View allAll Photos Tagged Consistent.
it was drizzling pretty consistently, Saxon fresh out of his 2 week confinement after knee surgery that wasn't as bad as it could have been.
Even though he has a ball there, I didn't actually throw it for him (well, okay, I did once, he's fine) but he was happy with just carrying it everywhere, while Biscuit got a few retrieves and Treacle dragged my mum along with the long line, rabbit hunting ... actually she took off as soon as we got there, no line on, and we had to chase her down to put it on, she's so naughty, gonna get herself into trouble ...
Un carrusel, tiovivo o calesita es un medio de diversión consistente en una plataforma rotatoria con asientos para los pasajeros. Tradicionalmente los "asientos" poseen formas de caballos de madera u otros animales, los cuales en muchos casos son desplazados mecánicamente hacia arriba y hacia abajo para simular el galope de un caballo. Normalmente, la música se repite mientras el carrusel da vueltas.
Aunque los carruseles modernos están fundamentalmente compuestos de caballos, los carruseles de periodos anteriores a menudo incluían diversas variedades de animales, como perros, caballos, conejos, cerdos y ciervos, por nombrar algunos.
Cualquier plataforma rotatoria también se puede llamar carrusel. En un parque de ocio, un tiovivo es normalmente simple, la plataforma rotatoria es impulsada por los niños con barras o tiradores con los que los niños pueden agarrarse mientras corren. En un aeropuerto, las cintas transportadoras en la zona de recogida de equipajes se suelen llamar carruseles.
En EE. UU., México y Argentina, el carrusel o calesita va en sentido antihorario. En muchos países europeos (Reino Unido, Holanda, etc), los carruseles van en sentido contrario (horario). Las razones para ello son objeto de especulación.
Swan Street is in the village of Kingsclere in Hampshire. The street has traditional houses, consistent with descriptions, such as Grade II Listed properties and period features like exposed timbers. Swan Street is noted as being architecturally significant within Kingsclere, which aligns with the character and style of the buildings visible in the image.
Swan Street is part of the B3051 road which is mostly a rural B-road, mostly in north Hampshire.
It starts in the narrow streets of Overton at traffic lights with the B3400 and heads in a northerly direction, crossing the main West of England Main Line near Overton Station. It continues along a hilly road, including a summit at White Hill, with no more villages until Kingsclere is reached.
The B3051 passes through the village of Kingsclere and crosses the A339 bypass by a staggered crossroads. It then climbs Little Knowl Hill to the village of Ashford Hill, where it descends and turns easterly to Brimpton Common, entering Berkshire en route.
A straight road follows until the B3051 terminates at Heath End at a roundabout on the A340.
Kingsclere is a large village and civil parish situated between Newbury and Basingstoke. It is located in a rural setting, surrounded by chalk hills, natural springs, and open farmland. Kingsclere has a rich history, with its origins potentially traceable back to King Alfred's time (between 872 and 888 AD), and the name "clere" possibly meaning "bright" or "clearing". It was historically part of the Crown's ancient demesne (a piece of land attached to a manor). St Mary's Church is a Norman church (12th century) known for its interesting features, including the "Bed Bug" weather vane. Kingsclere Park is a business park with high-quality self-contained business units in a rural setting. Kingsclere Stables is a renowned horse racing stable with a long history in the sport, associated with the Balding family.
Kingsclere offers various activities, including walks like the Kingsclere Walk and sections of the Wayfarers Walk. It also has local amenities such as the Kingsclere Church of England Primary School and establishments like Bel & The Dragon. The village is known for its community spirit and dog-friendly environment, with numerous walking trails.
Roof design consistent with Akai Shiro and will need a few more for the grounds. Forgot to put the scorpions on the roof ends but that will be corrected for the final version.
Final Project:
You will be required to work on a project that includes photographing (a minimum of) five different individuals in the style of your choice. Once you have selected the style, keep it consistent throughout the series.
You will also need:
1. an establishing shot (an image that tells us something about your idea. For example if you were to do a series of chefs the establishing shot could be a close-up of a measuring spoons.)
2. a self-portrait, with a brief artist statement
Side Note: A lot of thing didn't come through like I had wanted. Had flakey models, then scored on a really expressive friend of a friend, and I got these new to me models that showed up and kicked ass, then I got severely sick and ended up in urgent care Monday, etc. But hopefully I was able to get domestic abuse portrayed like I wanted to. I decided not to try for sexual abuse because no matter how I tried it, it could be construed as porn, and that isn't something I wish to ever touch upon.
Artist's Statement:
Emmy's work is influenced by elements in the world that most people consider to be imperfect, broken, or weak. She builds upon imperfection because it is the only true indicator of character and beauty. She captures imperfection as the summit of her art. She is inspired by things that surround her every day, and uses them as a creative base. As the proud divorced, single mother of five closely spaced children she has no shortage of material from which to draw.
With her work, it is difficult to ignore the obvious experience and background Emmy has in graphic design. In addition to photography and graphic design, she is an entrepreneur, business ideas person, CEO of a small assessment corporation, movie scriptwriter, mother, and friend to all, even those pesky telemarketers if they happen to catch her on the telephone at home.
The most important thing to Emmy is the opportunity to create art. To be an artist, even an unknown one, is more important to her than going forth and finding notoriety. She feels the only way for her to create is to continue growing as an artist whether by introducing new techniques, new mediums, or a combination of both. Her primary focus is on creating art that reaches across boundaries. She creates art that speaks figuratively and demands its own place within its world. She tries to create art that will link people to her, and with her.
Fast Facts on Domestic Violence
Battering on women is the most under reported crime in America.
Domestic violence is the leading cause of injury to women between the ages of 15 and 44 in the United States; more than car accidents, muggings, and rapes combined. "Violence Against Women, A Majority Staff Report," Committee on the Judiciary, United States Senate, 102nd Congress, October 1992, p.3.
Three to four million women in the United States are beaten in their homes each year by their husbands, ex-husbands, or male lovers. "Women and Violence," Hearings before the U.S. Senate Judiciary Committee, August 29 and December 11, 1990, Senate Hearing 101-939, pt. 1, p. 12.
One woman is beaten by her husband or partner every 15 seconds in the United States. Uniform Crime Reports, Federal Bureau of Investigation, 1991.
About 1 out of 4 women are likely to be abused by a partner in her lifetime. Sara Glazer, "Violence, Against Women" CO Researcher, Congressional Quarterly, Inc., Volume 3, Number 8, February, 1993, p. 171.
Approximately 95% of the victims of domestic violence are women. Statistics, National Clearinghouse for the Defense of Battered Women, Ruth Peachey, M.D. 1988.
Police report that between 40% and 60% of the calls they receive, especially on the night shift, are domestic violence disputes. Carrillo, Roxann "Violence Against Women: An Obstacle to Development," Human Development Report, 1990.
Battering occurs among people of all races, ages, socio-economic classes, religious affiliations, occupations, and educational backgrounds.
Fifty percent of all homeless women and children in this country are fleeing domestic violence. Senator Joseph Biden, U.S. Senate Committee on the Judiciary, Violence Against Women: Victims of the System, 1991.
A battering incident is rarely an isolated event.
Battering tends to increase and become more violent over time.
Many batterers learned violent behavior growing up in an abusive family.
25% - 45% of all women who are battered are battered during pregnancy.
Domestic violence does not end immediately with separation. Over 70% of the women injured in domestic violence cases are injured after separation.
Domestic violence is not only physical and sexual violence but also psychological. Psychological violence means intense and repetitive degradation, creating isolation, and controlling the actions or behaviors of the spouse through intimidation or manipulation to the detriment of the individual. "Five Year State Master Plan for the Prevention of and Service for Domestic Violence." Utah State Department of Human Services, January 1994.
Wandered around an area that is already starting to look a bit like Autumn, despite the recent and consistent hot temperatures. Photo taken August 21st, 2016.
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Este es último album hasta la fecha de Anthony Hamilton y en mi opinión el más consistente y soulful. Por fortuna, parece que ha decidido centrarse en el SOUL con letras mayúsculas, dejando a un lado sus ocasionales filtreos anteriores con el R&B urbano.
El tema más celebrado entre los buenos aficionados al "Real Soul" ha sido sin duda Change your world, un impecable ejercicio de estilo que nos retrotrae a los mágicos grupos vocales de los 70 como los Manhattans o Delfonics. No voy a ser yo quien lleve la contraría a tanta alabanza, efectivamente es una joya. Afortunadamente, el resto es más que aprovechable, y gana con sucesivas escuchas (a este Cd hay que darle cierto tiempo para asimilarlo como es debido).
Sin tener una voz que me entusiasme, un tanto "nasal" para mi gusto (eso sí, en la escuela de Bill Whiters y no en la de MTV), Hamilton se presenta al día de hoy y en el futuro más inmediato como un Soulman más que respetable. Lo que más me gusta de este su último disco es que se puede escuchar de principio a fin sin problemas, algo poco frecuente en el panorama actual.
Además del citado, otros momentos álgidos del album son "Can´t let go", "Pass me Over", el guiño jamaicano de "Everybody" "y "Preacher´s Daughter", deudora del mejor Gil Scott Heron.
There was a good reason why there was nobody at the base of the Falls this morning. Consistently -30 to -40 celsius all week and a great sunny morning made for great photo opps though. Coupled with the freezing mist bearing down, it was unbearable to be out there for longer than 10 minutes at a time. I had to run in to the welcome centre to unthaw for 20 minutes before going out again.
Final Project:
You will be required to work on a project that includes photographing (a minimum of) five different individuals in the style of your choice. Once you have selected the style, keep it consistent throughout the series.
You will also need:
1. an establishing shot (an image that tells us something about your idea. For example if you were to do a series of chefs the establishing shot could be a close-up of a measuring spoons.)
2. a self-portrait, with a brief artist statement
Side Note: A lot of thing didn't come through like I had wanted. Had flakey models, then scored on a really expressive friend of a friend, and I got these new to me models that showed up and kicked ass, then I got severely sick and ended up in urgent care Monday, etc. But hopefully I was able to get domestic abuse portrayed like I wanted to. I decided not to try for sexual abuse because no matter how I tried it, it could be construed as porn, and that isn't something I wish to ever touch upon.
Artist's Statement:
Emmy's work is influenced by elements in the world that most people consider to be imperfect, broken, or weak. She builds upon imperfection because it is the only true indicator of character and beauty. She captures imperfection as the summit of her art. She is inspired by things that surround her every day, and uses them as a creative base. As the proud divorced, single mother of five closely spaced children she has no shortage of material from which to draw.
With her work, it is difficult to ignore the obvious experience and background Emmy has in graphic design. In addition to photography and graphic design, she is an entrepreneur, business ideas person, CEO of a small assessment corporation, movie scriptwriter, mother, and friend to all, even those pesky telemarketers if they happen to catch her on the telephone at home.
The most important thing to Emmy is the opportunity to create art. To be an artist, even an unknown one, is more important to her than going forth and finding notoriety. She feels the only way for her to create is to continue growing as an artist whether by introducing new techniques, new mediums, or a combination of both. Her primary focus is on creating art that reaches across boundaries. She creates art that speaks figuratively and demands its own place within its world. She tries to create art that will link people to her, and with her.
Fast Facts on Domestic Violence
Battering on women is the most under reported crime in America.
Domestic violence is the leading cause of injury to women between the ages of 15 and 44 in the United States; more than car accidents, muggings, and rapes combined. "Violence Against Women, A Majority Staff Report," Committee on the Judiciary, United States Senate, 102nd Congress, October 1992, p.3.
Three to four million women in the United States are beaten in their homes each year by their husbands, ex-husbands, or male lovers. "Women and Violence," Hearings before the U.S. Senate Judiciary Committee, August 29 and December 11, 1990, Senate Hearing 101-939, pt. 1, p. 12.
One woman is beaten by her husband or partner every 15 seconds in the United States. Uniform Crime Reports, Federal Bureau of Investigation, 1991.
About 1 out of 4 women are likely to be abused by a partner in her lifetime. Sara Glazer, "Violence, Against Women" CO Researcher, Congressional Quarterly, Inc., Volume 3, Number 8, February, 1993, p. 171.
Approximately 95% of the victims of domestic violence are women. Statistics, National Clearinghouse for the Defense of Battered Women, Ruth Peachey, M.D. 1988.
Police report that between 40% and 60% of the calls they receive, especially on the night shift, are domestic violence disputes. Carrillo, Roxann "Violence Against Women: An Obstacle to Development," Human Development Report, 1990.
Battering occurs among people of all races, ages, socio-economic classes, religious affiliations, occupations, and educational backgrounds.
Fifty percent of all homeless women and children in this country are fleeing domestic violence. Senator Joseph Biden, U.S. Senate Committee on the Judiciary, Violence Against Women: Victims of the System, 1991.
A battering incident is rarely an isolated event.
Battering tends to increase and become more violent over time.
Many batterers learned violent behavior growing up in an abusive family.
25% - 45% of all women who are battered are battered during pregnancy.
Domestic violence does not end immediately with separation. Over 70% of the women injured in domestic violence cases are injured after separation.
Domestic violence is not only physical and sexual violence but also psychological. Psychological violence means intense and repetitive degradation, creating isolation, and controlling the actions or behaviors of the spouse through intimidation or manipulation to the detriment of the individual. "Five Year State Master Plan for the Prevention of and Service for Domestic Violence." Utah State Department of Human Services, January 1994.
Final Project:
You will be required to work on a project that includes photographing (a minimum of) five different individuals in the style of your choice. Once you have selected the style, keep it consistent throughout the series.
You will also need:
1. an establishing shot (an image that tells us something about your idea. For example if you were to do a series of chefs the establishing shot could be a close-up of a measuring spoons.)
2. a self-portrait, with a brief artist statement
Side Note: A lot of thing didn't come through like I had wanted. Had flakey models, then scored on a really expressive friend of a friend, and I got these new to me models that showed up and kicked ass, then I got severely sick and ended up in urgent care Monday, etc. But hopefully I was able to get domestic abuse portrayed like I wanted to. I decided not to try for sexual abuse because no matter how I tried it, it could be construed as porn, and that isn't something I wish to ever touch upon.
Artist's Statement:
Emmy's work is influenced by elements in the world that most people consider to be imperfect, broken, or weak. She builds upon imperfection because it is the only true indicator of character and beauty. She captures imperfection as the summit of her art. She is inspired by things that surround her every day, and uses them as a creative base. As the proud divorced, single mother of five closely spaced children she has no shortage of material from which to draw.
With her work, it is difficult to ignore the obvious experience and background Emmy has in graphic design. In addition to photography and graphic design, she is an entrepreneur, business ideas person, CEO of a small assessment corporation, movie scriptwriter, mother, and friend to all, even those pesky telemarketers if they happen to catch her on the telephone at home.
The most important thing to Emmy is the opportunity to create art. To be an artist, even an unknown one, is more important to her than going forth and finding notoriety. She feels the only way for her to create is to continue growing as an artist whether by introducing new techniques, new mediums, or a combination of both. Her primary focus is on creating art that reaches across boundaries. She creates art that speaks figuratively and demands its own place within its world. She tries to create art that will link people to her, and with her.
Fast Facts on Domestic Violence
Battering on women is the most under reported crime in America.
Domestic violence is the leading cause of injury to women between the ages of 15 and 44 in the United States; more than car accidents, muggings, and rapes combined. "Violence Against Women, A Majority Staff Report," Committee on the Judiciary, United States Senate, 102nd Congress, October 1992, p.3.
Three to four million women in the United States are beaten in their homes each year by their husbands, ex-husbands, or male lovers. "Women and Violence," Hearings before the U.S. Senate Judiciary Committee, August 29 and December 11, 1990, Senate Hearing 101-939, pt. 1, p. 12.
One woman is beaten by her husband or partner every 15 seconds in the United States. Uniform Crime Reports, Federal Bureau of Investigation, 1991.
About 1 out of 4 women are likely to be abused by a partner in her lifetime. Sara Glazer, "Violence, Against Women" CO Researcher, Congressional Quarterly, Inc., Volume 3, Number 8, February, 1993, p. 171.
Approximately 95% of the victims of domestic violence are women. Statistics, National Clearinghouse for the Defense of Battered Women, Ruth Peachey, M.D. 1988.
Police report that between 40% and 60% of the calls they receive, especially on the night shift, are domestic violence disputes. Carrillo, Roxann "Violence Against Women: An Obstacle to Development," Human Development Report, 1990.
Battering occurs among people of all races, ages, socio-economic classes, religious affiliations, occupations, and educational backgrounds.
Fifty percent of all homeless women and children in this country are fleeing domestic violence. Senator Joseph Biden, U.S. Senate Committee on the Judiciary, Violence Against Women: Victims of the System, 1991.
A battering incident is rarely an isolated event.
Battering tends to increase and become more violent over time.
Many batterers learned violent behavior growing up in an abusive family.
25% - 45% of all women who are battered are battered during pregnancy.
Domestic violence does not end immediately with separation. Over 70% of the women injured in domestic violence cases are injured after separation.
Domestic violence is not only physical and sexual violence but also psychological. Psychological violence means intense and repetitive degradation, creating isolation, and controlling the actions or behaviors of the spouse through intimidation or manipulation to the detriment of the individual. "Five Year State Master Plan for the Prevention of and Service for Domestic Violence." Utah State Department of Human Services, January 1994.
Thank you to my dear Flash,SL's best horse avatar bar none! You are simply a definition of loyalty. ♥
The Mithraic Mysteries were a mystery religion practised in the Roman Empire from about the 1st to 4th centuries AD. The name of the Persian god Mithra (proto-Indo-Iranian Mitra), adapted into Greek as Mithras, was linked to a new and distinctive imagery. Writers of the Roman Empire period referred to this mystery religion by phrases which can be anglicized as Mysteries of Mithras or Mysteries of the Persians; modern historians refer to it as Mithraism,[1] or sometimes Roman Mithraism.The mysteries were popular in the Roman military.
Worshippers of Mithras had a complex system of seven grades of initiation, with ritual meals. Initiates called themselves syndexioi, those "united by the handshake".They met in underground temples (called mithraea), which survive in large numbers. The cult appears to have had its centre in Rome.
Numerous archaeological finds, including meeting places, monuments and artifacts, have contributed to modern knowledge about Mithraism throughout the Roman Empire.The iconic scenes of Mithras show him being born from a rock, slaughtering a bull, and sharing a banquet with the god Sol (the Sun). About 420 sites have yielded materials related to the cult. Among the items found are about 1000 inscriptions, 700 examples of the bull-killing scene (tauroctony), and about 400 other monuments.[9] It has been estimated that there would have been at least 680 mithraea in Rome.[10] No written narratives or theology from the religion survive, with limited information to be derived from the inscriptions, and only brief or passing references in Greek and Latin literature. Interpretation of the physical evidence remains problematic and contested.
The Romans regarded the mysteries as having Persian or Zoroastrian sources. Since the early 1970s the dominant scholarship has noted dissimilarities between Persian Mithra-worship and the Roman Mithraic mysteries. In this context, Mithraism has sometimes been viewed as a rival of early Christianity with similarities such as liberator-saviour, hierarchy of adepts (archbishops, bishops, priests), communal meal and a hard struggle of Good and Evil (bull-killing/crucifixion).The name Mithras (Latin, equivalent to Greek “Μίθρας” is a form of Mithra, the name of an Old Persian god– a relationship understood by Mithraic scholars since the days of Franz Cumont. An early example of the Greek form of the name is in a 4th century BC work by Xenophon, the Cyropaedia, which is a biography of the Persian king Cyrus the Great.
The exact form of a Latin or classical Greek word varies due to the grammatical process of declension. There is archeological evidence that in Latin worshippers wrote the nominative form of the god’s name as “Mithras”. However, in Porphyry’s Greek text De Abstinentia («Περὶ ἀποχῆς ἐμψύχων»), there is a reference to the now-lost histories of the Mithraic mysteries by Euboulus and Pallas, the wording of which suggests that these authors treated the name “Mithra” as an indeclinable foreign word.
Related deity-names in other languages include
Sanskrit Mitra (मित्रः), the name of a god praised in the Rig Veda.In Sanskrit, "mitra" means "friend" or "friendship"
the form mi-it-ra-, found in an inscribed peace treaty between the Hittites and the kingdom of Mitanni, from about 1400 BC.
Iranian "Mithra" and Sanskrit "Mitra" are believed to come from an Indo-Iranian word mitra meaning "contract, agreement, covenant".
Modern historians have different conceptions about whether these names refer to the same god or not. John R. Hinnells has written of Mitra / Mithra / Mithras as a single deity worshipped in several different religions. On the other hand, David Ulansey considers the bull-slaying Mithras to be a new god who began to be worshipped in the 1st century BC, and to whom an old name was applied.
Mary Boyce, a researcher of ancient Iranian religions, writes that even though Roman Empire Mithraism seems to have had less Iranian content than historians used to think, still "as the name Mithras alone shows, this content was of some importance.Much about the cult of Mithras is only known from reliefs and sculptures. There have been many attempts to interpret this material.
Mithras-worship in the Roman Empire was characterized by images of the god slaughtering a bull. Other images of Mithras are found in the Roman temples, for instance Mithras banqueting with Sol, and depictions of the birth of Mithras from a rock. But the image of bull-slaying (tauroctony) is always in the central niche.Textual sources for a reconstruction of the theology behind this iconography are very rare. (See section Interpretations of the bull-slaying scene below.)
The practice of depicting the god slaying a bull seems to be specific to Roman Mithraism. According to David Ulansey, this is "perhaps the most important example" of evident difference between Iranian and Roman traditions: "... there is no evidence that the Iranian god Mithra ever had anything to do with killing a bull."n every Mithraeum the centrepiece was a representation of Mithras killing a sacred bull, called the tauroctony.
The image may be a relief, or free-standing, and side details may be present or omitted. The centre-piece is Mithras clothed in Anatolian costume and wearing a Phrygian cap; who is kneeling on the exhausted bull, holding it by the nostrils[33] with his left hand, and stabbing it with his right. As he does so, he looks over his shoulder towards the figure of Sol. A dog and a snake reach up towards the blood. A scorpion seizes the bull's genitals. A raven is flying around or is sitting on the bull. Three ears of wheat are seen coming out from the bull's tail, sometimes from the wound. The bull was often white. The god is sitting on the bull in an unnatural way with his right leg constraining the bull's hoof and the left leg is bent and resting on the bull's back or flank.[34] The two torch-bearers are on either side, dressed like Mithras, Cautes with his torch pointing up and Cautopates with his torch pointing down. Sometimes Cautes and Cautopates carry shepherds' crooks instead of torches.
Tauroctony from the Kunsthistorisches Museum
The event takes place in a cavern, into which Mithras has carried the bull, after having hunted it, ridden it and overwhelmed its strength.[38] Sometimes the cavern is surrounded by a circle, on which the twelve signs of the zodiac appear. Outside the cavern, top left, is Sol the sun, with his flaming crown, often driving a quadriga. A ray of light often reaches down to touch Mithras. At the top right is Luna, with her crescent moon, who may be depicted driving a biga.[39]
In some depictions, the central tauroctony is framed by a series of subsidiary scenes to the left, top and right, illustrating events in the Mithras narrative; Mithras being born from the rock, the water miracle, the hunting and riding of the bull, meeting Sol who kneels to him, shaking hands with Sol and sharing a meal of bull-parts with him, and ascending to the heavens in a chariot.[39] In some instances, as is the case in the stucco icon at Santa Prisca mithraeum, the god is shown heroically nude. Some of these reliefs were constructed so that they could be turned on an axis. On the back side was another, more elaborate feasting scene. This indicates that the bull killing scene was used in the first part of the celebration, then the relief was turned, and the second scene was used in the second part of the celebration.Besides the main cult icon, a number of mithraea had several secondary tauroctonies, and some small portable versions, probably meant for private devotion, have also been found.[The second most important scene after the tauroctony in Mithraic art is the so-called banquet scene.The banquet scene features Mithras and the Sun god banqueting on the hide of the slaughtered bull. On the specific banquet scene on the Fiano Romano relief, one of the torchbearers points a caduceus towards the base of an altar, where flames appear to spring up. Robert Turcan has argued that since the caduceus is an attribute of Mercury, and in mythology Mercury is depicted as a psychopomp, the eliciting of flames in this scene is referring to the dispatch of human souls and expressing the Mithraic doctrine on this matter. Turcan also connects this event to the tauroctony: the blood of the slain bull has soaked the ground at the base of the altar, and from the blood the souls are elicited in flames by the caduceus.Mithras is depicted as being born from a rock. He is shown as emerging from a rock, already in his youth, with a dagger in one hand and a torch in the other. He is nude, standing with his legs together, and is wearing a Phrygian cap.
However, there are variations. Sometimes he is shown as coming out of the rock as a child, and in one instance he has a globe in one hand; sometimes a thunderbolt is seen. There are also depictions in which flames are shooting from the rock and also from Mithras' cap. One statue had its base perforated so that it could serve as a fountain, and the base of another has the mask of the water god. Sometimes Mithras also has other weapons such as bows and arrows, and there are also animals such as dogs, serpents, dolphins, eagles, other birds, lion, crocodiles, lobsters and snails around. On some reliefs, there is a bearded figure identified as Oceanus, the water god, and on some there are the gods of the four winds. In these reliefs, the four elements could be invoked together. Sometimes Victoria, Luna, Sol and Saturn also seem to play a role. Saturn in particular is often seen handing over the dagger to Mithras so that he can perform his mighty deeds.
In some depictions, Cautes and Cautopates are also present; sometimes they are depicted as shepherds.
On some occasions, an amphora is seen, and a few instances show variations like an egg birth or a tree birth. Some interpretations show that the birth of Mithras was celebrated by lighting torches or candles.[One of the most characteristic features of the Mysteries is the naked lion-headed figure often found in Mithraic temples, named by the modern scholars with descriptive terms such as leontocephaline (lion-headed) or leontocephalus (lion-head). He is entwined by a serpent (or two serpents, like a caduceus), with the snake's head often resting on the lion's head. The lion's mouth is often open, giving a horrifying impression. He is usually represented as having four wings, two keys (sometimes a single key), and a scepter in his hand. Sometimes the figure is standing on a globe inscribed with a diagonal cross. In the figure shown here, the four wings carry the symbols of the four seasons, and a thunderbolt is engraved on the breast. At the base of the statue are the hammer and tongs of Vulcan, the cock, and the wand of Mercury. A more scarcely represented variant of the figure with a human head is also found.
Although animal-headed figures are prevalent in contemporary Egyptian and Gnostic mythological representations, an exact parallel to the Mithraic leontocephaline figure is not found.
The name of the figure has been deciphered from dedicatory inscriptions to be Arimanius (though the archeological evidence is not very strong), which is nominally the equivalent of Ahriman, a demon figure in the Zoroastrian pantheon. Arimanius is known from inscriptions to have been a god in the Mithraic cult (CIMRM 222 from Ostia, 369 from Rome, 1773 and 1775 from Pannonia).
While some scholars identify the lion-man as Aion (or Zurvan, or Cronus) others assert that it is Ahriman.[51] There is also speculation that the figure is the Gnostic demiurge, (Ariel) Ialdabaoth. Although the exact identity of the lion-headed figure is debated by scholars, it is largely agreed that the god is associated with time and seasonal change.[53] An occultist, D. J.Cooper, speculates to the contrary that the lion-headed figure is not a god, but rather represents the spiritual state achieved in Mithraism's "adept" level, the Leo (lion) degree. Rituals and worship[edit]
According to M. J. Vermaseren, the Mithraic New Year and the birthday of Mithras was on December 25. However, Beck disagrees strongly.Clauss states: "the Mithraic Mysteries had no public ceremonies of its own. The festival of natalis Invicti [Birth of the Unconquerable (Sun)], held on 25 December, was a general festival of the Sun, and by no means specific to the Mysteries of Mithras." Mithraic initiates were required to swear an oath of secrecy and dedication, and some grade rituals involved the recital of a catechism, wherein the initiate was asked a series of questions pertaining to the initiation symbolism and had to reply with specific answers. An example of such a catechism, apparently pertaining to the Leo grade, was discovered in a fragmentary Egyptian papyrus (P.Berolinensis 21196),and reads:
... He will say: 'Where ... ?
... he is/(you are?) there (then/thereupon?) at a loss?' Say: ... Say: 'Night'. He will say: 'Where ... ?' ... Say: 'All things ...' (He will say): '... you are called ... ?' Say: 'Because of the summery ...' ... having become ... he/it has the fiery ... (He will say): '... did you receive/inherit?' Say: 'In a pit'. He will say: 'Where is your ...?... (Say): '...(in the...) Leonteion.' He will say: 'Will you gird?' The (heavenly?) ...(Say): '... death'. He will say: 'Why, having girded yourself, ...?' '... this (has?) four tassels. Very sharp and ... '... much'. He will say: ...? (Say: '... because of/through?) hot and cold'. He will say: ...? (Say): '... red ... linen'. He will say: 'Why?' Say: '... red border; the linen, however, ...' (He will say): '... has been wrapped?' Say: 'The savior's ...' He will say: 'Who is the father?' Say: 'The one who (begets?) everything ...' (He will say): '('How ?)... did you become a Leo?' Say: 'By the ... of the father'. ... Say: 'Drink and food'. He will say '...?'
'... in the seven-...
Almost no Mithraic scripture or first-hand account of its highly secret rituals survives;with the exception of the aforementioned oath and catechism, and the document known as the Mithras Liturgy, from 4th century Egypt, whose status as a Mithraist text has been questioned by scholars including Franz Cumont. The walls of Mithraea were commonly whitewashed, and where this survives it tends to carry extensive repositories of graffiti; and these, together with inscriptions on Mithraic monuments, form the main source for Mithraic texts.
Nevertheless, it is clear from the archeology of numerous Mithraea that most rituals were associated with feasting – as eating utensils and food residues are almost invariably found. These tend to include both animal bones and also very large quantities of fruit residues.The presence of large amounts of cherry-stones in particular would tend to confirm mid-summer (late June, early July) as a season especially associated with Mithraic festivities. The Virunum album, in the form of an inscribed bronze plaque, records a Mithraic festival of commemoration as taking place on 26 June 184. Beck argues that religious celebrations on this date are indicative of special significance being given to the Summer solstice; but this time of the year coincides with ancient recognition of the solar maximum at midsummer, whilst iconographically identical holidays such as Litha, St John's Eve, and Jāņi are observed also.
For their feasts, Mithraic initiates reclined on stone benches arranged along the longer sides of the Mithraeum – typically there might be room for 15 to 30 diners, but very rarely many more than 40 men. Counterpart dining rooms, or triclinia, were to be found above ground in the precincts of almost any temple or religious sanctuary in the Roman empire, and such rooms were commonly used for their regular feasts by Roman 'clubs', or collegia. Mithraic feasts probably performed a very similar function for Mithraists as the collegia did for those entitled to join them; indeed, since qualification for Roman collegia tended to be restricted to particular families, localities or traditional trades, Mithraism may have functioned in part as providing clubs for the unclubbed.However, the size of the Mithraeum is not necessarily an indication of the size of the congregation.
Each Mithraeum had several altars at the further end, underneath the representation of the tauroctony, and also commonly contained considerable numbers of subsidiary altars, both in the main Mithraeum chamber and in the ante-chamber or narthex.[68] These altars, which are of the standard Roman pattern, each carry a named dedicatory inscription from a particular initiate, who dedicated the altar to Mithras "in fulfillment of his vow", in gratitude for favours received. Burned residues of animal entrails are commonly found on the main altars indicating regular sacrificial use. However, Mithraea do not commonly appear to have been provided with facilities for ritual slaughter of sacrificial animals (a highly specialised function in Roman religion), and it may be presumed that a Mithraeum would have made arrangements for this service to be provided for them in co-operation with the professional victimarius of the civic cult. Prayers were addressed to the Sun three times a day, and Sunday was especially sacred.
It is doubtful whether Mithraism had a monolithic and internally consistent doctrine. It may have varied from location to location. However, the iconography is relatively coherent. It had no predominant sanctuary or cultic centre; and, although each Mithraeum had its own officers and functionaries, there was no central supervisory authority. In some Mithraea, such as that at Dura Europos, wall paintings depict prophets carrying scrolls,but no named Mithraic sages are known, nor does any reference give the title of any Mithraic scripture or teaching. It is known that intitates could transfer with their grades from one Mithraeum to another.
Mithraeum
See also: Mithraeum
A mithraeum found in the ruins of Ostia Antica, Italy
Temples of Mithras are sunk below ground, windowless, and very distinctive. In cities, the basement of an apartment block might be converted; elsewhere they might be excavated and vaulted over, or converted from a natural cave. Mithraic temples are common in the empire; although unevenly distributed, with considerable numbers found in Rome, Ostia, Numidia, Dalmatia, Britain and along the Rhine/Danube frontier; while being somewhat less common in Greece, Egypt, and Syria.According to Walter Burkert, the secret character of Mithriac rituals meant that Mithraism could only be practiced within a Mithraeum.Some new finds at Tienen show evidence of large-scale feasting and suggest that the mystery religion may not have been as secretive as was generally believed.
For the most part, Mithraea tend to be small, externally undistinguished, and cheaply constructed; the cult generally preferring to create a new centre rather than expand an existing one. The Mithraeum represented the cave to which Mithras carried and then killed the bull; and where stone vaulting could not be afforded, the effect would be imitated with lath and plaster. They are commonly located close to springs or streams; fresh water appears to have been required for some Mithraic rituals, and a basin is often incorporated into the structure. There is usually a narthex or ante-chamber at the entrance, and often other ancillary rooms for storage and the preparation of food. The extant mithraea present us with actual physical remains of the architectural structures of the sacred spaces of the Mithraic cult. Mithraeum is a modern coinage and mithraists referred to their sacred structures as speleum or antrum (cave), crypta (underground hallway or corridor), fanum (sacred or holy place), or even templum (a temple or a sacred space).
In their basic form, mithraea were entirely different from the temples and shrines of other cults. In the standard pattern of Roman religious precincts, the temple building functioned as a house for the god, who was intended to be able to view through the opened doors and columnar portico, sacrificial worship being offered on an altar set in an open courtyard; potentially accessible not only to initiates of the cult, but also to colitores or non-initiated worshippers.Mithraea were the antithesis of this.
Degrees of initiation
In the Suda under the entry "Mithras", it states that "no one was permitted to be initiated into them (the mysteries of Mithras), until he should show himself holy and steadfast by undergoing several graduated tests."Gregory Nazianzen refers to the "tests in the mysteries of Mithras".
There were seven grades of initiation into the mysteries of Mithras, which are listed by St. Jerome.Manfred Clauss states that the number of grades, seven, must be connected to the planets. A mosaic in the Ostia Mithraeum of Felicissimus depicts these grades, with symbolic emblems that are connected either to the grades or are just symbols of the planets. The grades also have an inscription beside them commending each grade into the protection of the different planetary gods. In ascending order of importance, the initiatory grades were:
en.wikipedia.org/wiki/Mithraic_mysteries
In the Mithraic ceremonies, there were seven degrees of initiations: Corax (Raven), Nymphus (Bridegroom), Miles (Soldier), Leo (Lion), Perses (Persian),Heliodromus (Courier of the Sun), and Pater (Father). Those in the lowest ranks, certainly the Corax, were the servants of the community during the sacred meal of bread and water that formed part of the rite.
The area where the concentration of evidence for Mithraism is the most dense is the capital, Rome, and her port city, Ostia. There are eight extant mithraea in Rome of as many as seven hundred (Coarelli 1979) and eighteen in Ostia. In addition to the actual mithraea, there are approximately three hundred other mithraic monuments from Rome and about one hundred from Ostia. This body of evidence reveals that Mithraism in Rome and Ostia originally appealed to the same social strata as it did in the frontier regions. The evidence also indicates that at least some inhabitants knew about Mithraism as early as the late first century CE, but that the cult did not enjoy a wide membership in either location until the middle of the second century CE.
As the cult in Rome became more popular, it seems to have "trickled up" the social ladder, with the result that Mithraism could count several senators from prominent aristocratic families among its adherents by the fourth century CE. Some of these men were initiates in several cults imported from the eastern empire (including those of Magna Mater and Attis, Isis, Serapis, Jupiter Dolichenus, Hecate, and Liber Pater, among others), and most had held priesthoods in official Roman cults. The devotion of these men to Mithraism reflects a fourth-century "resurgence of paganism," when many of these imported cults and even official Roman state religion experienced a surge in popularity although, and perhaps because, their very existence was increasingly threatened by the rapid spread of Christianity after the conversion of the emperor Constantine in 313 CE.
global.britannica.com/topic/heliodromus
Mithraism had a wide following from the middle of the second century to the late fourth century CE, but the common belief that Mithraism was the prime competitor of Christianity, promulgated by Ernst Renan (Renan 1882 579), is blatantly false. Mithraism was at a serious disadvantage right from the start because it allowed only male initiates. What is more, Mithraism was, as mentioned above, only one of several cults imported from the eastern empire that enjoyed a large membership in Rome and elsewhere. The major competitor to Christianity was thus not Mithraism but the combined group of imported cults and official Roman cults subsumed under the rubric "paganism." Finally, part of Renan's claim rested on an equally common, but almost equally mistaken, belief that Mithraism was officially accepted because it had Roman emperors among its adherents (Nero, Commodus, Septimius Severus, Caracalla, and the Tetrarchs are most commonly cited). Close examination of the evidence for the participation of emperors reveals that some comes from literary sources of dubious quality and that the rest is rather circumstantial. The cult of Magna Mater, the first imported cult to arrive in Rome (204 BCE) was the only one ever officially recognized as a Roman cult. The others, including Mithraism, were never officially accepted, and some, particularly the Egyptian cult of Isis, were periodically outlawed and their adherents persecuted.
ecole.evansville.edu/articles/mithraism.html
Some words were enough for God to precipitate the most beautiful of his creatures at the bottom of the abyss. Lucifer, the carrier of Light, pulled(entailed) with him a third(third party) of the angels in its revolt. Hell was created for him. We know the continuation(suite) … The column of July Place de la Bastille, was set up between 1833 and 1840. In its summit, thrones the "Spirit of liberty" conceived(designed) by the sculptor Auguste Dumont. Curious tribute returned by Louis Philippe to the insurgents who knocked down(spilled) Charles X and the Absolute monarchy three years earlier. Lucifer picked up. No detail misses(is lacking) … Torch in the hand, the Angel has just broken his chains(channels) and dashes to new conquests. Under its impressive base is a crypt sheltering some 500 rests of Fighters of 1830, as well as Egyptian mummy brought back(reported) by Napoleon.Durant la commune de Paris en 1870, après avoir abattu la colonne Vendôme, les communards s’en prirent à celle de la Bastille… sans succès. Ni le dispositif d’explosifs souterrains, ni le tir d’une trentaine d’obus depuis les buttes Chaumont n’en virent pas à bout. La flamme du porteur de Lumière refusa de s’éteindre…
During the municipality of Paris in 1870, having brought(shot) down the column Vendôme, the Communards took themselves in that of the Bastille unsuccessfully. Neither the device(plan) of subterranean explosives, nor the shooting(firing) of around thirty shells since mounds Chaumont transfer(fire) it to end. The flame of the carrier of Light refused to go out …Lucifer was so far away...?
« Non Serviam »- « Je ne servirai pas ! »
Quelques mots suffirent à Dieu pour précipiter la plus belle de ses créatures au fond de l’abîme. Lucifer, le porteur de Lumière, entraîna avec lui un tiers des anges dans sa révolte. L’enfer fut créé pour lui. Nous connaissons la suite…La colonne de Juillet Place de la Bastille, fut érigée entre 1833 et 1840. À son sommet, trône le « Génie de La Liberté » conçu par le sculpteur Auguste Dumont. Curieux hommage rendu par Louis Philippe aux insurgés qui renversèrent Charles X et la Monarchie absolue trois ans plus tôt. Lucifer a repris du poil de la bête. Aucun détail ne manque… Torche à la main, l’Ange vient de briser ses chaînes et s’élance vers de nouvelles conquêtes. Sous son imposant piédestal se trouve une crypte abritant quelques 500 restes des combattants de 1830, ainsi qu’une momie égyptienne rapportée par Napoléon.Durant la commune de Paris en 1870, après avoir abattu la colonne Vendôme, les communards s’en prirent à celle de la Bastille… sans succès. Ni le dispositif d’explosifs souterrains, ni le tir d’une trentaine d’obus depuis les buttes Chaumont n’en virent pas à bout. La flamme du porteur de Lumière refusa de s’éteindre…
www.pariszigzag.fr/histoire-insolite-paris/qui-est-vraime...
Sintra is a town and municipality in the Greater Lisbon region of Portugal, located on the Portuguese Riviera. The population of the municipality in 2011 was 377,835, in an area of 319.23 square kilometres (123.26 sq mi). Sintra is one of the most urbanized and densely populated municipalities of Portugal and hosts several cities albeit the seat of the municipality is the town of Sintra proper. A major tourist destination famed for its picturesqueness, the municipality has several historic palaces, castles, scenic beaches, parks and gardens.
The area includes the Sintra-Cascais Nature Park through which the Sintra Mountains run. The historic center of the Vila de Sintra is famous for its 19th-century Romanticist architecture, historic estates and villas, gardens, and royal palaces and castles, which resulted in the classification of the town as a UNESCO World Heritage Site. Sintra's landmarks include the medieval Castle of the Moors, the romanticist Pena National Palace and the Portuguese Renaissance Sintra National Palace.
Sintra is one of the wealthiest and most expensive municipalities in both Portugal and the Iberian Peninsula as a whole It is home to one of the largest foreign expat communities along the Portuguese Riviera and consistently ranks as one of the best places to live in Portugal The earliest remnants of human occupation were discovered in Penha Verde: these vestiges testify to an occupation dating to the early Paleolithic. Comparable remnants were discovered in an open-air site in São Pedro de Canaferrim, alongside the chapel of the Castelo dos Mouros (Moorish Castle), dating back to the Neolithic, and include decorated ceramics and microlithic flint utensils from the 5th millennium BC.
Ceramic fragments found locally including many late Chalcolithic vases from the Sintra mountains suggest that between the fourth and third millennia B.C. the region (adjacent to the present village of Sintra) was occupied by a Neolithic/Chalcolithic settlement, with characteristics comparable to fortified settlements in Lisbon and Setúbal. The evidence discovered in Quinta das Sequoias and São Pedro de Canaferrim contrasts dramatically with those remnants discovered in the walled town of Penha Verde and the funerary monument of Bella Vista. Traces of several Bronze Age remains were also discovered in many places in the Sintra Mountains, including alongside the town, in the Monte do Sereno area, and a late Bronze Age settlement within the Moorish Castle dating to the 9th–6th centuries B.C.
The most famous object from this period is the so-called Sintra Collar, a middle Bronze Age gold neck-ring found near the city at the end of the nineteenth century, which since 1900 has been part of the British Museum's collection. Relatively close by, in Santa Eufémia da Serra, is an Iron Age settlement where artifacts from indigenous tribes and peoples of Mediterranean origins (principally from the Punic period) were also discovered.
These date from the early 4th century B.C., prior to the Romanization of the peninsula, which in the area of Foz do Tejo took place in the middle of the 2nd century B.C. Close proximity to a large commercial centre (Olisipo) founded by the Turduli Oppidani people in the first half of the first millennium B.C., meant that the region of Sintra was influenced by human settlement throughout various epochs, cultures that have left remains in the area to this day. The toponym Sintra derives from the medieval Suntria, and points to an association with radical Indo-European cultures; the word translates into "bright star" or "sun", commonly significant in those cultures Marcus Terentius Varro and Cadizian Lucius Junius Moderatus Columella designated the place "the sacred mountain" and Ptolemy referred to it as the "mountains of the moon"
Part of the Roman Dam of Belas complex, showing the ventilation structures (foreground) and the remaining dam segment (background).
During the Roman occupation of the peninsula, the region of Sintra was part of the vast Civitas Olisiponense which Caesar (around 49 B.C.) or more likely Octavius (around 30 B.C.) granted the status of Municipium Civium Romanorum. The various residents of the region were considered part of the Roman Galeria and in the present village of Sintra there are Roman remains testifying to a Roman presence from the 1st–2nd centuries B.C. to the 5th century A.D. A roadway along the southeast part of the Sintra Mountains and connected to the main road to Olisipo dates from this period.
Roman Bridge of Catribana.
This via followed the route of the current Rua da Ferraria, the Calçada dos Clérigos and the Calçada da Trindade. Following the Roman custom of siting tombs along their roads and near their homes, there is also evidence of inscriptions pertaining to Roman funeral monuments, dating mainly to the 2nd century. The area around the modern town of Sintra, due to its proximity to Olisipo, the ancient name of Lisbon, was always profoundly interconnected with the major settlement, to the point that the Fountain of Armés, a 1st-century fountain in the village of Armés, Terrugem, in Sintra, has been built by Lucius Iulius Maelo Caudicus, an Olisipo flamen, to honour the Roman Emperor Augustus.
It was during the Moorish occupation of Sintra (Arabic: Xintara) that Greco-Latin writers wrote of the explicit occupation of the area of the town centre. A description by the geographer Al-Bacr, described Sintra as "one of the towns that [are] dependent on Lisbon in Al-Andalus, in proximity to the sea", characterizing it as "permanently submersed in a fog that never dissipates".
During the Reconquista (around the 9th century), its principal centre and castle were isolated by Christian armies. Following the fall of the Caliphate of Córdoba, the King of Léon, Alfonso VI received in the spring of 1093, the cities of Santarém, Lisbon and the Castle of Sintra. This followed a period of internal instability within the Muslim taifas of the peninsula, and in particular the decision by the ruler of Taifa of Badajoz, Umar ibn Muhammad al-Mutawakkil who, after hesitating from 1090 to 1091, placed his territory under the suzerainty of Alfonso VI when faced with the threat of the Almoravids. Afonso took the cities and the castle of Sintra between 30 April and 8 May 1093, but shortly after their transfer Sintra and Lisbon were conquered by the Almoravids. Santarém was saved by Henry, who Alfonso VI of León and Castile nominated Count of Portugal in 1096, to replace Raymond of Burgundy
The remnants of the chapel of São Pedro de Canaferrim, constructed by Afonso Henriques following the surrender of Moors in Sintra
In July 1109, Count Henry reconquered the Castle of Sintra This was preceded a year before by an attempt by Prince Sigurd the Crusader, son of Magnus III of Norway, to capture the castle from the Moors in the course of his trek to the Holy Land. Sigurd's forces disembarked at the mouth of the Colares River but failed to take the castle. But it was only after the conquest of Lisbon, in October 1147, by Afonso Henriques (supported by Crusaders), that the castle surrendered definitely to the Christians, in November. It was integrated into Christian dominions along with Almada and Palmela after their surrender. Afonso Henriques established the Church of São Pedro de Canaferrim within the walls of the Moorish Castle to mark his success.
The municipal building of Sintra, constructed after 1154 to house the local administration
On 9 January 1154, Afonso Henriques signed a foral ("charter") for the town of Sintra, with all its respective regalia. The charter established the municipality of Sintra, whose territory encompassed a large area, eventually divided into four great parishes: São Pedro de Canaferrim (in the castle), São Martinho (in the town of Sintra), Santa Maria and São Miguel (in the ecclesiastical seat of Arrabalde). The early municipal seat, the town of Sintra, was the centre of a significant Sephardic community, with a synagogue and quarter. This community was not limited to Sintra town: enclaves are mentioned during the reign of King Denis in Colares, but were heavily pressured by the influx of Christian serfs. Throughout the 12th and 13th centuries, owing to the fertility of the land, various convents, monasteries and military orders constructed residences, estates, water-mills and vineyards. There are municipal records from this period of a number of donations and grants; between 1157 and 1158, Afonso Henriques donated to the master of the Knights Templar, Gualdim Pais, various houses and estates in the centre of Sintra.
In 1210, the Monastery of Santa Cruz in Coimbra acquired four houses in Pocilgais, releasing them in 1230, while in 1264 it controlled homes and vineyards in Almargem. In 1216 the Monastery of São Vicente de Fora (Lisbon) also held a vineyard in Colares and, in 1218, estates in Queluz and Barota. At some time between 1223 and 1245, the Monastery of Santa Maria de Alcobaça held various privileges in the territory. The military Order of Santiago owned an estate in Arrifana in 1260 Many of Afonso Henriques' donations in the 12th century, including privileges assigned to these institutions, were confirmed in 1189 by his son, Sancho I (1185–1211), corresponding to a social, political and economic strategy during the post-Reconquista era. Consequently, after 1261, Sintra had a local administration consisting of an alcalde representing the Crown, and two local judges elected by the public. During the political conflict between King Sancho II (1223–1248) and the Church, the churches of São Pedro and São Martinho, which belonged to the King, were ceded to the Bishop of Lisbon and Sé. Yet the Crown's patrimony was defined early: in 1287, King Denis donated to Queen Elizabeth of Portugal the town, the signeurial holdings and all their associated benefits. Later, these lands were transferred to the young Infante Afonso (later King Afonso IV), and remained in his possession until 1334, before reverting to the ownership of the queen (Portuguese: Casa da Rainha).
The Black Death arrived in Sintra in the 14th century; in 1350, the disease is known to have caused the death of five municipal scribes. Far greater numbers of deaths probably resulted, perhaps owing to the cool climate and humidity, conditions that favoured the rapid spread of the disease
The Palace of Sintra, for a long time the residence of royal family during the summer
During the reign of King Ferdinand (1367–1383), Sintra played a part in the controversial marriage of the monarch to Dona Leonor Telles de Menezes. In 1374, the King donated Sintra to the Lady Telles, whom he eventually married in secret in the north of the country. Along with Sintra the King conceded the municipalities of Vila Viçosa, Abrantes and Almada, to the consternation of his private council; following a confrontation the King abandoned his duties and travelled to Sintra, where he remained for a month on the pretext of hunting. As Sintra was located relatively close to Lisbon, many of its people were called to work on projects for the Crown in the capital: in 1373, King Ferdinand decided to wall the city, and requested funds or workers from coastal lands in Almada, Sesimbra, Palmela, Setúbal, Coina, Benavente and Samora Correia, as well as all of Ribatejo, and from the inland areas of Sintra, Cascais, Torres Vedras, Alenquer, Arruda, Atouguia, Lourinhã, Telheiros and Mafra. During the Dynastic Crisis between 1383–1385, Sintra joined Leonor Telles in supporting the proclamation of her daughter, Beatrice, who married John I of Castile, as Queen of Portugal and Castile. After the defeat of the Castilian army at Aljubarrota (August 1385) by Portuguese and English troops, commanded by Nuno Álvares Pereira, Sintra became one of the last places to surrender to the Master of Aviz, later King of Portugal (after 1383).
Joanine and Philippine era
John I (1385–1433), first King of the second dynasty, broke the tradition of transferring Sintra to the Casa da Rainha (Queen's property). Probably around 1383, John I granted the lands of Sintra to Count Henrique Manuel de Vilhena, quickly revoking the decision after Henrique took the Infanta's side during the dynastic quarrel. Sintra, therefore, continued as a possession of the King, who expanded the local estate. Until the end of the 17th century, the royal palace constituted one of the principal residences and summer estates of the court: it was from here that John decided to conquer Ceuta (1415); King Afonso V was born and died at the palace (1433–1481); and here King John II (1481–1495) was acclaimed sovereign.
In a document issued in 1435 by King Edward (1433–1438), the region was described as: "A land of good air and water and of the Comarcas with an abundance in the sea and land [...] our most loyal city of Lisbon being so near, and being in it sufficient diversions, and the distractions of the mountains and hunting...".
During the Portuguese Age of Discovery, several people born in Sintra were written into history. In 1443 Gonçalo de Sintra, squire in the House of the Infante Henry, was sent by the prince as captain of a caravel to the coast of Africa. He explored the region near the Ouro River and eventually died there in 1444. Pedro de Sintra and Soeiro da Costa later mapped most of the Atlantic coast of Africa, around the time of Henry's death in 1460
At the end of the 15th century the importance of Sintra on official itineraries led Queen Eleanor of Viseu (wife of King John II), then principal benefactor of the Portuguese Misericóridas, to expand her principal institutions in Sintra. The Hospital e Gafaria do Espírito Santo, the only remnant of which left standing is a chapel to São Lázaro, was constructed to provide assistance and support to lepers in the region (the chapel still includes the signets of King John, the pelican, and Queen Leonor, the shrimp). In 1545, the hospital was transferred to the administration of the Santa Casa da Misericórdia of Sintra which was set up by Queen Catherine of Austria, wife of John III.
King Manuel I (1495–1521) enjoyed spending his summers in Sintra, due to its cool climate and abundance of game; as Damião de Góis, his chronicler noted: "because it is one of the places in Europe that is cooler, and cheerful for whichever King, Prince or Master to pass their time, because, in addition to its good airs, that cross its mountains, called by the older peoples the promontory of the moon, there is here much hunting of deer and other animals, and overall many and many good trout of many type, and in which in all of Hispania there can be found, and many springs of water...". Between the 15th and 16th century, after travelling to the Crown of Castile and the Crown of Aragon when being considered as heir to the Kingdoms in 1498, the King transformed and enriched the town and its region with several public works. These included the reconstruction of the old Gothic Church of São Martinho and in 1511 the construction of the Monastery of Nossa Senhora da Pena on the highest peak of the Sintra Mountains, which he then transferred to the Order of Saint Jerome. In the second half of the 16th century, Sintra was a centre for courtesans and members of the aristocracy began building estates and farms within the region. In this rural environment, from 1542, the Viceroy of India, D. João de Castro(1500–1548) began residing at Quinta da Penha Verde, where he collected examples of Portuguese culture of the time, including works by celebrated artist Francisco de Holanda. It was during this cultural Renaissance that the marble chancel sculpted between 1529 and 1532 by Nicolau Chanterene for the chapel of the Monastery of Nossa Senhora da Pena was completed, as was the portico of the Church of Nossa Senhora da Conceição da Ulgueira (1560).
The Convent of the Capuchos, the monastic retreat established during the primordial history of the municipality (XVI century)
Luís de Camões (1524–1580) referred to the mountains of Sintra in his Os Lusíadas chronicle, as a mythic land ruled by water nymphs. The Renaissance poet Luisa Sigea—Syntrae Aloisiae Sygeae in Paris (1566) and Madrid (1781) referred to Sintra as a "pleasant valley, between cliffs that rise into the heavens...curved in graceful hills among which one can feel the murmur of the waters...[where] everything, in fact, will enchant and perfume the environment with its fragrance and fruit.
With the death of the Cardinal-King Henry (1578–1580), Philip II of Spain inherited the Kingdom of Portugal, initiating a personal union of the crowns that would last until 1640. During this period, Portuguese political power moved from Sintra to Vila Viçosa, principal centre of the House of Braganza, whose dukes, descendants of John of Portugal, were heirs to the throne of Portugal. Following the decision of the Cortes of Tomar in 1581, Phillip as King of Portugal accepted an administration composed of the Portuguese aristocracy. He passed through Sintra around October 1581, visiting the monasteries and churches. It was during this period that cult of Sebastianism, the hope for the return of King Sebastian, came to an end, when several fake "Sebastians" were denounced. In 1585 Mateus Alvares, born on the island of Terceira in the Azores and guardian of the hermitage of São Julio, passed himself off as King Sebastian and created conflict in Sintra, Madra, Rio de Mouro and Ericeira. The Sebastian adventure ended with the hanging of thirty people and the suffering of many more. It was not surprising, therefore, that the visit in 1619 by King Phillip IV of Spain (Phillip III of Portugal) resulted in many families escaping to the hills. During this union (1580–1640), Sintra was a privileged place for Portuguese "exiles" from the Castilian court; nobles who wished to distance themselves from Spanish nobility would purchase lands in the region, away from court intrigu.
Royal Palace of Queluz.
The war with Spain (1640–1668), the affirmation of Mafra during the reign of John V of Portugal (1706–1750) through the construction of the Palace-Convent, and later the construction of Royal Palace of Queluz in 1747 during the reigns of Joseph I (1750–1777) and Maria I (1777–1816), helped diminish royal visits to the region. During this time there were only two documented visits: in 1652 and 1654, respectively the visit of Queen Luísa de Gusmão and King John IV (1640–1656), and the final burial of King Afonso VI.
Ill-fated king Afonso VI imprisoned in the Palace of Sintra, by painter Alfredo Roque Gameiro.
Alleging the insanity of the King and the incapacity of the heir, the Duke of Cadaval and the Infante Peter led a coup d'état in 1667 which resulted in the resignation of the Count of Castelo Melhor, Minister of King Afonso VI (1656-1683) and the imprisonment of the monarch. In 1668 the Cortes of Lisbon confirmed the Infante Peter, the king's brother, as regent and heir. Afonso VI lived the rest of his life imprisoned, in the Paço da Ribeira (1667–1669), in the Fortress of Saint John the Baptist in Angra, in the Azores (1669–1674) and in the end, with the discovery of a conspiracy to kill the regent, in the Paço da Vila in Sintra (1674–1683).
From the 17th to the 18th centuries, the region was centre of contemplative religious orders who established convents in Sintra. But it remained a place of myths, with a large, mysterious forest and macabre, gloomy spaces. Father Baião, in his Portugal Cuidadoso (1724) noted: "Next to the Palace of Sintra was a forest, so thick, that during the day, it cast fear in him who entered it. And [King] D. Sebastian was free from these fears, that he would walk at night, through it, many times for two or three hours." Starting in the second half of the 18th century and lasting through the 19th century Sintra became known as a nostalgic and mysterious location described by many foreigners.
Lord Byron (1788 – 1824) particularly enjoyed his stay in Sintra that is described in Childe Harold's Pilgrimage as "glorious Eden".
It was the Romantic Lord Byron's "glorious Eden"; Almeida Garrett's "pleasant resort"; Eça de Queirós's "nest of lovers [where, in] the romantic foliage, the nobles abandoned themselves in the hands of the poets"; or the place where Richard Strauss saw a garden "comparable to Italy, Sicily, Greece or Egypt, a true garden of Klingsor, and there in the heights, a castle of the Holy Grail".
The 1755 Lisbon earthquake, meanwhile, caused the destruction of the centre of Sintra as well as a number of deaths, resulting in building and restoration in the second half of the 18th century. Also in the 18th century, the first industrial building was established in the town: the Fábrica de Estamparia de Rio de Mouro (Mouro River Stamping Factory) in 1778.
The front façade of Seteais Palace, expanded for the visits of the Royal family, by the Marquess of Marialva
The visit of Queen Maria I in 1787 brought about the restoration and redecoration of a few salons and chambers in the municipal buildings. The great festivities of 1795 to celebrate the baptism of the Infante António, son of John VI, resulted in grand balls at the Palace of Queluz. In 1838 the King-Consort, Ferdinand II bought the Monastery of Nossa Senhora da Pena and a vast adjacent area, commissioning the architect José de Costa e Silva to construct an arch joining the two quarters of the Seteais Palace (owned by the Marquis of Marialva), to commemorate the 1802 visit of the Prince and Princess of Brazil, John and Carlota Joaquina, and the subsequent visit of their son, the absolutist King Miguel, in 1830.
The arabesque Monserrate Estate on another hilltop near the town of Sintra
During the third quarter of the 18th century and practically all of the 19th century, foreign travellers and Portuguese aristocrats, fired by Romanticism, rediscovered the magic of Sintra, especially in its exotic landscapes and climate. Their visits led to the establishment of several hotels, one of which, Lawrence's, opened in 1764, was still functioning in 2018. In the summer of 1787, William Beckford stayed with the Marquis of Marialva, master of the horse for the kingdom, at his residence of Seteais. At the beginning of the 19th century Princess Carlota Joaquina, wife of Prince Regent John, bought the estate and Ramalhão Palace. Between 1791 and 1793, Gerard Devisme constructed a Neo-Gothic mansion on his extensive estate in the Quinta de Monserrate (later known as the Monserrate Palace). Beckford, who remained in Sintra, rented the property from Devisme in 1794. The landscape, covered in fog, also attracted another Englishman, Sir Francis Cook, who occupied the estate, constructing an oriental pavilion.
The Pena National Palace: summer residence of the monarchs of Portugal during the 19th century
Quinta da Regaleira, an integral landmark of Sintra's UNESCO Cultural Landscape
The Palace of Pena, Sintra's exemplary Portuguese Romantic symbol, was initiated by the King-Consort Ferdinand, husband of Queen Maria II (1834-1853), a German-born member of the House of Saxe-Cobourg-Gotha. The Palace was built over the remains of the 16th-century monastery of the Order of Saint Jerome, conserving many fundamental aspects, including the church, cloister and a few dependencies. The architecture is eclectic, influenced by many architectural styles, evidence of an era of Romanticism.
The intentional mixture of eclectic styles includes the Neo-Gothic, Neo-Manueline, Neo-Islamic, Neo-Renaissance neo-Islamic, and neo-Manueline styles. Much of this has been evident since major renovations in the 1800s The design was a project of the Baron von Eschwege and Ferdinand II, to substitute the Sintra National Palace as an alternative to the summer residence in Cascais. After Sintra, the monarchs Louis of Portugal (1861-1889) and Carlos of Portugal (1863-1908) ended their summers with visits to Cascais in the months of September and October.
In 1854, the first contract was signed to construct a rail link between Sintra and Lisbon. A decree signed on 26 June 1855 regulated the contract between the government and Count Claranges Lucotte but was later rescinded in 1861. The connection was finally inaugurated on 2 April 1887.
By the beginning of the 20th century, Sintra was recognized as a summer resort visited by aristocrats and millionaires. Among these, Carvalho Monteiro, owner of a considerable fortune (known as "Monteiro dos Milhões") constructed near the main town, on an estate he bought from the Baroness of Regaleira, a luxurious revivalist palacette, based on a Neo-Manueline architecture.
From the second half of the 19th century into the first decades of the 20th century, Sintra also became a privileged place for artists: musicians such as Viana da Mota; composers such as Alfredo Keil, painters like João Cristino da Silva (author of one of the most celebrated canvases of Portuguese Romantic art, "Five Artists in Sintra [pt]"), writers such as Eça de Queirós or Ramalho Ortigão, all these people lived, worked or got inspiration from Sintra's landscape.
Part of the historic centre
The proclamation of a Portuguese Republic in 1910 transformed the bohemian climate of Sintra. Economic development was now promoted; the potential benefits to the region of growth in agriculture, industry and commerce were promoted to foster development. In 1908 a wine growing zone had been demarcated in Colares. Now a commission was established to monitor the quality of wines and promote their exportation, and in 1914 a commercial association (Portuguese: Associação Comercial e Industrial de Sintra) was set up to manage their concession. Meanwhile, in the name of secular and popular progress, parts of the cultural heritage were destroyed, including the annexes of the medieval village bordering the Palace in 1911, while the nave of the Church of the Misericórdia was reduced to the presbytery to allow the road to be widened. The first decades of the 20th century were the time of the fastest urbanization of the town, supported by its rail link to Lisbon and the influx of summer travellers.
During the 1920s damage to culturally important sites led to the creation of institutions to study and protect the vast artistic heritage. The Instituto Histórico de Sintra (Historic Institute of Sintra), under the direction of Afonso de Ornelas, played an important part in this period. Archaeological studies resulted in considerable development: in 1927, Félix Alves Pereira rediscovered the Neolithic settlements of Santa Eufémia, and the first publication of the discoveries at the prehistoric monuments of Praia das Maçãs were completed in 1929. From this time until the 1970s, coastal Sintra was becoming a summer destination, resulting in the building of Portuguese summer residences. Many important Portuguese architects developed projects in the area in the first half of the 20th century, including Raul Lino, Norte Júnior and Tertuliano de Lacerda Marques.
These projects benefited town and region, increased tourism and attracted as residents many notable Portuguese: historian Francisco Costa; writer Ferreira de Castro; sculptor Anjos Teixeira; architects Norte Júnior and Raul Lino; painters Eduardo Viana, Mily Possoz and Vieira da Silva; poet Oliva Guerra; composer and maestro Frederico de Freitas; historians Felix Alves Pereira and João Martins da Silva Marques
In 1944, prior to his arrest, Vichy France Prime Minister Pierre Laval had planned to move to an estate in Sintra, where a house had been leased for him.
The 1949 municipal plan by De Groer was devised to protect the town and its neighbourhood from uncontrolled urbanization, and resulted in the maintenance of an environment comparable to 19th century Sintra. Urban anarchy predominated until the middle of the 1980s in the areas adjacent to the main town of Sintra, resulting in the development of new neighbourhoods.
Antelope Valley California Poppy Reserve is a state-protected reserve of California, USA, harboring the most consistent blooms of California poppies, the state flower.
A small teaser for the upcoming do-over of my ancient Forever Evil figbarf and the perfect opportunity to highlight four exceptional members of the Flickr Lego community who deserve more attention (all tagged below).
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1. comixzombie - One of the most unique and consistently interesting Lego photostreams I’ve ever seen on Flickr. Essentially, Comixzombie exclusively recreates purist characters from old Scooby-Doo and Disney cartoons with stunning source authenticity. What I’m most impressed by is his dedication to accurately naming each character and embedding a small screenshot of the character’s appearance in the cartoon into the final image. He’s only got 27 followers at the moment - make this guy blow up!
2. David$19 - I was on the fence for the longest time about giving this guy a shoutout, but his consistent creativity with character and MOC designs finally convinced me to formally highlight his work. Even though the ratio of his Marvel to DC characters doesn’t exactly cater to my biased familiarity of the media properties, I have to say that I sense a rare degree of ambition and sincerity in almost every aspect of his photostream - from his actual figure designs, to his character choices, and even his replies to comments on his images. Give him a follow! I’m a big fan of his techno-undersuit Tony Stark, his X-Men, and his EMH Avengers.
3. Ja 3ni - A very eclectic, superhero-focused photostream with some really cool brick-built figures (Rhino, Thanos, Darkseid, and the best MCU Giant Man I’ve seen on Flickr). He’s made the only brick-built solution I’ve EVER seen of for Dr. Fate’s helmet and seems to have a really good understanding of MOCing in general. Check him out!
4. Kid Photgrapher27 - Saving the most recent for last! And judging by the comments and faves I’m seeing on his recent images, you may have already heard of this kid. A little over a month ago, his content was nothing to write home about, mainly consisting of high-quality shots of stock Lego minifigs or action figures in outdoor settings. But all of a sudden, he caught my full attention by rapidly releasing wave after wave of very well-designed purist superhero figs. His Heretic, Metallo, and Silver Samurai are among the best versions of these characters I’ve seen on Flickr, and his technical presentation is many, many cuts above average. And all at the promising age of 12!? This guy’s going to go far if he keeps his momentum, with my only suggestions to him being to change his Flickr username to something less literal (and better spelled) and to start experimenting with different compositions and backgrounds.
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About the two figs in this picture - I really, really like how the latest iteration of Owlman turned out here. Thanks to the new pilot goggle piece, he’s much more accurate than his two predecessors, save for the spiky shoulder pads that I chose purely for aesthetic variety. I edited the color of the Outsider’s hat to match his suit, just as I originally planned to do for Mr. Mxyzptlk in my second Super Scum shot.
I take the time to look through the photostream of EVERY new person who follows me. Just keep doing what you do and you might end up on this list someday. :)
Hopefully the last needed part for Rebirth JLA will come in soon! Thoughts on my new cover photo?
Fig formulas:
Owlman (New 52): McLaren P1 Speed Champions Driver helmet, inverted Steve Trevor pilot goggles, Nova head, LBM Death Metal Batman CMF shoulder armor, double starched Batman capes (one under, one over), reversed Scuba Batman torso, S15 Kendo Fighter CMF legs
The Outsider (New 52): S5 Small Clown CMF hat (edited color), Vulture head, Tumbler Joker base with white hands
I'm starting to feel the challenge of being consistent with my 365 days project. This photo was taken in a rush, processed in a rush, and frankly I'm just exhausted from work and the lack of sleep. Here's to a beautiful ending despite a very long day.
Reggie Ballesteros Photography:
Although we were in Hawaii—Land of unbelievable sunrises and sunsets, I was consistently finding no interesting light at these times due to the cloud layer on the horizon. It blocked the light and any intense color from coming through. This morning I woke up for a sunrise on the northernmost point of Kauai, Kilauea. Got out there before sunrise and yes, it was totally blocked in. I waited and enjoyed the crashing waves. I found a series of tide pools with some nice marine life like this one that were still as glass—a nice contrast from the crashing waves. After waiting an hour the light started breaking through the clouds, creating some really nice atmosphere.
I was pretty close to the water here, trying to see if I could catch some of the fish and rock detail in the tide pool. I had to up the ISO a bit to make sure I fired the shutter at a speed that would freeze the fish. I fired another series of shots to get the right exposure in the sky and freeze some nice wave movement. The composition here is a little different with everything centered, but I do like how it brings your eye in at the bottom and up through the waves to the sky as well as the varying textures of the still water and violent waves. At the time, I didn’t think I really captured anything special here, but it grew on me as I processed it. ExposureScape.com
Wikipedia,
Sintra
Municipality
UNESCO
Clockwise: Pena National Palace; Azenhas do Mar; Quinta da Regaleira; Seteais Palace; Praia da Ursa; Monserrate Palace.
Flag of Sintra
Flag
Coat of arms of Sintra
Coat of arms
Coordinates: 38°47′57″N 9°23′18″W
Country Portugal
RegionLisbon
Metropolitan areaLisbon
DistrictLisbon
Parishes11 (list)
Government
• PresidentBasílio Horta (PS)
Area
• Total
319.23 km2 (123.26 sq mi)
Elevation175 m (574 ft)
Lowest elevation0 m (0 ft)
Population (2011)
• Total
377,835
• Density1,200/km2 (3,100/sq mi)
Time zoneUTC+00:00 (WET)
• Summer (DST)UTC+01:00 (WEST)
Postal code
2714
Area code219
PatronSão Pedro
Websitehttp://www.cm-sintra.pt
UNESCO World Heritage Site
Official nameCultural Landscape of Sintra
CriteriaCultural: ii, iv, v
Reference723
Inscription1995 (19th Session)
Area946 ha
Sintra (/ˈsɪntrə, ˈsiːntrə/,[1][2][3] Portuguese: [ˈsĩtɾɐ] ⓘ) is a town and municipality in the Greater Lisbon region of Portugal, located on the Portuguese Riviera. The population of the municipality in 2021 was 385,654,[4] in an area of 319.23 square kilometres (123.26 sq mi).[5] Sintra is one of the most urbanized and densely populated municipalities of Portugal. A major tourist destination famed for its picturesqueness, the municipality has several historic palaces, castles, scenic beaches, parks and gardens.
The area includes the Sintra-Cascais Nature Park through which the Sintra Mountains run. The historic center of the Vila de Sintra is famous for its 19th-century Romanticist architecture, historic estates and villas, gardens, and royal palaces and castles, which resulted in the classification of the town as a UNESCO World Heritage Site. Sintra's landmarks include the medieval Castle of the Moors, the romanticist Pena National Palace and the Portuguese Renaissance Sintra National Palace.
Sintra is one of the wealthiest municipalities in both Portugal and the Iberian Peninsula as a whole.[6][7][8][9] It is home to one of the largest foreign expatriate communities along the Portuguese Riviera,[10][11][12][13][14] and consistently ranks as one of the best places to live in Portugal.[15][16] The ECB Forum on Central Banking, an annual event organised by the European Central Bank, is held in Sintra.[17]
History
Prehistory to Moorish era
Anta de Adrenunes.
Anta do Monte Abraão.
The earliest remnants of human occupation were discovered in Penha Verde: these vestiges testify to an occupation dating to the early Paleolithic.[18] Comparable remnants were discovered in an open-air site in São Pedro de Canaferrim, alongside the chapel of the Castelo dos Mouros (Moorish Castle), dating back to the Neolithic, and include decorated ceramics and microlithic flint utensils from the 5th millennium BC.[19]
Ceramic fragments found locally including many late Chalcolithic vases from the Sintra mountains suggest that between the fourth and third millennia B.C. the region (adjacent to the present village of Sintra) was occupied by a Neolithic/Chalcolithic settlement, with characteristics comparable to fortified settlements in Lisbon and Setúbal.[18] The evidence discovered in Quinta das Sequoias and São Pedro de Canaferrim contrasts dramatically with those remnants discovered in the walled town of Penha Verde and the funerary monument of Bella Vista.[18] Traces of several Bronze Age remains were also discovered in many places in the Sintra Mountains, including alongside the town, in the Monte do Sereno area, and a late Bronze Age settlement within the Moorish Castle dating to the 9th–6th centuries B.C.
The most famous object from this period is the so-called Sintra Collar, a middle Bronze Age gold neck-ring found near the city at the end of the 19th century, which since 1900 has been part of the British Museum's collection. Relatively close by, in Santa Eufémia da Serra, is an Iron Age settlement where artifacts from indigenous tribes and peoples of Mediterranean origins (principally from the Punic period) were also discovered.[18]
These date from the early 4th century B.C., prior to the Romanization of the peninsula, which in the area of Foz do Tejo took place in the middle of the 2nd century B.C.[18] Close proximity to a large commercial centre (Olisipo) founded by the Turduli Oppidani people in the first half of the first millennium B.C., meant that the region of Sintra was influenced by human settlement throughout various epochs, cultures that have left remains in the area to this day. The toponym Sintra derives from the medieval Suntria, and points to an association with radical Indo-European cultures; the word translates as 'bright star' or 'sun', commonly significant in those cultures.[18] Marcus Terentius Varro and Cadizian Lucius Junius Moderatus Columella designated the place "the sacred mountain" and Ptolemy referred to it as the "mountains of the moon".[18]
Part of the Roman Dam of Belas complex, showing the ventilation structures (foreground) and the remaining dam segment (background).
During the Roman occupation of the peninsula, the region of Sintra was part of the vast Civitas Olisiponense which Caesar (around 49 B.C.) or more likely Octavius (around 30 B.C.) granted the status of Municipium Civium Romanorum. The various residents of the region were considered part of the Roman Galeria and in the present village of Sintra there are Roman remains testifying to a Roman presence from the 1st–2nd centuries B.C. to the 5th century A.D. A roadway along the southeast part of the Sintra Mountains and connected to the main road to Olisipo dates from this period.[18]
Roman Bridge of Catribana.
This via followed the route of the current Rua da Ferraria, the Calçada dos Clérigos and the Calçada da Trindade.[18] Following the Roman custom of siting tombs along their roads and near their homes, there is also evidence of inscriptions pertaining to Roman funeral monuments, dating mainly to the 2nd century. The area around the modern town of Sintra, due to its proximity to Olisipo, the ancient name of Lisbon, was always profoundly interconnected with the major settlement, to the point that the Fountain of Armés, a 1st-century fountain in the village of Armés, Terrugem, in Sintra, has been built by Lucius Iulius Maelo Caudicus, an Olisipo flamen, to honour the Roman Emperor Augustus.
The Castle of the Moors, on the hilltops of Sintra
It was during the Moorish occupation of Sintra (Arabic: Xintara) that Greco-Latin writers wrote of the explicit occupation of the area of the town centre. A description by the geographer Al-Bacr, described Sintra as "one of the towns that [are] dependent on Lisbon in Al-Andalus, in proximity to the sea", characterizing it as "permanently submersed in a fog that never dissipates".[18]
During the Reconquista (around the 9th century), its principal centre and castle were isolated by Christian armies. Following the fall of the Caliphate of Córdoba, the King of León, Alfonso VI received in the spring of 1093, the cities of Santarém, Lisbon and the Castle of Sintra.[18] This followed a period of internal instability within the Muslim taifas of the peninsula, and in particular the decision by the ruler of Taifa of Badajoz, Umar ibn Muhammad al-Mutawakkil who, after hesitating from 1090 to 1091, placed his territory under the suzerainty of Alfonso VI when faced with the threat of the Almoravids. Afonso took the cities and the castle of Sintra between 30 April and 8 May 1093, but shortly after their transfer Sintra and Lisbon were conquered by the Almoravids.[18] Santarém was saved by Henry, who Alfonso had nominated Count of Portugal in 1096, to replace Raymond of Burgundy.[18]
Kingdom
The remnants of the chapel of São Pedro de Canaferrim, constructed by Afonso Henriques following the surrender of Moors in Sintra
In July 1109, Count Henry reconquered the Castle of Sintra.[18] This was preceded a year before by an attempt by Prince Sigurd the Crusader, son of Magnus III of Norway, to capture the castle from the Moors in the course of his trek to the Holy Land. Sigurd's forces disembarked at the mouth of the Colares River but failed to take the castle. But it was only after the conquest of Lisbon, in October 1147, by Afonso Henriques (supported by Crusaders), that the castle surrendered definitively to the Christians, in November.[18] It was integrated into Christian dominions along with Almada and Palmela after their surrender. Afonso Henriques established the Church of São Pedro de Canaferrim within the walls of the Moorish Castle to mark his success.[18]
The municipal building of Sintra, constructed after 1154 to house the local administration
On 9 January 1154, Afonso Henriques signed a foral ("charter") for the town of Sintra, with all its respective regalia. The charter established the municipality of Sintra, whose territory encompassed a large area, eventually divided into four great parishes: São Pedro de Canaferrim (in the castle), São Martinho (in the town of Sintra), Santa Maria and São Miguel (in the ecclesiastical seat of Arrabalde).[18] The early municipal seat, the town of Sintra, was the centre of a significant Sephardic community, with a synagogue and quarter. This community was not limited to Sintra town: enclaves are mentioned during the reign of King Denis in Colares, but were heavily pressured by the influx of Christian serfs.[18] Throughout the 12th and 13th centuries, owing to the fertility of the land, various convents, monasteries and military orders constructed residences, estates, water-mills and vineyards. There are municipal records from this period of a number of donations and grants; between 1157 and 1158, Afonso Henriques donated to the master of the Knights Templar, Gualdim Pais, various houses and estates in the centre of Sintra.[18]
In 1210, the Monastery of Santa Cruz in Coimbra acquired four houses in Pocilgais, releasing them in 1230, while in 1264 it controlled homes and vineyards in Almargem.[18] In 1216 the Monastery of São Vicente de Fora (Lisbon) also held a vineyard in Colares and, in 1218, estates in Queluz and Barota. At some time between 1223 and 1245, the Monastery of Santa Maria de Alcobaça held various privileges in the territory. The military Order of Santiago owned an estate in Arrifana in 1260.[18] Many of Afonso Henriques' donations in the 12th century, including privileges assigned to these institutions, were confirmed in 1189 by his son, Sancho I (1185–1211), corresponding to a social, political and economic strategy during the post-Reconquista era.[18] Consequently, after 1261, Sintra had a local administration consisting of an alcalde representing the Crown, and two local judges elected by the public. During the political conflict between King Sancho II (1223–1248) and the Church, the churches of São Pedro and São Martinho, which belonged to the King, were ceded to the Bishop of Lisbon and Sé.[18] Yet the Crown's patrimony was defined early: in 1287, King Denis donated to Queen Elizabeth of Portugal the town, the signeurial holdings and all their associated benefits. Later, these lands were transferred to the young Infante Afonso (later King Afonso IV), and remained in his possession until 1334, before reverting to the ownership of the queen (Portuguese: Casa da Rainha).[18]
The Black Death arrived in Sintra in the 14th century; in 1350, the disease is known to have caused the death of five municipal scribes. Far greater numbers of deaths probably resulted, perhaps owing to the cool climate and humidity, conditions that favoured the rapid spread of the disease.[18]
The Palace of Sintra, for a long time the residence of royal family during the summer
During the reign of King Ferdinand (1367–1383), Sintra played a part in the controversial marriage of the monarch to Dona Leonor Telles de Menezes. In 1374, the King donated Sintra to the Lady Telles, whom he eventually married in secret in the north of the country.[18] Along with Sintra the King conceded the municipalities of Vila Viçosa, Abrantes and Almada, to the consternation of his private council; following a confrontation the King abandoned his duties and travelled to Sintra, where he remained for a month on the pretext of hunting.[18] As Sintra was located relatively close to Lisbon, many of its people were called to work on projects for the Crown in the capital: in 1373, King Ferdinand decided to wall the city, and requested funds or workers from coastal lands in Almada, Sesimbra, Palmela, Setúbal, Coina, Benavente and Samora Correia, as well as all of Ribatejo, and from the inland areas of Sintra, Cascais, Torres Vedras, Alenquer, Arruda, Atouguia, Lourinhã, Telheiros and Mafra. During the Dynastic Crisis between 1383 and 1385, Sintra joined Leonor Telles in supporting the proclamation of her daughter, Beatrice, who married John I of Castile, as Queen of Portugal and Castile. After the defeat of the Castilian army at Aljubarrota (August 1385) by Portuguese and English troops, commanded by Nuno Álvares Pereira, Sintra became one of the last places to surrender to the Master of Aviz, later King of Portugal (after 1383).
Joanine and Philippine era
John I (1385–1433), first King of the second dynasty, broke the tradition of transferring Sintra to the Casa da Rainha (Queen's property). Probably around 1383, John I granted the lands of Sintra to Count Henrique Manuel de Vilhena, quickly revoking the decision after Henrique took the Infanta's side during the dynastic quarrel. Sintra, therefore, continued as a possession of the King, who expanded the local estate. Until the end of the 17th century, the royal palace constituted one of the principal residences and summer estates of the court: it was from here that John decided to conquer Ceuta (1415); King Afonso V was born and died at the palace (1433–1481); and here King John II (1481–1495) was acclaimed sovereign.[18]
In a document issued in 1435 by King Edward (1433–1438), the region was described as: "A land of good air and water and of the Comarcas with an abundance in the sea and land [...] our most loyal city of Lisbon being so near, and being in it sufficient diversions, and the distractions of the mountains and hunting...".[18]
During the Portuguese Age of Discovery, several people born in Sintra were written into history. In 1443 Gonçalo de Sintra, squire in the House of the Infante Henry, was sent by the prince as captain of a caravel to the coast of Africa. He explored the region near the Ouro River and eventually died there in 1444.[18] Pedro de Sintra and Soeiro da Costa later mapped most of the Atlantic coast of Africa, around the time of Henry's death in 1460.[18]
At the end of the 15th century the importance of Sintra on official itineraries led Queen Eleanor of Viseu (wife of King John II), then principal benefactor of the Portuguese Misericóridas, to expand her principal institutions in Sintra.[18] The Hospital e Gafaria do Espírito Santo, the only remnant of which left standing is a chapel to São Lázaro, was constructed to provide assistance and support to lepers in the region (the chapel still includes the signets of King John, the pelican, and Queen Leonor, the shrimp). In 1545, the hospital was transferred to the administration of the Santa Casa da Misericórdia of Sintra which was set up by Queen Catherine of Austria, wife of John III.
King Manuel I (1495–1521) enjoyed spending his summers in Sintra, due to its cool climate and abundance of game; as Damião de Góis, his chronicler noted: "because it is one of the places in Europe that is cooler, and cheerful for whichever King, Prince or Master to pass their time, because, in addition to its good airs, that cross its mountains, called by the older peoples the promontory of the moon, there is here much hunting of deer and other animals, and overall many and many good trout of many type, and in which in all of Hispania there can be found, and many springs of water...".[18] Between the 15th and 16th century, after travelling to the Crown of Castile and the Crown of Aragon when being considered as heir to the Kingdoms in 1498, the King transformed and enriched the town and its region with several public works. These included the reconstruction of the old Gothic Church of São Martinho and in 1511 the construction of the Monastery of Nossa Senhora da Pena on the highest peak of the Sintra Mountains, which he then transferred to the Order of Saint Jerome. In the second half of the 16th century, Sintra was a centre for courtesans and members of the aristocracy began building estates and farms within the region.[18] In this rural environment, from 1542, the Viceroy of India, D. João de Castro (1500–1548) began residing at Quinta da Penha Verde, where he collected examples of Portuguese culture of the time, including works by celebrated artist Francisco de Holanda.[18] It was during this cultural Renaissance that the marble chancel sculpted between 1529 and 1532 by Nicolau Chanterene for the chapel of the Monastery of Nossa Senhora da Pena was completed, as was the portico of the Church of Nossa Senhora da Conceição da Ulgueira (1560).[18]
The Convent of the Capuchos, the monastic retreat established during the primordial history of the municipality (16th century)
Luís de Camões (1524–1580) referred to the mountains of Sintra in his Os Lusíadas chronicle, as a mythic land ruled by water nymphs. The Renaissance poet Luisa Sigea—Syntrae Aloisiae Sygeae in Paris (1566) and Madrid (1781) referred to Sintra as a "pleasant valley, between cliffs that rise into the heavens...curved in graceful hills among which one can feel the murmur of the waters...[where] everything, in fact, will enchant and perfume the environment with its fragrance and fruit."[18]
With the death of the Cardinal-King Henry (1578–1580), Philip II of Spain inherited the Kingdom of Portugal, initiating a personal union of the crowns that would last until 1640. During this period, Portuguese political power moved from Sintra to Vila Viçosa, principal centre of the House of Braganza, whose dukes, descendants of John of Portugal, were heirs to the throne of Portugal. Following the decision of the Cortes of Tomar in 1581, Phillip as King of Portugal accepted an administration composed of the Portuguese aristocracy. He passed through Sintra around October 1581, visiting the monasteries and churches.[18] It was during this period that cult of Sebastianism, the hope for the return of King Sebastian, came to an end, when several fake "Sebastians" were denounced.[18] In 1585 Mateus Alvares, born on the island of Terceira in the Azores and guardian of the hermitage of São Julio, passed himself off as King Sebastian and created conflict in Sintra, Madra, Rio de Mouro and Ericeira. The Sebastian adventure ended with the hanging of thirty people and the suffering of many more. It was not surprising, therefore, that the visit in 1619 by King Philip IV of Spain (Philip III of Portugal) resulted in many families escaping to the hills. During this union (1580–1640), Sintra was a privileged place for Portuguese "exiles" from the Castilian court; nobles who wished to distance themselves from Spanish nobility would purchase lands in the region, away from court intrigue.[18] At the time of the Restoration, in 1640, the municipality had approximately 4000 residents.
Brigantine era
Royal Palace of Queluz.
The war with Spain (1640–1668), the affirmation of Mafra during the reign of John V of Portugal (1706–1750) through the construction of the Palace-Convent, and later the construction of Royal Palace of Queluz in 1747 during the reigns of Joseph I (1750–1777) and Maria I (1777–1816), helped diminish royal visits to the region.[18] During this time there were only two documented visits: in 1652 and 1654, respectively the visit of Queen Luísa de Gusmão and King John IV (1640–1656), and the final burial of King Afonso VI.[18]
Ill-fated king Afonso VI imprisoned in the Palace of Sintra, by painter Alfredo Roque Gameiro.
Alleging the insanity of the King and the incapacity of the heir, the Duke of Cadaval and the Infante Peter led a coup d'état in 1667 which resulted in the resignation of the Count of Castelo Melhor, Minister of King Afonso VI (1656–1683) and the imprisonment of the monarch.[18] In 1668 the Cortes of Lisbon confirmed the Infante Peter, the king's brother, as regent and heir. Afonso VI lived the rest of his life imprisoned, in the Paço da Ribeira (1667–1669), in the Fortress of Saint John the Baptist in Angra, in the Azores (1669–1674) and in the end, with the discovery of a conspiracy to kill the regent, in the Paço da Vila in Sintra (1674–1683).[18]
From the 17th to the 18th centuries, the region was centre of contemplative religious orders who established convents in Sintra. But it remained a place of myths, with a large, mysterious forest and macabre, gloomy spaces. Father Baião, in his Portugal Cuidadoso (1724) noted: "Next to the Palace of Sintra was a forest, so thick, that during the day, it cast fear in him who entered it. And [King] D. Sebastian was free from these fears, that he would walk at night, through it, many times for two or three hours."[18] Starting in the second half of the 18th century and lasting through the 19th century Sintra became known as a nostalgic and mysterious location described by many foreigners.
Lord Byron (1788–1824) particularly enjoyed his stay in Sintra that is described in Childe Harold's Pilgrimage as "glorious Eden".
It was the Romantic Lord Byron's "glorious Eden"; Almeida Garrett's "pleasant resort"; Eça de Queirós's "nest of lovers [where, in] the romantic foliage, the nobles abandoned themselves in the hands of the poets"; or the place where Richard Strauss saw a garden "comparable to Italy, Sicily, Greece or Egypt, a true garden of Klingsor, and there in the heights, a castle of the Holy Grail".[18]
The 1755 Lisbon earthquake, meanwhile, caused the destruction of the centre of Sintra as well as a number of deaths, resulting in building and restoration in the second half of the 18th century. Also in the 18th century, the first industrial building was established in the town: the Fábrica de Estamparia de Rio de Mouro (Mouro River Stamping Factory) in 1778.
The front façade of Seteais Palace, expanded for the visits of the royal family, by the Marquess of Marialva
The visit of Queen Maria I in 1787 brought about the restoration and redecoration of a few salons and chambers in the municipal buildings. The great festivities of 1795 to celebrate the baptism of the Infante António, son of John VI, resulted in grand balls at the Palace of Queluz. In 1838 the King-Consort, Ferdinand II bought the Monastery of Nossa Senhora da Pena and a vast adjacent area, commissioning the architect José de Costa e Silva to construct an arch joining the two quarters of the Seteais Palace (owned by the Marquis of Marialva), to commemorate the 1802 visit of the Prince and Princess of Brazil, John and Carlota Joaquina, and the subsequent visit of their son, the absolutist King Miguel, in 1830.[18]
The arabesque Monserrate Estate on another hilltop near the town of Sintra
During the third quarter of the 18th century and practically all of the 19th century, foreign travellers and Portuguese aristocrats, fired by Romanticism, rediscovered the magic of Sintra, especially in its exotic landscapes and climate. Their visits led to the establishment of several hotels, one of which, Lawrence's, opened in 1764, was still functioning in 2018. In the summer of 1787, William Beckford stayed with the Marquis of Marialva, master of the horse for the kingdom, at his residence of Seteais. At the beginning of the 19th century Princess Carlota Joaquina, wife of Prince Regent John, bought the estate and Ramalhão Palace. Between 1791 and 1793, Gerard Devisme constructed a Neo-Gothic mansion on his extensive estate in the Quinta de Monserrate (later known as the Monserrate Palace). Beckford, who remained in Sintra, rented the property from Devisme in 1794. The landscape, covered in fog, also attracted another Englishman, Sir Francis Cook, who occupied the estate, constructing an oriental pavilion.[18]
The Pena National Palace: summer residence of the monarchs of Portugal during the 19th century
Quinta da Regaleira, an integral landmark of Sintra's UNESCO Cultural Landscape
The Palace of Pena, Sintra's exemplary Portuguese Romantic symbol, was initiated by the King-Consort Ferdinand, husband of Queen Maria II (1834–1853), a German-born member of the House of Saxe-Cobourg-Gotha. The palace was built over the remains of the 16th-century monastery of the Order of Saint Jerome, conserving many fundamental aspects, including the church, cloister and a few dependencies. The architecture is eclectic, influenced by many architectural styles, evidence of an era of Romanticism.
The intentional mixture of eclectic styles includes the Neo-Gothic, Neo-Manueline, Neo-Islamic, Neo-Renaissance neo-Islamic, and neo-Manueline styles. Much of this has been evident since a major restoration that was completed prior to 1900.[20]
The design was a project of the Baron von Eschwege and Ferdinand II, to substitute the Sintra National Palace as an alternative to the summer residence in Cascais. After Sintra, the monarchs Louis of Portugal (1861–1889) and Carlos of Portugal (1863–1908) ended their summers with visits to Cascais in the months of September and October.
In 1854, the first contract was signed to construct a rail link between Sintra and Lisbon. A decree signed on 26 June 1855 regulated the contract between the government and Count Claranges Lucotte but was later rescinded in 1861. The connection was finally inaugurated on 2 April 1887.
By the beginning of the 20th century, Sintra was recognized as a summer resort visited by aristocrats and millionaires. Among these, Carvalho Monteiro, owner of a considerable fortune (known as "Monteiro dos Milhões") constructed near the main town, on an estate he bought from the Baroness of Regaleira, a luxurious revivalist palacette, based on a Neo-Manueline architecture.
From the second half of the 19th century into the first decades of the 20th century, Sintra also became a privileged place for artists: musicians such as Viana da Mota; composers such as Alfredo Keil, painters like João Cristino da Silva (author of one of the most celebrated canvases of Portuguese Romantic art, "Five Artists in Sintra [pt]"), writers such as Eça de Queirós or Ramalho Ortigão, all these people lived, worked or got inspiration from Sintra's landscapes.[18]
Republic
Part of the historic centre
The proclamation of a Portuguese Republic in 1910 transformed the bohemian climate of Sintra. Economic development was now promoted; the potential benefits to the region of growth in agriculture, industry and commerce were promoted to foster development. In 1908 a wine growing zone had been demarcated in Colares. Now a commission was established to monitor the quality of wines and promote their exportation, and in 1914 a commercial association (Portuguese: Associação Comercial e Industrial de Sintra) was set up to manage their concession. Meanwhile, in the name of secular and popular progress, parts of the cultural heritage were destroyed, including the annexes of the medieval village bordering the palace in 1911, while the nave of the Church of the Misericórdia was reduced to the presbytery to allow the road to be widened. The first decades of the 20th century were the time of the fastest urbanization of the town, supported by its rail link to Lisbon and the influx of summer travellers.
During the 1920s damage to culturally important sites led to the creation of institutions to study and protect the vast artistic heritage. The Instituto Histórico de Sintra (Historic Institute of Sintra), under the direction of Afonso de Ornelas, played an important part in this period.[18] Archaeological studies resulted in considerable development: in 1927, Félix Alves Pereira rediscovered the Neolithic settlements of Santa Eufémia, and the first publication of the discoveries at the prehistoric monuments of Praia das Maçãs were completed in 1929.[18] From this time until the 1970s, coastal Sintra was becoming a summer destination, resulting in the building of Portuguese summer residences.[18] Many important Portuguese architects developed projects in the area in the first half of the 20th century, including Raul Lino, Norte Júnior and Tertuliano de Lacerda Marques.
These projects benefited town and region, increased tourism and attracted as residents many notable Portuguese: historian Francisco Costa; writer Ferreira de Castro; sculptor Anjos Teixeira; architects Norte Júnior and Raul Lino; painters Eduardo Viana, Mily Possoz and Vieira da Silva; poet Oliva Guerra; composer and maestro Frederico de Freitas; historians Felix Alves Pereira and João Martins da Silva Marques.[18]
In 1944, prior to his arrest, Vichy France Prime Minister Pierre Laval had planned to move to an estate in Sintra, where a house had been leased for him.[21]
The 1949 municipal plan by De Groer was devised to protect the town and its neighbourhood from uncontrolled urbanization, and resulted in the maintenance of an environment comparable to 19th century Sintra.[18] Urban anarchy predominated until the middle of the 1980s in the areas adjacent to the main town of Sintra, resulting in the development of new neighbourhoods.[18]
Geography
Physical geography
The town of Sintra sitting atop the Sintra Mountains, the exposed granite formation of igneous rock extending to the Atlantic Ocean
The Sintra Mountains, a granite massif ten kilometres long – considered the Monte da Lua (Mountain of the Moon), or Promontorium Lunae by the strong local tradition of astral cults – emerge abruptly between a vast plain to the north and the northern margin of the Tagus River estuary, winding in a serpentine cordillera towards the Atlantic Ocean and Cabo da Roca, the most westerly point of continental Europe.
The imposing cliffs which delimit the Sintra range and the Atlantic
The São João platform, along the northern flank of the Sintra Mountains, has altitudes between 100 metres (110 yd) and 150 metres (160 yd), while the southern part of the mountains, the Cascais platform, is lower: sloping from 150 metres (160 yd) to the sea, terminating along the coast, around 30 metres (33 yd) above sea level.[22][23] The spectacular relief results from the east–west orientation of the massif's axis, its terminus at the coast, and the nature of igneous rocks, which are resistant to erosion.[23] The Eruptive Massif of Sintra (MES) is a dome structure, formed by layers of sedimentary rocks (limestones and sandstones) from the Upper Jurassic and early Cretaceous periods.[23] A metamorphosed igneous intrusion resulted in a narrow halo of metamorphic rocks, but also strongly deformed these sedimentary layers causing a vertical exposure.[23] While in the south there are enclosed sedimentary layers, to the north (around Praia Grande) the massif is steep. The sedimentary formations, until the beginning of the Upper Cretaceous, are deformed by the intrusion which limits the MES to the end the Cretaceous.[23] Radiometric aging of different rocks from the massif has indicated an age between 80 and 75 million years (confirming the installation of the massive Upper Cretaceous).[23]
Beach in Azenhas do Mar, Sintra
The geodynamic conditions that controlled the formation of the MES (correlated with the development of the Sines and Monchique Eruptive Massifs) are associated with the progressive northern expansion of the Atlantic Ocean and the consequent opening of the Bay of Biscay.[23] The Bay of Biscay's expansion resulted in complex tensions responsible for profound fractures in the Earth's crust that were conduits for the ascension of magma.[23] Around 80 million years ago this magma spread across the surface as a superficial crust with a depth of 5 kilometres between sedimentary layers (160 to 9 million years old) that were chemically metamorphosed.[23] Over time the magma chamber cooled and crystallized, resulting in conditions that caused the granular textures that characterize the MES.[23] The weaker sedimentary layers were susceptible to erosion, and their products were deposited around their base. Consequently, the massif likely became exposed during the Paleogenic epoch (30 million years ago), known as the Benfica Complex.[23]
Climate and biome
High humidity and cooler temperatures are rather frequent in the mountains of Sintra
The Mediterranean climate, influenced by the Atlantic and characterized by moderate temperatures and wet winters, is typical of mainland Portugal. Although the climate in the area of Cabo da Roca is close to semi-arid, the Sintra Mountains are considered moderately humid: precipitation in the mountains is higher than in the surrounding areas. The position of the town in the natural landscape of the Sintra Mountains (consisting of an exuberant natural patrimony), is influenced by the existence of a micro-climate.[22][24] For different reasons (the climate here has been moderated by the Sintra Mountains; the fertility of the soils; and its relative proximity to the Tagus estuary) the region attracted considerable early settlement. Due to its micro-climate, a huge park has developed full of dense foliage with a rich botanical diversity.
The temperate climate and humidity resulting from proximity to the coast favour the growth of a rich mat of forest including Atlantic and Mediterranean species, marking the transition in Portugal from northern to southern vegetation. The Pyrenean oak (Quercus pyrenaica) predominates over great expanses of the rocky heights and sheltered slopes. On moist shady slopes, normally facing north, or in sheltered places, the common oak (Quercus robur) is widespread. In lowland areas and warm places the cork oak (Quercus suber) is common and in limestone areas the Portuguese oak (Quercus faginea) is found. Other species scattered throughout the mountains of Sintra include: maple (Acer pseudoplatanus), common hazel (Corylus avellana), common hawthorn (Crataegus monogyna), European holly (Ilex aquifolium), Portuguese laurel (Prunus lusitanica), Bay laurel (Laurus nobilis), strawberry tree (Arbutus unedo), laurestine (Viburnum tinus), Kermes oak (Quercus coccifera), and Italian buckthorn (Rhamnus alaternus). In the valleys, near watercourses, grow narrow-leaf ash (Fraxinus angustifolia), Grey willow (Salix atrocinerea), European alder (Alnus glutinosa), alder buckthorn (Frangula alnus) and black elderberry (Sambucus nigra).
Since 1966, the Sintra Mountains have been affected by fires that have destroyed a major part of the original forest, which has been substituted by acacia and other fast-growing exotic species. The forested area of the Sintra mountains is about 5,000 hectares (50 km2), of which 26% (1,300 hectares (13 km2)) is maintained by the State through the Direcção Geral de Florestas – Núcleo Florestal de Sintra (General Directorate of Forests – Sintra Forestry Service).
Climate data for Sintra (Sintra Air Base) 1971–2000
MonthJanFebMarAprMayJunJulAugSepOctNovDecYear
Record high °C (°F)21.6
(70.9)23.4
(74.1)27.2
(81.0)28.0
(82.4)33.6
(92.5)41.4
(106.5)39.8
(103.6)38.5
(101.3)37.8
(100.0)31.8
(89.2)27.0
(80.6)22.5
(72.5)41.4
(106.5)
Mean daily maximum °C (°F)14.3
(57.7)14.9
(58.8)16.8
(62.2)17.4
(63.3)19.2
(66.6)22.3
(72.1)24.7
(76.5)25.3
(77.5)24.5
(76.1)21.1
(70.0)17.5
(63.5)15.1
(59.2)19.4
(66.9)
Daily mean °C (°F)9.7
(49.5)10.6
(51.1)12.0
(53.6)13.0
(55.4)14.9
(58.8)17.8
(64.0)20.0
(68.0)20.4
(68.7)19.4
(66.9)16.4
(61.5)13.0
(55.4)10.9
(51.6)14.9
(58.8)
Mean daily minimum °C (°F)5.2
(41.4)6.2
(43.2)7.3
(45.1)8.5
(47.3)10.6
(51.1)13.3
(55.9)15.2
(59.4)15.6
(60.1)14.3
(57.7)11.6
(52.9)8.6
(47.5)6.8
(44.2)10.3
(50.5)
Record low °C (°F)−3.5
(25.7)−3.5
(25.7)−2.0
(28.4)−0.1
(31.8)3.2
(37.8)6.0
(42.8)8.6
(47.5)8.4
(47.1)4.8
(40.6)−1.0
(30.2)−3.5
(25.7)−4.0
(24.8)−4.0
(24.8)
Average precipitation mm (inches)100.7
(3.96)90.7
(3.57)57.2
(2.25)72.3
(2.85)56.8
(2.24)18.2
(0.72)6.2
(0.24)6.9
(0.27)28.4
(1.12)91.0
(3.58)111.5
(4.39)127.8
(5.03)767.7
(30.22)
Average precipitation days (≥ 0.1 mm)14.314.511.213.110.56.13.63.16.811.913.916.0125.0
Average relative humidity (%)87858077757574747782848680
Mean monthly sunshine hours152.2149.5205.0224.0255.4269.7309.0307.3244.2203.5158.7128.52,607
Source: Instituto Português do Mar e da Atmosfera[25][26]
Climate data for Sintra (Granja), altitude: 134 m (440 ft), 1961–1984 normals, 1953–2003 sun hours
Human geography
Historical population
YearPop.±%
186420,766—
187821,990+5.9%
189022,918+4.2%
190026,074+13.8%
191130,694+17.7%
192029,762−3.0%
193037,986+27.6%
194045,171+18.9%
195060,423+33.8%
196079,964+32.3%
1970124,893+56.2%
1981226,428+81.3%
1991260,951+15.2%
2001363,749+39.4%
2011377,835+3.9%
2021385,606+2.1%
Source: INE[27]
The municipality is administered by 11 civil parish (Portuguese: freguesias) councils, with local authority to administer services and provide local governance, which are:[28]
Agualva e Mira-Sintra
Algueirão–Mem Martins
Almargem do Bispo, Pêro Pinheiro e Montelavar
Cacém e São Marcos
Casal de Cambra
Colares
Massamá e Monte Abraão
Queluz e Belas
Rio de Mouro
São João das Lampas e Terrugem
Sintra (Santa Maria e São Miguel, São Martinho e São Pedro de Penaferrim)
Sintra also has numerous hamlets and villages, including the affluent village of Linhó, Sintra.
Sintra's population grew considerably in the late 20th century, rising from about 14% of the Lisbon region to 19%, with the main concentration of resident population found in the important Queluz-Portela corridor, along the southeast corner of the municipality.[29] In this area were concentrated approximately 82% of the municipality's population, the most attractive parishes to live in being São Pedro de Penaferrim, Rio de Mouro, Belas and Algueirão-Mem Martins.[29][30]
The buildings in the central square of São Martinho, across from the Sintra National Palace
With the decrease in mortality rates, the region has undergone a general increase in infant births, primarily associated with late births, but also an increase in seniors in the community (56.5% in 2001).[29] Yet Sintra is still considered to have a structurally young population, the youngest in the Greater Metropolitan Area of Lisbon.[29] Young adults (30- to 39-year-olds) dominate Sintra's communities, with the parishes of Pêro Pinheiro, Terrugem, São Martinho, São João das Lampas, Santa Maria e São Miguel, Montelavar, Colares, Queluz and Almargem do Bispo all having higher rates of seniors in the population.[29] Approximately 80% of the population are born outside the town, 21% of these being foreign born residents. While the resident population in Lisbon has seen a gentle decrease since the mid-1960s, Sintra has grown comparably.[29]
Urban areas represent 55.4 square kilometres (5,540 ha) of the municipality, or approximately 17.4% of Sintra's territory; 35% of the population reside in places of between 50,000 and 100,000 inhabitants.[29] Many of these areas are anchored to lines of access, in particular, the Sintra Line and the IC19 motorway which connects the principal towns of Queluz, Agualva-Cacém, Algueirão/Mem Martins, Rio de Mouro and Belas).[29] Many of these urban areas are composed of a fabric of building projects that have historically resulted in dense buildings of concrete, normally seven or more floors in height.[29] The greatest growth in residential homes has occurred in the south of the municipality, in the triangle of São Pedro de Penaferrim, Santa Maria e São Miguel and Casal de Cambra.[29] In addition, there is a major concentration and growth in family dwellings of a seasonal nature, or second homes, in this region, and a proliferation of illegal construction in the parishes of São João das Lampas, São Pedro de Penaferrim, Belas, Agualva-Cacém and Casal de Cambra.[29]
Economy
The iconic Pena National Palace originally built on the Monastery of Nossa Senhora da Pena, and renovated extensively through the initiative of Ferdinand II of Portugal
The growth in tertiary activities has played an important part in the pattern of employment in the region, with commercial, retail and support services predominating.[29] This has been to the detriment of industry, although continuing industrial activities include the transport of materials, mineral processing, the manufacture of machinery and equipment, food-processing, beverage and tobacco companies as well as publishing and printing services.[29] There has also been a dramatic growth in the civil construction industry.[29]
EuroAtlantic Airways has its head office in Sintra.[31]
Tourism is also significant, with the parks and monuments operated by the Parques de Sintra accounting for 3.2 million visitors in 2017, for example.[32]
Transport
Sintra commuter railway station
Lisbon's commuter railway network (CP Urban Services) provides direct services to Sintra Station. The journey to Lisbon takes 35–45 minutes.[33] There is alternative transport, taxis, car-sharing services and buses, covering a large area of the district.
The Sintra tramway links Sintra with the Atlantic coast at Praia das Maçãs, providing a beautiful scenic ride along the way and covering a distance of some 11.5 kilometres (7.1 mi). As of 2016, the heritage line runs Wednesday to Sunday in summer months.
Tourist bus 434 takes visitors between attractions in Sintra. The bus follows a one-way route and stops at Sintra Station, São Pedro de Sintra, the Castle of the Moors, Pena National Palace, Sintra Old Town and returns to Sintra Station.[34]
Landmarks
Cultural Landscape of Sintra
UNESCO World Heritage Site
CriteriaCultural: ii, iv, v
Reference723
Inscription1995 (19th Session)
Area946 ha
Sintra has a great number of preserved or classified architectural buildings:
Prehistoric
Barreira Megalithic Complex
Dolmen of Adrenunes (Portuguese: Anta de Adrenunes)
Dolmen of Agualva (Portuguese: Anta de Agualva/Anta do Carrascal)
Dolmen of Estria (Portuguese: Anta da Estria)
Dolmen of Monte Abraão (Portuguese: Anta do Monte Abraão)
Praia das Maçãs Prehistoric Monument (Portuguese: Monumento Pré-Histórico de Praia das Maçãs)
Tholos tomb of Monge (Portuguese: Tholos do Monge)
These three images are of the central region of the magnificent spiral galaxy M100, taken with three generations of the Hubble Space Telescope cameras that were sequentially swapped out aboard the telescope, and document the consistently improving capability of the observatory.
The image on the left was taken with the Wide Field/Planetary Camera 1 in 1993. The photo is blurry due to a manufacturing flaw (called spherical aberration) in Hubble's primary mirror. Celestial images could not be brought into a single focus. [Credit: NASA, ESA, and Judy Schmidt]
The middle image was taken in late 1993 with Wide Field/Planetary Camera 2 that was installed during the Dec. 2-13 space shuttle servicing mission (SM1, STS-61). The camera contained corrective optics to compensate for the mirror flaw, and so the galaxy snapped into sharp focus when photographed. [Credit: NASA, ESA, and J. DePasquale (STScI)]
The image on the right was taken with a newer instrument, Wide Field Camera 3, that was installed on Hubble during the space shuttle Servicing Mission 4 in May 2009. [Credit: NASA, ESA, and Judy Schmidt]
In celebration of the 25th anniversary of NASA's first space servicing mission to Hubble, these comparison photos of one of the telescope's first targets are being released today.
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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I’ve been in California with Scotch for nearly 10 months now and in that time—including the 10 day drive from Washington, DC—I’ve filled up 9 32GB memory cards and have taken roughly 10,000 photos. I’d also estimate that 75% of those shots came in the first 3 months. As was the case back home before leaving, a lot of my trips were either exploring new places or shooting in bulk, hoping I’d eventually be able to post all the photos I wanted even as they’d get pushed further back with each trip.
I knew there was a drought and I knew Southern California was supposed to be a place with consistently perfect weather, but you’d never have known that in the early days of my trip that turned into a move. Sunny clear days and evenings were an anomaly and my biggest challenge was trying to deal with the Santa Ana winds when shooting long exposures. I know…sounds really tough haha.
As March and April came, I realized that while the winter here was incredible to shoot, the spring and summer brought the weather everyone (but me) desired. Gone were the clouds and rain, gone were the colorful skies and a golden haze crept over the area for months. A couple times each month, clouds would come back or overnight rain would push away the haze but for the most part, every day felt the same.
The weather here has cooled considerably and with it, some cloudy days have returned. It even rained a bit late Sunday night into the early morning but the early evenings are still generally cloudless. I’ve set out with Venice in mind 6 times in the last month, but only actually went 3 times. Of the voided trips, once was due to terrible traffic that would’ve had me arriving after dark and the others because the clouds I was promised from weather forecasts vanished half way there. From home, I drive straight towards Venice so I end up with 55 minutes of skyline in front of me and it’s usually pretty easy to tell if there will be a great sunset or if the trip will be a dud.
Really the only positives from those long breaks from shooting outdoors have been the ability to spend more time photographing and hanging out with Scotch, time to both go through my archives and work on my editing skills and upload some of the shots I never got a chance to show. I’ve been trying very hard to streamline my editing process the last few months and come up with a more consistent way to color correct images and reduce the amount of steps needed to get the photo right.
One of the first places I visited here back in January was Manhattan Beach and it also ended up being one of the more interesting trips I took. I arrived late afternoon to a golden, hazy sky which was initially disappointing until I got down to the pier and starting shooting. It was really crowded on the beach and after trying to wait out the people hovering by me or walking by, I finally switched to the 10 stop filter and kept it on for the rest of the visit. I essentially spent the time until dark in 2 places: directly beneath the pier and then just to the right of the pier. I posted a handful of shots from here many many months ago but always wanted to go back when I had a chance to edit some of the remaining images using the methods I use today. My hope was to get a significantly more accurate image that matched what my eyes saw as closely as possible. I really lucked out with the position of the sun and was able to shoot long exposures as the sun dipped and then hid behind the pier until it was gone. I took a few dozen images from here ranging from a few seconds to several minutes and while similar, the changing position of the sun and varying exposure times created different shadows and reflections which was amazing to see. Manhattan Beach is another place I expect to return to quite a bit once the cloudy fall and winter days return but in the interim, I do love looking back on many of the trips that helped to convince me not to return to Maryland :)
▪️ WHERE & WHEN ▪️
• Manhattan Beach Pier
• Manhattan Beach, California
• January 15th, 2016
•••••••••••••••••••••••••••••••••••
▪️ SETTINGS ▪️
• Canon T4i
• EF-S 18-135mm IS STM
• @18mm
• ISO 100
• f/20
• 76 seconds
• ND1000
• CPL
By form and function, Peleş is a palace, but it is consistently called a castle. Its architectural style is a romantically inspired blend Neo-Renaissance and Gothic Revival similar to Schloss Neuschwanstein in Bavaria.
A Saxon influence can be observed in the interior courtyard facades, which have allegorical hand-painted murals and ornate fachwerk similar to that seen in northern European alpine architecture. Interior decoration is mostly Baroque influenced, with heavy carved woods and exquisite fabrics.The collection of arms and armor has over 4,000 pieces.
Peleş Castle has a 3,200-square-metre (34,000 sq ft) floor plan with over 170 rooms, many with dedicated themes from world cultures
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Many Thanks to the +3,350,000 visitors of my photographic stream
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© Ioan C. Bacivarov
All the photos on this gallery are protected by the international laws of copyright and they are not for being used on any site, blog or forum, transmitted or manipulated without the explicit written permission of the author. Thank you in advance
Please view my most interesting photos on flickriver stream: www.flickriver.com/photos/ioan_bacivarov/
Many thanks for yours visits and comments.
Have you heard of Arthur "Weegee" Fellig? He was a New York based freelance press photographer during the 1930s and 1940s who was known for consistently sharp and amazing photos. In the days before point-and-shoot technology, he had to have a foundational understanding between a lens' focal stop and the speed of the shutter... autofocus didn't exist either, but he had enough of an idea of camera physics to assure a great image every time he snapped an image. When asked of his secret to such great photography, his answer was, "Simple. f/8 and be there." As Shakespeare pointed out, “Brevity is the soul of wit.” There’s a whole lot packed in that brief statement.
While that answer may seem a bit cryptic, the philosophy behind it should be easily recognized by any photographer worth their salt. f/8 is a sharp and relatively fast lens aperture. On a fixed focused 35mm lens as was fitted to many a press camera back in the day, sharp focus was determined by a properly set lens stop… f/8 would bring anything from around 19 feet to infinity into focus. Essentially, “f/8” means that you should know your equipment, but what about the back half of that maxim? Weegee knew. As legend tells it, Arthur Fellig earned the nickname Weegee during his early career as a photographer in New York City. His apparent sixth sense for crime often led him to a scene well ahead of the police. Observers likened this sense, actually derived from tuning his radio to the police frequency, to the Ouija board, the popular fortune-telling game. Spelling it phonetically, Fellig took Weegee as his professional name… and it was the very definition of “be there.”
I don’t have a Ouija board, so to “be there” at specific camera subjects in the fickle weather of the Blue Ridge Mountains can be somewhat of a gamble on wasted time... as far as photography goes, that is. It's never truly a waste of time to hike these mountains. Fall of 2014 in the Blue Ridge was a cascade of one open blue-sky day after another, making good landscape photography a challenge. As I just happened to be near Rainbow Falls one late afternoon, so I headed to Gorges State Park here in North Carolina. It’s about a 4-mile roundtrip hike to the falls, with plenty to take note of along the way. The Horsepasture River plunges 150 feet at Rainbow Falls, so it’s a bit of a climb at the end of the hike there. As water crashes over the rock face of the enclosed area of the waterfall, it creates both wind and spray. That wind drives the spray up, and if the sun’s in the right spot, it creates a rainbow over the falls.
The problem this day was that I’d gotten there too late in the day for a rainbow… the sun was setting at the top of the ridge making light too contrastive for any good composition there. I just enjoyed the moment at the falls and rested a bit for the return without taking the camera out of the backpack… but I was thinking of some of the places I’d taken note of earlier. This image was taken a short way past the climb up to the falls, with the sun still parked on the ridge. The only place in direct sunlight here was the autumn forest canopy overhead… but it was reflecting beautifully in the river! In this place, there was little to no wind, so it could work out for a long exposure. I needed a long exposure to smooth out the rough water to pick up the color of both the canopy and the blue sky on the water. After a little rock hopping, I found the spot I wanted… “be there” accomplished. With the help of a neutral density filter and an aperture 2-stops open from full stop for sharpness and a 6-second exposure, “f/8” accomplished, obviously for a fine watercolor. “f/8 and be there” may be an old adage, but it still stands.
The flag warning system is consistent throughout the state of Florida. The government describes each flag as follows:
•Red flags with a no swimming symbol indicate that the water is closed to the public.
•Red flags without a symbol indicate a high hazard from surf and/or currents.
•Yellow flags indicate a medium hazard from moderate surf and/or currents.
•Green flags indicate a low hazard with calm conditions. Beachgoers should still exercise caution.
•Purple flags indicate a hazard from dangerous marine life. These flags are used in conjunction with another colored flag indicating the current surf/current conditions.
Built in 1850 Prospect Harbor Lighthouse has seen a lot of traffic. It was briefly deactivated from 1859-1870, but is in use today guiding lobster and sardine fishermen home.
The Lighthouse and grounds belong to the US navy and house overnight stays for active and retired military. the grounds are off limit to tourists for security reasons.
Those that have stayed at the keeper’s quarters have mentioned some paranormal activity occurring quite frequently. It seems that a small statue of a sea captain, located out of reach on a high ledge at the top of the stairs is consistently being moved facing the stairs one time, then the occupants will notice the statue would be moved to face the sea another time. Some guests have claimed to have seen a ghost like figure at night.
In 1921, Virginia Sobchik and her two daughters, Helen (age 4) and Stella (age 2), stepped off the train in Las Vegas and into a brand new life. Always a hard worker, Virginia found a job as a cook for the Union Pacific railroad. She would later meet an elderly Nevada judge, John Busteed, who hired her as a housekeeper. Virginia became his friend and caregiver until his death, and as part of his estate, she inherited the property between 9th and 10th streets on Fremont Street. By this time, Stella was working at Walker’s Laundry in Niagara Falls, a job that was to allow her to meet her future husband, Joe Sobchik. Joe Sobchik was one of five children of immigrant parents. Joe’s father was a coal miner who died of black lung disease in 1933. Since this occurred during the depths of the Depression, Joe’s mother was unable to care for all five children and give needed support to her family. She was forced to put three of the five children in the orphanage. She decided to keep the oldest boy, and her only girl. Unfortunately for Joe, he was the middle child, and wound up spending the rest of his childhood and teen years in a Catholic orphanage. Joe graduated from the orphanage and was a rising 19-year-old semi-pro basketball star playing for St. Johns club when he dropped off some shirts at Walker’s laundry. Joe saw his soulmate, Stella, counting out the cash drawer, and with his typical sense of humor, he asked her if “she would like to take him to dinner,” to which she coyly replied, “Why, sure.” They started dating, and were soon married. At this point, Virginia was developing the property on Fremont. She had already established a gas station/garage on the corner, where The Kitchen at Atomic stands today, and had erected some apartments. She had met and married Jack Barrett and wanted to open a cafe. Jack and Virginia were no longer able to manage and work all of these enterprises and decided to see if they could talk one of her daughters into working the family business. Stella and Joe, recently married, decided to give it a shot. So Virginia’s Café was born, with Joe and Stella manning the grill. This was during the war years, and because of food rationing, finding ingredients to serve was not the easiest thing for Joe and Stella. Still, they made a go of it, serving food to the travelers that stopped for gas, and catering to the locals who would line up in front of the building for the popular Helldorado parade. Eventually, Joe tired of cooking for the public and decided that they should close the café and open a liquor store. Thus, Atomic Liquors was born, with the first liquor store license in Las Vegas. Always looking to boost the income of the store and establish a more consistent clientele, Joe & Stella then purchased the liquor ‘pouring’ license from the Lido Lounge, which was closing in a downtown casino. This allowed them to augment their takeout trade with beer, wine and mixed drinks served over the counter while becoming the oldest freestanding bar in Las Vegas. This endeavor also created an entirely new type of liquor sale license called ‘The Tavern License’: Atomic was issued the first ever license, #00001. In its heyday, Atomic had a local, working class clientele that was bolstered by regular visits from celebrities looking to avoid the attention they attracted on the Strip or downtown. The likes of the Rat Pack, Barbara Streisand, the Smothers Brothers, Clint Eastwood and other notable characters could be seen enjoying their favorite beverage and playing a friendly game of pool after their shows or productions. Barbra Streisand even noted in her book that she was a regular, stopping in on every trip to shoot pool and chat with her friend Stella. Atomic was open 24 hours a day and drew quite a crowd of casino workers looking to enjoy themselves after their shifts, stating that, “you never know who might stop by.” The Guantlet, an episode of the original “The Twilight Zone” and parts of the movie Casino were filmed inside Atomic, as well as inside the adjacent garage, which served as a production studio for Martin Scorsese and crew for more than a month. Most recently, Atomic can be seen in the famous car crash scene in The Hangover. Joe and Stella loved Atomic, spending many hours each day interacting with customers. It’s because of this love they continued to run Atomic, with help, until Joe’s death in October 2010. Stella passed away just three months after the love of her life. Both Joe and Stella were age 91 at the time of their deaths. In 2012 a group of investors led by longtime downtown Las Vegas attorney Lance Johns purchased Atomic from the Sobchik’s son, Ron, and remodeled it to its original glory. During the remodeling, a floor safe was discovered, full of receipts and other paperwork from Atomic’s early days. It is estimated the floor safe and the contents inside were sealed sometime around 1950. The floor safe is in its original location in the bar and on display with a transparent glass cover. A tribute to the couple is on permanent display at Atomic, and the bathrooms have been remodeled in a ’50s style and named Joe’s and Stella’s (men & women) as a tribute to the founders. The women’s bathroom is pink, which was Stella’s favorite color. [atomic.vegas/about-us/our-history/]
Atomic Liquors Website: atomic.vegas/
El Pui farmland, La Massana parroquia, Vall nord, Andorra - (c) Lutz Meyer
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Sunderland has some fantastic beaches which have consistently been awarded Blue Flag status.
Lovely stretches of sand divided up into areas where dogs are welcome and other areas where restriction are in place during the main summer season.
Those who like to explore rockpools at low tide are also catered for with areas ideally suited to that particular pass time.
Yesterday though, there was a whole different area to explore, one that is normally hidden from view.
It was the lowest tide of the year and the sea level dipped well below its usual low tide level.
This really low tide revealed some of the luxuriant offshore kelp beds that are not normally seen.
With Amtrak consistently running about 4 hours late, the CP-BN Transfer has been getting delayed enough so that it has good light on its way up to the Minnesota Commercial.
This spot looks over UP's former C&NW Western Avenue yard and is just a few carlengths east of the signal for Fordson Junction where the now out of service Ford Line took of for the now gone Ford assembly plant.
A smaller train than the previous day only requires 3 units for the pull.
Ranjani Shettar’s two-decade-long artistic practice has consistently been informed by the close observation and study of the natural world.
'Cloud songs on the horizon' commissioned specifically for the Barbican’s Conservatory comprised of five suspended sculptures, each of which has been handcrafted by Shettar in her studio in rural Karnataka, India.
"Carefully installed throughout the Conservatory, Shettar has intentionally nestled some sculptures amongst the foliage, to be discovered. All are to be viewed from multiple points, encouraging wandering and exploration. Shettar draws us into the Conservatory, gently persuading us to look at a tree, flower, leaf, plant and to appreciate their own rhythms. To slow down and to recognise the cycles of transformation embedded within each of them; and just like the clouds above us, know that they are always quietly shapeshifting."
I know i haven't been consistent, I was busy taking photos for my twin sisters engagement...I will do my best with what I have...
This picture is definitely explains how I'm feeling...Oh I have another one now..that I'm writing...Looking for a job, even a part-time job or temp work is the most restless thing I have ever experienced. I never even thought that after college life would be this hard, and thats not even about me..that goes for everybody else.
the two chairs represent loneliness, and me in the middle surrounded by emptiness...Oh how much I want to scream..but will anybody hear me....
Patience, patience, patience...that all that im hearing in a world of emptiness, I want to enroll for school..but I know if I get the job, I would have to do school and the Academy...so Im waiting...
Awkward Silence..................
Strobist: sb80 snooted on my left, set @ 1/4
“Photography is not objective. It is deeply subjective – my photography is consistent ideologically and ethically with the person I am.” – Sebastião Salgado
Salisbury Cathedral, formally known as the Cathedral Church of the Blessed Virgin Mary, is an Anglican cathedral in Salisbury, England, and is considered one of the leading examples of Early English architecture. The main body was completed in only 38 years, from 1220 to 1258.
The cathedral has the tallest church spire in the United Kingdom (123m/404 ft). Visitors can take the "Tower Tour" where the interior of the hollow spire, with its ancient wood scaffolding, can be viewed. The cathedral also has the largest cloister and the largest cathedral close in Britain (80 acres (320,000 m2)). The cathedral contains the world's oldest working clock (from AD 1386) and has the best surviving of the four original copies of the Magna Carta (all four original copies are in England). Although commonly known as Salisbury Cathedral, the official name is the Cathedral of Saint Mary. In 2008, the cathedral celebrated the 750th anniversary of its consecration in 1258.
The cathedral is the Mother Church of the Diocese of Salisbury and seat of the Bishop of Salisbury, the Rt Revd Nick Holtam.
As a response to deteriorating relations between the clergy and the military at Old Sarum, the decision was taken to resite the cathedral and the bishopric was moved to its present place in Salisbury. The move occurred during the tenure of Bishop Richard Poore, who was a wealthy man and donated the new land for construction. The new cathedral was also paid for by donations, principally by all the canons and vicars of South East England, who were asked to contribute a fixed annual sum until its completion. Legend has it that the Bishop of Old Sarum shot an arrow in the direction he would build the cathedral; the arrow hit a deer and the deer finally died in the place where Salisbury Cathedral is now.
The foundation stone was laid on 28 April 1220. Much of the freestone for the cathedral came from Teffont Evias quarries. Due to the high water table in the new location, the cathedral was built on only four feet of foundations, and by 1258 the nave, transepts and choir were complete. The west front was ready by 1265. The cloisters and chapter house were completed around 1280. Because the cathedral was built in only 38 years, it has a single consistent architectural style, Early English Gothic.
The only major sections of the cathedral built later were the cloisters, chapter house, tower and spire, which at 404 feet (123 m) dominated the skyline from 1320. Although the spire is the cathedral's most impressive feature, it has also proved to be troublesome. Together with the tower, it added 6,397 tons (6,500 tonnes) to the weight of the building. Without the addition of buttresses, bracing arches and anchor irons over the succeeding centuries, it would have suffered the fate of spires on later great ecclesiastical buildings (such as Malmesbury Abbey) and fallen down; instead, Salisbury remains the tallest church spire in the UK. To this day the large supporting pillars at the corners of the spire are seen to bend inwards under the stress. The addition of reinforcing tie beams above the crossing, designed by Christopher Wren in 1668, arrested further deformation. The beams were hidden by a false ceiling, installed below the lantern stage of the tower.
Significant changes to the cathedral were made by the architect James Wyatt in 1790, including replacement of the original rood screen and demolition of the bell tower which stood about 320 feet (100 m) north west of the main building. Salisbury is one of only three English cathedrals to lack a ring of bells, the others being Norwich Cathedral and Ely Cathedral. However it does strike the time every 15 minutes with bells.
For further information please visit
en.wikipedia.org/wiki/Salisbury_Cathedral and www.salisburycathedral.org.uk/visitor.php
Thameslink services were consistently awry yesterday with both cancellations and very late running. This for instance was on time but only 5 minutes behind the very late 12.40 Bedford - Brighton. This shot is very difficult to record thanks to a fence added to the top of the bridge parapet - I had to lean at full stretch using liveview standing on my 13 inch step - and even then it was a bit of a lottery!
Immateriale consistenza.
Indefinita spiegazione.
Ragionevole irrazionalità.
Paradosso, ossimoro, contraddizione.
Tutti lo siamo stati, in molti faremo ritorno. E sarà come una beatitudine, ne son sicuro.
Ritorneremo a meravigliarci, a non domandarci il perché delle cose, perché accadono e basta; a credere a babbo natale, a credere in dio per chi nel frattempo ha perso la fede o a chi non l'ha mai avuta.
Ma questi sono pensieri da grandi, tu non te ne fregare, succhia fino al midollo la grazia dell'innocenza ché l'unica raccomandazione che saprei darti è che se qualcuno ti chiede di fare in fretta tu digli di aspettare.
At the north end of Westminster Palace rises the most famous of the towers, the Elizabeth Tower, commonly known as Big Ben. At 96 metres, it is only slightly shorter than the Victoria Tower but much slimmer. It houses the Great Clock of Westminster, built by Edward John Dent on designs by amateur horologist Edmund Beckett Denison. Striking the hour to within a second of the time, the Great Clock achieved standards of accuracy considered impossible by 19th-century clockmakers, and it has remained consistently reliable since it entered service in 1859.
A baby copperhead found under a rotting log in Georgia a few weeks ago. I think it had recently been born. Copperheads give live birth to their young unlike most other snakes which lay eggs. The mother instead holds onto the babies until they are ready to be born. Snakes that give live birth have an advantage over those that lay eggs because they can keep the eggs at a more consistent incubation temperature and moisture level. Reptiles that lay eggs must depend on their nesting site providing adequate heat, humidity and shelter from the elements and predators for the eggs for 60 or more days while they develop. Wheras a reptile that gives live birth is able to provide a better and more consistent embryo development environment and shelter from the elements and predators.
Note that young snakes will shed their skin within a week of being born usually and this animal had not yet shed. Also note its greenish yellow tail. Copperhead babies are born with a tail this color so they can use it as a caudal lure to ambush their prey. Imagine that greenish tail sticking out of this rotten log and flickering about like a caterpillar and some unsuspecting frog, toad or bigger insect coming to prey on it only to get ambushed by the baby copperhead whose head was in hiding and within striking distance of its luring tail.
Armchair experts decried that there were never enough lenses available for the Canon M series mirrorless camera line and that is what killed them off. It gets me boiling. Yes, true, there were only a few "native" lenses from which to choose (and good ones). Self-described camera "enthusiast experts" poo-pooed the specs but consistently missed a major advantage these little wonders offered. The M series is a great way to adapt almost any major vintage lens brand onto a modern camera. The 2016 EOS M5 I have lets me use over 60 lenses from my camera collection from builders like Canon, Nikon, Minolta, Olympus, Pentax, Exakta, DKL mounts, and many more. The lens mount adapters I need per brand mount only cost from $9 to $15 each. Bargains. Now, if you'll excuse me, I'm off with some 50-year-old glass to follow the light and play.
Draculaura consistently has stunning dolls, however, I didnt realize that a display of only draculauras would have such overwhelming amounts of pink =P. May have to switch up the display again. These are all my draculauras <3.
I am consistently amazed each visit to Nebraska by the cloudscapes! They sure pay for it with some epic thunderstorms and brutal humidity when it's hot, but oh my what skies. It's a desktop wallpaper factory in this state. ;-)))
Photo Copyright 2012, dynamo.photography.
All rights reserved, no use without license
From Wikipedia, the free encyclopedia
(Redirected from Hong kong)
Hong Kong, officially the Hong Kong Special Administrative Region of the People's Republic of China, is an autonomous territory south to Mainland China and east to Macao in East Asia. With around 7.2 million Hong Kongers of various nationalities[note 2] in a territory of 1,104 km2, Hong Kong is the world's fourth most densely populated country or territory.
Hong Kong used to be a British colony with the perpetual cession of Hong Kong Island from the Qing Empire after the First Opium War (1839–42). The colony expanded to the Kowloon Peninsula in 1860 and acquired a 99-year lease of the New Territories from 1898. Hong Kong was later occupied by Japan during the Second World War until British control resumed in 1945. The Sino-British Joint Declaration signed between the United Kingdom and China in 1984 paved way for the transfer of sovereignty of Hong Kong in 1997, when it became a special administrative region (SAR) of the People's Republic of China with a high degree of autonomy.[15]
Under the principle of "one country, two systems",[16][17] Hong Kong maintains a separate political and economic system from China. Except in military defence and foreign affairs, Hong Kong maintains its independent executive, legislative and judiciary powers.[18] In addition, Hong Kong develops relations directly with foreign states and international organisations in a broad range of "appropriate fields".[19] Hong Kong involves in international organizations, such as the WTO[20] and the APEC [21], actively and independently.
Hong Kong is one of the world's most significant financial centres, with the highest Financial Development Index score and consistently ranks as the world's most competitive and freest economic entity.[22][23] As the world's 8th largest trading entity,[24] its legal tender, the Hong Kong dollar, is the world's 13th most traded currency.[25] As the world's most visited city,[26][27] Hong Kong's tertiary sector dominated economy is characterised by competitive simple taxation and supported by its independent judiciary system.[28] Even with one of the highest per capita incomes in the world, it suffers from severe income inequality.[29]
Nicknamed "Pearl of the Orient", Hong Kong is renowned for its deep natural harbour, which boasts the world's fifth busiest port with ready access by cargo ships, and its impressive skyline, with the most skyscrapers in the world.[30][31] It has a very high Human Development Index ranking and the world's longest life expectancy.[32][33] Over 90% of the population makes use of well-developed public transportation.[34][35] Seasonal air pollution with origins from neighbouring industrial areas of Mainland China, which adopts loose emissions standards, has resulted in a high level of atmospheric particulates in winter.[36][37][38]
Contents
1 Etymology
2 History
2.1 Prehistory
2.2 Imperial China
2.3 British Crown Colony: 1842–1941
2.4 Japanese occupation: 1941–45
2.5 Resumption of British rule and industrialisation: 1945–97
2.6 Handover and Special Administrative Region status
3 Governance
3.1 Structure of government
3.2 Electoral and political reforms
3.3 Legal system and judiciary
3.4 Foreign relations
3.5 Human rights
3.6 Regions and districts
3.7 Military
4 Geography and climate
5 Economy
5.1 Financial centre
5.2 International trading
5.3 Tourism and expatriation
5.4 Policy
5.5 Infrastructure
6 Demographics
6.1 Languages
6.2 Religion
6.3 Personal income
6.4 Education
6.5 Health
7 Culture
7.1 Sports
7.2 Architecture
7.3 Cityscape
7.4 Symbols
8 See also
9 Notes
10 References
10.1 Citations
10.2 Sources
11 Further reading
12 External links
Etymology
Hong Kong was officially recorded in the 1842 Treaty of Nanking to encompass the entirety of the island.[39]
The source of the romanised name "Hong Kong" is not known, but it is generally believed to be an early imprecise phonetic rendering of the pronunciation in spoken Cantonese 香港 (Cantonese Yale: Hēung Góng), which means "Fragrant Harbour" or "Incense Harbour".[13][14][40] Before 1842, the name referred to a small inlet—now Aberdeen Harbour (Chinese: 香港仔; Cantonese Yale: Hēunggóng jái), literally means "Little Hong Kong"—between Aberdeen Island and the southern coast of Hong Kong Island. Aberdeen was an initial point of contact between British sailors and local fishermen.[41]
Another theory is that the name would have been taken from Hong Kong's early inhabitants, the Tankas (水上人); it is equally probable that romanisation was done with a faithful execution of their speeches, i.e. hōng, not hēung in Cantonese.[42] Detailed and accurate romanisation systems for Cantonese were available and in use at the time.[43]
Fragrance may refer to the sweet taste of the harbour's fresh water estuarine influx of the Pearl River or to the incense from factories lining the coast of northern Kowloon. The incense was stored near Aberdeen Harbour for export before Hong Kong developed Victoria Harbour.[40]
The name had often been written as the single word Hongkong until the government adopted the current form in 1926.[44] Nevertheless, a number of century-old institutions still retain the single-word form, such as the Hongkong Post, Hongkong Electric and the Hongkong and Shanghai Banking Corporation.
As of 1997, its official name is the "Hong Kong Special Administrative Region of the People's Republic of China". This is the official title as mentioned in the Hong Kong Basic Law and the Hong Kong Government's website;[45] however, "Hong Kong Special Administrative Region" and "Hong Kong" are widely accepted.
Hong Kong has carried many nicknames. The most famous among those is the "Pearl of the Orient", which reflected the impressive nightscape of the city's light decorations on the skyscrapers along both sides of the Victoria Harbour. The territory is also known as "Asia's World City".
History
Main articles: History of Hong Kong and History of China
Prehistory
Main article: Prehistoric Hong Kong
Archaeological studies support human presence in the Chek Lap Kok area (now Hong Kong International Airport) from 35,000 to 39,000 years ago and on Sai Kung Peninsula from 6,000 years ago.[46][47][48]
Wong Tei Tung and Three Fathoms Cove are the earliest sites of human habitation in Hong Kong during the Paleolithic Period. It is believed that the Three Fathom Cove was a river-valley settlement and Wong Tei Tung was a lithic manufacturing site. Excavated Neolithic artefacts suggested cultural differences from the Longshan culture of northern China and settlement by the Che people, prior to the migration of the Baiyue to Hong Kong.[49][50] Eight petroglyphs, which dated to the Shang Dynasty (c. 1600 BC – 1066 BC) in China, were discovered on the surrounding islands.[51]
Imperial China
Main article: History of Hong Kong under Imperial China
In 214 BC, Qin Shi Huang, the first emperor of a centralised China, conquered the Baiyue tribes in Jiaozhi (modern-day Liangguang region and Vietnam) and incorporated the area of Hong Kong into his imperial China for the first time. Hong Kong proper was assigned to the Nanhai commandery (modern-day Nanhai District), near the commandery's capital city Panyu.[52][53][54]
After a brief period of centralisation and collapse of the Qin dynasty, the area of Hong Kong was consolidated under the Kingdom of Nanyue, founded by general Zhao Tuo in 204 BC.[55] When Nanyue lost the Han-Nanyue War in 111 BC, Hong Kong came under the Jiaozhi commandery of the Han dynasty. Archaeological evidence indicates an increase of population and flourish of salt production. The Lei Cheng Uk Han Tomb on the Kowloon Peninsula is believed to have been built as a burial site during the Han dynasty.[56]
From the Han dynasty to the early Tang dynasty, Hong Kong was a part of Bao'an County. In the Tang dynasty, modern-day Guangzhou (Canton) flourished as an international trading centre. In 736, the Emperor Xuanzong of Tang established a military stronghold in Tuen Mun to strengthen defence of the coastal area.[57] The nearby Lantau Island was a salt production centre and salt smuggler riots occasionally broke out against the government. In c. 1075, The first village school, Li Ying College, was established around 1075 AD in modern-day New Territories by the Northern Song dynasty.[58] During their war against the Mongols, the imperial court of Southern Song was briefly stationed at modern-day Kowloon City (the Sung Wong Toi site) before their ultimate defeat by the Mongols at the Battle of Yamen in 1279.[59] The Mongols then established their dynastic court and governed Hong Kong for 97 years.
From the mid-Tang dynasty to the early Ming dynasty (1368–1644), Hong Kong was a part of Dongguan County. During the Ming dynasty, the area was transferred to Xin'an County. The indigenous inhabitants at that time consisted of several ethnicities such as Punti, Hakka, Tanka and Hoklo.
European discovery
The earliest European visitor on record was Jorge Álvares, a Portuguese explorer, who arrived in 1513.[60][61] Having established a trading post in a site they called "Tamão" in Hong Kong waters, Portuguese merchants commenced with regular trading in southern China. Subsequent military clashes between China and Portugal, however, led to the expulsion of all Portuguese merchants from southern China.
Since the 14th century, the Ming court had enforced the maritime prohibition laws that strictly forbade all private maritime activities in order to prevent contact with foreigners by sea.[62] When the Manchu Qing dynasty took over China, Hong Kong was directly affected by the Great Clearance decree of the Kangxi Emperor, who ordered the evacuation of coastal areas of Guangdong from 1661 to 1669. Over 16,000 inhabitants of Xin'an County including those in Hong Kong were forced to migrate inland; only 1,648 of those who had evacuated subsequently returned.[63][64]
British Crown Colony: 1842–1941
A painter at work. John Thomson. Hong Kong, 1871. The Wellcome Collection, London
Main articles: British Hong Kong and History of Hong Kong (1800s–1930s)
In 1839, threats by the imperial court of Qing to sanction opium imports caused diplomatic friction with the British Empire. Tensions escalated into the First Opium War. The Qing admitted defeat when British forces captured Hong Kong Island on 20 January 1841. The island was initially ceded under the Convention of Chuenpi as part of a ceasefire agreement between Captain Charles Elliot and Governor Qishan. A dispute between high-ranking officials of both countries, however, led to the failure of the treaty's ratification. On 29 August 1842, Hong Kong Island was formally ceded in perpetuity to the United Kingdom of Great Britain and Ireland under the Treaty of Nanking.[65] The British officially established a Crown colony and founded the City of Victoria in the following year.[66]
The population of Hong Kong Island was 7,450 when the Union Flag raised over Possession Point on 26 January 1841. It mostly consisted of Tanka fishermen and Hakka charcoal burners, whose settlements scattered along several coastal hamlets. In the 1850s, a large number of Chinese immigrants crossed the then-free border to escape from the Taiping Rebellion. Other natural disasters, such as flooding, typhoons and famine in mainland China would play a role in establishing Hong Kong as a place for safe shelter.[67][68]
Further conflicts over the opium trade between Britain and Qing quickly escalated into the Second Opium War. Following the Anglo-French victory, the Crown Colony was expanded to include Kowloon Peninsula (south of Boundary Street) and Stonecutter's Island, both of which were ceded to the British in perpetuity under the Convention of Beijing in 1860.
In 1898, Britain obtained a 99-year lease from Qing under the Convention for the Extension of Hong Kong Territory, in which Hong Kong obtained a 99-year lease of Lantau Island, the area north of Boundary Street in Kowloon up to Shenzhen River and over 200 other outlying islands.[69][70][71]
Hong Kong soon became a major entrepôt thanks to its free port status, attracting new immigrants to settle from both China and Europe. The society, however, remained racially segregated and polarised under early British colonial policies. Despite the rise of a British-educated Chinese upper-class by the late-19th century, race laws such as the Peak Reservation Ordinance prevented ethnic Chinese in Hong Kong from acquiring houses in reserved areas such as Victoria Peak. At this time, the majority of the Chinese population in Hong Kong had no political representation in the British colonial government. The British governors did rely, however, on a small number of Chinese elites, including Sir Kai Ho and Robert Hotung, who served as ambassadors and mediators between the government and local population.
File:1937 Hong Kong VP8.webmPlay media
Hong Kong filmed in 1937
In 1904, the United Kingdom established the world's first border and immigration control; all residents of Hong Kong were given citizenship as Citizens of United Kingdom and Colonies (CUKC).
Hong Kong continued to experience modest growth during the first half of the 20th century. The University of Hong Kong was established in 1911 as the territory's first higher education institute. While there had been an exodus of 60,000 residents for fear of a German attack on the British colony during the First World War, Hong Kong remained unscathed. Its population increased from 530,000 in 1916 to 725,000 in 1925 and reached 1.6 million by 1941.[72]
In 1925, Cecil Clementi became the 17th Governor of Hong Kong. Fluent in Cantonese and without a need for translator, Clementi introduced the first ethnic Chinese, Shouson Chow, into the Executive Council as an unofficial member. Under Clementi's tenure, Kai Tak Airport entered operation as RAF Kai Tak and several aviation clubs. In 1937, the Second Sino-Japanese War broke out when the Japanese Empire expanded its territories from northeastern China into the mainland proper. To safeguard Hong Kong as a freeport, Governor Geoffry Northcote declared the Crown Colony as a neutral zone.
Japanese occupation: 1941–45
Main article: Japanese occupation of Hong Kong
The Cenotaph in Hong Kong commemorates those who died in service in the First World War and the Second World War.[73]
As part of its military campaign in Southeast Asia during Second World War, the Japanese army moved south from Guangzhou of mainland China and attacked Hong Kong in on 8 December 1941.[74] Crossing the border at Shenzhen River on 8 December, the Battle of Hong Kong lasted for 18 days when British and Canadian forces held onto Hong Kong Island. Unable to defend against intensifying Japanese air and land bombardments, they eventually surrendered control of Hong Kong on 25 December 1941. The Governor of Hong Kong was captured and taken as a prisoner of war. This day is regarded by the locals as "Black Christmas".[75]
During the Japanese occupation of Hong Kong, the Japanese army committed atrocities against civilians and POWs, such as the St. Stephen's College massacre. Local residents also suffered widespread food shortages, limited rationing and hyper-inflation arising from the forced exchange of currency from Hong Kong dollars to Japanese military banknotes. The initial ratio of 2:1 was gradually devalued to 4:1 and ownership of Hong Kong dollars was declared illegal and punishable by harsh torture. Due to starvation and forced deportation for slave labour to mainland China, the population of Hong Kong had dwindled from 1.6 million in 1941 to 600,000 in 1945, when the United Kingdom resumed control of the colony on 2 September 1945.[76]
Resumption of British rule and industrialisation: 1945–97
Main articles: British Hong Kong, 1950s in Hong Kong, 1960s in Hong Kong, 1970s in Hong Kong, 1980s in Hong Kong, and 1990s in Hong Kong
Flag of British Hong Kong from 1959 to 1997
Hong Kong's population recovered quickly after the war, as a wave of skilled migrants from the Republic of China moved in to seek refuge from the Chinese Civil War. When the Communist Party eventually took full control of mainland China in 1949, even more skilled migrants fled across the open border for fear of persecution.[69] Many newcomers, especially those who had been based in the major port cities of Shanghai and Guangzhou, established corporations and small- to medium-sized businesses and shifted their base operations to British Hong Kong.[69] The establishment of a socialist state in China (People's Republic of China) on 1 October 1949 caused the British colonial government to reconsider Hong Kong's open border to mainland China. In 1951, a boundary zone was demarked as a buffer zone against potential military attacks from communist China. Border posts along the north of Hong Kong began operation in 1953 to regulate the movement of people and goods into and out of the territory.
Stamp with portrait of Queen Elizabeth II, 1953
In the 1950s, Hong Kong became the first of the Four Asian Tiger economies under rapid industrialisation driven by textile exports, manufacturing industries and re-exports of goods to China. As the population grew, with labour costs remaining low, living standards began to rise steadily.[77] The construction of the Shek Kip Mei Estate in 1953 marked the beginning of the public housing estate programme to provide shelter for the less privileged and to cope with the influx of immigrants.
Under Sir Murray MacLehose, 25th Governor of Hong Kong (1971–82), a series of reforms improved the public services, environment, housing, welfare, education and infrastructure of Hong Kong. MacLehose was British Hong Kong's longest-serving governor and, by the end of his tenure, had become one of the most popular and well-known figures in the Crown Colony. MacLehose laid the foundation for Hong Kong to establish itself as a key global city in the 1980s and early 1990s.
A sky view of Hong Kong Island
An aerial view of the northern shore of Hong Kong Island in 1986
To resolve traffic congestion and to provide a more reliable means of crossing the Victoria Harbour, a rapid transit railway system (metro), the MTR, was planned from the 1970s onwards. The Island Line (Hong Kong Island), Kwun Tong Line (Kowloon Peninsula and East Kowloon) and Tsuen Wan Line (Kowloon and urban New Territories) opened in the early 1980s.[78]
In 1983, the Hong Kong dollar left its 16:1 peg with the Pound sterling and switched to the current US-HK Dollar peg. Hong Kong's competitiveness in manufacturing gradually declined due to rising labour and property costs, as well as new development in southern China under the Open Door Policy introduced in 1978 which opened up China to foreign business. Nevertheless, towards the early 1990s, Hong Kong had established itself as a global financial centre along with London and New York City, a regional hub for logistics and freight, one of the fastest-growing economies in Asia and the world's exemplar of Laissez-faire market policy.[79]
The Hong Kong question
In 1971, the Republic of China (Taiwan)'s permanent seat on the United Nations was transferred to the People's Republic of China (PRC), Hong Kong's status as a recognised colony became terminated in 1972 under the request of PRC. Facing the uncertain future of Hong Kong and expiry of land lease of New Territories beyond 1997, Governor MacLehose raised the question in the late 1970s.
The British Nationality Act 1981 reclassified Hong Kong into a British Dependent Territory amid the reorganisation of global territories of the British Empire. All residents of Hong Kong became British Dependent Territory Citizens (BDTC). Diplomatic negotiations began with China and eventually concluded with the 1984 Sino-British Joint Declaration. Both countries agreed to transfer Hong Kong's sovereignty to China on 1 July 1997, when Hong Kong would remain autonomous as a special administrative region and be able to retain its free-market economy, British common law through the Hong Kong Basic Law, independent representation in international organisations (e.g. WTO and WHO), treaty arrangements and policy-making except foreign diplomacy and military defence.
It stipulated that Hong Kong would retain its laws and be guaranteed a high degree of autonomy for at least 50 years after the transfer. The Hong Kong Basic Law, based on English law, would serve as the constitutional document after the transfer. It was ratified in 1990.[69] The expiry of the 1898 lease on the New Territories in 1997 created problems for business contracts, property leases and confidence among foreign investors.
Handover and Special Administrative Region status
Main articles: Transfer of sovereignty over Hong Kong and 2000s in Hong Kong
Transfer of sovereignty
Golden Bauhinia Square
On 1 July 1997, the transfer of sovereignty over Hong Kong from the United Kingdom to the People's Republic of China took place, officially marking the end of Hong Kong's 156 years under British colonial governance. As the largest remaining colony of the United Kingdom, the loss of Hong Kong effectively represented the end of the British Empire. This transfer of sovereignty made Hong Kong the first special administrative region of China. Tung Chee-Hwa, a pro-Beijing business tycoon, was elected Hong Kong's first Chief Executive by a selected electorate of 800 in a televised programme.
Structure of government
Hong Kong's current structure of governance inherits from the British model of colonial administration set up in the 1850s. The 1984 Sino-British Joint Declaration states that "Hong Kong should enjoy a high degree of autonomy in all areas except defence and foreign affairs" with reference to the underlying principle of one country, two systems.[note 3] This Declaration stipulates that Hong Kong maintains her capitalist economic system and guarantees the rights and freedoms of her people for at least 50 years after the 1997 handover. [note 4] Such guarantees are enshrined in the Hong Kong's Basic Law, the territory's constitutional document, which outlines the system of governance after 1997, albeit subject to interpretation by China's Standing Committee of the National People's Congress (NPCSC).[95][96]
Hong Kong's most senior leader, Chief Executive, is elected by a committee of 1,200 selected members (600 in 1997) and nominally appointed by the Government of China. The primary pillars of government are the Executive Council, Legislative Council, civil service and Judiciary.
Policy-making is initially discussed in the Executive Council, presided by the Chief Executive of Hong Kong, before passing to the Legislative Council for bill adoption. The Executive Council consists of 30 official/unofficial members appointed by the Chief Executive and one member among them acts as the convenor.[97][98]
The Legislative Council, set up in 1843, debates policies and motions before voting to adopt or rejecting bills. It has 70 members (originally 60) and 40 (originally 30) among them are directly elected by universal suffrage; the other 30 members are "functional constituencies" (indirectly) elected by a smaller electorate of corporate bodies or representatives of stipulated economic sectors as defined by the government. The Legislative Council is chaired by a president who acts as the speaker.[99][100]
In 1997, seating of the Legislative Council (also public services and election franchises) of Hong Kong modelled on the British system: Urban Council (Hong Kong and Kowloon) and District Council (New Territories and Outlying Islands). In 1999, this system has been reformed into 18 directly elected District Offices across 5 Legislative Council constituencies: Hong Kong Island (East/West), Kowloon and New Territories (East/West); the remaining outlying islands are divided across the aforementioned regions.
Hong Kong's Civil Service, created by the British colonial government, is a politically neutral body that implements government policies and provides public services. Senior civil servants are appointed based on meritocracy. The territory's police, firefighting and customs forces, as well as clerical officers across various government departments, make up the civil service.[101][102]
I don't get down to the DREI often enough. Consistent standard cabs in 2024 really isn't something to sneer at. Maybe I'll have to give it another go before years end. Last time I actually went in for a proper long photoshoot of this still relatively young shortline was a year ago when GP59 #5909 was brand new to the railroad. It and former SD45s 4236 and 4240 have the days 101 job well under control as they approach Garret. This little village doesn't have much going on, certainly no rail served industries, but a tall pile of gravel gave me a little height advantage I wouldn't usually have much any of out in central Illinois which was nice.
I've come to feel like Watco's yellow and black isn't too bad when paired with the end of summer, as the crops start to golden up. Has a nice feel to it, even if the scheme is a bit bland. The random equipment strewn around in Garret aren't far off of a match with the yellow there, either you know... noticing a theme here. From here, the Atwood grain elevator can still be seen over the top of the train off in the distance, too.