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Leica DC Vario-Elmarit 9.1-91mm f2.8-5.9 Asph
This image captures the intricate geometric patterns of a modern atrium, looking directly upwards towards a vast glass ceiling. Sunlight streams through the grid-like structure, illuminating the metallic and glass surfaces that reflect the sky and surrounding architecture. The perspective creates a sense of depth and dizzying height, emphasizing the building's complex design.
Brutalist Bethesda, Maryland.
The buildings on the foreground are from the early 1980's. The one on the left is the headquarters of Clark Construction, the one on the right the Grand Hyatt. The B. F. Saul Company towers by BBGM, in the center, were added in 2005.
As the value of land in Bethesda has increased dramatically and every square foot (or metre if you prefer) is being built out, this view may well become “historic” in a few years.
A striking black and white architectural photograph showcasing the angular modernist corner of the Manchester Metropolitan University Library building on Oxford Road. The dramatic low-angle perspective emphasizes the building's bold geometric design, with its repetitive pattern of concrete and glass creating powerful diagonal lines that converge toward a central point. The brutalist-inspired façade features a rhythmic succession of projecting elements that create deep shadows and strong visual texture against the moody sky. This contemporary educational architecture represents the confident modernist approach to university design from the late 20th century.
Bethesda, Maryland. Metro Center.
B. F. Saul Company towers
Architect: BBGM (2005)
The yellow sculpture is by Mary Ann Mears (1985).
As the value of land in Bethesda has increased dramatically and every square foot (or metre if you prefer) is being built out, this view may well become a “historic” one in a few years.
Esperanté Corporate Center is one of West Palm Beach's premier commercial property. Having recently undergone an $8 million renovation, the building boasts an exclusive array of amenities and services that make it stand out from the competition. With convenient access to local highways, including I-95 and the turnpike, Esperanté Corporate Center is only a 30-minute drive from Boca Raton and Jupiter. Tenants are also in close proximity to a wide array of downtown area shopping and dining.
Gensler Architects has reworked Esperanté’s six-story atrium and second floor lobby with new escalators and a contemporary design, complemented by a complete rebranding of the building and refreshed complemented by a complete rebranding of the building and refreshed Nicole Henry, who will select and rotate pieces throughout the year.
A six-story atrium is ideal for hosting corporate events, and
the building also features a well-appointed conference center,
fitness club, and café that provides catering services.
Tenants arrive in their vehicles through the porte-cochere, where they are greeted by valet parking attendants, upgraded façade lighting, and a new sign program. State-of-the-art security, 24/7 lobby attendant, Wi-Fi in common areas, a well-appointed conference center, and an exclusive program of tenant services round out the changes.
Credit for the data above is given to the following websites:
www.emporis.com/buildings/130871/esperante-west-palm-beac...
© All Rights Reserved - you may not use this image in any form without my prior permission.
Goliath. visually explores the theme of scale, emphasizing the contrast between the immense size of urban architecture and the relative smallness of individual human experience within these spaces. It is a study in contrasts: solidity and void, opacity and transparency, enormity and minutiae. Goliath. ultimately raises questions about the individual's place in the architectural colossus of the urban landscape.
Library Square in Downtown Vancouver is a multi-use complex that brings together the Vancouver Public Library’s Central Branch, a Federal Office Tower, and various retail and service spaces. Designed by Moshe Safdie, the library’s distinct curved architecture was inspired by the Colosseum in Rome.
This photo captures layered reflections of the surrounding high-rises on the building’s glass surfaces, creating a blended cityscape where indoor and outdoor spaces merge.
Vancouver, BC, Canada
When I study this image I see faces. In the middle, the two circles with flowers are the eyes, the candles at the bottom are a goatee, the mouth is a small dark area above the goatee and a mustache of candles is above the mouth.
On the left there are two small blue eyes. The thin column is the nose and the purple squares its hair.
Just my imagination.
"The House for an Art Lover is an arts and cultural centre in Glasgow, Scotland. The building was constructed between 1989 and 1996 based on a 1901 Art Nouveau house design by Charles Rennie Mackintosh and his wife, Margaret MacDonald. The house is situated in Glasgow's Bellahouston Park and sits east of the site of the Festival Tower of the Empire Exhibition, Scotland of 1938.
"The idea to actually build the house from the Mackintoshs' designs came from Graham Roxburgh, a civil engineer in Glasgow who had done refurbishment work on the Mackintosh interiors in Craigie Hall. The house is a prominent example of the Modern Style. It serves as a venue for art exhibitions and other events, as well as being itself a visitor attraction.
"The current House must be viewed as an interpretation of the Mackintoshes’ original designs. The Mackintoshes were designing a residential house. The current House was constructed with commercial purposes in mind." Source: Wikipedia 19 Jan 2026
When approaching the Chaban-Delmas Bridge in Bordeaux, I was immediately struck by the powerful vertical dialogue between its structural elements. I chose this extreme low angle to emphasize the monumental scale and the dramatic interplay between two of the four lifting towers that make this vertical lift bridge so distinctive. By pointing my camera upward, I wanted to create a sense of awe and to reveal how these modern engineering marvels seem to defy gravity and conventional design.
The decision to process this image in black and white was deliberate – it strips away distractions and focuses attention on the bridge's bold geometric forms, the textural qualities of the concrete, and the subtle gradient in the cloudy sky. I was particularly drawn to the contrast between the smooth, curved surface of one pillar against the more industrial, linear form of the other tower visible in the frame.
What I sought to capture wasn't just a document of this architectural landmark, but rather the emotional experience of standing beneath these massive lifting towers – that moment of looking up and feeling simultaneously impressed by human engineering achievement and humbled by its scale. By framing these elements against the vastness of the sky, I wanted to convey both the bridge's physical presence in the urban landscape of Bordeaux and its symbolic role as a gateway between parts of the city, connecting not just places but past and future.
Stayed at a beautiful airbnb and felt boujie af. Onanole, Manitoba.
www.airbnb.co.in/rooms/47470807?source_impression_id=p3_1...
Shot on an Olympus OM-2 w/ Fujifilm Superia X-TRA 400.
Luxury brands await inside the polished steel exoskeleton at The Shops at Crystals. | architect: Studio Daniel Libeskind
A bold, illuminated sign featuring a cheerful design highlights a retail store in a bustling shopping area, showcasing the playful nature of contemporary consumer culture.
A Cidade das Artes e das Ciências, em Valência, é um dos maiores complexos culturais e arquitetónicos da Europa, erguido no antigo leito do rio Turia, desviado após a devastadora cheia de 1957. Iniciado em 1998, o conjunto integra várias obras emblemáticas de Santiago Calatrava, entre as quais o Palau de les Arts Reina Sofía, concluído em 2005, com mais de 70 metros de altura e revestimento em trencadís branco. Em primeiro plano, destaca-se a escultura de Neptuno, em diálogo com o espelho de água, evocando a ligação histórica de Valência ao Mediterrâneo. À esquerda surge L’Umbracle, e ao longe a torre do Ágora, elementos integrados nos Jardins do Turia, um parque linear que atravessa a cidade e constitui um dos seus principais corredores verdes urbanos.
The City of Arts and Sciences in Valencia is one of Europe’s largest cultural and architectural complexes, built on the former bed of the Turia River, which was diverted after the devastating flood of 1957. Begun in 1998, the complex includes several iconic works by Santiago Calatrava, among them the Palau de les Arts Reina Sofía, completed in 2005, which stands over 70 meters tall and is clad in white trencadís. In the foreground stands the sculpture of Neptune, interacting with the reflecting pool, evoking Valencia’s historical connection to the Mediterranean. To the left is L’Umbracle, and in the distance, the Ágora tower—elements integrated into the Turia Gardens, a linear park that runs through the city and serves as one of its main urban green corridors.
I captured this picture in Jardim das Ondas, a vibrant park in the Parque das Nações area of Lisbon, Portugal. This modern district along the Tagus River was developed for the 1998 World Expo and is renowned for its contemporary architecture, expansive open spaces, and key attractions like the Lisbon Oceanarium and the Vasco da Gama Bridge. Jardim das Ondas, or the Garden of Waves, is specifically designed around themes of water and movement. Its standout feature is a large waterfall that visitors can walk behind, making it an ideal spot for children and photographers like myself in search of creative shots. While this particular image may not be exceptional, it fits seamlessly into my series of silhouettes.
photo rights reserved by B℮n
Tbilisi is the capital and largest city of Georgia, situated in the eastern part of the country on the banks of the Kura River. With a rich history spanning over 1,500 years, Tbilisi has been shaped by numerous cultures and civilizations over the centuries. The old part of Tbilisi, known for its charming architecture and unique atmosphere, is one of the most captivating areas of the city. In contrast, the Peace Bridge is a strikingly modern architectural marvel and one of Tbilisi’s most recognizable landmarks. Completed in 2010, the bridge was designed by Italian architect Michele de Lucchi, with lighting by French designer Philippe Martinaud. It spans the Kura River, connecting the old town with the newer districts, and serves as an important pedestrian route and a symbol of the city. The bridge’s design is particularly remarkable, featuring a glass canopy that curves gracefully over the walkway. Often compared to a giant glass wave or a sea creature, the canopy is made of steel and glass and is illuminated at night by thousands of LED lights. These lights create a breathtaking visual display and are programmed to transmit messages in Morse code, conveying universal symbols of life and peace. The Bridge of Peace is not only a functional structure but also a symbolic monument. It embodies the connection between the old and modern parts of Tbilisi and serves as a metaphor for the city’s progress toward peace and unity. The bridge is a popular spot for both locals and tourists, offering stunning views of the city, including the nearby Narikala Fortress and the Presidential Palace.
The Peace Bridge in Tbilisi, Georgia, is located in the heart of the city, spanning the Kura River. Its futuristic design stands in sharp contrast to the surrounding historic architecture, making it a powerful symbol of Tbilisi’s dynamic blend of tradition and modernity.
Tbilisi is de hoofdstad en grootste stad van Georgië, gelegen in het oosten van het land aan de oevers van de rivier de Koera. De stad heeft een rijke geschiedenis die meer dan 1.500 jaar teruggaat en heeft door de eeuwen heen vele invloeden ondergaan van diverse culturen en beschavingen. Het oude gedeelte van Tbilisi, bekend om zijn charmante architectuur en unieke sfeer, is een van de meest fascinerende delen van de stad. De Vredesbrug is daar in tegen erg modern. Een modern architectonisch wonder en een van de meest herkenbare bezienswaardigheden van de stad. De brug, voltooid in 2010, is ontworpen door de Italiaanse architect Michele de Lucchi, met de verlichting ontworpen door de Franse lichtontwerper Philippe Martinaud. De brug overspant de rivier de Kura en verbindt de oude stad met de nieuwere wijken. Het is een voetgangersbrug en dient als een belangrijk symbool voor de stad. Het ontwerp van de brug is bijzonder opvallend, met een glazen overkapping die sierlijk over het wandelpad buigt. Deze overkapping, die vaak wordt vergeleken met een gigantische glazen golf of een zeewezen, is gemaakt van staal en glas en wordt 's nachts verlicht door duizenden LED-lichten. Deze verlichting creëert een adembenemend visueel spektakel en is zo geprogrammeerd dat het boodschappen in morsecode uitzendt, waarbij universele symbolen van leven en vrede worden weergegeven. De Vredesbrug is niet alleen een functioneel bouwwerk, maar ook een symbolisch monument. Het staat voor de verbinding tussen het oude en het moderne deel van Tbilisi en is een metafoor voor de vooruitgang van de stad naar vrede en eenheid. De brug is een populaire plek voor zowel de lokale bevolking als toeristen en biedt prachtige uitzichten over de stad, waaronder het nabijgelegen Narikala-fort en het presidentiële paleis. Het futuristische ontwerp van de brug contrasteert sterk met de historische architectuur eromheen, waardoor het een symbool is van Tbilisi's dynamische mix van traditie en moderniteit.
A modern high-rise stands tall against a backdrop of endless forest, its sharp lines and vivid green facade contrasting with the softer tones of trees and suburban houses below. The glass balconies reflect fragments of life, while the grid-like design adds order to the vertical rise. Between city and nature, this building becomes a striking marker of human presence in the landscape — a geometric statement reaching above the treetops.
This striking photograph captures the mesmerizing geometry of the Motel One building in Berlin, viewed from a zenith perspective. The angular repetition of the windows, combined with the reflective golden facade, creates an optical illusion that draws the eye upward into the bright blue sky. Taken on a clear day, the interplay of light and shadow adds depth and texture, accentuating the building's modern architectural design. This composition highlights the innovative structure and urban charm of Berlin, embodying both minimalism and grandeur. Perfect for lovers of contemporary architecture and dynamic perspectives.
A striking glass skyscraper catching the last light of the evening sky. The sharp lines, shimmering reflections, and glowing sculpture in the foreground create a perfect blend of modern architecture and urban atmosphere.
A street photograph capturing a perfect moment of serendipitous color coordination on Fargate in Sheffield, where a man in a bright yellow winter coat walks past a vibrant yellow and black construction hoarding. The motivational messaging "NOW OR NEVER - Our decisive decade" and "BUILDING LIVES LESS ORDINARY" creates an inspiring urban backdrop, while the geometric graphics and bold typography demonstrate contemporary construction site design. The man's yellow jacket creates a beautiful visual echo with the hoarding, turning an everyday street scene into an artistic study of color, movement, and urban messaging.
A bold slice of contemporary student living in Newcastle upon Tyne, where geometric panels of grey, white, lime and violet break up the façade into a playful grid. Set against a soft, overcast sky, the building’s rhythm of colour and window lines turns everyday accommodation into an exercise in urban design.
A striking architectural landmark in Belfast’s Titanic Quarter, Titanic Belfast features angular, ship-like facades that commemorate the city’s shipbuilding heritage under a dramatic, ever-changing sky.
An architectural study of the contemporary glass facade at the Northumbria University School of Design in Newcastle upon Tyne. The composition highlights the contrast between the sharp verticality of the glass fins and the long, sweeping curve of the main building. The golden evening light hitting the upper windows creates a warm counterpoint to the deep blue of the glass, emphasizing the modern geometric identity of the university campus.
This image captures a striking urban scene where the modern architecture of a skyscraper is reflected between two contemporary buildings, evoking the sleek aesthetic of 21st-century city life often depicted in films like Inception.
These terrariums I made a few weeks ago are such long-lasters, so I have been able to use them several times and for different contracts. However, their numbers are diminishing, as each time they go back to the shop, people come in and buy them, as they seem to be very popular at the moment. I chose particularly easy plants to maintain, most of which can be easily propagated, once they have got too big, allowing people to remake their mini gardens.
2009, 2010 and 2011 catalogue designed by London office Madethought.
photographed by
Frank Dinger
BECOMING - office for visual communication
A calm, symmetrical elevator lobby in San Francisco becomes a study in balance, texture, and restraint. The composition is anchored by a large-scale portrait mural—human, fragmented, and quietly expressive—set within a dark architectural frame that pulls the eye forward with gallery-like intention. The elevators mirror one another on either side, reinforcing a sense of order and stillness that feels distinctly urban and composed rather than decorative.
The lighting does much of the work here. Three softly glowing pendant fixtures hover above, diffusing light evenly across the space and lending the scene a contemplative hush. Their woven translucence contrasts gently with the crisp geometry of the ceiling recess and the clean verticals of the walls. Below, the stone floor introduces rhythm through repetition: pale slabs interrupted by darker inlays, guiding the viewer toward the artwork without demanding attention.
This is a San Francisco interior that understands understatement. Nothing shouts. Materials, proportions, and light are allowed to speak for themselves. The mural adds a human counterpoint—expressive but controlled—suggesting the city’s ongoing dialogue between art, architecture, and lived experience.
Photographed straight-on to preserve symmetry and perspective, the image leans into quiet precision rather than spectacle. It’s the kind of space many people pass through without pausing, yet it rewards a slower look. In a city known for dramatic vistas and landmark façades, these interior moments often reveal just as much about San Francisco’s design culture: thoughtful, layered, and quietly confident.
beneath the vast blue expanse of the madrid sky, one of the cuatro torres stands tall and imposing. the kpmg building pierces the sky, its reflective glass façade capturing the fleeting shapes of clouds. today, these clouds form ethereal shapes, reminiscent of ghostly figures swirling and dancing around the skyscraper, invoking memories of the spectral apparitions from ghostbusters. the interplay between the sleek, modern structure and the wispy, transient clouds creates a scene where the earthly meets the otherworldly, blending the solidity of human achievement with the ephemeral beauty of nature.
Jade Ocean is a luxury 51 story oceanfront tower offering 252 residences with 1, 2, 3 and 4 bedrooms. Its contemporary design and decor are exclusive: the seamless glass tower features an infinity edge pool flowing through the entire building plus a tall cascade on Collins Avenue's entrance, and views of the Atlantic Ocean are reflected through the building itself in raised pools and fountains. Jade ocean is located between Fort Lauderdale and Miami Beach with quick access to all of the business, services and amenities of both of these great cities. It offers astounding views of the ocean, coastline and Intracoastal Waterway at Sunny Isles Beach's tranquil atmosphere.
Credit for the data above is given to the following websites:
www.skyscrapercenter.com/building/jade-ocean/3008
miamiresidential.com/jadeocean
en.wikipedia.org/wiki/Jade_Beach_and_Jade_Ocean
© All Rights Reserved - you may not use this image in any form without my prior permission.
After patiently feeding them through the opening, I was so happy when I saw the lovely proportions of these Pitcher plants in this vase. Imagine, then, my dismay to discover the second vase in this pair needed for The Orrery, had been broken in my absence. I will mourn it's loss, as they have been particular favourite vases of mine, which I have not allowed other people to use!