessly blends historical charm with contemporary design, making it a coveted address for urban dwellers. The lower section of the building features classic brick red walls, reminiscent of San Francisco’s storied past, while the upper levels boast sleek white and glass elements, epitomizing modern sophistication.
Each balcony at Park Terrace offers a private vantage point to the bustling streets below, providing residents with an intimate connection to the city’s dynamic energy. The penthouse level, with its expansive windows, frames breathtaking panoramic views of San Francisco’s iconic skyline, bathing the interiors in natural light and luxury.
Park Terrace’s strategic location ensures easy access to local hotspots, cultural landmarks, and lush green spaces, making it an ideal abode for those who seek convenience wrapped in elegance. The building’s design is a harmonious blend of traditional and contemporary elements, reflecting the city’s evolution from its historical roots to its present-day cosmopolitan allure.
One of the many great things about having a flickr page, is seeing where my visitors come from. Often it is because I am blogged and visiting these blogs provide me with fresh sources of inspiration and new ideas.
I pitched 'vintage French Christmas at home' to Koffmann's, which gave the opportunity to indulge my desire to do more styling. As Koffmann's Restaurant is particularly difficult to photograph, my partner very kindly allowed me to use his flat for these pictures to showcase my creations.
Here I sourced vintage ribbon from www.beyond-fabrics.com/ to tie around jars of old Christmas baubles.
Rising like a prism in the heart of the nation’s capital, the Conrad Hotel in Washington, D.C. is a sleek testament to contemporary luxury and thoughtful design. Captured here on a crisp winter day, the glass façade reflects its surroundings—and itself—with hypnotic symmetry. Located on New York Avenue NW near CityCenterDC, this modernist masterpiece by Herzog & de Meuron brings a European architectural sensibility to the American skyline. The mirror-like surfaces blur the lines between structure and sky, creating a visual paradox that draws the eye and rewards it with layers of abstraction. In the foreground, a Capital Bikeshare station anchors the scene in everyday D.C. life, while the juxtaposition of old and new buildings tells a story of a city forever evolving. Whether admired for its engineering, aesthetics, or as a sanctuary for travelers, the Conrad is more than a hotel—it’s a reflective experience, both literally and metaphorically.
Apparently, Haemanthus (Blood Lily) has only one supplier in the Netherlands, which makes them an expensive purchase. Thankfully they are quite dramatic when open and look great with equally long-lasting Sandersonia. This is about as close as I get to 'tropical' at The Connaught.
Being a florist means often getting up before the birds! This installation had to be complete by 7am, when service starts in Espelette.
I wanted to create a naturalistic-looking coppice using birch poles. Five poles were attached to a large sheet of wood with long screws and then secured at the top forming a sturdy free-standing core into which further birch poles could be tied.
The canopy of branches, from which the vandas hang was made up of several pieces of dead ivy wood, which I found in a local cemetery (this involved me rummaging around at twighlight and clambering over a fence!). The ivy wood had the perfect shape to provide the horizontal accent for the canopy.
The sheer volume of all the wood meant we had to make two trips in the van to get everything into the hotel (there were three trees made in total). It took two hours for two people to complete.
Ann Pibal’s LDFSX (2008), on view at the Hirshhorn Museum, is a striking exploration of geometry, balance, and color theory that challenges our perception of space. Painted in acrylic on panel, this 45 x 60 inch work features a hypnotic network of orange and white lines intersecting across a black background, creating an intricate dance of form and rhythm that evokes both architecture and abstraction.
Pibal’s composition is built on a minimalist grid structure, where diagonal and horizontal lines intersect, overlap, and create dynamic shapes that seem to push and pull at the boundaries of the canvas. The bold orange lines exude a vibrant energy against the stark black, while the white lines add a sense of balance and structure, guiding the eye through the work’s shifting planes.
Installed on a vivid orange wall, the painting’s chromatic tension extends into the gallery itself, blurring the line between artwork and environment. The interplay between the painting’s internal geometry and its external setting enhances its immersive quality, inviting viewers to engage with the piece both visually and physically.
LDFSX embodies Pibal’s distinctive approach to painting, where precision meets spontaneity and order meets complexity. The work reflects her interest in modernist ideals while embracing contemporary design sensibilities. Visitors at the Hirshhorn are encouraged to lose themselves in the painting’s rhythmic interplay of lines, discovering new angles and perspectives with each step.
This installation exemplifies the Hirshhorn Museum’s commitment to presenting innovative contemporary art that invites reflection, conversation, and delight in the power of form and color.