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If only there had been more sunshine…
Street photography during an architecture course in black & white, shot in Munich. This is the café at Museum Brandhorst—still mostly in the shadows, so people preferred sitting inside. Not really visible here, thanks to the reflections in the window.
What caught my eye: the contrast between the empty chairs, someone dressed up, and someone in hot pants—each heading in their own direction.
More to come from these photo sessions: spanning Museum Brandhorst, Pinakothek der Moderne, the Film School, and soon BMW World and the BMW Museum.
Some shots will be minimalistic, others more street, others more graphic.
Stay curious. Expect surprises, explore new view points.
Dusk over London — The Shard and London Bridge illuminated beneath the evening sky. A timeless view from the Sky Garden 🇬🇧
Esperanté Corporate Center is one of West Palm Beach's premier commercial property. Having recently undergone an $8 million renovation, the building boasts an exclusive array of amenities and services that make it stand out from the competition. With convenient access to local highways, including I-95 and the turnpike, Esperanté Corporate Center is only a 30-minute drive from Boca Raton and Jupiter. Tenants are also in close proximity to a wide array of downtown area shopping and dining.
Gensler Architects has reworked Esperanté’s six-story atrium and second floor lobby with new escalators and a contemporary design, complemented by a complete rebranding of the building and refreshed complemented by a complete rebranding of the building and refreshed Nicole Henry, who will select and rotate pieces throughout the year.
A six-story atrium is ideal for hosting corporate events, and
the building also features a well-appointed conference center,
fitness club, and café that provides catering services.
Tenants arrive in their vehicles through the porte-cochere, where they are greeted by valet parking attendants, upgraded façade lighting, and a new sign program. State-of-the-art security, 24/7 lobby attendant, Wi-Fi in common areas, a well-appointed conference center, and an exclusive program of tenant services round out the changes.
Credit for the data above is given to the following websites:
www.emporis.com/buildings/130871/esperante-west-palm-beac...
© All Rights Reserved - you may not use this image in any form without my prior permission.
A Ópera de Oslo é o principal centro de artes cénicas da Noruega e está situada em frente ao fiorde de Oslo. O edifício foi construído pelo estúdio de arquitetura norueguês Snøhetta e inaugurado em 2008. A fachada é coberta de mármore branco e vidro, dando a impressão de que o edifício emerge das águas.
When approaching this majestic auditorium, I was immediately captivated by the purity of its lines. My intention was to transcend mere architectural documentation to reveal the poetic essence of this structure. By isolating this particular curve and working in black and white, I sought to create a tension between the immensity of the structure and the delicacy of its form. The deliberately minimalist composition allows the eye to focus on the dialogue between shadow and light, transforming this architectural feat into an almost celestial abstraction. I waited for the moment when natural light would perfectly sculpt this bright line on the building's surface, creating a dramatic contrast that elevates the sensuality of the curve.
Evening view of the Titanic Belfast Museum illuminated during the blue hour, with modern architecture reflecting the city’s maritime heritage.
In 1981, Brian was commissioned to design and fabricate a stained glass artwork for the Grade II-listed Jewell and Withers Building at 22 Endell Street in Covent Garden. Located on the corner of Endell Street and Betterton Street, the early Gothic Revival polychrome brick building was the former location of the Lavers and Barraud stained glass studio, designed by Jewell and Withers in 1859 for the notable Victorian glassworks. Part-funded by the Crafts Council of Great Britain, Clarke's modern stained glass gable window, located on the Betterton Street elevation and visible along much of Endell Street, fills what was the 19th century workshop's viewing window. The colour scheme was derived from Clarke's analysis of Lavers & Barraud's own colour palette, and the work was designed to be as striking by daylight viewed from outside – through its sculptural use of leading and triple-flashed opalescent glass – as from within, and to have a nocturnal presense, like a colourful beacon, when lit internally at night.
Esperanté Corporate Center is one of West Palm Beach's premier commercial property. Having recently undergone an $8 million renovation, the building boasts an exclusive array of amenities and services that make it stand out from the competition. With convenient access to local highways, including I-95 and the turnpike, Esperanté Corporate Center is only a 30-minute drive from Boca Raton and Jupiter. Tenants are also in close proximity to a wide array of downtown area shopping and dining.
Gensler Architects has reworked Esperanté’s six-story atrium and second floor lobby with new escalators and a contemporary design, complemented by a complete rebranding of the building and refreshed complemented by a complete rebranding of the building and refreshed Nicole Henry, who will select and rotate pieces throughout the year.
A six-story atrium is ideal for hosting corporate events, and
the building also features a well-appointed conference center,
fitness club, and café that provides catering services.
Tenants arrive in their vehicles through the porte-cochere, where they are greeted by valet parking attendants, upgraded façade lighting, and a new sign program. State-of-the-art security, 24/7 lobby attendant, Wi-Fi in common areas, a well-appointed conference center, and an exclusive program of tenant services round out the changes.
Credit for the data above is given to the following websites:
www.emporis.com/buildings/130871/esperante-west-palm-beac...
© All Rights Reserved - you may not use this image in any form without my prior permission.
When approaching the Chaban-Delmas Bridge in Bordeaux, I was immediately struck by the powerful vertical dialogue between its structural elements. I chose this extreme low angle to emphasize the monumental scale and the dramatic interplay between two of the four lifting towers that make this vertical lift bridge so distinctive. By pointing my camera upward, I wanted to create a sense of awe and to reveal how these modern engineering marvels seem to defy gravity and conventional design.
The decision to process this image in black and white was deliberate – it strips away distractions and focuses attention on the bridge's bold geometric forms, the textural qualities of the concrete, and the subtle gradient in the cloudy sky. I was particularly drawn to the contrast between the smooth, curved surface of one pillar against the more industrial, linear form of the other tower visible in the frame.
What I sought to capture wasn't just a document of this architectural landmark, but rather the emotional experience of standing beneath these massive lifting towers – that moment of looking up and feeling simultaneously impressed by human engineering achievement and humbled by its scale. By framing these elements against the vastness of the sky, I wanted to convey both the bridge's physical presence in the urban landscape of Bordeaux and its symbolic role as a gateway between parts of the city, connecting not just places but past and future.
Standing at the base of one of the Tour Duo buildings in Paris, I was struck by how it seemed to slice through the night sky. I positioned myself to capture this extreme upward angle that emphasizes its height and the clean geometric pattern of its facade.
The black and white processing was a natural choice - it strips away distractions and focuses attention on the strong diagonal line and the repeating pattern of the windows. I wanted the darkness to envelop the building, creating this dramatic contrast between solid and void.
Looking up at these massive towers always gives me a sense of disorientation and smallness. By framing just this edge disappearing into darkness, I aimed to capture that dizzying feeling you get when you crane your neck skyward in an urban canyon.
I deliberately kept a bit of that subtle glow at the top where the building meets the sky - a hint of light that draws your eye upward along the path of the structure and adds a touch of mystery to the composition.
Brutalist Bethesda, Maryland.
The buildings on the foreground are from the early 1980's. The one on the left is the headquarters of Clark Construction, the one on the right the Grand Hyatt. The B. F. Saul Company towers by BBGM, in the center, were added in 2005.
As the value of land in Bethesda has increased dramatically and every square foot (or metre if you prefer) is being built out, this view may well become “historic” in a few years.
Esperanté Corporate Center is one of West Palm Beach's premier commercial property. Having recently undergone an $8 million renovation, the building boasts an exclusive array of amenities and services that make it stand out from the competition. With convenient access to local highways, including I-95 and the turnpike, Esperanté Corporate Center is only a 30-minute drive from Boca Raton and Jupiter. Tenants are also in close proximity to a wide array of downtown area shopping and dining.
Gensler Architects has reworked Esperanté’s six-story atrium and second floor lobby with new escalators and a contemporary design, complemented by a complete rebranding of the building and refreshed complemented by a complete rebranding of the building and refreshed Nicole Henry, who will select and rotate pieces throughout the year.
A six-story atrium is ideal for hosting corporate events, and
the building also features a well-appointed conference center,
fitness club, and café that provides catering services.
Tenants arrive in their vehicles through the porte-cochere, where they are greeted by valet parking attendants, upgraded façade lighting, and a new sign program. State-of-the-art security, 24/7 lobby attendant, Wi-Fi in common areas, a well-appointed conference center, and an exclusive program of tenant services round out the changes.
Credit for the data above is given to the following websites:
www.emporis.com/buildings/130871/esperante-west-palm-beac...
© All Rights Reserved - you may not use this image in any form without my prior permission.
Stayed at a beautiful airbnb and felt boujie af. Onanole, Manitoba.
www.airbnb.co.in/rooms/47470807?source_impression_id=p3_1...
Shot on an Olympus OM-2 w/ Fujifilm Superia X-TRA 400.
Goliath. visually explores the theme of scale, emphasizing the contrast between the immense size of urban architecture and the relative smallness of individual human experience within these spaces. It is a study in contrasts: solidity and void, opacity and transparency, enormity and minutiae. Goliath. ultimately raises questions about the individual's place in the architectural colossus of the urban landscape.
I captured this picture in Jardim das Ondas, a vibrant park in the Parque das Nações area of Lisbon, Portugal. This modern district along the Tagus River was developed for the 1998 World Expo and is renowned for its contemporary architecture, expansive open spaces, and key attractions like the Lisbon Oceanarium and the Vasco da Gama Bridge. Jardim das Ondas, or the Garden of Waves, is specifically designed around themes of water and movement. Its standout feature is a large waterfall that visitors can walk behind, making it an ideal spot for children and photographers like myself in search of creative shots. While this particular image may not be exceptional, it fits seamlessly into my series of silhouettes.
Library Square in Downtown Vancouver is a multi-use complex that brings together the Vancouver Public Library’s Central Branch, a Federal Office Tower, and various retail and service spaces. Designed by Moshe Safdie, the library’s distinct curved architecture was inspired by the Colosseum in Rome.
This photo captures layered reflections of the surrounding high-rises on the building’s glass surfaces, creating a blended cityscape where indoor and outdoor spaces merge.
Vancouver, BC, Canada
Luxury brands await inside the polished steel exoskeleton at The Shops at Crystals. | architect: Studio Daniel Libeskind
Embarcadero Center in San Francisco is an iconic example of modernist architecture, embodying the city’s mid-20th-century urban redevelopment vision. Comprising five office towers, the center stretches along the Embarcadero waterfront, offering a blend of commercial, retail, and public spaces. This photo highlights the striking linear symmetry of the building’s balconies, each one precisely aligned in a grid-like pattern that emphasizes repetition and rhythm. The design, characterized by minimalist aesthetics, exudes a sense of order and efficiency, reflecting the architectural trends of the 1960s and 1970s. The repetitive vertical lines of the balconies draw the eye upward, while the muted color palette enhances the structure's bold, geometric forms. Designed by architect John C. Portman Jr., Embarcadero Center is a testament to the urban planning and architectural ingenuity of its era. Its clean lines and functional design have made it a landmark in San Francisco's Financial District, symbolizing both the city’s economic prowess and its embrace of modernity. Whether viewed up close or from a distance, the Embarcadero Center’s architectural significance and its place in the fabric of San Francisco are undeniable, making it a must-see for architecture enthusiasts and visitors alike.
A modern high-rise stands tall against a backdrop of endless forest, its sharp lines and vivid green facade contrasting with the softer tones of trees and suburban houses below. The glass balconies reflect fragments of life, while the grid-like design adds order to the vertical rise. Between city and nature, this building becomes a striking marker of human presence in the landscape — a geometric statement reaching above the treetops.
photo rights reserved by B℮n
Tbilisi is the capital and largest city of Georgia, situated in the eastern part of the country on the banks of the Kura River. With a rich history spanning over 1,500 years, Tbilisi has been shaped by numerous cultures and civilizations over the centuries. The old part of Tbilisi, known for its charming architecture and unique atmosphere, is one of the most captivating areas of the city. In contrast, the Peace Bridge is a strikingly modern architectural marvel and one of Tbilisi’s most recognizable landmarks. Completed in 2010, the bridge was designed by Italian architect Michele de Lucchi, with lighting by French designer Philippe Martinaud. It spans the Kura River, connecting the old town with the newer districts, and serves as an important pedestrian route and a symbol of the city. The bridge’s design is particularly remarkable, featuring a glass canopy that curves gracefully over the walkway. Often compared to a giant glass wave or a sea creature, the canopy is made of steel and glass and is illuminated at night by thousands of LED lights. These lights create a breathtaking visual display and are programmed to transmit messages in Morse code, conveying universal symbols of life and peace. The Bridge of Peace is not only a functional structure but also a symbolic monument. It embodies the connection between the old and modern parts of Tbilisi and serves as a metaphor for the city’s progress toward peace and unity. The bridge is a popular spot for both locals and tourists, offering stunning views of the city, including the nearby Narikala Fortress and the Presidential Palace.
The Peace Bridge in Tbilisi, Georgia, is located in the heart of the city, spanning the Kura River. Its futuristic design stands in sharp contrast to the surrounding historic architecture, making it a powerful symbol of Tbilisi’s dynamic blend of tradition and modernity.
Tbilisi is de hoofdstad en grootste stad van Georgië, gelegen in het oosten van het land aan de oevers van de rivier de Koera. De stad heeft een rijke geschiedenis die meer dan 1.500 jaar teruggaat en heeft door de eeuwen heen vele invloeden ondergaan van diverse culturen en beschavingen. Het oude gedeelte van Tbilisi, bekend om zijn charmante architectuur en unieke sfeer, is een van de meest fascinerende delen van de stad. De Vredesbrug is daar in tegen erg modern. Een modern architectonisch wonder en een van de meest herkenbare bezienswaardigheden van de stad. De brug, voltooid in 2010, is ontworpen door de Italiaanse architect Michele de Lucchi, met de verlichting ontworpen door de Franse lichtontwerper Philippe Martinaud. De brug overspant de rivier de Kura en verbindt de oude stad met de nieuwere wijken. Het is een voetgangersbrug en dient als een belangrijk symbool voor de stad. Het ontwerp van de brug is bijzonder opvallend, met een glazen overkapping die sierlijk over het wandelpad buigt. Deze overkapping, die vaak wordt vergeleken met een gigantische glazen golf of een zeewezen, is gemaakt van staal en glas en wordt 's nachts verlicht door duizenden LED-lichten. Deze verlichting creëert een adembenemend visueel spektakel en is zo geprogrammeerd dat het boodschappen in morsecode uitzendt, waarbij universele symbolen van leven en vrede worden weergegeven. De Vredesbrug is niet alleen een functioneel bouwwerk, maar ook een symbolisch monument. Het staat voor de verbinding tussen het oude en het moderne deel van Tbilisi en is een metafoor voor de vooruitgang van de stad naar vrede en eenheid. De brug is een populaire plek voor zowel de lokale bevolking als toeristen en biedt prachtige uitzichten over de stad, waaronder het nabijgelegen Narikala-fort en het presidentiële paleis. Het futuristische ontwerp van de brug contrasteert sterk met de historische architectuur eromheen, waardoor het een symbool is van Tbilisi's dynamische mix van traditie en moderniteit.
This striking photograph captures the mesmerizing geometry of the Motel One building in Berlin, viewed from a zenith perspective. The angular repetition of the windows, combined with the reflective golden facade, creates an optical illusion that draws the eye upward into the bright blue sky. Taken on a clear day, the interplay of light and shadow adds depth and texture, accentuating the building's modern architectural design. This composition highlights the innovative structure and urban charm of Berlin, embodying both minimalism and grandeur. Perfect for lovers of contemporary architecture and dynamic perspectives.
A striking glass skyscraper catching the last light of the evening sky. The sharp lines, shimmering reflections, and glowing sculpture in the foreground create a perfect blend of modern architecture and urban atmosphere.
This image captures more than just architecture; it reflects Leica’s heritage through form and function.
The curved façade of the headquarters, inspired by lenses and film canisters, serves as a silent homage to the company’s optical legacy.
Designed by Gruber + Kleine-Kraneburg, the complex combines production, exhibitions, visitor spaces, and advanced energy-efficient systems, uniting openness with sustainability.
Its fully glazed ground floor creates a bridge between inside and out, transforming into a glowing ribbon of light after dark — a fitting symbol of Leica’s enduring commitment to precision and design.
A sweeping view into the Chinatown–Rose Pak Station reveals one of the most distinctive public-art moments in San Francisco’s transit system. The arched concrete corridor frames a brilliant geometric tile installation that stretches across the far wall, forming a radiant mosaic of color, symmetry, and cultural resonance. Soft overhead lighting tracks the curve of the ceiling and falls evenly across the polished floor, allowing the tiled surface to become the visual anchor of the space. Reflections shimmer below the artwork, subtly doubling its pattern and giving the hallway a calm, almost meditative quality.
The tile composition itself is an intricate interplay of circular and petaled forms, echoing classical Chinese latticework, textile motifs, and the mathematical beauty of repeating geometry. Each tile quadrant introduces a new combination of color and pattern—some warm and earthy, others bright and playful, many referencing traditional Chinese decorative arts. Collectively they form an expansive tapestry that honors both the cultural history of the neighborhood and the contemporary design ambitions of the Central Subway project.
The Chinatown–Rose Pak Station was conceived not only as transportation infrastructure but as a celebration of community identity. Built deep beneath Stockton Street, the station is one of the most technically ambitious portions of the Central Subway, threading through dense urban layers while responding to a neighborhood defined by immigration, resilience, and continuity across generations. This particular corridor is a transitional space—neither platform nor street—but it carries the emotional weight of arrival. Commuters come through here on their way up into Chinatown’s street-level bustle, stepping from a serene, modernist tunnel into one of the city’s most historic and energetic districts.
The artwork reinforces that transition. The clean concrete envelope represents contemporary engineering, while the tile wall reintroduces ornament, cultural specificity, and a sense of handcrafted detail. It’s an intentional bridge between the present and the past, the subterranean quiet of the subway and the vibrancy of the neighborhood above. The installation also resonates with the station’s dedication to Rose Pak, the influential community advocate whose work shaped modern Chinatown and helped bring the Central Subway to life.
From a photographic standpoint, the symmetry of the frame highlights the corridor’s architectural precision. The centered perspective draws the viewer straight toward the art, while the smooth floor’s subtle reflections add visual depth. The absence of people emphasizes the station’s scale and the contemplative quality of the space—an unusual sense of stillness in a city that rarely pauses.
Looking up from within a stunning architectural space in Washington, D.C., the viewer is captivated by a dynamic interplay of form, light, and shadow. A constellation of circular skylights diffuses soft daylight through a sculptural atrium rimmed by wavy translucent panels that recall both futuristic design and organic flow. A glowing orange disc—suspended like a setting sun—adds a pop of bold color and spatial tension. This image blurs the line between built environment and abstract art, evoking celestial metaphors and space-age dreams. A celebration of symmetry, rhythm, and materiality, this photo invites contemplation from architects, designers, and curious travelers alike.
2009, 2010 and 2011 catalogue designed by London office Madethought.
photographed by
Frank Dinger
BECOMING - office for visual communication
These terrariums I made a few weeks ago are such long-lasters, so I have been able to use them several times and for different contracts. However, their numbers are diminishing, as each time they go back to the shop, people come in and buy them, as they seem to be very popular at the moment. I chose particularly easy plants to maintain, most of which can be easily propagated, once they have got too big, allowing people to remake their mini gardens.
Front view of a modern two-story house with a tiled roof, white walls, and a gated entrance in a suburban neighborhood.
Through a perfectly aligned window frame, The Sea Ranch reveals its philosophy in a single view: structure and landscape as one seamless composition. The weathered cedar siding, aged to silvery gray, contrasts against the vivid greens of coastal vegetation and the deep blue of the Pacific beyond. Morning light glances across the façade, tracing the precise geometry of the architecture—a quiet choreography of form, texture, and light that defines The Sea Ranch’s timeless appeal.
This framing device, likely intentional in design, captures the community’s original vision articulated by architects Charles Moore, William Turnbull Jr., Donlyn Lyndon, and landscape architect Lawrence Halprin. The open window becomes both a literal and conceptual aperture, focusing attention on the natural environment while grounding the built form within it. The wild grasses and native shrubs flow to the edge of the structure, reinforcing the principle of “living lightly on the land.”
The scene is at once intimate and expansive—an invitation to pause and see how architecture can amplify, rather than dominate, its surroundings.
Framed by weathered cedar, this Sea Ranch view exemplifies the community’s defining ethos: minimalist modernism shaped by the Northern California coast’s raw beauty.
Jade Ocean is a luxury 51 story oceanfront tower offering 252 residences with 1, 2, 3 and 4 bedrooms. Its contemporary design and decor are exclusive: the seamless glass tower features an infinity edge pool flowing through the entire building plus a tall cascade on Collins Avenue's entrance, and views of the Atlantic Ocean are reflected through the building itself in raised pools and fountains. Jade ocean is located between Fort Lauderdale and Miami Beach with quick access to all of the business, services and amenities of both of these great cities. It offers astounding views of the ocean, coastline and Intracoastal Waterway at Sunny Isles Beach's tranquil atmosphere.
Credit for the data above is given to the following websites:
www.skyscrapercenter.com/building/jade-ocean/3008
miamiresidential.com/jadeocean
en.wikipedia.org/wiki/Jade_Beach_and_Jade_Ocean
© All Rights Reserved - you may not use this image in any form without my prior permission.