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L'impianto del centro odierno va fatto risalire alla prima età medioevale; esso infatti doveva possedere già una certa consistenza allorché nel XII sec. divenne feudo di Roberto il Normanno assumendo come sede di contea quel preminente ruolo politico-amministrativo che gli fu proprio anche nei secoli successivi. Il primo conte di Chiaromonte fu Ugo I detto "Monocolo" proveniente da Clermont in Val d'Oise in Francia. È interessante notare che nello stemma di Chiaromonte e in quello di Chiaramonte Gulfi (Ragusa), fondata da altri della stessa famiglia di Ugo, figurano cinque monti. Il che non autorizza a supporre che i cinque monti dello stemma raffigurino, come alcuni scrivono, cinque monti del territorio chiaromontese. La vasta contea di Chiaromonte che si estendeva da Policoro a Castelsaraceno, ebbe a lungo giurisdizione sui paesi del medio Sinni e Frido e da essa mosse la colonizzazione e la fondazione di insediamenti agricoli in parte sostenuta dai feudatari laici, in parte dall'Abbazia di S. Maria del Sagittario e dalla Certosa di S. Nicola. Fu sempre nel corso del medioevo che il borgo assunse le caratteristiche di terra murata tramite la trasformazione dell'antica roccaforte in vero e proprio castello e la costruzione della potente cinta muraria dotata di tre porte che racchiudeva un alto numero di abitanti. Nel 1532 la popolazione venne tassata per 235 fuochi; nel 1545 per 204; nel 1561 per 206; nel 1648 per 91; nel 1669 per 75. La forte diminuzione del XVII sec. è dovuta alle epidemie di peste che decimarono la popolazione del comprensorio. Nel 1797 il numero degli abitanti era in totale salito a 2250 e in quella stessa epoca si assisteva ad una ripresa del centro, denotata dalla edificazione di palazzi signorili e dalla presenza di tre fiere annuali di merci e bestiame. Durante il periodo napoleonico Chiaromonte era sede del Giudicato del Circondario di Lagonegro e divenne inoltre sede di Mandamento, di Ufficio Postale, di Ufficio di Stazione dei Carabinieri, di Delegazione di Pubblica Sicurezza, di Carcere Mandamentale. Al censimento del 1862 la popolazione del Comune era di 3240 abitanti. Storicamente Chiaromonte ha sempre fatto parte della Diocesi di Anglona e Tursi.
British postcard by Picturegoer Series, London, no. 1369. Photo: Paramount Pictures.
Blonde Mae West (1895-1982) was a seductive, overdressed, endearing, intelligent, and sometimes vulgar American actress and sex symbol. She featured a come-hither voice, aggressive sexuality, and a genius for comedy. West started in Vaudeville and on the stage in New York, and later moved to Hollywood to star in such films as I’m No Angel (1933), She Done Him Wrong (1933), and Klondike Annie (1936). She was one of the first women in the cinema to consistently write the films she starred in.
Mary Jane West was born in 1892, in Brooklyn, New York, to Matilda and John West. Family members called her Mae. Her father was a prizefighter known around the Brooklyn area as ‘Battlin' Jack’ West. Later, he worked as a "special policeman" (most likely as muscle for local business and crime bosses) and then as a private detective. Mae began working as an entertainer at age five at a church social. After a few years in stock, she moved into burlesque, where she was billed as ‘The Baby Vamp’. In 1907, 14-year-old West began performing professionally in vaudeville in the Hal Claredon Stock Company. Her mother made all her costumes, drilled her on rehearsals, and managed her bookings and contracts. In 1909, West met Frank Wallace, an up-and-coming vaudeville song-and-dance man. They formed an act and went out on the burlesque circuit. In 1911, she married Frank Wallace. Only 17, she lied about her age on her marriage certificate and kept the marriage secret from the public and her parents. She broke up the act soon after they arrived back in New York and the union remained a secret until 1935. In 1911, West auditioned for, and got a part, in her first Broadway show, ‘A La Broadway’, a comedy review. The show folded after only eight performances, but West was a hit. In the audience on opening night were two successful Broadway impresarios, Lee and J.J. Shubert, and they cast her in the production of ‘Vera Violetta’, also featuring Al Jolson and Gaby Deslys. West got her big break in 1918 in the Shubert Brothers revue Sometime, playing opposite Ed Wynn. Her character, Mayme, danced the shimmy, a brazen dance move that involved shaking the shoulders back and forth and pushing the chest out. As more parts came her way, West began to shape her characters, often rewriting dialogue or character descriptions to better suit her persona. She eventually began writing her own plays, initially using the pen name Jane Mast. In 1926 her first play, ‘Sex’, which she wrote, produced, and directed on Broadway, caused a scandal and landed her in jail for ten days on obscenity charges. Media attention surrounding the incident enhanced her career, by crowning her the darling "bad girl" who "had climbed the ladder of success wrong by wrong". She wrote and directed her second play, ‘Drag’ (1927) about homosexuality. She was an early supporter of gay rights and publicly declared against police brutality that gay men experienced. The play was a smash hit during a series of try-outs in Connecticut and New Jersey, but she was warned by city officials, not to bring it to Broadway. Finally, her play ‘Diamond Lil’ (1928), about a racy, easygoing, and ultimately very smart lady of the 1890s, became a Broadway hit and cemented West's image in the public's eye. And, after two more successful stage productions, she was invited to Hollywood.
At Paramount Pictures, Mae West made her film debut in Night After Night (Archie Mayo, 1932), starring George Raft. At 38 years old, she might have been considered in her ‘advanced years’ for playing sexy harlots, but her persona and physical beauty seemed to overcome any doubt. At first, she balked at her small role in Night After Night but was appeased when allowed to rewrite her scenes. One scene became a sensation. When a coat check girl exclaims, "Goodness! What lovely diamonds!", after seeing Mae's jewelry. Mae replies, "Goodness had nothing to do with it, dearie". Mae was a hit and later George Raft said of Mae: "She stole everything but the cameras." In her second film, She Done Him Wrong (Lowell Sherman, 1933), West was able to bring her ‘Diamond Lil’ character to the screen in her first starring film role. Her co-star was newcomer Cary Grant in one of his first major roles. ‘Lil’ was renamed ‘Lady Lou’, and she uttered the famous West line, "Why don't you come up sometime and see me?" The film was nominated for an Oscar for Best Picture, and did tremendously well at the box office. She Done Him Wrong is attributed to saving Paramount from bankruptcy. In her next film, I'm No Angel (Wesley Ruggles, 1933), she was again paired with Grant. This film, too, was a financial blockbuster and West became the highest-paid woman in the United States. However, her reputation as a provocative sexual figure and the steamy settings of her films aroused the wrath and moral indignation of several groups. The new Hays Office had the power to pre-approve films' productions and change scripts. In 1934, the organisation began to seriously and meticulously enforce the Production Code on West's screenplays, and heavily edited them. West responded in her typical fashion by increasing the number of innuendos and double entendres, fully expecting to confuse the censors, which she did for the most part. Her film Klondike Annie (Raoul Walsh, 1936) with Victor McLaglen, concerned itself with religion and hypocrisy. William R. Hearst disagreed so vehemently with the film's context, and West's portrayal of a Salvation Army worker, that he personally forbade any stories or advertisements of the film to be published in any of his newspapers. However, the film did well at the box office and is considered the high-point of West's film career. Throughout the 1930s her films were anticipated as major events, but by the end of the decade she seemed to have reached her limit and her popularity waned. The few other films she did for Paramount — Go West, Young Man (Henry Hathaway, 1936) and Everyday's a Holiday (A. Edward Sutherland, 1937) — did not do well at the box office, and she found censorship was severely limiting her creativity. In 1937, she was banned from NBC Radio after a guest appearance with Edgar Bergen and Charlie McCarthy that was loaded with flirtatious dialogue and double-entendres.
In 1939, Mae West was approached by Universal Pictures to star in a film opposite comedian W.C. Fields. The studio wanted to duplicate the success they had with another film, Destry Rides Again (George Marshall, 1939), a Western morality tale starring Marlene Dietrich and James Stewart. West, looking for a vehicle to make a comeback in films, accepted the part, demanding creative control over the film. Using the same Western genre, she wrote the script for My Little Chickadee (Edward F. Cline, 1940). Despite tension on the set between West and Fields (she was a teetotaler and he drank), the film was a box-office success, out-grossing Fields' previous two films. After making The Heat's On (Gregory Ratoff, 1943) for Columbia, she planned to retire from the screen and went back to Broadway and on a tour of English theatres. Among her popular stage performances was the title role in ‘Catherine Was Great’ (1944) on Broadway, in which she penned a spoof on the story of Catherine the Great of Russia, surrounding herself with an ‘imperial guard’ of tall, muscular young actors. The play was produced by theater and film impresario Mike Todd and ran for 191 performances and then went on tour. In 1954, when she was 62, she began a nightclub act in which she was surrounded by musclemen; it ran for three years and was a great success. In 1954, West formed a nightclub act which revived some of her earlier stage work, featuring her in song-and-dance numbers and surrounded by musclemen fawning over her for attention. The show ran for three years and was a great success. With this victory, she felt it was a good time to retire. In 1959, West released her bestselling autobiography, ‘Goodness Had Nothing To Do With It’, recounting her life in show business. She made a few guest appearances on the 1960s television comedy/variety shows like The Red Skelton Show and some situation comedies like Mister Ed. She also recorded a few albums in different genres including rock 'n' roll and a Christmas album which, of course, was more parody and innuendo than a religious celebration. In the 1970s, she appeared in two more films. She had s small part in Gore Vidal's Myra Breckenridge (Michael Sarne, 1970), starring Raquel Welch. She starred in Sextette (Ken Hughes, 1978), which she based on her own stage play. Both were box office flops, but are now seen as cult films. In 1980, Mae West died after suffering two strokes in Hollywood and was entombed in Brooklyn, New York. She was 88. Denny Jackson at IMDb: “The actress, who only appeared in 12 films in 46 years, had a powerful impact on us. There was no doubt she was way ahead of her time with her sexual innuendos and how she made fun of a puritanical society. She did a lot to bring it out of the closet and perhaps we should be grateful for that.”
Sources: Denny Jackson (IMDb), Biography.com, AllMovie, Wikipedia, and IMDb.
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Hadrian's Wall (Latin: Vallum Hadriani, also known as the Roman Wall, Picts' Wall, or Vallum Aelium in Latin), is a former defensive fortification of the Roman province of Britannia, begun in AD 122 in the reign of the Emperor Hadrian.[1] Running from Wallsend on the River Tyne in the east to Bowness-on-Solway in the west of what is now northern England, it was a stone wall with large ditches in front of it and behind it that crossed the whole width of the island. Soldiers were garrisoned along the line of the wall in large forts, smaller milecastles, and intervening turrets. In addition to the wall's defensive military role, its gates may have been customs posts.
Hadrian's Wall Path generally runs very close to the wall. Almost all of the standing masonry of the wall was removed in early modern times and used for local roads and farmhouses. None of it stands to its original height, but modern work has exposed much of the footings, and some segments display a few courses of modern masonry reconstruction. Many of the excavated forts on or near the wall are open to the public, and various nearby museums present its history. The largest Roman archaeological feature in Britain, it runs a total of 73 miles (117.5 kilometres) in northern England. Regarded as a British cultural icon, Hadrian's Wall is one of Britain's major ancient tourist attractions. It was designated as a UNESCO World Heritage Site in 1987. The turf-built Antonine Wall in what is now central Scotland, which briefly superseded Hadrian's Wall before being abandoned, was declared a World Heritage Site in 2008.
Hadrian's Wall marked the boundary between Roman Britannia and unconquered Caledonia to the north. The wall lies entirely within England and has never formed the Anglo-Scottish border, though it is sometimes loosely or colloquially described as being such.
Roman Britain was the territory that became the Roman province of Britannia after the Roman conquest of Britain, consisting of a large part of the island of Great Britain. The occupation lasted from AD 43 to AD 410.
Julius Caesar invaded Britain in 55 and 54 BC as part of his Gallic Wars. According to Caesar, the Britons had been overrun or culturally assimilated by the Belgae during the British Iron Age and had been aiding Caesar's enemies. The Belgae were the only Celtic tribe to cross the sea into Britain, for to all other Celtic tribes this land was unknown. He received tribute, installed the friendly king Mandubracius over the Trinovantes, and returned to Gaul. Planned invasions under Augustus were called off in 34, 27, and 25 BC. In 40 AD, Caligula assembled 200,000 men at the Channel on the continent, only to have them gather seashells (musculi) according to Suetonius, perhaps as a symbolic gesture to proclaim Caligula's victory over the sea. Three years later, Claudius directed four legions to invade Britain and restore the exiled king Verica over the Atrebates. The Romans defeated the Catuvellauni, and then organized their conquests as the province of Britain. By 47 AD, the Romans held the lands southeast of the Fosse Way. Control over Wales was delayed by reverses and the effects of Boudica's uprising, but the Romans expanded steadily northward.
The conquest of Britain continued under command of Gnaeus Julius Agricola (77–84), who expanded the Roman Empire as far as Caledonia. In mid-84 AD, Agricola faced the armies of the Caledonians, led by Calgacus, at the Battle of Mons Graupius. Battle casualties were estimated by Tacitus to be upwards of 10,000 on the Caledonian side and about 360 on the Roman side. The bloodbath at Mons Graupius concluded the forty-year conquest of Britain, a period that possibly saw between 100,000 and 250,000 Britons killed. In the context of pre-industrial warfare and of a total population of Britain of c. 2 million, these are very high figures.
Under the 2nd-century emperors Hadrian and Antoninus Pius, two walls were built to defend the Roman province from the Caledonians, whose realms in the Scottish Highlands were never controlled. Around 197 AD, the Severan Reforms divided Britain into two provinces: Britannia Superior and Britannia Inferior. During the Diocletian Reforms, at the end of the 3rd century, Britannia was divided into four provinces under the direction of a vicarius, who administered the Diocese of the Britains. A fifth province, Valentia, is attested in the later 4th century. For much of the later period of the Roman occupation, Britannia was subject to barbarian invasions and often came under the control of imperial usurpers and imperial pretenders. The final Roman withdrawal from Britain occurred around 410; the native kingdoms are considered to have formed Sub-Roman Britain after that.
Following the conquest of the Britons, a distinctive Romano-British culture emerged as the Romans introduced improved agriculture, urban planning, industrial production, and architecture. The Roman goddess Britannia became the female personification of Britain. After the initial invasions, Roman historians generally only mention Britain in passing. Thus, most present knowledge derives from archaeological investigations and occasional epigraphic evidence lauding the Britannic achievements of an emperor. Roman citizens settled in Britain from many parts of the Empire.
History
Britain was known to the Classical world. The Greeks, the Phoenicians and the Carthaginians traded for Cornish tin in the 4th century BC. The Greeks referred to the Cassiterides, or "tin islands", and placed them near the west coast of Europe. The Carthaginian sailor Himilco is said to have visited the island in the 6th or 5th century BC and the Greek explorer Pytheas in the 4th. It was regarded as a place of mystery, with some writers refusing to believe it existed.
The first direct Roman contact was when Julius Caesar undertook two expeditions in 55 and 54 BC, as part of his conquest of Gaul, believing the Britons were helping the Gallic resistance. The first expedition was more a reconnaissance than a full invasion and gained a foothold on the coast of Kent but was unable to advance further because of storm damage to the ships and a lack of cavalry. Despite the military failure, it was a political success, with the Roman Senate declaring a 20-day public holiday in Rome to honour the unprecedented achievement of obtaining hostages from Britain and defeating Belgic tribes on returning to the continent.
The second invasion involved a substantially larger force and Caesar coerced or invited many of the native Celtic tribes to pay tribute and give hostages in return for peace. A friendly local king, Mandubracius, was installed, and his rival, Cassivellaunus, was brought to terms. Hostages were taken, but historians disagree over whether any tribute was paid after Caesar returned to Gaul.
Caesar conquered no territory and left no troops behind, but he established clients and brought Britain into Rome's sphere of influence. Augustus planned invasions in 34, 27 and 25 BC, but circumstances were never favourable, and the relationship between Britain and Rome settled into one of diplomacy and trade. Strabo, writing late in Augustus's reign, claimed that taxes on trade brought in more annual revenue than any conquest could. Archaeology shows that there was an increase in imported luxury goods in southeastern Britain. Strabo also mentions British kings who sent embassies to Augustus, and Augustus's own Res Gestae refers to two British kings he received as refugees. When some of Tiberius's ships were carried to Britain in a storm during his campaigns in Germany in 16 AD, they came back with tales of monsters.
Rome appears to have encouraged a balance of power in southern Britain, supporting two powerful kingdoms: the Catuvellauni, ruled by the descendants of Tasciovanus, and the Atrebates, ruled by the descendants of Commius. This policy was followed until 39 or 40 AD, when Caligula received an exiled member of the Catuvellaunian dynasty and planned an invasion of Britain that collapsed in farcical circumstances before it left Gaul. When Claudius successfully invaded in 43 AD, it was in aid of another fugitive British ruler, Verica of the Atrebates.
Roman invasion
The invasion force in 43 AD was led by Aulus Plautius,[26] but it is unclear how many legions were sent. The Legio II Augusta, commanded by future emperor Vespasian, was the only one directly attested to have taken part. The Legio IX Hispana, the XIV Gemina (later styled Martia Victrix) and the XX (later styled Valeria Victrix) are known to have served during the Boudican Revolt of 60/61, and were probably there since the initial invasion. This is not certain because the Roman army was flexible, with units being moved around whenever necessary. The IX Hispana may have been permanently stationed, with records showing it at Eboracum (York) in 71 and on a building inscription there dated 108, before being destroyed in the east of the Empire, possibly during the Bar Kokhba revolt.
The invasion was delayed by a troop mutiny until an imperial freedman persuaded them to overcome their fear of crossing the Ocean and campaigning beyond the limits of the known world. They sailed in three divisions, and probably landed at Richborough in Kent; at least part of the force may have landed near Fishbourne, West Sussex.
The Catuvellauni and their allies were defeated in two battles: the first, assuming a Richborough landing, on the river Medway, the second on the river Thames. One of their leaders, Togodumnus, was killed, but his brother Caratacus survived to continue resistance elsewhere. Plautius halted at the Thames and sent for Claudius, who arrived with reinforcements, including artillery and elephants, for the final march to the Catuvellaunian capital, Camulodunum (Colchester). Vespasian subdued the southwest, Cogidubnus was set up as a friendly king of several territories, and treaties were made with tribes outside direct Roman control.
Establishment of Roman rule
After capturing the south of the island, the Romans turned their attention to what is now Wales. The Silures, Ordovices and Deceangli remained implacably opposed to the invaders and for the first few decades were the focus of Roman military attention, despite occasional minor revolts among Roman allies like the Brigantes and the Iceni. The Silures were led by Caratacus, and he carried out an effective guerrilla campaign against Governor Publius Ostorius Scapula. Finally, in 51, Ostorius lured Caratacus into a set-piece battle and defeated him. The British leader sought refuge among the Brigantes, but their queen, Cartimandua, proved her loyalty by surrendering him to the Romans. He was brought as a captive to Rome, where a dignified speech he made during Claudius's triumph persuaded the emperor to spare his life. The Silures were still not pacified, and Cartimandua's ex-husband Venutius replaced Caratacus as the most prominent leader of British resistance.
On Nero's accession, Roman Britain extended as far north as Lindum. Gaius Suetonius Paulinus, the conqueror of Mauretania (modern day Algeria and Morocco), then became governor of Britain, and in 60 and 61 he moved against Mona (Anglesey) to settle accounts with Druidism once and for all. Paulinus led his army across the Menai Strait and massacred the Druids and burnt their sacred groves.
While Paulinus was campaigning in Mona, the southeast of Britain rose in revolt under the leadership of Boudica. She was the widow of the recently deceased king of the Iceni, Prasutagus. The Roman historian Tacitus reports that Prasutagus had left a will leaving half his kingdom to Nero in the hope that the remainder would be left untouched. He was wrong. When his will was enforced, Rome[clarification needed] responded by violently seizing the tribe's lands in full. Boudica protested. In consequence, Rome[clarification needed] punished her and her daughters by flogging and rape. In response, the Iceni, joined by the Trinovantes, destroyed the Roman colony at Camulodunum (Colchester) and routed the part of the IXth Legion that was sent to relieve it. Paulinus rode to London (then called Londinium), the rebels' next target, but concluded it could not be defended. Abandoned, it was destroyed, as was Verulamium (St. Albans). Between seventy and eighty thousand people are said to have been killed in the three cities. But Paulinus regrouped with two of the three legions still available to him, chose a battlefield, and, despite being outnumbered by more than twenty to one, defeated the rebels in the Battle of Watling Street. Boudica died not long afterwards, by self-administered poison or by illness. During this time, the Emperor Nero considered withdrawing Roman forces from Britain altogether.
There was further turmoil in 69, the "Year of the Four Emperors". As civil war raged in Rome, weak governors were unable to control the legions in Britain, and Venutius of the Brigantes seized his chance. The Romans had previously defended Cartimandua against him, but this time were unable to do so. Cartimandua was evacuated, and Venutius was left in control of the north of the country. After Vespasian secured the empire, his first two appointments as governor, Quintus Petillius Cerialis and Sextus Julius Frontinus, took on the task of subduing the Brigantes and Silures respectively.[38] Frontinus extended Roman rule to all of South Wales, and initiated exploitation of the mineral resources, such as the gold mines at Dolaucothi.
In the following years, the Romans conquered more of the island, increasing the size of Roman Britain. Governor Gnaeus Julius Agricola, father-in-law to the historian Tacitus, conquered the Ordovices in 78. With the XX Valeria Victrix legion, Agricola defeated the Caledonians in 84 at the Battle of Mons Graupius, in north-east Scotland. This was the high-water mark of Roman territory in Britain: shortly after his victory, Agricola was recalled from Britain back to Rome, and the Romans initially retired to a more defensible line along the Forth–Clyde isthmus, freeing soldiers badly needed along other frontiers.
For much of the history of Roman Britain, a large number of soldiers were garrisoned on the island. This required that the emperor station a trusted senior man as governor of the province. As a result, many future emperors served as governors or legates in this province, including Vespasian, Pertinax, and Gordian I.
Roman military organisation in the north
In 84 AD
In 84 AD
In 155 AD
In 155 AD
Hadrian's Wall, and Antonine Wall
There is no historical source describing the decades that followed Agricola's recall. Even the name of his replacement is unknown. Archaeology has shown that some Roman forts south of the Forth–Clyde isthmus were rebuilt and enlarged; others appear to have been abandoned. By 87 the frontier had been consolidated on the Stanegate. Roman coins and pottery have been found circulating at native settlement sites in the Scottish Lowlands in the years before 100, indicating growing Romanisation. Some of the most important sources for this era are the writing tablets from the fort at Vindolanda in Northumberland, mostly dating to 90–110. These tablets provide evidence for the operation of a Roman fort at the edge of the Roman Empire, where officers' wives maintained polite society while merchants, hauliers and military personnel kept the fort operational and supplied.
Around 105 there appears to have been a serious setback at the hands of the tribes of the Picts: several Roman forts were destroyed by fire, with human remains and damaged armour at Trimontium (at modern Newstead, in SE Scotland) indicating hostilities at least at that site.[citation needed] There is also circumstantial evidence that auxiliary reinforcements were sent from Germany, and an unnamed British war of the period is mentioned on the gravestone of a tribune of Cyrene. Trajan's Dacian Wars may have led to troop reductions in the area or even total withdrawal followed by slighting of the forts by the Picts rather than an unrecorded military defeat. The Romans were also in the habit of destroying their own forts during an orderly withdrawal, in order to deny resources to an enemy. In either case, the frontier probably moved south to the line of the Stanegate at the Solway–Tyne isthmus around this time.
A new crisis occurred at the beginning of Hadrian's reign): a rising in the north which was suppressed by Quintus Pompeius Falco. When Hadrian reached Britannia on his famous tour of the Roman provinces around 120, he directed an extensive defensive wall, known to posterity as Hadrian's Wall, to be built close to the line of the Stanegate frontier. Hadrian appointed Aulus Platorius Nepos as governor to undertake this work who brought the Legio VI Victrix legion with him from Germania Inferior. This replaced the famous Legio IX Hispana, whose disappearance has been much discussed. Archaeology indicates considerable political instability in Scotland during the first half of the 2nd century, and the shifting frontier at this time should be seen in this context.
In the reign of Antoninus Pius (138–161) the Hadrianic border was briefly extended north to the Forth–Clyde isthmus, where the Antonine Wall was built around 142 following the military reoccupation of the Scottish lowlands by a new governor, Quintus Lollius Urbicus.
The first Antonine occupation of Scotland ended as a result of a further crisis in 155–157, when the Brigantes revolted. With limited options to despatch reinforcements, the Romans moved their troops south, and this rising was suppressed by Governor Gnaeus Julius Verus. Within a year the Antonine Wall was recaptured, but by 163 or 164 it was abandoned. The second occupation was probably connected with Antoninus's undertakings to protect the Votadini or his pride in enlarging the empire, since the retreat to the Hadrianic frontier occurred not long after his death when a more objective strategic assessment of the benefits of the Antonine Wall could be made. The Romans did not entirely withdraw from Scotland at this time: the large fort at Newstead was maintained along with seven smaller outposts until at least 180.
During the twenty-year period following the reversion of the frontier to Hadrian's Wall in 163/4, Rome was concerned with continental issues, primarily problems in the Danubian provinces. Increasing numbers of hoards of buried coins in Britain at this time indicate that peace was not entirely achieved. Sufficient Roman silver has been found in Scotland to suggest more than ordinary trade, and it is likely that the Romans were reinforcing treaty agreements by paying tribute to their implacable enemies, the Picts.
In 175, a large force of Sarmatian cavalry, consisting of 5,500 men, arrived in Britannia, probably to reinforce troops fighting unrecorded uprisings. In 180, Hadrian's Wall was breached by the Picts and the commanding officer or governor was killed there in what Cassius Dio described as the most serious war of the reign of Commodus. Ulpius Marcellus was sent as replacement governor and by 184 he had won a new peace, only to be faced with a mutiny from his own troops. Unhappy with Marcellus's strictness, they tried to elect a legate named Priscus as usurper governor; he refused, but Marcellus was lucky to leave the province alive. The Roman army in Britannia continued its insubordination: they sent a delegation of 1,500 to Rome to demand the execution of Tigidius Perennis, a Praetorian prefect who they felt had earlier wronged them by posting lowly equites to legate ranks in Britannia. Commodus met the party outside Rome and agreed to have Perennis killed, but this only made them feel more secure in their mutiny.
The future emperor Pertinax (lived 126–193) was sent to Britannia to quell the mutiny and was initially successful in regaining control, but a riot broke out among the troops. Pertinax was attacked and left for dead, and asked to be recalled to Rome, where he briefly succeeded Commodus as emperor in 192.
3rd century
The death of Commodus put into motion a series of events which eventually led to civil war. Following the short reign of Pertinax, several rivals for the emperorship emerged, including Septimius Severus and Clodius Albinus. The latter was the new governor of Britannia, and had seemingly won the natives over after their earlier rebellions; he also controlled three legions, making him a potentially significant claimant. His sometime rival Severus promised him the title of Caesar in return for Albinus's support against Pescennius Niger in the east. Once Niger was neutralised, Severus turned on his ally in Britannia; it is likely that Albinus saw he would be the next target and was already preparing for war.
Albinus crossed to Gaul in 195, where the provinces were also sympathetic to him, and set up at Lugdunum. Severus arrived in February 196, and the ensuing battle was decisive. Albinus came close to victory, but Severus's reinforcements won the day, and the British governor committed suicide. Severus soon purged Albinus's sympathisers and perhaps confiscated large tracts of land in Britain as punishment. Albinus had demonstrated the major problem posed by Roman Britain. In order to maintain security, the province required the presence of three legions, but command of these forces provided an ideal power base for ambitious rivals. Deploying those legions elsewhere would strip the island of its garrison, leaving the province defenceless against uprisings by the native Celtic tribes and against invasion by the Picts and Scots.
The traditional view is that northern Britain descended into anarchy during Albinus's absence. Cassius Dio records that the new Governor, Virius Lupus, was obliged to buy peace from a fractious northern tribe known as the Maeatae. The succession of militarily distinguished governors who were subsequently appointed suggests that enemies of Rome were posing a difficult challenge, and Lucius Alfenus Senecio's report to Rome in 207 describes barbarians "rebelling, over-running the land, taking loot and creating destruction". In order to rebel, of course, one must be a subject – the Maeatae clearly did not consider themselves such. Senecio requested either reinforcements or an Imperial expedition, and Severus chose the latter, despite being 62 years old. Archaeological evidence shows that Senecio had been rebuilding the defences of Hadrian's Wall and the forts beyond it, and Severus's arrival in Britain prompted the enemy tribes to sue for peace immediately. The emperor had not come all that way to leave without a victory, and it is likely that he wished to provide his teenage sons Caracalla and Geta with first-hand experience of controlling a hostile barbarian land.
Northern campaigns, 208–211
An invasion of Caledonia led by Severus and probably numbering around 20,000 troops moved north in 208 or 209, crossing the Wall and passing through eastern Scotland on a route similar to that used by Agricola. Harried by punishing guerrilla raids by the northern tribes and slowed by an unforgiving terrain, Severus was unable to meet the Caledonians on a battlefield. The emperor's forces pushed north as far as the River Tay, but little appears to have been achieved by the invasion, as peace treaties were signed with the Caledonians. By 210 Severus had returned to York, and the frontier had once again become Hadrian's Wall. He assumed the title Britannicus but the title meant little with regard to the unconquered north, which clearly remained outside the authority of the Empire. Almost immediately, another northern tribe, the Maeatae, went to war. Caracalla left with a punitive expedition, but by the following year his ailing father had died and he and his brother left the province to press their claim to the throne.
As one of his last acts, Severus tried to solve the problem of powerful and rebellious governors in Britain by dividing the province into Britannia Superior and Britannia Inferior. This kept the potential for rebellion in check for almost a century. Historical sources provide little information on the following decades, a period known as the Long Peace. Even so, the number of buried hoards found from this period rises, suggesting continuing unrest. A string of forts were built along the coast of southern Britain to control piracy; and over the following hundred years they increased in number, becoming the Saxon Shore Forts.
During the middle of the 3rd century, the Roman Empire was convulsed by barbarian invasions, rebellions and new imperial pretenders. Britannia apparently avoided these troubles, but increasing inflation had its economic effect. In 259 a so-called Gallic Empire was established when Postumus rebelled against Gallienus. Britannia was part of this until 274 when Aurelian reunited the empire.
Around the year 280, a half-British officer named Bonosus was in command of the Roman's Rhenish fleet when the Germans managed to burn it at anchor. To avoid punishment, he proclaimed himself emperor at Colonia Agrippina (Cologne) but was crushed by Marcus Aurelius Probus. Soon afterwards, an unnamed governor of one of the British provinces also attempted an uprising. Probus put it down by sending irregular troops of Vandals and Burgundians across the Channel.
The Carausian Revolt led to a short-lived Britannic Empire from 286 to 296. Carausius was a Menapian naval commander of the Britannic fleet; he revolted upon learning of a death sentence ordered by the emperor Maximian on charges of having abetted Frankish and Saxon pirates and having embezzled recovered treasure. He consolidated control over all the provinces of Britain and some of northern Gaul while Maximian dealt with other uprisings. An invasion in 288 failed to unseat him and an uneasy peace ensued, with Carausius issuing coins and inviting official recognition. In 293, the junior emperor Constantius Chlorus launched a second offensive, besieging the rebel port of Gesoriacum (Boulogne-sur-Mer) by land and sea. After it fell, Constantius attacked Carausius's other Gallic holdings and Frankish allies and Carausius was usurped by his treasurer, Allectus. Julius Asclepiodotus landed an invasion fleet near Southampton and defeated Allectus in a land battle.
Diocletian's reforms
As part of Diocletian's reforms, the provinces of Roman Britain were organized as a diocese governed by a vicarius under a praetorian prefect who, from 318 to 331, was Junius Bassus who was based at Augusta Treverorum (Trier).
The vicarius was based at Londinium as the principal city of the diocese. Londinium and Eboracum continued as provincial capitals and the territory was divided up into smaller provinces for administrative efficiency.
Civilian and military authority of a province was no longer exercised by one official and the governor was stripped of military command which was handed over to the Dux Britanniarum by 314. The governor of a province assumed more financial duties (the procurators of the Treasury ministry were slowly phased out in the first three decades of the 4th century). The Dux was commander of the troops of the Northern Region, primarily along Hadrian's Wall and his responsibilities included protection of the frontier. He had significant autonomy due in part to the distance from his superiors.
The tasks of the vicarius were to control and coordinate the activities of governors; monitor but not interfere with the daily functioning of the Treasury and Crown Estates, which had their own administrative infrastructure; and act as the regional quartermaster-general of the armed forces. In short, as the sole civilian official with superior authority, he had general oversight of the administration, as well as direct control, while not absolute, over governors who were part of the prefecture; the other two fiscal departments were not.
The early-4th-century Verona List, the late-4th-century work of Sextus Rufus, and the early-5th-century List of Offices and work of Polemius Silvius all list four provinces by some variation of the names Britannia I, Britannia II, Maxima Caesariensis, and Flavia Caesariensis; all of these seem to have initially been directed by a governor (praeses) of equestrian rank. The 5th-century sources list a fifth province named Valentia and give its governor and Maxima's a consular rank. Ammianus mentions Valentia as well, describing its creation by Count Theodosius in 369 after the quelling of the Great Conspiracy. Ammianus considered it a re-creation of a formerly lost province, leading some to think there had been an earlier fifth province under another name (may be the enigmatic "Vespasiana"), and leading others to place Valentia beyond Hadrian's Wall, in the territory abandoned south of the Antonine Wall.
Reconstructions of the provinces and provincial capitals during this period partially rely on ecclesiastical records. On the assumption that the early bishoprics mimicked the imperial hierarchy, scholars use the list of bishops for the 314 Council of Arles. The list is patently corrupt: the British delegation is given as including a Bishop "Eborius" of Eboracum and two bishops "from Londinium" (one de civitate Londinensi and the other de civitate colonia Londinensium). The error is variously emended: Bishop Ussher proposed Colonia, Selden Col. or Colon. Camalodun., and Spelman Colonia Cameloduni (all various names of Colchester); Gale and Bingham offered colonia Lindi and Henry Colonia Lindum (both Lincoln); and Bishop Stillingfleet and Francis Thackeray read it as a scribal error of Civ. Col. Londin. for an original Civ. Col. Leg. II (Caerleon). On the basis of the Verona List, the priest and deacon who accompanied the bishops in some manuscripts are ascribed to the fourth province.
In the 12th century, Gerald of Wales described the supposedly metropolitan sees of the early British church established by the legendary SS Fagan and "Duvian". He placed Britannia Prima in Wales and western England with its capital at "Urbs Legionum" (Caerleon); Britannia Secunda in Kent and southern England with its capital at "Dorobernia" (Canterbury); Flavia in Mercia and central England with its capital at "Lundonia" (London); "Maximia" in northern England with its capital at Eboracum (York); and Valentia in "Albania which is now Scotland" with its capital at St Andrews. Modern scholars generally dispute the last: some place Valentia at or beyond Hadrian's Wall but St Andrews is beyond even the Antonine Wall and Gerald seems to have simply been supporting the antiquity of its church for political reasons.
A common modern reconstruction places the consular province of Maxima at Londinium, on the basis of its status as the seat of the diocesan vicarius; places Prima in the west according to Gerald's traditional account but moves its capital to Corinium of the Dobunni (Cirencester) on the basis of an artifact recovered there referring to Lucius Septimius, a provincial rector; places Flavia north of Maxima, with its capital placed at Lindum Colonia (Lincoln) to match one emendation of the bishops list from Arles;[d] and places Secunda in the north with its capital at Eboracum (York). Valentia is placed variously in northern Wales around Deva (Chester); beside Hadrian's Wall around Luguvalium (Carlisle); and between the walls along Dere Street.
4th century
Emperor Constantius returned to Britain in 306, despite his poor health, with an army aiming to invade northern Britain, the provincial defences having been rebuilt in the preceding years. Little is known of his campaigns with scant archaeological evidence, but fragmentary historical sources suggest he reached the far north of Britain and won a major battle in early summer before returning south. His son Constantine (later Constantine the Great) spent a year in northern Britain at his father's side, campaigning against the Picts beyond Hadrian's Wall in the summer and autumn. Constantius died in York in July 306 with his son at his side. Constantine then successfully used Britain as the starting point of his march to the imperial throne, unlike the earlier usurper, Albinus.
In the middle of the century, the province was loyal for a few years to the usurper Magnentius, who succeeded Constans following the latter's death. After the defeat and death of Magnentius in the Battle of Mons Seleucus in 353, Constantius II dispatched his chief imperial notary Paulus Catena to Britain to hunt down Magnentius's supporters. The investigation deteriorated into a witch-hunt, which forced the vicarius Flavius Martinus to intervene. When Paulus retaliated by accusing Martinus of treason, the vicarius attacked Paulus with a sword, with the aim of assassinating him, but in the end he committed suicide.
As the 4th century progressed, there were increasing attacks from the Saxons in the east and the Scoti (Irish) in the west. A series of forts had been built, starting around 280, to defend the coasts, but these preparations were not enough when, in 367, a general assault of Saxons, Picts, Scoti and Attacotti, combined with apparent dissension in the garrison on Hadrian's Wall, left Roman Britain prostrate. The invaders overwhelmed the entire western and northern regions of Britannia and the cities were sacked. This crisis, sometimes called the Barbarian Conspiracy or the Great Conspiracy, was settled by Count Theodosius from 368 with a string of military and civil reforms. Theodosius crossed from Bononia (Boulogne-sur-Mer) and marched on Londinium where he began to deal with the invaders and made his base.[ An amnesty was promised to deserters which enabled Theodosius to regarrison abandoned forts. By the end of the year Hadrian's Wall was retaken and order returned. Considerable reorganization was undertaken in Britain, including the creation of a new province named Valentia, probably to better address the state of the far north. A new Dux Britanniarum was appointed, Dulcitius, with Civilis to head a new civilian administration.
Another imperial usurper, Magnus Maximus, raised the standard of revolt at Segontium (Caernarfon) in north Wales in 383, and crossed the English Channel. Maximus held much of the western empire, and fought a successful campaign against the Picts and Scots around 384. His continental exploits required troops from Britain, and it appears that forts at Chester and elsewhere were abandoned in this period, triggering raids and settlement in north Wales by the Irish. His rule was ended in 388, but not all the British troops may have returned: the Empire's military resources were stretched to the limit along the Rhine and Danube. Around 396 there were more barbarian incursions into Britain. Stilicho led a punitive expedition. It seems peace was restored by 399, and it is likely that no further garrisoning was ordered; by 401 more troops were withdrawn, to assist in the war against Alaric I.
End of Roman rule
The traditional view of historians, informed by the work of Michael Rostovtzeff, was of a widespread economic decline at the beginning of the 5th century. Consistent archaeological evidence has told another story, and the accepted view is undergoing re-evaluation. Some features are agreed: more opulent but fewer urban houses, an end to new public building and some abandonment of existing ones, with the exception of defensive structures, and the widespread formation of "dark earth" deposits indicating increased horticulture within urban precincts. Turning over the basilica at Silchester to industrial uses in the late 3rd century, doubtless officially condoned, marks an early stage in the de-urbanisation of Roman Britain.
The abandonment of some sites is now believed to be later than had been thought. Many buildings changed use but were not destroyed. There was a growing number of barbarian attacks, but these targeted vulnerable rural settlements rather than towns. Some villas such as Chedworth, Great Casterton in Rutland and Hucclecote in Gloucestershire had new mosaic floors laid around this time, suggesting that economic problems may have been limited and patchy. Many suffered some decay before being abandoned in the 5th century; the story of Saint Patrick indicates that villas were still occupied until at least 430. Exceptionally, new buildings were still going up in this period in Verulamium and Cirencester. Some urban centres, for example Canterbury, Cirencester, Wroxeter, Winchester and Gloucester, remained active during the 5th and 6th centuries, surrounded by large farming estates.
Urban life had generally grown less intense by the fourth quarter of the 4th century, and coins minted between 378 and 388 are very rare, indicating a likely combination of economic decline, diminishing numbers of troops, problems with the payment of soldiers and officials or with unstable conditions during the usurpation of Magnus Maximus 383–87. Coinage circulation increased during the 390s, but never attained the levels of earlier decades. Copper coins are very rare after 402, though minted silver and gold coins from hoards indicate they were still present in the province even if they were not being spent. By 407 there were very few new Roman coins going into circulation, and by 430 it is likely that coinage as a medium of exchange had been abandoned. Mass-produced wheel thrown pottery ended at approximately the same time; the rich continued to use metal and glass vessels, while the poor made do with humble "grey ware" or resorted to leather or wooden containers.
Sub-Roman Britain
Towards the end of the 4th century Roman rule in Britain came under increasing pressure from barbarian attacks. Apparently, there were not enough troops to mount an effective defence. After elevating two disappointing usurpers, the army chose a soldier, Constantine III, to become emperor in 407. He crossed to Gaul but was defeated by Honorius; it is unclear how many troops remained or ever returned, or whether a commander-in-chief in Britain was ever reappointed. A Saxon incursion in 408 was apparently repelled by the Britons, and in 409 Zosimus records that the natives expelled the Roman civilian administration. Zosimus may be referring to the Bacaudic rebellion of the Breton inhabitants of Armorica since he describes how, in the aftermath of the revolt, all of Armorica and the rest of Gaul followed the example of the Brettaniai. A letter from Emperor Honorius in 410 has traditionally been seen as rejecting a British appeal for help, but it may have been addressed to Bruttium or Bologna. With the imperial layers of the military and civil government gone, administration and justice fell to municipal authorities, and local warlords gradually emerged all over Britain, still utilizing Romano-British ideals and conventions. Historian Stuart Laycock has investigated this process and emphasised elements of continuity from the British tribes in the pre-Roman and Roman periods, through to the native post-Roman kingdoms.
In British tradition, pagan Saxons were invited by Vortigern to assist in fighting the Picts, Scoti, and Déisi. (Germanic migration into Roman Britannia may have begun much earlier. There is recorded evidence, for example, of Germanic auxiliaries supporting the legions in Britain in the 1st and 2nd centuries.) The new arrivals rebelled, plunging the country into a series of wars that eventually led to the Saxon occupation of Lowland Britain by 600. Around this time, many Britons fled to Brittany (hence its name), Galicia and probably Ireland. A significant date in sub-Roman Britain is the Groans of the Britons, an unanswered appeal to Aetius, leading general of the western Empire, for assistance against Saxon invasion in 446. Another is the Battle of Deorham in 577, after which the significant cities of Bath, Cirencester and Gloucester fell and the Saxons reached the western sea.
Historians generally reject the historicity of King Arthur, who is supposed to have resisted the Anglo-Saxon conquest according to later medieval legends.
Trade
During the Roman period Britain's continental trade was principally directed across the Southern North Sea and Eastern Channel, focusing on the narrow Strait of Dover, with more limited links via the Atlantic seaways. The most important British ports were London and Richborough, whilst the continental ports most heavily engaged in trade with Britain were Boulogne and the sites of Domburg and Colijnsplaat at the mouth of the river Scheldt. During the Late Roman period it is likely that the shore forts played some role in continental trade alongside their defensive functions.
Exports to Britain included: coin; pottery, particularly red-gloss terra sigillata (samian ware) from southern, central and eastern Gaul, as well as various other wares from Gaul and the Rhine provinces; olive oil from southern Spain in amphorae; wine from Gaul in amphorae and barrels; salted fish products from the western Mediterranean and Brittany in barrels and amphorae; preserved olives from southern Spain in amphorae; lava quern-stones from Mayen on the middle Rhine; glass; and some agricultural products. Britain's exports are harder to detect archaeologically, but will have included metals, such as silver and gold and some lead, iron and copper. Other exports probably included agricultural products, oysters and salt, whilst large quantities of coin would have been re-exported back to the continent as well.
These products moved as a result of private trade and also through payments and contracts established by the Roman state to support its military forces and officials on the island, as well as through state taxation and extraction of resources. Up until the mid-3rd century, the Roman state's payments appear to have been unbalanced, with far more products sent to Britain, to support its large military force (which had reached c. 53,000 by the mid-2nd century), than were extracted from the island.
It has been argued that Roman Britain's continental trade peaked in the late 1st century AD and thereafter declined as a result of an increasing reliance on local products by the population of Britain, caused by economic development on the island and by the Roman state's desire to save money by shifting away from expensive long-distance imports. Evidence has been outlined that suggests that the principal decline in Roman Britain's continental trade may have occurred in the late 2nd century AD, from c. 165 AD onwards. This has been linked to the economic impact of contemporary Empire-wide crises: the Antonine Plague and the Marcomannic Wars.
From the mid-3rd century onwards, Britain no longer received such a wide range and extensive quantity of foreign imports as it did during the earlier part of the Roman period; vast quantities of coin from continental mints reached the island, whilst there is historical evidence for the export of large amounts of British grain to the continent during the mid-4th century. During the latter part of the Roman period British agricultural products, paid for by both the Roman state and by private consumers, clearly played an important role in supporting the military garrisons and urban centres of the northwestern continental Empire. This came about as a result of the rapid decline in the size of the British garrison from the mid-3rd century onwards (thus freeing up more goods for export), and because of 'Germanic' incursions across the Rhine, which appear to have reduced rural settlement and agricultural output in northern Gaul.
Economy
Mineral extraction sites such as the Dolaucothi gold mine were probably first worked by the Roman army from c. 75, and at some later stage passed to civilian operators. The mine developed as a series of opencast workings, mainly by the use of hydraulic mining methods. They are described by Pliny the Elder in his Natural History in great detail. Essentially, water supplied by aqueducts was used to prospect for ore veins by stripping away soil to reveal the bedrock. If veins were present, they were attacked using fire-setting and the ore removed for comminution. The dust was washed in a small stream of water and the heavy gold dust and gold nuggets collected in riffles. The diagram at right shows how Dolaucothi developed from c. 75 through to the 1st century. When opencast work was no longer feasible, tunnels were driven to follow the veins. The evidence from the site shows advanced technology probably under the control of army engineers.
The Wealden ironworking zone, the lead and silver mines of the Mendip Hills and the tin mines of Cornwall seem to have been private enterprises leased from the government for a fee. Mining had long been practised in Britain (see Grimes Graves), but the Romans introduced new technical knowledge and large-scale industrial production to revolutionise the industry. It included hydraulic mining to prospect for ore by removing overburden as well as work alluvial deposits. The water needed for such large-scale operations was supplied by one or more aqueducts, those surviving at Dolaucothi being especially impressive. Many prospecting areas were in dangerous, upland country, and, although mineral exploitation was presumably one of the main reasons for the Roman invasion, it had to wait until these areas were subdued.
By the 3rd and 4th centuries, small towns could often be found near villas. In these towns, villa owners and small-scale farmers could obtain specialist tools. Lowland Britain in the 4th century was agriculturally prosperous enough to export grain to the continent. This prosperity lay behind the blossoming of villa building and decoration that occurred between AD 300 and 350.
Britain's cities also consumed Roman-style pottery and other goods, and were centres through which goods could be distributed elsewhere. At Wroxeter in Shropshire, stock smashed into a gutter during a 2nd-century fire reveals that Gaulish samian ware was being sold alongside mixing bowls from the Mancetter-Hartshill industry of the West Midlands. Roman designs were most popular, but rural craftsmen still produced items derived from the Iron Age La Tène artistic traditions. Britain was home to much gold, which attracted Roman invaders. By the 3rd century, Britain's economy was diverse and well established, with commerce extending into the non-Romanised north.
Government
Further information: Governors of Roman Britain, Roman client kingdoms in Britain, and Roman auxiliaries in Britain
Under the Roman Empire, administration of peaceful provinces was ultimately the remit of the Senate, but those, like Britain, that required permanent garrisons, were placed under the Emperor's control. In practice imperial provinces were run by resident governors who were members of the Senate and had held the consulship. These men were carefully selected, often having strong records of military success and administrative ability. In Britain, a governor's role was primarily military, but numerous other tasks were also his responsibility, such as maintaining diplomatic relations with local client kings, building roads, ensuring the public courier system functioned, supervising the civitates and acting as a judge in important legal cases. When not campaigning, he would travel the province hearing complaints and recruiting new troops.
To assist him in legal matters he had an adviser, the legatus juridicus, and those in Britain appear to have been distinguished lawyers perhaps because of the challenge of incorporating tribes into the imperial system and devising a workable method of taxing them. Financial administration was dealt with by a procurator with junior posts for each tax-raising power. Each legion in Britain had a commander who answered to the governor and, in time of war, probably directly ruled troublesome districts. Each of these commands carried a tour of duty of two to three years in different provinces. Below these posts was a network of administrative managers covering intelligence gathering, sending reports to Rome, organising military supplies and dealing with prisoners. A staff of seconded soldiers provided clerical services.
Colchester was probably the earliest capital of Roman Britain, but it was soon eclipsed by London with its strong mercantile connections. The different forms of municipal organisation in Britannia were known as civitas (which were subdivided, amongst other forms, into colonies such as York, Colchester, Gloucester and Lincoln and municipalities such as Verulamium), and were each governed by a senate of local landowners, whether Brythonic or Roman, who elected magistrates concerning judicial and civic affairs. The various civitates sent representatives to a yearly provincial council in order to profess loyalty to the Roman state, to send direct petitions to the Emperor in times of extraordinary need, and to worship the imperial cult.
Demographics
Roman Britain had an estimated population between 2.8 million and 3 million people at the end of the second century. At the end of the fourth century, it had an estimated population of 3.6 million people, of whom 125,000 consisted of the Roman army and their families and dependents.[80] The urban population of Roman Britain was about 240,000 people at the end of the fourth century. The capital city of Londinium is estimated to have had a population of about 60,000 people. Londinium was an ethnically diverse city with inhabitants from the Roman Empire, including natives of Britannia, continental Europe, the Middle East, and North Africa. There was also cultural diversity in other Roman-British towns, which were sustained by considerable migration, from Britannia and other Roman territories, including continental Europe, Roman Syria, the Eastern Mediterranean and North Africa. In a study conducted in 2012, around 45 percent of sites investigated dating from the Roman period had at least one individual of North African origin.
Town and country
During their occupation of Britain the Romans founded a number of important settlements, many of which survive. The towns suffered attrition in the later 4th century, when public building ceased and some were abandoned to private uses. Place names survived the deurbanised Sub-Roman and early Anglo-Saxon periods, and historiography has been at pains to signal the expected survivals, but archaeology shows that a bare handful of Roman towns were continuously occupied. According to S.T. Loseby, the very idea of a town as a centre of power and administration was reintroduced to England by the Roman Christianising mission to Canterbury, and its urban revival was delayed to the 10th century.
Roman towns can be broadly grouped in two categories. Civitates, "public towns" were formally laid out on a grid plan, and their role in imperial administration occasioned the construction of public buildings. The much more numerous category of vici, "small towns" grew on informal plans, often round a camp or at a ford or crossroads; some were not small, others were scarcely urban, some not even defended by a wall, the characteristic feature of a place of any importance.
Cities and towns which have Roman origins, or were extensively developed by them are listed with their Latin names in brackets; civitates are marked C
Alcester (Alauna)
Alchester
Aldborough, North Yorkshire (Isurium Brigantum) C
Bath (Aquae Sulis) C
Brough (Petuaria) C
Buxton (Aquae Arnemetiae)
Caerleon (Isca Augusta) C
Caernarfon (Segontium) C
Caerwent (Venta Silurum) C
Caister-on-Sea C
Canterbury (Durovernum Cantiacorum) C
Carlisle (Luguvalium) C
Carmarthen (Moridunum) C
Chelmsford (Caesaromagus)
Chester (Deva Victrix) C
Chester-le-Street (Concangis)
Chichester (Noviomagus Reginorum) C
Cirencester (Corinium) C
Colchester (Camulodunum) C
Corbridge (Coria) C
Dorchester (Durnovaria) C
Dover (Portus Dubris)
Exeter (Isca Dumnoniorum) C
Gloucester (Glevum) C
Great Chesterford (the name of this vicus is unknown)
Ilchester (Lindinis) C
Leicester (Ratae Corieltauvorum) C
Lincoln (Lindum Colonia) C
London (Londinium) C
Manchester (Mamucium) C
Newcastle upon Tyne (Pons Aelius)
Northwich (Condate)
St Albans (Verulamium) C
Silchester (Calleva Atrebatum) C
Towcester (Lactodurum)
Whitchurch (Mediolanum) C
Winchester (Venta Belgarum) C
Wroxeter (Viroconium Cornoviorum) C
York (Eboracum) C
Religion
The druids, the Celtic priestly caste who were believed to originate in Britain, were outlawed by Claudius, and in 61 they vainly defended their sacred groves from destruction by the Romans on the island of Mona (Anglesey). Under Roman rule the Britons continued to worship native Celtic deities, such as Ancasta, but often conflated with their Roman equivalents, like Mars Rigonemetos at Nettleham.
The degree to which earlier native beliefs survived is difficult to gauge precisely. Certain European ritual traits such as the significance of the number 3, the importance of the head and of water sources such as springs remain in the archaeological record, but the differences in the votive offerings made at the baths at Bath, Somerset, before and after the Roman conquest suggest that continuity was only partial. Worship of the Roman emperor is widely recorded, especially at military sites. The founding of a Roman temple to Claudius at Camulodunum was one of the impositions that led to the revolt of Boudica. By the 3rd century, Pagans Hill Roman Temple in Somerset was able to exist peaceably and it did so into the 5th century.
Pagan religious practices were supported by priests, represented in Britain by votive deposits of priestly regalia such as chain crowns from West Stow and Willingham Fen.
Eastern cults such as Mithraism also grew in popularity towards the end of the occupation. The London Mithraeum is one example of the popularity of mystery religions among the soldiery. Temples to Mithras also exist in military contexts at Vindobala on Hadrian's Wall (the Rudchester Mithraeum) and at Segontium in Roman Wales (the Caernarfon Mithraeum).
Christianity
It is not clear when or how Christianity came to Britain. A 2nd-century "word square" has been discovered in Mamucium, the Roman settlement of Manchester. It consists of an anagram of PATER NOSTER carved on a piece of amphora. There has been discussion by academics whether the "word square" is a Christian artefact, but if it is, it is one of the earliest examples of early Christianity in Britain. The earliest confirmed written evidence for Christianity in Britain is a statement by Tertullian, c. 200 AD, in which he described "all the limits of the Spains, and the diverse nations of the Gauls, and the haunts of the Britons, inaccessible to the Romans, but subjugated to Christ". Archaeological evidence for Christian communities begins to appear in the 3rd and 4th centuries. Small timber churches are suggested at Lincoln and Silchester and baptismal fonts have been found at Icklingham and the Saxon Shore Fort at Richborough. The Icklingham font is made of lead, and visible in the British Museum. A Roman Christian graveyard exists at the same site in Icklingham. A possible Roman 4th-century church and associated burial ground was also discovered at Butt Road on the south-west outskirts of Colchester during the construction of the new police station there, overlying an earlier pagan cemetery. The Water Newton Treasure is a hoard of Christian silver church plate from the early 4th century and the Roman villas at Lullingstone and Hinton St Mary contained Christian wall paintings and mosaics respectively. A large 4th-century cemetery at Poundbury with its east–west oriented burials and lack of grave goods has been interpreted as an early Christian burial ground, although such burial rites were also becoming increasingly common in pagan contexts during the period.
The Church in Britain seems to have developed the customary diocesan system, as evidenced from the records of the Council of Arles in Gaul in 314: represented at the council were bishops from thirty-five sees from Europe and North Africa, including three bishops from Britain, Eborius of York, Restitutus of London, and Adelphius, possibly a bishop of Lincoln. No other early sees are documented, and the material remains of early church structures are far to seek. The existence of a church in the forum courtyard of Lincoln and the martyrium of Saint Alban on the outskirts of Roman Verulamium are exceptional. Alban, the first British Christian martyr and by far the most prominent, is believed to have died in the early 4th century (some date him in the middle 3rd century), followed by Saints Julius and Aaron of Isca Augusta. Christianity was legalised in the Roman Empire by Constantine I in 313. Theodosius I made Christianity the state religion of the empire in 391, and by the 5th century it was well established. One belief labelled a heresy by the church authorities — Pelagianism — was originated by a British monk teaching in Rome: Pelagius lived c. 354 to c. 420/440.
A letter found on a lead tablet in Bath, Somerset, datable to c. 363, had been widely publicised as documentary evidence regarding the state of Christianity in Britain during Roman times. According to its first translator, it was written in Wroxeter by a Christian man called Vinisius to a Christian woman called Nigra, and was claimed as the first epigraphic record of Christianity in Britain. This translation of the letter was apparently based on grave paleographical errors, and the text has nothing to do with Christianity, and in fact relates to pagan rituals.
Environmental changes
The Romans introduced a number of species to Britain, including possibly the now-rare Roman nettle (Urtica pilulifera), said to have been used by soldiers to warm their arms and legs, and the edible snail Helix pomatia. There is also some evidence they may have introduced rabbits, but of the smaller southern mediterranean type. The European rabbit (Oryctolagus cuniculus) prevalent in modern Britain is assumed to have been introduced from the continent after the Norman invasion of 1066. Box (Buxus sempervirens) is rarely recorded before the Roman period, but becomes a common find in towns and villas
Legacy
During their occupation of Britain the Romans built an extensive network of roads which continued to be used in later centuries and many are still followed today. The Romans also built water supply, sanitation and wastewater systems. Many of Britain's major cities, such as London (Londinium), Manchester (Mamucium) and York (Eboracum), were founded by the Romans, but the original Roman settlements were abandoned not long after the Romans left.
Unlike many other areas of the Western Roman Empire, the current majority language is not a Romance language, or a language descended from the pre-Roman inhabitants. The British language at the time of the invasion was Common Brittonic, and remained so after the Romans withdrew. It later split into regional languages, notably Cumbric, Cornish, Breton and Welsh. Examination of these languages suggests some 800 Latin words were incorporated into Common Brittonic (see Brittonic languages). The current majority language, English, is based on the languages of the Germanic tribes who migrated to the island from continental Europe
The most consistently blue water I've ever seen. Photos will never do it justice. Seeing it for the first time as you drive along Chalk Sound Drive will leave you speechless.
Manet never painted Rrose.
Édouard Manet suffered from advanced syphilis, which caused severe health problems, particularly in the last decade of his life. The disease led to painful neurological complications like tabes dorsalis (locomotor ataxia), resulting in progressive paralysis, difficulty walking, and excruciating pain. His condition ultimately required the amputation of his left foot in 1883 and led to his death shortly after.
Neurological impact: Manet experienced symptoms consistent with tabes dorsalis, a neurological complication of tertiary syphilis. These included severe shooting pains in his legs and difficulty coordinating muscle groups, leading to an unsteady gait.
Progression of illness: His health deteriorated in his mid-forties, with the ataxia becoming increasingly severe, leaving him "almost glued to his chair" by 1882.
Treatments: Manet underwent various treatments, such as hydrotherapy and spa cures, and was given drugs like mercury, bromides, and laudanum. These were largely ineffective for his underlying condition.
Final years: In 1883, gangrene set in, and his left foot was amputated. He died 11 days later from complications related to his illness.
Artistic influence: Despite his physical decline, Manet continued to work. Some art historians suggest his illness may have influenced his later, looser brushwork and style.
This is part of what I want to write and make images about. What happens when a disease, or any force, seeks to express itself through its host, might we end up with a museum full of Manets, or a book called 'Finnegans Wake', even?
Both, of course, adding profound value to the description of their time. What drives these wondrous outbursts? Are the 'inconveniences' worth the price of admission?
I know what I think.
1932 Chevrolet Confederate Series BA
General Motors marketed the Chevy Confederate as the 'Baby Cadillac' and shared many design similarities to its larger, more expensive, and more exclusive sibling. It wore a Cadillac-style integrated radiator shell, a longer hood, new deep crown front fenders encapsulating 18-inch wire wheels, and chrome-plated rectangular opening doors to cool the engine in the hood sides instead of louvers. Deluxe models, which added approximately $20 to the base price, added chrome-plated door louvers. The list of standard amenities included a tilting non-glare windshield, an adjustable seat, and a built-in sun visor. The six-cylinder engine displaced 194 cubic-inches, had 5.2:1 compression, overhead valves, solid valve lifters, and developed 60 horsepower. The one-barrel downdraft carburetor and counter-balanced crankshaft were new features for 1932, endowing the engine with ten additional horsepower over the previous year. The engine was backed by a three-speed manual synchromesh transmission with a single plate clutch and floor shift controls. This was the first year that synchromesh transmission was offered in all three forward gears. Mechanical features included the semi-floating rear axle, Selective Free-Wheeling (first offered in 1932), and an added frame cross-member to aid in ride comfort. Free wheeling allowed the car to coast when the driver took their foot off the accelerator pedal, offering greater fuel economy. Customers soon found the lack of downhill engine braking to be more harrowing than it was worth and the option soon fell out of favor.
The interiors had gas gauges located on the dashboard, plus additional gauges with a circular shape and dark-colored faces.
Factory literature claimed a top speed of 70-mph and period Chevrolet advertising stated 'Looming larger every day as the Great American Value.'
The 1932 Chevrolet Confederate Series BA rested on a comfortable 109-inch wheelbase and rode on 18x5.25 tires. Its wheelbase was slightly longer than the Ford Model 18 which measured 106-inches and both the Chevy and Ford price ranges were nearly identical. 1932 was the first year that Ford switched from the four-cylinder power to the flathead V8 offering 65 horsepower from its 221 cubic-inch displacement. The Fords had all-steel bodies, while the Chevrolets had the solid Fisher Body using wood and steel framing construction, plus a more rigid chassis structure and hard-rubber engine mounts affording the Chevy a smooth and refined ride at a reasonable cost. Closing a Chevy door framed in wood had a favorable and solid 'thunk' while the Ford and had a 'tiny clank.' Buyers preferred the solid nature, styling, affordability, and amenities of the Chevy, resulting in 306,716 examples built during the calendar year compared to Ford's production of 287,285 units.
Body styles and Price
The Fisher-built bodies included a roadster priced at $445, a sport roadster at $485, a coupe and five-window coupe at $490, a phaeton and coach at $495, and a sport coupe at $535. The Deluxe five-window coupe listed for $510 and the Deluxe coach was priced at $515. A five-passenger coupe was $575, the sedan at $590, and the convertible at $595. The most expensive body styles were the special sedan at $615 and the landau phaeton at $625. The special sedan was equipped with front and rear bumpers, dome light, silk assist cords, and a robe rail.
Production
The most popular body style was the two-door coach with seating for five, with 132,109 examples built. The second most popular body style was the special sedan with 52,446 units built, followed by 34,796 examples of the five-window coupe, 27,718 of the sedan, and 26,623 of the Deluxe five-window coupe. The most exclusive was the phaeton with 419 examples built, followed by 1,118 of the roadster, 1,602 of the landau phaeton, 2,226 of the sport coupe, 7,566 coupes, 8,552 of the sport roadster, and 8,874 of the sport roadster. 9,346 examples were Deluxe Coach.
Optional Equipment
The list of optional equipment was extensive, catering to popularity features that buyers preferred including single and dual side mount tires, a standard and deluxe tire cover plus metal tire covers, heater, outside mirror, pedestal mirror, trunk rack, dual horns, cowl lights, and fender well or rear tire lock. The list of Deluxe equipment that added comfort and a level of distinction included armrests, assist cords, curtains for the rear and rear quarter windows, a vanity case, chrome hood louvers, and two ashtrays.
The Confederate Series BA was Chevrolet's only model for 1932, albeit with 'Special and 'Deluxe' body styles. The company had used the single model theme since 1924, but for 1933 their lineup included the Standard Mercury (Series CC) and the Master Eagle (Series CA), both with six-cylinder power. The Standard had a 181 cubic-inch six with 60 horsepower and the Master had 194 CID with 5 additional horsepower. The Master rested on a 110-inch wheelbase while the Standard Mercury was three-inches shorter. Prices on the Master ranged from $485 to $565 and consisted of eight body styles, while the Standard prices ranged from $445 to $475 and included three body styles. The Master Eagle had an airplane-type dashboard and the Standard Mercury had safety plate glass. The Master Eagle proved to be far more popular with 450,530 examples built compared to the 35,848 of the Standard Mercury. The total production was 486,378 representing a significant increase from the 1932 model year. This trend would continue into the years that followed, with 556,666 (model year production; calendar year production: 620,726) examples built in 1934 and 544,457 (model year production; calendar year production of 793,437) in 1935.
Chevrolet would continue to use six-cylinder power, and two model lineup throughout the 1930s and into the 1940s, with wheelbase sizes that remained fairly consistent, growing to 116-inches by 1941.
On Saturdays, Lloyd Road receives its only consistent services of the week (excluding a 0700 dep. towards Piccadilly Mon-Fri).
The Levenshulme short 'part route' follows the usual 192 routing towards Stockport until Levenshulme's Lloyd Road where the service instead pulls in to terminate adjacent to the KFC and McDonalds.
For some reason, the service only runs between 10am-2pm on a Saturday, with no service during the week except the 7am service mentioned above.
On this particular day, 11th March, the vast majority of these short services failed to run and were cancelled, making me wonder why the service continues to have these within the timetable if clearly not a priority to the depot?
Seen here at Piccadilly is Enviro 400 MMC, 10628, still wearing beachball on service 192 short to Levenshulme's Lloyd Road only.
La Torre del Oro de Sevilla es una torre albarrana situada en el margen izquierdo del río Guadalquivir, en la ciudad de Sevilla, comunidad autónoma de Andalucía, España, junto a la plaza de toros de la Maestranza. Su altura es de 36 metros. Posiblemente su nombre en árabe era Bury al-dahab, Borg al Azahar, o Borg-al-Azaja en referencia a su brillo dorado que se reflejaba sobre el río. Durante las obras de restauración de 2005, se demostró que este brillo, que hasta entonces una falsa leyenda atribuía a un revestimiento de azulejos, era debido a una mezcla de mortero de cal y paja prensada.
Es una torre formada por tres cuerpos, El primer cuerpo, dodecagonal, fue construido entre 1220 y 1221 por orden del gobernador almohade de Sevilla, Abù l-Ulà. En cuanto al segundo cuerpo, también dodecagonal fue mandado construir por Pedro I el cruel en el siglo XIV, una hipótesis que ha quedado confirmada por los estudios arqueológicos. Por último el cuerpo superior, cilíndrico y rematado en cúpula dorada, fue construido en 1760 por el ingeniero militar Sebastián Van der Borcht tras el terremoto de Lisboa de 1755.
Fue declarada monumento histórico-artístico en 1931 y ha sido restaurada varias veces. En la Edad Contemporánea fue restaurada en 1900, entre 1991 y 1992, en 1995 y en 2005. En su conservación ha sido importante la labor de la Armada. Se encuentra en buen estado de conservación y alberga el Museo Naval de Sevilla.
Comienza su construcción el 30 de marzo de 1220, siendo terminada el 24 de febrero de 1221, casi un año después. Con su construcción se dio por completado el sistema defensivo de la ciudad almohade y fue el punto más importante, ya que defendía al puerto. Fue construida por orden del gobernador almohade de Sevilla, Abù l-Ulà. Cerraba el paso al Arenal mediante un tramo de muralla que la unía con la Torre de la Plata y a través de la actual calle Santander con la Torre de Abd el Aziz o Torre de Santo Tomás, y de allí al Alcázar. Formando parte de las murallas de Sevilla que defendían la ciudad y el Real Alcázar.
En cuanto a la cimentación de la torre, esta consiste en una losa de hormigón de cal con un espesor de unos 5 m. (desde la cota +3m. a la cota -2m.). Dicha cimentación se apoya sobre un terreno blando, pues es una zona aluvial muy cercana al propio río por lo que en su cimentación se añadió madera de pino para darle mayor consistencia. Además de estos 5 metros de cimentación iniciales, en 1760 tras las obras de restauración efectuadas por los desperfectos que ocasionó el llamado terremoto de Lisboa, se macizó como cimentación la planta baja de la torre, lo que supone un aumento de 6 metros. Por ello, actualmente la Torre del Oro cuenta con unos 11 metros de cimentación.
Existe una tradición que dice que, se extendió desde su basamento una gruesa cadena sobre el río hasta otra torre ubicada en la actual calle Fortaleza, situada al otro lado del río, en el actual barrio de Triana; dicha leyenda es falsa ya que la La calle Fortaleza en la orilla de Triana recibe ese nombre en el s. XIX, anteriormente denominada calle Limones, por otro lado y con más acierto, en las Crónicas realizadas por Alfonso X el Sabio, donde describe al detalle la toma de la ciudad de Sevilla, solo se menciona una cadena, la que sujetaba el conjunto de barcas que formaba el puente que unía la orilla de Sevilla y la de Triana, que unía además la ciudad con el castillo, conocido posteriormente como Castillo de San Jorge, en la orilla de Triana.
La flota castellana mandada por el almirante Ramón de Bonifaz, que en dos ocasiones los documentos de la época lo definen como un "ome de Burgos" y "un burgalés de Burgos", rompió el puente en 1248 remontando el río, mientras las tropas de Fernando III de Castilla sitiaban la ciudad. Este pasaje histórico protagonizado por marinos asturianos y cántabros al servicio de la marina castellana quedó inmortalizado en los escudos de Avilés y de las Cuatro Villas de la Costa de Cantabria (Laredo, Castro-Urdiales, Santander y San Vicente de la Barquera) y fue posteriormente incorporado al escudo de Cantabria. En ellos se representa la Torre del Oro y un barco junto a las cadenas rotas.
Tras ser conquistada, se utilizó como capilla dedicada a San Isidoro de Sevilla. Después se utilizó como prisión.
Se llamó Torre del Oro desde la época almohade, el propio Alfonso X cuando narra la conquista de Sevilla ya la nombra como Torre del Oro, claramente por el brillo producto del mortero de cal y paja prensada que presentaba.
A pesar de ello, existen varias teorías sobre el nombre del edificio, todas leyendas sin ninguna prueba consistente y por tanto falsas. Muestra de estas leyendas falsas son, por un lado, en el siglo XVI, un cronista llamado Luis de Peraza dice que la torre se encontraba cubierta de azulejos que brillaban con la luz del Sol. El mismo cronista añade que el rey Pedro I guardó en la torre tesoros de oro y plata, cabe destacar que esta es una de las leyendas más destacada y conocida. Pedro López de Ayala también habla de que en dicha torre Pedro I guardaba tesoros en monedas de oro y plata. Dada la proximidad de la torre al Muelle de la Aduana durante la conquista de América es habitual decir que se llamaba así porque en ella se almacenaba el oro de América, pero el oro se guardaba en una estancia de la Casa de la Contratación (Cuarto del Tesoro) y era procesado en la Casa de la Moneda, a varios metros de allí.
En el siglo XVI presentaba un estado ruinoso, por lo que se realizó una obra de consolidación. La torre fue dañada gravemente por el terremoto de Lisboa de 1755, tras lo cual el Marqués de Monte Real propuso su demolición para ensanchar el paseo de coches de caballos y hacer más recto el acceso al puente de Triana; sin embargo, ese proyecto no llegó a realizarse por la oposición del pueblo de Sevilla, que llegaron a anunciárselo al rey, quien intervino. En 1760 se arreglaron los desperfectos macizando la planta inferior de la torre, reforzándola con escombros y mortero, y dejando la puerta del paso de ronda de la muralla como puerta de acceso principal. Ese mismo año se construyó el cuerpo cilíndrico superior, obra del ingeniero militar Sebastián Van der Borcht, artífice también de la Real Fábrica de Tabacos de Sevilla. Estas obras cambiaron el aspecto de la torre respecto al que puede observarse en grabados.
La Revolución de 1868 fue otro momento crítico para la torre, pues los revolucionarios demolieron los lienzos de las murallas y los pusieron en venta, pero la oposición de los hispalenses logró que la torre no se destruyera.
Fue restaurada en 1900 por el ingeniero Carlos Halcón. El 10 de abril de 1923 la torre fue visitada por Alfonso XIII. El 21 de marzo de 1936 se dispuso la instalación en la torre el Museo Marítimo por orden del Ministerio de Marina. En septiembre de 1942 comenzaron las obras de restauración, durante las cuales se mejoraron el aspecto de la fachada y se habilitaron dos plantas para la exhibición del museo y la tercera para alojar investigadores. El 13 de agosto de 1992, en el contexto de la Exposición Universal de Sevilla, se hermanó la Torre del Oro con la Torre de Belem de Lisboa.
El museo se inauguró el 24 de julio de 1944, para lo cual se llevaron 400 piezas del Museo Naval de Madrid. El museo muestra en la actualidad (2008) diversos instrumentos antiguos de navegación y maquetas, además de documentos históricos, grabados y cartas náuticas; y relaciona de Sevilla con el río Guadalquivir y el mar. En 2005 fue nuevamente restaurada.
es.wikipedia.org/wiki/Torre_del_Oro
The Torre del Oro (Arabic: بُرْج الذَّهَب burj ad̲h̲-d̲h̲ahab, English: "Tower of Gold") is a dodecagonal military watchtower in Seville, southern Spain. It was erected by the Almohad Caliphate in order to control access to Seville via the Guadalquivir river.
Constructed in the first third of the 13th century, the tower served as a prison during the Middle Ages. Its name comes from the golden shine it projected on the river, due to its building materials (a mixture of mortar, lime and pressed hay).
The tower is divided into three levels, the first level, dodecagonal, was built in 1220 by order of the Almohad governor of Seville, Abù l-Ulà; As for the second level, of only 8 meters, also dodecagonal, was built by Peter of Castile in the fourteenth century, a hypothesis that has been confirmed by archaeological studies; The third and uppermost being circular in shape was added after the previous third level, Almohad, was damaged by the 1755 Lisbon earthquake. Rebuilding of the third level was made by Brusselian military engineer Sebastian Van der Borcht in 1760.
The Torre de la Plata, an octagonal tower, is located nearby, and is believed to have been constructed during the same era.
It is one of two anchor points for a large chain that would have been able to block the river. The other anchor-point has since been demolished or disappeared, possibly collapsing during the 1755 Lisbon earthquake. The chain was used in the city's defense against the Castilian fleet under Ramón de Bonifaz in the 1248 Reconquista. Bonifaz broke the river defenses and isolated Seville from Triana.
The Tower of Gold was built 1220–1221, by order of the Almohad governor of Seville, Abu l-Ulà, with a twelve-sided base. It barred the way to the Arenal district with a section of wall joining it to the Tower of Silver, a part of the city walls that defended the Alcazar.
The tower was badly damaged by the Lisbon earthquake of 1755, and the Marquis of Monte Real proposed demolishing it to widen the way for horse-drawn coaches and straighten access to the bridge of Triana; however, the people of Seville objected and appealed to the king, who intervened. In 1760, the damage was repaired, with repairs to the bottom floor of the tower, reinforcement with rubble and mortar, and the creation of a new main access via the passageway to the path around the wall. That same year, the upper cylindrical body was built, a work of the military engineer Sebastian Van der Borcht, also architect of the Royal Tobacco Factory of Seville. These works changed the appearance of the tower as compared to what is seen in engravings from the sixteenth or seventeenth centuries.
The Revolution of 1868 brought another crisis to the tower as revolutionaries demolished the decorative facing of the walls and put it up for sale. Opposition from the citizens of Seville kept the tower from being destroyed, and in 1900 it was again restored, this time by engineer Carlos Halcón. On April 10, 1923, King Alfonso XIII visited the tower, and on March 21, 1936 the Maritime Museum was installed in the Tower by order of the Admiralty. In September 1942, more restoration work began. The appearance of the facade was improved, two floors were set up for museum display, and the third floor was prepared to house researchers. The museum held its grand opening on July 24, 1944, for which occasion 400 museum pieces were brought from the Naval Museum of Madrid.
On August 13, 1992, the Torre del Oro was made a brother to the Tower of Belem of Lisbon to celebrate the Universal Exposition in Seville. As of 2008 the museum displayed a variety of old navigational instruments and models, as well as historical documents, engravings, and nautical charts, relating Seville to the Guadalquivir River and the sea. The tower was again restored in 2005.
This bird consistently returns to the same perch, just a few feet off the ground, before flying down to collect acorns. He then takes them, one at a time, to an old Oak tree where he stores them in various holes. Makes for great photo ops for me. :)
It's finally (consistently) spring here in Oklahoma and tonight we got a pretty good thunderstorm. In between storms I got out and grabbed some pix. This old garage sits abandoned near the railroad tracks and caught my eye as the clouds and darkness rolled in.
I've been really busy lately taking people pix and next week I go to Destin, Florida for a long awaited family vacation.
Hope everyone else is doing well!
Abraham Lincoln (February 12, 1809 – April 15, 1865) was the 16th President of the United States, serving from March 1861 until his assassination in April 1865. Lincoln led the United States through its Civil War—its bloodiest war and its greatest moral, constitutional, and political crisis. In doing so, he preserved the Union, abolished slavery, strengthened the federal government, and modernized the economy. Born in Hodgenville, Kentucky, Lincoln grew up on the western frontier in Kentucky and Indiana. Largely self-educated, he became a lawyer in Illinois, a Whig Party leader, and a member of the Illinois House of Representatives, where he served from 1834 to 1846. Elected to the United States House of Representatives in 1846, Lincoln promoted rapid modernization of the economy through banks, tariffs, and railroads. Because he had originally agreed not to run for a second term in Congress, and because his opposition to the Mexican–American War was unpopular among Illinois voters, Lincoln returned to Springfield and resumed his successful law practice. Reentering politics in 1854, he became a leader in building the new Republican Party, which had a statewide majority in Illinois. In 1858, while taking part in a series of highly publicized debates with his opponent and rival, Democrat Stephen A. Douglas, Lincoln spoke out against the expansion of slavery, but lost the U.S. Senate race to Douglas.
In 1860, Lincoln secured the Republican Party presidential nomination as a moderate from a swing state. With very little support in the slaveholding states of the South, he swept the North and was elected president in 1860. His victory prompted seven southern slave states to form the Confederate States of America before he moved into the White House - no compromise or reconciliation was found regarding slavery and secession. Subsequently, on April 12, 1861, a Confederate attack on Fort Sumter inspired the North to enthusiastically rally behind the Union in a declaration of war. As the leader of the moderate faction of the Republican Party, Lincoln confronted Radical Republicans, who demanded harsher treatment of the South, War Democrats, who called for more compromise, anti-war Democrats (called Copperheads), who despised him, and irreconcilable secessionists, who plotted his assassination. Politically, Lincoln fought back by pitting his opponents against each other, by carefully planned political patronage, and by appealing to the American people with his powers of oratory.[3] His Gettysburg Address became an iconic endorsement of the principles of nationalism, republicanism, equal rights, liberty, and democracy.
Lincoln initially concentrated on the military and political dimensions of the war. His primary goal was to reunite the nation. He suspended habeas corpus, leading to the controversial ex parte Merryman decision, and he averted potential British intervention in the war by defusing the Trent Affair in late 1861. Lincoln closely supervised the war effort, especially the selection of top generals, including his most successful general, Ulysses S. Grant. He also made major decisions on Union war strategy, including a naval blockade that shut down the South's normal trade, moves to take control of Kentucky and Tennessee, and using gunboats to gain control of the southern river system. Lincoln tried repeatedly to capture the Confederate capital at Richmond; each time a general failed, Lincoln substituted another, until finally Grant succeeded. As the war progressed, his complex moves toward ending slavery began with the Emancipation Proclamation of 1863; subsequently, Lincoln used the U.S. Army to protect escaped slaves, encouraged the border states to outlaw slavery, and pushed through Congress the Thirteenth Amendment to the United States Constitution, which permanently outlawed slavery.
An exceptionally astute politician deeply involved with power issues in each state, Lincoln reached out to the War Democrats and managed his own re-election campaign in the 1864 presidential election. Anticipating the war's conclusion, Lincoln pushed a moderate view of Reconstruction, seeking to reunite the nation speedily through a policy of generous reconciliation in the face of lingering and bitter divisiveness. On April 14, 1865, five days after the April 9th surrender of Confederate commanding general Robert E. Lee, Lincoln was assassinated by John Wilkes Booth, a Confederate sympathizer.
Lincoln has been consistently ranked both by scholars and the public as one of the three greatest U.S. presidents.
consistently voted as one of the best cities to live in . worldwide
see this link to see why .. Vancouver city HD time lapse video
January 2011 Challenge ~ Cityscapes ~ First place
La Torre del Oro de Sevilla es una torre albarrana situada en el margen izquierdo del río Guadalquivir, en la ciudad de Sevilla, comunidad autónoma de Andalucía, España, junto a la plaza de toros de la Maestranza. Su altura es de 36 metros. Posiblemente su nombre en árabe era Bury al-dahab, Borg al Azahar, o Borg-al-Azaja en referencia a su brillo dorado que se reflejaba sobre el río. Durante las obras de restauración de 2005, se demostró que este brillo, que hasta entonces una falsa leyenda atribuía a un revestimiento de azulejos, era debido a una mezcla de mortero de cal y paja prensada.
Es una torre formada por tres cuerpos, El primer cuerpo, dodecagonal, fue construido entre 1220 y 1221 por orden del gobernador almohade de Sevilla, Abù l-Ulà. En cuanto al segundo cuerpo, también dodecagonal fue mandado construir por Pedro I el cruel en el siglo XIV, una hipótesis que ha quedado confirmada por los estudios arqueológicos. Por último el cuerpo superior, cilíndrico y rematado en cúpula dorada, fue construido en 1760 por el ingeniero militar Sebastián Van der Borcht tras el terremoto de Lisboa de 1755.
Fue declarada monumento histórico-artístico en 1931 y ha sido restaurada varias veces. En la Edad Contemporánea fue restaurada en 1900, entre 1991 y 1992, en 1995 y en 2005. En su conservación ha sido importante la labor de la Armada. Se encuentra en buen estado de conservación y alberga el Museo Naval de Sevilla.
Comienza su construcción el 30 de marzo de 1220, siendo terminada el 24 de febrero de 1221, casi un año después. Con su construcción se dio por completado el sistema defensivo de la ciudad almohade y fue el punto más importante, ya que defendía al puerto. Fue construida por orden del gobernador almohade de Sevilla, Abù l-Ulà. Cerraba el paso al Arenal mediante un tramo de muralla que la unía con la Torre de la Plata y a través de la actual calle Santander con la Torre de Abd el Aziz o Torre de Santo Tomás, y de allí al Alcázar. Formando parte de las murallas de Sevilla que defendían la ciudad y el Real Alcázar.
En cuanto a la cimentación de la torre, esta consiste en una losa de hormigón de cal con un espesor de unos 5 m. (desde la cota +3m. a la cota -2m.). Dicha cimentación se apoya sobre un terreno blando, pues es una zona aluvial muy cercana al propio río por lo que en su cimentación se añadió madera de pino para darle mayor consistencia. Además de estos 5 metros de cimentación iniciales, en 1760 tras las obras de restauración efectuadas por los desperfectos que ocasionó el llamado terremoto de Lisboa, se macizó como cimentación la planta baja de la torre, lo que supone un aumento de 6 metros. Por ello, actualmente la Torre del Oro cuenta con unos 11 metros de cimentación.
Existe una tradición que dice que, se extendió desde su basamento una gruesa cadena sobre el río hasta otra torre ubicada en la actual calle Fortaleza, situada al otro lado del río, en el actual barrio de Triana; dicha leyenda es falsa ya que la La calle Fortaleza en la orilla de Triana recibe ese nombre en el s. XIX, anteriormente denominada calle Limones, por otro lado y con más acierto, en las Crónicas realizadas por Alfonso X el Sabio, donde describe al detalle la toma de la ciudad de Sevilla, solo se menciona una cadena, la que sujetaba el conjunto de barcas que formaba el puente que unía la orilla de Sevilla y la de Triana, que unía además la ciudad con el castillo, conocido posteriormente como Castillo de San Jorge, en la orilla de Triana.
La flota castellana mandada por el almirante Ramón de Bonifaz, que en dos ocasiones los documentos de la época lo definen como un "ome de Burgos" y "un burgalés de Burgos", rompió el puente en 1248 remontando el río, mientras las tropas de Fernando III de Castilla sitiaban la ciudad. Este pasaje histórico protagonizado por marinos asturianos y cántabros al servicio de la marina castellana quedó inmortalizado en los escudos de Avilés y de las Cuatro Villas de la Costa de Cantabria (Laredo, Castro-Urdiales, Santander y San Vicente de la Barquera) y fue posteriormente incorporado al escudo de Cantabria. En ellos se representa la Torre del Oro y un barco junto a las cadenas rotas.
Tras ser conquistada, se utilizó como capilla dedicada a San Isidoro de Sevilla. Después se utilizó como prisión.
Se llamó Torre del Oro desde la época almohade, el propio Alfonso X cuando narra la conquista de Sevilla ya la nombra como Torre del Oro, claramente por el brillo producto del mortero de cal y paja prensada que presentaba.
A pesar de ello, existen varias teorías sobre el nombre del edificio, todas leyendas sin ninguna prueba consistente y por tanto falsas. Muestra de estas leyendas falsas son, por un lado, en el siglo XVI, un cronista llamado Luis de Peraza dice que la torre se encontraba cubierta de azulejos que brillaban con la luz del Sol. El mismo cronista añade que el rey Pedro I guardó en la torre tesoros de oro y plata, cabe destacar que esta es una de las leyendas más destacada y conocida. Pedro López de Ayala también habla de que en dicha torre Pedro I guardaba tesoros en monedas de oro y plata. Dada la proximidad de la torre al Muelle de la Aduana durante la conquista de América es habitual decir que se llamaba así porque en ella se almacenaba el oro de América, pero el oro se guardaba en una estancia de la Casa de la Contratación (Cuarto del Tesoro) y era procesado en la Casa de la Moneda, a varios metros de allí.
En el siglo XVI presentaba un estado ruinoso, por lo que se realizó una obra de consolidación. La torre fue dañada gravemente por el terremoto de Lisboa de 1755, tras lo cual el Marqués de Monte Real propuso su demolición para ensanchar el paseo de coches de caballos y hacer más recto el acceso al puente de Triana; sin embargo, ese proyecto no llegó a realizarse por la oposición del pueblo de Sevilla, que llegaron a anunciárselo al rey, quien intervino. En 1760 se arreglaron los desperfectos macizando la planta inferior de la torre, reforzándola con escombros y mortero, y dejando la puerta del paso de ronda de la muralla como puerta de acceso principal. Ese mismo año se construyó el cuerpo cilíndrico superior, obra del ingeniero militar Sebastián Van der Borcht, artífice también de la Real Fábrica de Tabacos de Sevilla. Estas obras cambiaron el aspecto de la torre respecto al que puede observarse en grabados.
La Revolución de 1868 fue otro momento crítico para la torre, pues los revolucionarios demolieron los lienzos de las murallas y los pusieron en venta, pero la oposición de los hispalenses logró que la torre no se destruyera.
Fue restaurada en 1900 por el ingeniero Carlos Halcón. El 10 de abril de 1923 la torre fue visitada por Alfonso XIII. El 21 de marzo de 1936 se dispuso la instalación en la torre el Museo Marítimo por orden del Ministerio de Marina. En septiembre de 1942 comenzaron las obras de restauración, durante las cuales se mejoraron el aspecto de la fachada y se habilitaron dos plantas para la exhibición del museo y la tercera para alojar investigadores. El 13 de agosto de 1992, en el contexto de la Exposición Universal de Sevilla, se hermanó la Torre del Oro con la Torre de Belem de Lisboa.
El museo se inauguró el 24 de julio de 1944, para lo cual se llevaron 400 piezas del Museo Naval de Madrid. El museo muestra en la actualidad (2008) diversos instrumentos antiguos de navegación y maquetas, además de documentos históricos, grabados y cartas náuticas; y relaciona de Sevilla con el río Guadalquivir y el mar. En 2005 fue nuevamente restaurada.
es.wikipedia.org/wiki/Torre_del_Oro
The Torre del Oro (Arabic: بُرْج الذَّهَب burj ad̲h̲-d̲h̲ahab, English: "Tower of Gold") is a dodecagonal military watchtower in Seville, southern Spain. It was erected by the Almohad Caliphate in order to control access to Seville via the Guadalquivir river.
Constructed in the first third of the 13th century, the tower served as a prison during the Middle Ages. Its name comes from the golden shine it projected on the river, due to its building materials (a mixture of mortar, lime and pressed hay).
The tower is divided into three levels, the first level, dodecagonal, was built in 1220 by order of the Almohad governor of Seville, Abù l-Ulà; As for the second level, of only 8 meters, also dodecagonal, was built by Peter of Castile in the fourteenth century, a hypothesis that has been confirmed by archaeological studies; The third and uppermost being circular in shape was added after the previous third level, Almohad, was damaged by the 1755 Lisbon earthquake. Rebuilding of the third level was made by Brusselian military engineer Sebastian Van der Borcht in 1760.
The Torre de la Plata, an octagonal tower, is located nearby, and is believed to have been constructed during the same era.
It is one of two anchor points for a large chain that would have been able to block the river. The other anchor-point has since been demolished or disappeared, possibly collapsing during the 1755 Lisbon earthquake. The chain was used in the city's defense against the Castilian fleet under Ramón de Bonifaz in the 1248 Reconquista. Bonifaz broke the river defenses and isolated Seville from Triana.
The Tower of Gold was built 1220–1221, by order of the Almohad governor of Seville, Abu l-Ulà, with a twelve-sided base. It barred the way to the Arenal district with a section of wall joining it to the Tower of Silver, a part of the city walls that defended the Alcazar.
The tower was badly damaged by the Lisbon earthquake of 1755, and the Marquis of Monte Real proposed demolishing it to widen the way for horse-drawn coaches and straighten access to the bridge of Triana; however, the people of Seville objected and appealed to the king, who intervened. In 1760, the damage was repaired, with repairs to the bottom floor of the tower, reinforcement with rubble and mortar, and the creation of a new main access via the passageway to the path around the wall. That same year, the upper cylindrical body was built, a work of the military engineer Sebastian Van der Borcht, also architect of the Royal Tobacco Factory of Seville. These works changed the appearance of the tower as compared to what is seen in engravings from the sixteenth or seventeenth centuries.
The Revolution of 1868 brought another crisis to the tower as revolutionaries demolished the decorative facing of the walls and put it up for sale. Opposition from the citizens of Seville kept the tower from being destroyed, and in 1900 it was again restored, this time by engineer Carlos Halcón. On April 10, 1923, King Alfonso XIII visited the tower, and on March 21, 1936 the Maritime Museum was installed in the Tower by order of the Admiralty. In September 1942, more restoration work began. The appearance of the facade was improved, two floors were set up for museum display, and the third floor was prepared to house researchers. The museum held its grand opening on July 24, 1944, for which occasion 400 museum pieces were brought from the Naval Museum of Madrid.
On August 13, 1992, the Torre del Oro was made a brother to the Tower of Belem of Lisbon to celebrate the Universal Exposition in Seville. As of 2008 the museum displayed a variety of old navigational instruments and models, as well as historical documents, engravings, and nautical charts, relating Seville to the Guadalquivir River and the sea. The tower was again restored in 2005.
"The distinctive characteristic of a traditional society is order."
Ananda K. Coomaraswamy
"A normal civilization is one that rests on principles, one in which all is ordered and in a hierarchy consistent with these principles, so that everything is seen to be an application and extension of a metaphysical doctrine."
René Guénon
Copyright - All Rights Reserved - Black Diamond Images
Consistent excellent soaking rains on almost every day in December 2020 has provided just the strike back response needed for Raintrees Native and Rainforest Gardens following the devastating drought of 2019. That drought, possibly our worst on record, killed a lot of our mature Bangalow Palms, not to mention countless tree species and even many epiphytes.
Throughout 2020 we worked tirelessly to remove resultant fire risk from the property for fear that the summer of 2020 would be a duplicate of that of 2019.
Fortunately that concern proved unfounded with meteorological forecasts predicting the return of a La Niña.
It's been many years, if ever, that we've had such regular daily consistent rainfall that soaks in rather than flooding through the property doing potentially enormous damage.
With the palms removed we've replaced them with hardy rainforest trees and the December rains have given them the dream start to their existence.
With more planting during January we are nearing the end of canopy planting on the property and the focus will turn to understorey planting and positioning of epiphytes on increasing numbers of suitably receptive rainforest trees.
Of course with all the rain a myriad of fungi, moss and lichen species are slowly making their way back, as can be seen in this image, and we now hope for a return to more regular rainfall for the next few years.
The mossy tracks are maintained by use of a leaf blower regularly removing leaves so the moss can be exposed to sunlight.
The mossy tracks are maintained by use of a leaf blower regularly removing leaves so the moss can be exposed to sunlight.
The track name, Wonga Way, is derived from the the shy generally ground dwelling Wonga Pigeons that frequent this part of Raintrees.
Among the the species of moss that have been identified on these tracks are the following :
* Thuidiopsis furfurosa
* Hypnodendron vitiense
* Wijkia papillata ?
* Pyrrobryum parramattense
* Sphagnum novozelandicum
* Dawsonia longiseta
* Dicranoloma billarderi
Singapore Zoo ranks consistently (after San Diego Zoo) as one of the best in the world.
Watching the power of this animal as he leaps for the incoming food is just breathtaking. You can see the deadly canines in the powerful jaw. At 16, Omar was already old for a tiger, and he died 16 months after this was taken.
For the story, please visit: www.ursulasweeklywanders.com/travel/teeth-claws-and-colou...
Doing series like this is good for me. It goes against my natural preferred way of doing photography to stick with one consistent body of work over time. In fact, I am already getting pretty antsy to be done posting these (though I'll continue to work on them) and move on to other types of images. I have never quite figured this out about me. I recognize the value of stringing together like images to make a narrative that says far more than any one individual image in the series can on its own. And I recognize that I am not the best at it and should therefor practice it. And when I do, I am usually pretty pleased with the results. But at that point the focus shifts more from me doing something for myself to me doing something for my audience, and photography - despite how voraciously and prolifically I share it on-line via social media - has always been a highly personal pursuit for me. I get everything I need from it long before anybody else sees the images. Such is it with a series like this. I certainly don't need to post these together in a group on Flickr to have already benefited and appreciated the idea behind because I can keep them all together in my head... I made them after all. But for an audience to see and appreciate that idea, it needs to be presented as a cohesive whole. But I rarely go about photographing anything as a cohesive whole. I work with one camera one day and another the next. I do people here and pretty landscapes there. I get abstract then I go documentary. I don't think this is any sort of attention deficit because I keep track of it all and these things slowly build up piecemeal over time. Maybe it is just that it goes against my grain to focus on just one dimension of the world when I am able to see and appreciate so many at once and when concentrating on one comes at the expense of making images of the others.
Or something like that.
But anyway, this I think will be the second to the last in this series (or maybe the third, I shall see tomorrow).
So thanks for following along. I hope it makes you look at photographers slightly differently from here on.
North Somerset Council's new tendered services start today. The only consistent bus service from Yatton to Clevedon in the seven years I have lived here has been Citistar's Thursday shopper service. There has been nothing else for the last couple of years , but now we have the 54 from Bristol Airport to Clevedon. It runs every one and a half hours .
HCT Group , trading as Bristol Community Transport are running services 52, 53, 54 and 55.
YX21RPV is an Alexander Dennis Enviro 200 MMC B30F new 1st April 2021 , seen in Yatton , on the 15.00 departure from Bristol Airport on service 54 , although it is still displaying the destination for the previous journey on 55.
This is a different bus from the one on the 54 this morning as they have to interwork since NSC left no allowance for drivers' statutory breaks in the timetable.
Since 2014, Etihad has provided daily Boeing 777-300ER operation consistently with EY15/16 being the flight to seeing much larger heavy lifting in comparison to Airbus A330-200s which previously operated these flights on a twice daily basis.
Since 1st November 2018, EY15/16 has since gone over to Boeing 787 operation, initially with Boeing 787-9s but went over to Boeing 787-10 operation on a temporary basis from 8th December 2018 until 31st December 2018. From 6th January 2019, Boeing 777-300ERs will once again take-over before going over to Boeing 787-10 operation permanently from 1st February 2019 (a good idea to visit Manchester perhaps!)
Meanwhile, EY21/22 temporarily saw Airbus A330-200s operating between 6th November 2018 until 24th November 2018 before going back over to Boeing 777-300ERs... Interestingly enough, Boeing 787-9s frequently appear filling-in.
From 31st March 2019 when the S19 schedule commences, Etihad's twice-daily Manchester flights will go over to 100% Boeing 787 operation when EY15/16 continues with Boeing 787-10s whilst EY21/22 will go over to Boeing 787-9 operation.
Currently, Etihad operates 25 Boeing 777s which includes 6 Boeing 777Fs and 19 Boeing 777-300ERs. Etihad currently have 8 Boeing 777-8s and 17 Boeing 777-9s on-order, however there are rumours that this order maybe cancelled.
Echo Tango Hotel is one of 19 Boeing 777-300ERs in service with Etihad, delivered new to the flag-carrier on 14th September 2011 and she is powered by 2 General Electric GE90-115B engines.
Boeing 777-3FX/ER A6-ETH on short finals into Runway 23R at Manchester (MAN) on EY15 from Abu Dhabi (AUH).
A missing filter... Picture or maybe in the air of the time that brews a little anguish, it grinds ideas by dint of filtering the words... the cunning life with a twist. Angel or mill?
The COVID-19 pandemic has resulted in conspiracy theories and misinformation about the scale of the pandemic and the origin, prevention, diagnosis, and treatment of the disease.[1][2][3] False information, including intentional disinformation, has been spread through social media,[2][4] text messages,[5] and mass media,[6] including the tabloid media,[7] conservative media,[8][9] state media of countries such as China,[10][11] Russia,[12][13] Iran,[14] and Turkmenistan.[2][15] It has also been spread by state-backed covert operations to generate panic and sow distrust in other countries.[16][17]
Misinformation has been propagated by celebrities, politicians[18][19] (including heads of state in countries such as the United States,[20][21] Iran,[22] and Brazil[23]), and other prominent public figures.[24] Commercial scams have claimed to offer at-home tests, supposed preventives, and "miracle" cures.[25][26] Politicians and leaders of some countries have promoted purported cures, while some religious groups said that the faith of their followers and God will protect them from the virus.[27][28][29] Others have claimed the virus is a lab-developed bio-weapon that was accidentally leaked,[30][31] or deliberately designed to target a country,[32] or one with a patented vaccine, a population control scheme, the result of a spy operation,[3][4] or linked to 5G networks.[33]
The World Health Organization has declared an "infodemic" of incorrect information about the virus, which poses risks to global health.[2]
Types and origin and effect
On January 30, the BBC reported about the increasing spread of conspiracy theories and false health advice in relation to COVID-19. Notable examples at the time included false health advice shared on social media and private chats, as well as conspiracy theories such as the origin in bat soup and the outbreak being planned with the participation of the Pirbright Institute.[1][34] On January 31, The Guardian listed seven instances of misinformation, adding the conspiracy theories about bioweapons and the link to 5G technology, and including varied false health advice.[35]
In an attempt to speed up research sharing, many researches have turned to preprint servers such as arXiv, bioRxiv, medRxiv or SSRN. Papers can be uploaded to these servers without peer review or any other editorial process that ensures research quality. Some of these papers have contributed to the spread of conspiracy theories. The most notable case was a preprint paper uploaded to bioRxiv which claimed that the virus contained HIV "insertions". Following the controversy, the paper was withdrawn.[36][37][38]
According to a study published by the Reuters Institute for the Study of Journalism, most misinformation related to COVID-19 involves "various forms of reconfiguration, where existing and often true information is spun, twisted, recontextualised, or reworked". While less misinformation "was completely fabricated". The study found no deep fakes in the studied sample. The study also found that "top-down misinformation from politicians, celebrities, and other prominent public figures", while accounting for a minority of the samples, captured a majority of the social media engagement. According to their classification, the largest category of misinformation (39%) includes "misleading or false claims about the actions or policies of public authorities, including government and international bodies like the WHO or the UN".[39]
A natural experiment correlated coronavirus misinformation with increased infection and death; of two similar television news shows on the same network, one took coronavirus seriously about a month earlier than the other. People and groups exposed to the slow-response news show had higher infection and death rates.[40]
The misinformations have been used by politicians, interest groups, and state actors in many countries to scapegoat other countries for the mishandling of the domestic responses, as well as furthering political, financial agenda.[41][42][43]
Combative efforts
Further information: Impact of the 2019–20 coronavirus pandemic on journalism
File:ITU - AI for Good Webinar Series - COVID-19 Misinformation and Disinformation during COVID-19.webm
International Telecommunication Union
On February 2, the World Health Organization (WHO) described a "massive infodemic", citing an over-abundance of reported information, accurate and false, about the virus that "makes it hard for people to find trustworthy sources and reliable guidance when they need it". The WHO stated that the high demand for timely and trustworthy information has incentivised the creation of a direct WHO 24/7 myth-busting hotline where its communication and social media teams have been monitoring and responding to misinformation through its website and social media pages.[44][45][46] The WHO specifically debunked several claims as false, including the claim that a person can tell if they have the virus or not simply by holding their breath; the claim that drinking large amounts of water will protect against the virus; and the claim that gargling salt water prevents infection.[47]
In early February, Facebook, Twitter and Google said they were working with WHO to address "misinformation".[48] In a blogpost, Facebook stated they would remove content flagged by global health organizations and local authorities that violate its content policy on misinformation leading to "physical harm".[49] Facebook is also giving free advertising to WHO.[50] Nonetheless, a week after Trump's speculation that sunlight could kill the virus, the New York Times found "780 Facebook groups, 290 Facebook pages, nine Instagram accounts and thousands of tweets pushing UV light therapies," content which those companies declined to remove from their platforms.[51]
At the end of February, Amazon removed more than a million products claimed to cure or protect against coronavirus, and removed tens of thousands of listings for health products whose prices were "significantly higher than recent prices offered on or off Amazon", although numerous items were "still being sold at unusually high prices" as of February 28.[52]
Millions of instances of COVID-19 misinformation have occurred across a number of online platforms.[53] Other fake news researchers noted certain rumors started in China; many of them later spread to Korea and the United States, prompting several universities in Korea to start the multilingual Facts Before Rumors campaign to separate common claims seen online.[54][55][56][57]
The media has praised Wikipedia's coverage of COVID-19 and its combating the inclusion of misinformation through efforts led by the Wiki Project Med Foundation and the English-language Wikipedia's WikiProject Medicine, among other groups.[58][59][60]
Many local newspapers have been severely affected by losses in advertising revenues from coronavirus; journalists have been laid off, and some have closed altogether.[61]
Many newspapers with paywalls lowered them for some or all their coronavirus coverage.[62][63] Many scientific publishers made scientific papers related to the outbreak open access.[64]
The Turkish Interior Ministry has been arresting social media users whose posts were "targeting officials and spreading panic and fear by suggesting the virus had spread widely in Turkey and that officials had taken insufficient measures".[65] Iran's military said 3600 people have been arrested for "spreading rumors" about coronavirus in the country.[66] In Cambodia, some individuals who expressed concerns about the spread of COVID-19 have been arrested on fake news charges.[67][68] Algerian lawmakers passed a law criminalising "fake news" deemed harmful to "public order and state security".[69] In the Philippines,[70] China,[71] India,[72][73] Egypt,[74] Bangladesh,[75] Morocco,[76] Pakistan,[77] Saudi Arabia,[78] Oman,[79] Iran,[80] Vietnam, Laos,[81] Indonesia,[73] Mongolia,[73] Sri Lanka,[73] Kenya, South Africa,[82] Somalia,[83] Thailand,[84] Kazakhstan,[85] Azerbaijan,[86] Malaysia[87] and Hong Kong, people have been arrested for allegedly spreading false information about the coronavirus pandemic.[88][73] The United Arab Emirates have introduced criminal penalties for the spread of misinformation and rumours related to the outbreak.[89]
Conspiracy theories
Conspiracy theories have appeared both in social media and in mainstream news outlets, and are heavily influenced by geopolitics.[90]
Accidental leakage
Virologist and immunologist Vincent R. Racaniello said that "accident theories – and the lab-made theories before them – reflect a lack of understanding of the genetic make-up of Sars-CoV-2."[91]
A number of allegations have emerged supposing a link between the virus and Wuhan Institute of Virology (WIV); among these is that the virus was an accidental leakage from WIV.[92] In 2017, U.S. molecular biologist Richard H. Ebright expressed caution when the WIV was expanded to become mainland China's first biosafety level 4 (BSL-4) laboratory, noting previous escapes of the SARS virus at other Chinese laboratories.[93] While Ebright refuted several conspiracy theories regarding the WIV (e.g., bioweapons research, or that the virus was engineered), he told BBC China this did not represent the possibility that the virus can be "completely ruled out" from entering the population due to a laboratory accident.[92] Various researchers contacted by NPR concluded there was "virtually no chance" (in NPR's words) that the pandemic virus had accidentally escaped from a laboratory.[94] Disinformation researcher Nina Jankowicz from Wilson Center indicates the lab leakage claim entered mainstream media in United States during April, propagated by pro-Trump news outlet.[43]
On February 14, 2020, Chinese scientists explored the possibility of accidental leakage and published speculations on scientific social networking website ResearchGate. The paper was neither peer-reviewed nor presented any evidence for its claims.[95] On March 5, the author of paper told Wall Street Journal in an interview why he decided to withdrew the paper by the end of February, stating: "the speculation about the possible origins in the post was based on published papers and media, and was not supported by direct proofs."[96][97] Several newspapers have referenced the paper.[95] Scientific American reported that Shi Zhengli, the lead researcher at WIV, started investigation on mishandling of experimental materials in the lab records, especially during disposal. She also tried to cross-check the novel coronavirus genome with the genetic information of other bat coronaviruses her team had collected. The result showed none of the sequences matched those of the viruses her team had sampled from bat caves.[98]
In February, it was alleged that the first person infected may have been a researcher at the institute named Huang Yanling.[99] Rumours circulated on Chinese social media that the researcher had become infected and died, prompting a denial from WIV, saying she was a graduate student enrolled in the Institute until 2015 and is not the patient zero.[100][99] In April, the conspiracy theory started to circulate around on Youtube and got picked up by conservative media, National Review.[101][6]
The South China Morning Post (SCMP) reported that one of the WIV's lead researchers, Shi Zhengli, was the particular focus of personal attacks in Chinese social media alleging that her work on bat-based viruses was the source of the virus; this led Shi to post: "I swear with my life, [the virus] has nothing to do with the lab". When asked by the SCMP to comment on the attacks, Shi responded: "My time must be spent on more important matters".[102] Caixin reported Shi made further public statements against "perceived tinfoil-hat theories about the new virus's source", quoting her as saying: "The novel 2019 coronavirus is nature punishing the human race for keeping uncivilized living habits. I, Shi Zhengli, swear on my life that it has nothing to do with our laboratory".[103] Immunologist Vincent Racaniello stated that virus leaking theory "reflect a lack of understanding of the genetic make-up of Sars-CoV-2 and its relationship to the bat virus". He says the bat virus researched in the institution "would not have been able to infect humans—the human Sars-CoV-2 has additional changes that allows it to infect humans."[91]
On April 14, the U.S. Chairman of the Joint Chiefs of Staff, General Mark Milley, in response to questions about the virus being manufactured in a lab, said "... it's inconclusive, although the weight of evidence seems to indicate natural. But we don't know for certain."[104] On that same day, Washington Post columnist Josh Rogin detailed a leaked cable of a 2018 trip made to the WIV by scientists from the U.S. Embassy. The article was referenced and cited by conservative media to push the lab leakage theory.[43] Rogin's article went on to say that "What the U.S. officials learned during their visits concerned them so much that they dispatched two diplomatic cables categorized as Sensitive But Unclassified back to Washington. The cables warned about safety and management weaknesses at the WIV lab and proposed more attention and help. The first cable, which I obtained, also warns that the lab's work on bat coronaviruses and their potential human transmission represented a risk of a new SARS-like pandemic."[105] Rogin's article pointed out there was no evidence that the coronavirus was engineered, "But that is not the same as saying it didn't come from the lab, which spent years testing bat coronaviruses in animals."[105] The article went on to quote Xiao Qiang, a research scientist at the School of Information at the University of California, Berkeley, "I don't think it's a conspiracy theory. I think it's a legitimate question that needs to be investigated and answered. To understand exactly how this originated is critical knowledge for preventing this from happening in the future."[105] Washington Post's article and subsequent broadcasts drew criticism from virologist Angela Rasmussen of Columbia University, which she states "It's irresponsible for political reporters like Rogin [to] uncritically regurgitate a secret 'cable' without asking a single virologist or ecologist or making any attempt to understand the scientific context."[43] Rasmussen later compared biosafety procedure concerns to "having the health inspector come to your restaurant. It could just be, ‘Oh, you need to keep your chemical showers better stocked.’ It doesn’t suggest, however, that there are tremendous problems.”[106]
Days later, multiple media outlets confirmed that U.S. intelligence officials were investigating the possibility that the virus started in the WIV.[107][108][109][110] On April 23, Vox presented disputed arguments on lab leakage claims from several scientists.[111] Scientists suggested that virus samples cultured in the lab have significant amount of difference compare to SARS-CoV-2. The virus institution sampled RaTG13 in Yunnan, the closest known relative of the novel coronavirus with 96% shared genome. Edward Holmes, SARS-CoV-2 researcher at the University of Sydney, explained 4% of difference "is equivalent to an average of 50 years (and at least 20 years) of evolutionary change."[111][112] Virologist Peter Daszak, president of the EcoHealth Alliance, which studies emerging infectious diseases, noted the estimation that 1–7 million people in Southeast Asia who live or work in proximity to bats are infected each year with bat coronaviruses. In the interview with Vox, he comments, "There are probably half a dozen people that do work in those labs. So let's compare 1 million to 7 million people a year to half a dozen people; it's just not logical."[94][111]
On April 30, The New York Times reported the Trump administration demanded intelligence agencies to find evidence linking WIV with the origin of SARS-Cov-2. Secretary of State and former Central Intelligence Agency (C.I.A) director Mike Pompeo was reportedly leading the push on finding information regarding the virus origin. Analysts were concerned that pressure from senior officials could distort assessments from the intelligence community. Anthony Ruggiero, the head of the National Security Council which responsible for tracking weapons of mass destruction, expressed frustration during a video conference that C.I.A. was unable to form conclusive answer on the origin of the virus. According to current and former government officials, as of April 30, C.I.A has yet to gather any information beyond circumstantial evidence to bolster the lab theory.[113][114] US intelligence officers suggested that Chinese officials tried to conceal the severity of the outbreak in early days, but no evidence had shown China attempted to cover up a lab accident.[115] One day later, Trump claimed he has evidence of the lab theory, but offers no further details on it.[116][117] Jamie Metzl, a senior fellow at the Atlantic Council, claimed the SARS-CoV-2 virus "likely" came from a Wuhan virology testing laboratory, based on "circumstantial evidence". He was quoted as saying, "I have no definitive way of proving this thesis."[118]
On April 30, 2020, the U.S. intelligence and scientific communities issued a public statement dismissing the idea that the virus was not natural, while the investigation of the lab accident theory was ongoing.[119][120] The White House suggested an alternative explanation, along with a seemingly contradictory message, that the virus was man-made. In an interview with ABC News, Secretary of State Pompeo said he has no reason to disbelieve the intelligence community that the virus was natural. However, this contradicted the comment he made earlier in the same interview, in which he said "the best experts so far seem to think it was man-made. I have no reason to disbelieve that at this point."[121][122][123] On May 4, Australian tabloid The Daily Telegraph claimed a reportedly leaked dossier from Five Eyes, which alleged the probable outbreak was from the Wuhan lab.[124] Fox News and national security commentators in the US quickly followed up The Telegraph story,[125][126] rising the tension within international intelligence community.[127] Australian government, which is part of the Five Eyes nations, determined the leaked dossier was not a Five Eyes document, but a compilation of open-source materials that contained no information generated by intelligence gathering.[128] German intelligence community denied the claim of the leaked dossier, instead supported the probability of a natural cause.[129][130] Australian government sees the promotion of the lab theory from the United States counterproductive to Australia’s push for a more broad international-supported independent inquiry into the virus origins.[127] Senior officials in Australian government speculated the dossier was leaked by US embassy in Canberra to promote a narrative in Australia media that diverged from the mainstream belief of Australia.[127][128][125]
Beijing rejected the White House's claim, calling the claim "part of an election year strategy by President Donald Trump’s Republican Party".[131] Hua Chunying, Chinese Foreign Ministry spokeswoman, urged Mike Pompeo to present evidence for his claim. "Mr. Pompeo cannot present any evidence because he does not have any," Hua told a journalist during a regular briefing, "This matter should be handled by scientists and professionals instead of politicians out of their domestic political needs."[131][132] The Chinese ambassador, in an opinion published in the Washington Post, called on the White House to end the "blame game" over the coronavirus.[133][134] As of May 5, assessments and internal sources from the Five Eyes nations indicated that the coronavirus outbreak was the result of a laboratory accident was "highly unlikely", since the human infection was "highly likely" a result of natural human and animal interaction. However, to reach such a conclusion with total certainty would still require greater cooperation and transparency from the Chinese side.[135]
Anti-Israeli and antisemitic
Further information: Antisemitic canard
Iran's Press TV asserted that "Zionist elements developed a deadlier strain of coronavirus against Iran".[14] Similarly, various Arab media outlets accused Israel and the United States of creating and spreading COVID-19, avian flu, and SARS.[136] Users on social media offered a variety of theories, including the supposition that Jews had manufactured COVID-19 to precipitate a global stock market collapse and thereby profit via insider trading,[137] while a guest on Turkish television posited a more ambitious scenario in which Jews and Zionists had created COVID-19, avian flu, and Crimean–Congo hemorrhagic fever to "design the world, seize countries, [and] neuter the world's population".[138]
Israeli attempts to develop a COVID-19 vaccine prompted mixed reactions. Grand Ayatollah Naser Makarem Shirazi denied initial reports that he had ruled that a Zionist-made vaccine would be halal,[139] and one Press TV journalist tweeted that "I'd rather take my chances with the virus than consume an Israeli vaccine".[140] A columnist for the Turkish Yeni Akit asserted that such a vaccine could be a ruse to carry out mass sterilization.[141]
An alert by the U.S. Federal Bureau of Investigation regarding the possible threat of far-right extremists intentionally spreading the coronavirus mentioned blame being assigned to Jews and Jewish leaders for causing the pandemic and several statewide shutdowns.[142]
Anti-Muslim
Further information: 2020 Tablighi Jamaat coronavirus hotspot in Delhi
In India, Muslims have been blamed for spreading infection following the emergence of cases linked to a Tablighi Jamaat religious gathering.[143] There are reports of vilification of Muslims on social media and attacks on individuals in India.[144] Claims have been made Muslims are selling food contaminated with coronavirus and that a mosque in Patna was sheltering people from Italy and Iran.[145] These claims were shown to be false.[146] In the UK, there are reports of far-right groups blaming Muslims for the coronavirus outbreak and falsely claiming that mosques remained open after the national ban on large gatherings.[147]
Bioengineered virus
It has been repeatedly claimed that the virus was deliberately created by humans.
Nature Medicine published an article arguing against the conspiracy theory that the virus was created artificially. The high-affinity binding of its peplomers to human angiotensin-converting enzyme 2 (ACE2) was shown to be "most likely the result of natural selection on a human or human-like ACE2 that permits another optimal binding solution to arise".[148] In case of genetic manipulation, one of the several reverse-genetic systems for betacoronaviruses would probably have been used, while the genetic data irrefutably showed that the virus is not derived from a previously used virus template.[148] The overall molecular structure of the virus was found to be distinct from the known coronaviruses and most closely resembles that of viruses of bats and pangolins that were little studied and never known to harm humans.[149]
In February 2020, the Financial Times quoted virus expert and global co-lead coronavirus investigator Trevor Bedford: "There is no evidence whatsoever of genetic engineering that we can find", and "The evidence we have is that the mutations [in the virus] are completely consistent with natural evolution".[150] Bedford further explained, "The most likely scenario, based on genetic analysis, was that the virus was transmitted by a bat to another mammal between 20–70 years ago. This intermediary animal—not yet identified—passed it on to its first human host in the city of Wuhan in late November or early December 2019".[150]
On February 19, 2020, The Lancet published a letter of a group of scientists condemning "conspiracy theories suggesting that COVID-19 does not have a natural origin".[151]
Chinese biological weapon
India
Amidst a rise in Sinophobia, there have been conspiracy theories reported on India's social networks that the virus is "a bioweapon that went rogue" and also fake videos alleging that Chinese authorities are killing citizens to prevent its spread.[152]
Ukraine
According to the Kyiv Post, two common conspiracy theories online in Ukraine are that American author Dean Koontz predicted the pandemic in his 1981 novel The Eyes of Darkness, and that the coronavirus is a bioweapon leaked from a secret lab in Wuhan.[153]
United Kingdom
Tobias Ellwood said, "It would be irresponsible to suggest the source of this outbreak was an error in a Chinese military biological weapons programme ... But without greater Chinese transparency we cannot entirely completely sure."[154]
In February, Conservative MP Tobias Ellwood, chair of the Defence Select Committee of the UK House of Commons, publicly questioned the role of the Chinese Army's Wuhan Institute for Biological Products and called for the "greater transparency over the origins of the coronavirus".[154][non-primary source needed] The Daily Mail reported in early April 2020 that a member of COBRA (an ad-hoc government committee tasked with advising on crises[citation needed]) has stated while government intelligence does not dispute that the virus has a zoonotic origin, it also does not discount the idea of a leak from a Wuhan laboratory, saying "Perhaps it is no coincidence that there is that laboratory in Wuhan"; the Asia Times reported the story as if it were factual,[155] perhaps unaware of the reputation of the Daily Mail.
United States
Further information: Cyberwarfare in the United States and Propaganda in the United States
In January 2020, BBC News published an article about coronavirus misinformation, citing two January 24 articles from The Washington Times that said the virus was part of a Chinese biological weapons program, based at the Wuhan Institute of Virology (WIV).[1] The Washington Post later published an article debunking the conspiracy theory, citing U.S. experts who explained why the WIV was unsuitable for bioweapon research, that most countries had abandoned bioweapons as fruitless, and that there was no evidence the virus was genetically engineered.[156]
On January 29, financial news website and blog ZeroHedge suggested without evidence that a scientist at the WIV created the COVID-19 strain responsible for the coronavirus outbreak. Zerohedge listed the full contact details of the scientist supposedly responsible, a practice known as doxing, by including the scientist's name, photo, and phone number, suggesting to readers that they "pay [the Chinese scientist] a visit" if they wanted to know "what really caused the coronavirus pandemic".[157] Twitter later permanently suspended the blog's account for violating its platform-manipulation policy.[158]
Logo of the fictional Umbrella Corporation, which some internet rumours linked to the pandemic. The corporation was invented for the Resident Evil game series.
In January 2020, Buzzfeed News reported on an internet meme of a link between the logo of the WIV and "Umbrella Corporation", the agency that created the virus responsible for a zombie apocalypse in the Resident Evil franchise. Posts online noted that "Racoon [sic]" (the main city in Resident Evil) was an anagram of "Corona".[159] Snopes noted that the logo was not from the WIV, but a company named Shanghai Ruilan Bao Hu San Biotech Ltd (located some 500 miles (800 km) away in Shanghai), and that the correct name of the city in Resident Evil was "Raccoon City".[159]
In February 2020, U.S. Senator Tom Cotton (R-AR) suggested the virus may have originated in a Chinese bioweapon laboratory.[160] Francis Boyle, a law professor, also expressed support for the bioweapon theory suggesting it was the result of unintended leaks.[161] Cotton elaborated on Twitter that his opinion was only one of "at least four hypotheses". Multiple medical experts have indicated there is no evidence for these claims.[162] Conservative political commentator Rush Limbaugh said on The Rush Limbaugh Show—the most popular radio show in the U.S.—that the virus was probably "a ChiCom laboratory experiment" and the Chinese government was using the virus and the media hysteria surrounding it to bring down Donald Trump.[163][164]
On February 6, the White House asked scientists and medical researchers to rapidly investigate the origins of the virus both to address the current spread and "to inform future outbreak preparation and better understand animal/human and environmental transmission aspects of coronaviruses".[165] American magazine Foreign Policy said Xi Jinping's "political agenda may turn out to be a root cause of the epidemic" and that his Belt and Road Initiative has "made it possible for a local disease to become a global menace".[90]
The Inverse reported that "Christopher Bouzy, the founder of Bot Sentinel, conducted a Twitter analysis for Inverse and found [online] bots and trollbots are making an array of false claims. These bots are claiming China intentionally created the virus, that it's a biological weapon, that Democrats are overstating the threat to hurt Donald Trump and more. While we can't confirm the origin of these bots, they are decidedly pro-Trump."[166]
Conservative commentator Josh Bernstein claimed that the Democratic Party and the "medical deep state" were collaborating with the Chinese government to create and release the coronavirus to bring down Donald Trump. Bernstein went on to suggest those responsible should be locked in a room with infected coronavirus patients as punishment.[167][168]
Jerry Falwell Jr., the president of Liberty University, promoted a conspiracy theory on Fox News that North Korea and China conspired together to create the coronavirus.[169] He also said people were overreacting to the coronavirus outbreak and that Democrats were trying to use the situation to harm President Trump.[170]
Hospital ship attack
The hospital ship USNS Mercy (T-AH-19) deployed to the Port of Los Angeles to provide backup medical services for the region. On March 31, 2020, a Pacific Harbor Line freight train was deliberately derailed by its onboard engineer in an attempt to crash into the ship, but the attack was unsuccessful and no one was injured.[171][172] According to U.S. federal prosecutors, the train's engineer "[...] was suspicious of the Mercy, believing it had an alternate purpose related to COVID-19 or a government takeover".[173]
Population control scheme
See also: List of conspiracy theories § RFID chips
According to the BBC, Jordan Sather, a conspiracy theory YouTuber supporting the far-right QAnon conspiracy theory and the anti-vax movement, has falsely claimed the outbreak was a population control scheme created by Pirbright Institute in England and by former Microsoft CEO Bill Gates. This belief is held mostly by right-wing libertarians, NWO conspiracy theorists, and Christian Fundamentalists.[1][174]
Spy operation
Some people have alleged that the coronavirus was stolen from a Canadian virus research lab by Chinese scientists. Health Canada and the Public Health Agency of Canada said that conspiracy theory had "no factual basis".[175] The stories seem to have been derived[176] from a July 2019 news article[177] stating that some Chinese researchers had their security access to a Canadian Level 4 virology facility revoked in a federal police investigation; Canadian officials described this as an administrative matter and "there is absolutely no risk to the Canadian public."[177]
This article was published by the Canadian Broadcasting Corporation (CBC);[176] responding to the conspiracy theories, the CBC later stated that "CBC reporting never claimed the two scientists were spies, or that they brought any version of the coronavirus to the lab in Wuhan". While pathogen samples were transferred from the lab in Winnipeg, Canada to Beijing, China, on March 31, 2019, neither of the samples was a coronavirus, the Public Health Agency of Canada says the shipment conformed to all federal policies, and there has not been any statement that the researchers under investigation were responsible for sending the shipment. The current location of the researchers under investigation by the Royal Canadian Mounted Police is not being released.[175][178][179]
In the midst of the coronavirus epidemic, a senior research associate and expert in biological warfare with the Begin-Sadat Center for Strategic Studies, referring to a NATO press conference, identified suspicions of espionage as the reason behind the expulsions from the lab, but made no suggestion that coronavirus was taken from the Canadian lab or that it is the result of bioweapons defense research in China.[180]
U.S. biological weapon
Arab world
According to Washington DC-based nonprofit Middle East Media Research Institute, numerous writers in the Arabic press have promoted the conspiracy theory that COVID-19, as well as SARS and the swine flu virus, were deliberately created and spread to sell vaccines against these diseases, and it is "part of an economic and psychological war waged by the U.S. against China with the aim of weakening it and presenting it as a backward country and a source of diseases".[181] Iraqi political analyst Sabah Al-Akili on Al-Etejah TV, Saudi daily Al-Watan writer Sa'ud Al-Shehry, Syrian daily Al-Thawra columnist Hussein Saqer, and Egyptian journalist Ahmad Rif'at on Egyptian news website Vetogate, were some examples given by MEMRI as propagators of the U.S. biowarfare conspiracy theory in the Arabic world.[181]
China
Further information: Cyberwarfare by China, Propaganda in China, and Chinese information operations and information warfare
The Xinhua News Agency is among the news outlets that have published false information about COVID-19's origins.
According to London-based The Economist, plenty of conspiracy theories exist on China's internet about COVID-19 being the CIA's creation to keep China down.[182] NBC News however has noted that there have also been debunking efforts of U.S.-related conspiracy theories posted online, with a WeChat search of "Coronavirus is from the U.S." reported to mostly yield articles explaining why such claims are unreasonable.[183] According to an investigation by ProPublica, such conspiracy theories and disinformation have been propagated under the direction of China News Service, the country's second largest government-owned media outlet controlled by the United Front Work Department.[184] Global Times and Xinhua News Agency have similarly been implicated in propagating disinformation related to COVID-19's origins.[185][186]
Multiple conspiracy articles in Chinese from the SARS era resurfaced during the outbreak with altered details, claiming SARS is biological warfare. Some said BGI Group from China sold genetic information of the Chinese people to the U.S., which then specifically targeted the genome of Chinese individuals.[187]
On January 26, Chinese military enthusiast website Xilu published an article, claimed how the U.S. artificially combined the virus to "precisely target Chinese people".[188][189] The article was removed in early February. The article was further distorted on social media in Taiwan, which claimed "Top Chinese military website admitted novel coronavirus was Chinese-made bio-weapons".[190] Taiwan Fact-check center debunked the original article and its divergence, suggesting the original Xilu article distorted the conclusion from a legitimate research on Chinese scientific magazine Science China Life Sciences, which never mentioned the virus was engineered.[190] The fact-check center explained Xilu is a military enthusiastic tabloid established by a private company, thus it doesn't represent the voice of Chinese military.[190]
Some articles on popular sites in China have also cast suspicion on U.S. military athletes participating in the Wuhan 2019 Military World Games, which lasted until the end of October 2019, and have suggested they deployed the virus. They claim the inattentive attitude and disproportionately below-average results of American athletes in the games indicate they might have been there for other purposes and they might actually be bio-warfare operatives. Such posts stated that their place of residence during their stay in Wuhan was also close to the Huanan Seafood Wholesale Market, where the first known cluster of cases occurred.[191]
In March 2020, this conspiracy theory was endorsed by Zhao Lijian, a spokesperson from the Ministry of Foreign Affairs of the People's Republic of China.[192][193][194][195] On March 13, the U.S. government summoned Chinese Ambassador Cui Tiankai to Washington over the coronavirus conspiracy theory.[196] Over the next month, conspiracy theorists narrowed their focus to one U.S. Army Reservist, a woman who participated in the games in Wuhan as a cyclist, claiming she is "patient zero". According to a CNN report, these theories have been spread by George Webb, who has nearly 100,000 followers on YouTube, and have been amplified by a report by CPC-owned newspaper Global Times.[197][198]
Iran
Further information: Propaganda in Iran
Reza Malekzadeh, deputy health minister, rejected bioterrorism theories.
According to Radio Farda, Iranian cleric Seyyed Mohammad Saeedi accused U.S. President Donald Trump of targeting Qom with coronavirus "to damage its culture and honor". Saeedi claimed that Trump is fulfilling his promise to hit Iranian cultural sites, if Iranians took revenge for the airstrike that killed of Quds Force Commander Qasem Soleimani.[199]
Iranian TV personality Ali Akbar Raefipour claimed the coronavirus was part of a "hybrid warfare" programme waged by the United States on Iran and China.[200] Brigadier General Gholam Reza Jalali, head of Iranian Civil Defense Organization, claimed the coronavirus is likely a biological attack on China and Iran with economic goals.[201][202]
Hossein Salami, the head of Islamic Revolutionary Guard Corps (IRGC), claimed the coronavirus outbreak in Iran may be due to a U.S. "biological attack".[203] Several Iranian politicians, including Hossein Amir-Abdollahian, Rasoul Falahati, Alireza Panahian, Abolfazl Hasanbeigi and Gholamali Jafarzadeh Imanabadi, also made similar remarks.[204] Iranian Supreme Leader, the Ayatollah Ali Khamenei, made similar suggestions.[205]
Former Iranian president Mahmoud Ahmadinejad sent a letter to the United Nations on March 9, claiming that "it is clear to the world that the mutated coronavirus was produced in lab" and that COVID-19 is "a new weapon for establishing and/or maintaining political and economic upper hand in the global arena".[206]
The late[207] Ayatollah Hashem Bathaie Golpayegani claimed that "America is the source of coronavirus, because America went head to head with China and realised it cannot keep up with it economically or militarily."[208]
Reza Malekzadeh, Iran's deputy health minister and former Minister of Health, rejected claims that the virus was a biological weapon, pointing out that the U.S. would be suffering heavily from it. He said Iran was hard-hit because its close ties to China and reluctance to cut air ties introduced the virus, and because early cases had been mistaken for influenza.[205]
Philippines
In the Philippine Senate, Tito Sotto has promoted his belief that COVID-19 is a bioweapon.
A Filipino Senator, Tito Sotto, played a bioweapon conspiracy video in a February 2020 Senate hearing, suggesting the coronavirus is biowarfare waged against China.[209][210]
Russia
Further information: Cyberwarfare by Russia and Propaganda in the Russian Federation
On February 22, U.S. officials alleged that Russia is behind an ongoing disinformation campaign, using thousands of social media accounts on Twitter, Facebook and Instagram to deliberately promote unfounded conspiracy theories, claiming the virus is a biological weapon manufactured by the CIA and the U.S. is waging economic war on China using the virus.[211][12][212] The acting assistant secretary of state for Europe and Eurasia, Philip Reeker, said "Russia's intent is to sow discord and undermine U.S. institutions and alliances from within" and "by spreading disinformation about coronavirus, Russian malign actors are once again choosing to threaten public safety by distracting from the global health response."[211] Russia denies the allegation, saying "this is a deliberately false story".[213]
According to U.S.-based The National Interest magazine, although official Russian channels had been muted on pushing the U.S. biowarfare conspiracy theory, other Russian media elements do not share the Kremlin's restraint.[214] Zvezda, a news outlet funded by the Russian Defense Ministry, published an article titled "Coronavirus: American biological warfare against Russia and China", claiming that the virus is intended to damage the Chinese economy, weakening its hand in the next round of trade negotiations.[214] Ultra-nationalist politician and leader of the Liberal Democratic Party of Russia, Vladimir Zhirinovsky, claimed on a Moscow radio station that the virus was an experiment by the Pentagon and pharmaceutical companies. Politician Igor Nikulin made rounds on Russian television and news media, arguing that Wuhan was chosen for the attack because the presence of a BSL-4 virus lab provided a cover story for the Pentagon and CIA about a Chinese bio-experiment leak.[214] An EU-document claims 80 attempts by Russian media to spread disinformation related to the epidemic.[215]
According to the East StratCom Task Force, the Sputnik news agency was active publishing stories speculating that the virus could've been invented in Latvia, that it was used by Communist Party of China to curb protests in Hong Kong, that it was introduced intentionally to reduce the number of elder people in Italy, that it was targeted against the Yellow Vests movement, and making many other speculations. Sputnik branches in countries including Armenia, Belarus, Spain, and in the Middle East came up with versions of these stories.[216]
Venezuela
Constituent Assembly member Elvis Méndez declared that the coronavirus was a "bacteriological sickness created in '89, in '90 and historically" and that it was a sickness "inoculated by the gringos". Méndez theorized that the virus was a weapon against Latin America and China and that its purpose was "to demoralize the person, to weaken to install their system".[217]
COVID-19 recovery
It has been wrongly claimed that anyone infected with COVID-19 will have the virus in their bodies for life. While there is no curative treatment, infected individuals can recover from the disease, eliminating the virus from their bodies; getting supportive medical care early can help.[279]
COVID-19 xenophobic blaming by ethnicity and religion
Main article: List of incidents of xenophobia and racism related to the 2019–20 coronavirus pandemic
File:IOM - Fighting Stigma and Discrimination against Migrants during COVID-19.webm
UN video warns that misinformation against groups may lower testing rates and increase transmission.
COVID-19-related xenophobic attacks have been made against people the attacker blamed for COVID-19 on the basis of their ethnicity. People who are considered to look Chinese have been subjected to COVID-19-related verbal and physical attacks in many other countries, often by people accusing them of transmitting the virus.[281][282][283] Within China, there has been discrimination (such as evictions and non-service in shops) against people from anywhere closer to Wuhan (where the pandemic started) and against anyone perceived as being non-Chinese (especially those considered African), as the Chinese government has blamed continuing cases on re-introductions of the virus from abroad (90% of reintroduced cases were by Chinese passport-holders). Neighbouring countries have also discriminated against people seen as Westerners.[284][285][286] People have also simply blamed other local groups along the lines of pre-existing social tensions and divisions, sometimes citing reporting of COVID-19 cases within that group. For instance, Muslims have been widely blamed, shunned, and discriminated against in India (including some violent attacks), amid unfounded claims that Muslims are deliberately spreading COVID-19, and a Muslim event at which the disease did spread has received far more public attention than many similar events run by other groups and the government.[287] White supremacist groups have blamed COVID-19 on non-whites and advocated deliberately infecting minorities they dislike, such as Jews.[288]
False causes
5G
5G towers have been burned by people wrongly blaming them for COVID-19.
Openreach engineers appealed on anti-5G Facebook groups, saying they aren't involved in mobile networks, and workplace abuse is making it difficult for them to maintain phonelines and broadband.
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In February 2020 BBC News reported that conspiracy theorists on social media groups alleged a link between coronavirus and 5G mobile networks, claiming that Wuhan and Diamond Princess outbreaks were directly caused by electromagnetic fields and by the introduction of 5G and wireless technologies. Some conspiracy theorists also alleged that the coronavirus outbreak was a cover-up for a 5G-related illness.[33] In March 2020, Thomas Cowan, a holistic medical practitioner who trained as a physician and operates on probation with Medical Board of California, alleged that coronavirus is caused by 5G, based on the claims that African countries were not affected significantly by the pandemic and Africa was not a 5G region.[289][290] Cowan also falsely alleged that the viruses were wastes from cells that are poisoned by electromagnetic fields and historical viral pandemics coincided with the major developments in radio technology.[290] The video of his claims went viral and was recirculated by celebrities including Woody Harrelson, John Cusack, and singer Keri Hilson.[291] The claims may also have been recirculated by an alleged "coordinated disinformation campaign", similar to campaigns used by the Internet Research Agency in Saint Petersburg, Russia.[292] The claims were criticized on social media and debunked by Reuters,[293] USA Today,[294] Full Fact[295] and American Public Health Association executive director Georges C. Benjamin.[289][296]
Professor Steve Powis, national medical director of NHS England, described theories linking 5G mobile phone networks to COVID-19 as the "worst kind of fake news".[297] Viruses cannot be transmitted by radio waves. COVID-19 has spread and continues to spread in many countries that do not have 5G networks.[279]
After telecommunications masts in several parts of the United Kingdom were the subject of arson attacks, British Cabinet Office Minister Michael Gove said the theory that COVID-19 virus may be spread by 5G wireless communication is "just nonsense, dangerous nonsense as well".[298] Vodafone announced that two Vodafone masts and two it shares with O2 had been targeted.[299][300]
By Monday April 6, 2020 at least 20 mobile phone masts in the UK had been vandalised since the previous Thursday.[301] Because of slow rollout of 5G in the UK, many of the damaged masts had only 3G and 4G equipment.[301] Mobile phone and home broadband operators estimated there were at least 30 incidents of confronting engineers maintaining equipment in the week up to April 6.[301] There have been eleven incidents of attempted arson at mobile phone masts in the Netherlands, including one case where "Fuck 5G" was written, as well as in Ireland and Cyprus.[302][303] Facebook has deleted multiple messages encouraging attacks on 5G equipment.[301]
Engineers working for Openreach posted pleas on anti-5G Facebook groups asking to be spared abuse as they are not involved with maintaining mobile networks.[304] Mobile UK said the incidents were affecting attempts to maintain networks that support home working and provide critical connections to vulnerable customers, emergency services and hospitals.[304] A widely circulated video shows people working for broadband company Community Fibre being abused by a woman who accuses them of installing 5G as part of a plan to kill the population.[304]
YouTube announced that it would reduce the amount of content claiming links between 5G and coronavirus.[299] Videos that are conspiratorial about 5G that do not mention coronavirus would not be removed, though they might be considered "borderline content", removed from search recommendations and losing advertising revenue.[299] The discredited claims had been circulated by British conspiracy theorist David Icke in videos (subsequently removed) on YouTube and Vimeo, and an interview by London Live TV network, prompting calls for action by Ofcom.[305][306]
On April 13, 2020, Gardaí were investigating fires at 5G masts in County Donegal, Ireland.[307] Gardaí and fire services had attended the fires the previous night in an attempt to put them out.[307] Although Gardaí were awaiting results of tests they were treating the fires as deliberate.[307]
There were 20 suspected arson attacks on phone masts in the UK over the Easter 2020 weekend.[297] These included an incident in Dagenham where three men were arrested on suspicion of arson, a fire in Huddersfield that affected a mast used by emergency services and a fire in a mast that provides mobile connectivity to the NHS Nightingale Hospital Birmingham.[297]
Ofcom issued guidance to ITV following comments by Eamonn Holmes after comments made by Holmes about 5G and coronavirus on This Morning.[308] Ofcom said the comments were "ambiguous" and "ill-judged" and they "risked undermining viewers' trust in advice from public authorities and scientific evidence".[308] Ofcom also local channel London Live in breach of standards for an interview it had with David Icke who it said had " expressed views which had the potential to cause significant harm to viewers in London during the pandemic".[308]
Some telecoms engineers have reported threats of violence, including threats to stab and murder them, by individuals who believe them to be working on 5G networks.[309] West Midlands Police said the crimes in question are being taken very seriously.[309]
On April 24, 2020 The Guardian revealed that an evangelical pastor from Luton had provided the male voice on a recording blaming 5G for deaths caused by coronavirus.[310] Jonathon James claimed to have formerly headed the largest business-unit at Vodafone, but insiders at the company said that he was hired for a sales position in 2014 when 5G was not a priority for the company and that 5G would not have been part of his job.[310] He left the company after less than a year.[310]
Mosquitoes
It has been claimed that mosquitoes transmit coronavirus. There is no evidence that this is true; coronavirus spreads through small droplets of saliva and mucus.[279]
Petrol pumps
A warning claiming to be from the Australia Department of Health said coronavirus spreads through petrol pumps and that everyone should wear gloves when filling up petrol in their cars.[311]
Shoe-wearing
There were claims that wearing shoes at one's home was the reason behind the spread of the coronavirus in Italy.[312]
Resistance/susceptibility based on ethnicity
There have been claims that specific ethnicities are more or less vulnerable to COVID-19. COVID-19 is a new zoonotic disease, so no population has yet had the time to develop population immunity.[medical citation needed]
Beginning on February 11, reports, quickly spread via Facebook, implied that a Cameroonian student in China had been completely cured of the virus due to his African genetics. While a student was successfully treated, other media sources have noted that no evidence implies Africans are more resistant to the virus and labeled such claims as false information.[313] Kenyan Secretary of Health Mutahi Kagwe explicitly refuted rumors that "those with black skin cannot get coronavirus", while announcing Kenya's first case on March 13.[314] This myth was cited as a contributing factor in the disproportionately high rates of infection and death observed among African Americans.[315][316]
There have been claims of "Indian immunity": that the people of India have more immunity to the COVID-19 virus due to living conditions in India. This idea was deemed "absolute drivel" by Anand Krishnan, professor at the Centre for Community Medicine of the All India Institute of Medical Sciences (AIIMS). He said there was no population immunity to the COVID-19 virus yet, as it is new, and it is not even clear whether people who have recovered from COVID-19 will have lasting immunity, as this happens with some viruses but not with others.[317]
Iran's Supreme Leader Ayatollah Ali Khamenei claimed the virus was genetically targeted at Iranians by the U.S., and this is why it is seriously affecting Iran. He did not offer any evidence.[318][22]
Religious protection
A number of religious groups have claimed protection due to their faith, some refusing to stop large religious gatherings. In Israel, some Ultra-Orthodox Jews initially refused to close synagogues and religious seminaries and disregarded government restrictions because "The Torah protects and saves",[319] which resulted in an 8 times faster rate of infection among some groups.[320] The Tablighi Jamaat movement organised mass gatherings in Malaysia, India, and Pakistan whose participants believed that God will protect them resulted the biggest rise in COVID-19 cases in a number of countries.[321][29][322] In Iran, the head of Fatima Masumeh Shrine encouraged pilgrims to visit the shrine despite calls to close the shrine, saying that they "consider this holy shrine to be a place of healing."[323] In South Korea the River of Grace Community Church in Gyeonggi Province spread the virus after spraying salt water into their members' mouths in the belief that it would kill the virus,[324] while the Shincheonji Church of Jesus in Daegu where a church leader claimed that no Shincheonji worshipers had caught the virus in February while hundreds died in Wuhan later caused in the biggest spread of the virus in the country.[325][326]
In Somalia, myths have spread claiming Muslims are immune to the virus.[327]
Unproven protective and aggravating factors
Vegetarian immunity
[icon]
This section needs expansion. You can help by adding to it. (April 2020)
Claims that vegetarians are immune to coronavirus spread online in India, causing "#NoMeat_NoCoronaVirus" to trend on Twitter.[328][better source needed] Eating meat does not have an effect on COVID-19 spread, except for people near where animals are slaughtered, said Anand Krishnan.[329] Fisheries, Dairying and Animal Husbandry Minister Giriraj Singh said the rumour had significantly affected industry, with the price of a chicken falling to a third of pre-pandemic levels. He also described efforts to improve the hygiene of the meat supply chain.[330]
Efficacy of hand sanitiser, "antibacterial" soaps
Washing in soap and water for at least 20 seconds is the best way to clean hands. Second-best is a hand sanitizer that is at least 60% alcohol.[331]
Claims that hand sanitiser is merely "antibacterial not antiviral", and therefore ineffective against COVID-19, have spread widely on Twitter and other social networks. While the effectiveness of sanitiser depends on the specific ingredients, most hand sanitiser sold commercially inactivates SARS-CoV-2, which causes COVID-19.[332][333] Hand sanitizer is recommended against COVID-19,[279] though unlike soap, it is not effective against all types of germs.[334] Washing in soap and water for at least 20 seconds is recommended by the U.S. Centers for Disease Control (CDC) as the best way to clean hands in most situations. However, if soap and water are not available, a hand sanitizer that is at least 60% alcohol can be used instead, unless hands are visibly dirty or greasy.[331][335] The CDC and the Food and Drug Administration both recommend plain soap; there is no evidence that "antibacterial soaps" are any better, and limited evidence that they might be worse long-term.[336][337]
Alcohol (ethanol and poisonous methanol)
Contrary to some reports, drinking alcohol does not protect against COVID-19, and can increase health risks[279] (short term and long term). Drinking alcohol is ethanol; other alcohols, such as methanol, which causes methanol poisoning, are acutely poisonous, and may be present in badly-prepared alcoholic beverages.[338]
Iran has reported incidents of methanol poisoning, caused by the false belief that drinking alcohol would cure or protect against coronavirus;[339] alcohol is banned in Iran, and bootleg alcohol may contain methanol.[340] According to Iranian media in March 2020, nearly 300 people have died and more than a thousand have become ill due to methanol poisoning, while Associated Press gave figures of around 480 deaths with 2,850 others affected.[341] The number of deaths due to methanol poisoning in Iran reached over 700 by April.[342] Iranian social media had circulated a story from British tabloids that a British man and others had been cured of coronavirus with whiskey and honey,[339][343] which combined with the use of alcohol-based hand sanitizers as disinfectants, led to the false belief that drinking high-proof alcohol can kill the virus.[339][340][341]
Similar incidents have occurred in Turkey, with 30 Turkmenistan citizens dying from methanol poisoning related to coronavirus cure claims.[344][345]
In Kenya, the Governor of Nairobi Mike Sonko has come under scrutiny for including small bottles of the cognac Hennessy in care packages, falsely claiming that alcohol serves as "throat sanitizer" and that, from research, it is believed that "alcohol plays a major role in killing the coronavirus."[346][347]
Cocaine
Cocaine does not protect against COVID-19. Several viral tweets purporting that snorting cocaine would sterilize one's nostrils of the coronavirus spread around Europe and Africa. In response, the French Ministry of Health released a public service announcement debunking this claim, saying "No, cocaine does NOT protect against COVID-19. It is an addictive drug that causes serious side effects and is harmful to people's health." The World Health Organisation also debunked the claim.[348]
Ibuprofen
A tweet from French health minister Olivier Véran, a bulletin from the French health ministry, and a small speculative study in The Lancet Respiratory Medicine raised concerns about ibuprofen worsening COVID-19, which spread extensively on social media. The European Medicines Agency[349] and the World Health Organization recommended COVID-19 patients keep taking ibuprofen as directed, citing lack of convincing evidence of any danger.[350]
Helicopter spraying
In some Asian countries, it has been claimed that one should stay at home on particular days when helicopters spray disinfectant over homes for killing off COVID-19; no such spraying is taking place.[351][352]
Cruise ships safety from infection
Main article: COVID-19 pandemic on cruise ships
Claims by cruise-ship operators notwithstanding, there are many cases of coronaviruses in hot climates; some countries in the Caribbean, the Mediterranean, and the Persian Gulf are severely affected.
In March 2020, the Miami New Times reported that managers at Norwegian Cruise Line had prepared a set of responses intended to convince wary customers to book cruises, including "blatantly false" claims that the coronavirus "can only survive in cold temperatures, so the Caribbean is a fantastic choice for your next cruise", that "[s]cientists and medical professionals have confirmed that the warm weather of the spring will be the end of the [c]oronavirus", and that the virus "cannot live in the amazingly warm and tropical temperatures that your cruise will be sailing to".[353]
Flu is seasonal (becoming less frequent in the summer) in some countries, but not in others. While it is possible that the COVID-19 coronavirus will also show some seasonality, it is not yet known.[354][355][356][medical citation needed] The COVID-19 coronavirus spread along international air travel routes, including to tropical locations.[357] Outbreaks on cruise ships, where an older population lives in close quarters, frequently touching surfaces which others have touched, were common.[358][359]
It seems that COVID-19 can be transmitted in all climates.[279] It has seriously affected many warm-climate countries. For instance, Dubai, with an year-round average daily high of 28.0 Celsius (82.3°F) and the airport said to have the world's most international traffic, has had thousands of cases.
Vaccine pre-existence
It was reported that multiple social media posts have promoted a conspiracy theory claiming the virus was known and that a vaccine was already available. PolitiFact and FactCheck.org noted that no vaccine currently exists for COVID-19. The patents cited by various social media posts reference existing patents for genetic sequences and vaccines for other strains of coronavirus such as the SARS coronavirus.[360][4] The WHO reported as of February 5, 2020, that amid news reports of "breakthrough" drugs being discovered to treat people infected with the virus, there were no known effective treatments;[361] this included antibiotics and herbal remedies not being useful.[362] Scientists are working to develop a vaccine, but as of March 18, 2020, no vaccine candidates have completed Phase II clinical trials.[citation needed]
Miscellaneous
Name of the disease
Social media posts and internet memes claimed that COVID-19 means "Chinese Originated Viral Infectious Disease 19", or similar, as supposedly the "19th virus to come out of China".[477] In fact, the WHO named the disease as follows: CO stands for corona, VI for virus, D for disease and 19 for when the outbreak was first identified (31 December 2019).[478]
Bat soup
Some media outlets, including Daily Mail and RT, as well as individuals, disseminated a video showing a Chinese woman eating a bat, falsely suggesting it was filmed in Wuhan and connecting it to the outbreak.[479][480] However, the widely circulated video contains unrelated footage of a Chinese travel vlogger, Wang Mengyun, eating bat soup in the island country of Palau in 2016.[479][480][481][482] Wang posted an apology on Weibo,[481][482] in which she said she had been abused and threatened,[481] and that she had only wanted to showcase Palauan cuisine.[481][482] The spread of misinformation about bat consumption has been characterized by xenophobic and racist sentiment toward Asians.[90][483][484] In contrast, scientists suggest the virus originated in bats and migrated into an intermediary host animal before infecting people.[90][485]
en.wikipedia.org/wiki/Misinformation_related_to_the_COVID...
OLYMPUS DIGITAL CAMERA
Collalba rubia
(Oenanthe hispanica)
Pequeño túrdido de característico diseño blanquinegro. Se trata de un migrante transahariano, distribuido como reproductor por los países circunmediterráneos. En nuestro país está presente por toda la región mediterránea, donde resulta habitual, aunque no abundante. Aquí ocupa terrenos abiertos y secos, con matorral o arbolado disperso.
Descripción y Clasificación
Orden Passeriformes; familia Turdidae
Longitud 14 cm. Envergadura 25-27 cm.
Identificación
Túrdido de pequeño tamaño y aspecto elegante. Los machos muestran un marcado contraste entre el negro de las alas y el antifaz y los tonos blancos-ocres del dorso y del vientre (dibujo 1). Las hembras son parecidas a los machos, aunque de aspecto más pardo (dibujo 2). Existen dos variedades con coloración diferente en la garganta, en un caso blanca y en otro negra. La especie resulta similar a la collalba gris, de la que se diferencia por la ausencia de lista superciliar y por el diseño de la cola, con más blanco en los bordes (dibujo 3).
Canto
Es sonoro, consistente en una sucesión de estrofas rápidas y chirriantes, con trinos acelerados y agudos. Emite reclamos cortos, que incluyen cierta variedad de silbidos y chasquidos.
Llaurar la terra és l'operació agrícola consistent en fer solcs més o menys profunds amb una eina de mà o un arreu.
La paraula llaurar deriva del llatí laborare que tenia el significat genèric de treballar.
Un sinònim de llaurar és efectivament treballar la terra.
Sant Climent d’Amer i la Barroca (La Selva) CAT.
------------------------------------------------------
Plowing.
Tilling the soil is the agricultural operation consisting of more or less deep furrows made with a hand tool or elsewhere.
The word derives from the Latin laborare plow that had the broader meaning of work.
A plow is synonymous actually work the land.Amer Sant Climent et La Barroca (La Selva) CAT.
From Wikipedia, the free encyclopedia
(Redirected from Hong kong)
Hong Kong, officially the Hong Kong Special Administrative Region of the People's Republic of China, is an autonomous territory south to Mainland China and east to Macao in East Asia. With around 7.2 million Hong Kongers of various nationalities[note 2] in a territory of 1,104 km2, Hong Kong is the world's fourth most densely populated country or territory.
Hong Kong used to be a British colony with the perpetual cession of Hong Kong Island from the Qing Empire after the First Opium War (1839–42). The colony expanded to the Kowloon Peninsula in 1860 and acquired a 99-year lease of the New Territories from 1898. Hong Kong was later occupied by Japan during the Second World War until British control resumed in 1945. The Sino-British Joint Declaration signed between the United Kingdom and China in 1984 paved way for the transfer of sovereignty of Hong Kong in 1997, when it became a special administrative region (SAR) of the People's Republic of China with a high degree of autonomy.[15]
Under the principle of "one country, two systems",[16][17] Hong Kong maintains a separate political and economic system from China. Except in military defence and foreign affairs, Hong Kong maintains its independent executive, legislative and judiciary powers.[18] In addition, Hong Kong develops relations directly with foreign states and international organisations in a broad range of "appropriate fields".[19] Hong Kong involves in international organizations, such as the WTO[20] and the APEC [21], actively and independently.
Hong Kong is one of the world's most significant financial centres, with the highest Financial Development Index score and consistently ranks as the world's most competitive and freest economic entity.[22][23] As the world's 8th largest trading entity,[24] its legal tender, the Hong Kong dollar, is the world's 13th most traded currency.[25] As the world's most visited city,[26][27] Hong Kong's tertiary sector dominated economy is characterised by competitive simple taxation and supported by its independent judiciary system.[28] Even with one of the highest per capita incomes in the world, it suffers from severe income inequality.[29]
Nicknamed "Pearl of the Orient", Hong Kong is renowned for its deep natural harbour, which boasts the world's fifth busiest port with ready access by cargo ships, and its impressive skyline, with the most skyscrapers in the world.[30][31] It has a very high Human Development Index ranking and the world's longest life expectancy.[32][33] Over 90% of the population makes use of well-developed public transportation.[34][35] Seasonal air pollution with origins from neighbouring industrial areas of Mainland China, which adopts loose emissions standards, has resulted in a high level of atmospheric particulates in winter.[36][37][38]
Contents
1 Etymology
2 History
2.1 Prehistory
2.2 Imperial China
2.3 British Crown Colony: 1842–1941
2.4 Japanese occupation: 1941–45
2.5 Resumption of British rule and industrialisation: 1945–97
2.6 Handover and Special Administrative Region status
3 Governance
3.1 Structure of government
3.2 Electoral and political reforms
3.3 Legal system and judiciary
3.4 Foreign relations
3.5 Human rights
3.6 Regions and districts
3.7 Military
4 Geography and climate
5 Economy
5.1 Financial centre
5.2 International trading
5.3 Tourism and expatriation
5.4 Policy
5.5 Infrastructure
6 Demographics
6.1 Languages
6.2 Religion
6.3 Personal income
6.4 Education
6.5 Health
7 Culture
7.1 Sports
7.2 Architecture
7.3 Cityscape
7.4 Symbols
8 See also
9 Notes
10 References
10.1 Citations
10.2 Sources
11 Further reading
12 External links
Etymology
Hong Kong was officially recorded in the 1842 Treaty of Nanking to encompass the entirety of the island.[39]
The source of the romanised name "Hong Kong" is not known, but it is generally believed to be an early imprecise phonetic rendering of the pronunciation in spoken Cantonese 香港 (Cantonese Yale: Hēung Góng), which means "Fragrant Harbour" or "Incense Harbour".[13][14][40] Before 1842, the name referred to a small inlet—now Aberdeen Harbour (Chinese: 香港仔; Cantonese Yale: Hēunggóng jái), literally means "Little Hong Kong"—between Aberdeen Island and the southern coast of Hong Kong Island. Aberdeen was an initial point of contact between British sailors and local fishermen.[41]
Another theory is that the name would have been taken from Hong Kong's early inhabitants, the Tankas (水上人); it is equally probable that romanisation was done with a faithful execution of their speeches, i.e. hōng, not hēung in Cantonese.[42] Detailed and accurate romanisation systems for Cantonese were available and in use at the time.[43]
Fragrance may refer to the sweet taste of the harbour's fresh water estuarine influx of the Pearl River or to the incense from factories lining the coast of northern Kowloon. The incense was stored near Aberdeen Harbour for export before Hong Kong developed Victoria Harbour.[40]
The name had often been written as the single word Hongkong until the government adopted the current form in 1926.[44] Nevertheless, a number of century-old institutions still retain the single-word form, such as the Hongkong Post, Hongkong Electric and the Hongkong and Shanghai Banking Corporation.
As of 1997, its official name is the "Hong Kong Special Administrative Region of the People's Republic of China". This is the official title as mentioned in the Hong Kong Basic Law and the Hong Kong Government's website;[45] however, "Hong Kong Special Administrative Region" and "Hong Kong" are widely accepted.
Hong Kong has carried many nicknames. The most famous among those is the "Pearl of the Orient", which reflected the impressive nightscape of the city's light decorations on the skyscrapers along both sides of the Victoria Harbour. The territory is also known as "Asia's World City".
History
Main articles: History of Hong Kong and History of China
Prehistory
Main article: Prehistoric Hong Kong
Archaeological studies support human presence in the Chek Lap Kok area (now Hong Kong International Airport) from 35,000 to 39,000 years ago and on Sai Kung Peninsula from 6,000 years ago.[46][47][48]
Wong Tei Tung and Three Fathoms Cove are the earliest sites of human habitation in Hong Kong during the Paleolithic Period. It is believed that the Three Fathom Cove was a river-valley settlement and Wong Tei Tung was a lithic manufacturing site. Excavated Neolithic artefacts suggested cultural differences from the Longshan culture of northern China and settlement by the Che people, prior to the migration of the Baiyue to Hong Kong.[49][50] Eight petroglyphs, which dated to the Shang Dynasty (c. 1600 BC – 1066 BC) in China, were discovered on the surrounding islands.[51]
Imperial China
Main article: History of Hong Kong under Imperial China
In 214 BC, Qin Shi Huang, the first emperor of a centralised China, conquered the Baiyue tribes in Jiaozhi (modern-day Liangguang region and Vietnam) and incorporated the area of Hong Kong into his imperial China for the first time. Hong Kong proper was assigned to the Nanhai commandery (modern-day Nanhai District), near the commandery's capital city Panyu.[52][53][54]
After a brief period of centralisation and collapse of the Qin dynasty, the area of Hong Kong was consolidated under the Kingdom of Nanyue, founded by general Zhao Tuo in 204 BC.[55] When Nanyue lost the Han-Nanyue War in 111 BC, Hong Kong came under the Jiaozhi commandery of the Han dynasty. Archaeological evidence indicates an increase of population and flourish of salt production. The Lei Cheng Uk Han Tomb on the Kowloon Peninsula is believed to have been built as a burial site during the Han dynasty.[56]
From the Han dynasty to the early Tang dynasty, Hong Kong was a part of Bao'an County. In the Tang dynasty, modern-day Guangzhou (Canton) flourished as an international trading centre. In 736, the Emperor Xuanzong of Tang established a military stronghold in Tuen Mun to strengthen defence of the coastal area.[57] The nearby Lantau Island was a salt production centre and salt smuggler riots occasionally broke out against the government. In c. 1075, The first village school, Li Ying College, was established around 1075 AD in modern-day New Territories by the Northern Song dynasty.[58] During their war against the Mongols, the imperial court of Southern Song was briefly stationed at modern-day Kowloon City (the Sung Wong Toi site) before their ultimate defeat by the Mongols at the Battle of Yamen in 1279.[59] The Mongols then established their dynastic court and governed Hong Kong for 97 years.
From the mid-Tang dynasty to the early Ming dynasty (1368–1644), Hong Kong was a part of Dongguan County. During the Ming dynasty, the area was transferred to Xin'an County. The indigenous inhabitants at that time consisted of several ethnicities such as Punti, Hakka, Tanka and Hoklo.
European discovery
The earliest European visitor on record was Jorge Álvares, a Portuguese explorer, who arrived in 1513.[60][61] Having established a trading post in a site they called "Tamão" in Hong Kong waters, Portuguese merchants commenced with regular trading in southern China. Subsequent military clashes between China and Portugal, however, led to the expulsion of all Portuguese merchants from southern China.
Since the 14th century, the Ming court had enforced the maritime prohibition laws that strictly forbade all private maritime activities in order to prevent contact with foreigners by sea.[62] When the Manchu Qing dynasty took over China, Hong Kong was directly affected by the Great Clearance decree of the Kangxi Emperor, who ordered the evacuation of coastal areas of Guangdong from 1661 to 1669. Over 16,000 inhabitants of Xin'an County including those in Hong Kong were forced to migrate inland; only 1,648 of those who had evacuated subsequently returned.[63][64]
British Crown Colony: 1842–1941
A painter at work. John Thomson. Hong Kong, 1871. The Wellcome Collection, London
Main articles: British Hong Kong and History of Hong Kong (1800s–1930s)
In 1839, threats by the imperial court of Qing to sanction opium imports caused diplomatic friction with the British Empire. Tensions escalated into the First Opium War. The Qing admitted defeat when British forces captured Hong Kong Island on 20 January 1841. The island was initially ceded under the Convention of Chuenpi as part of a ceasefire agreement between Captain Charles Elliot and Governor Qishan. A dispute between high-ranking officials of both countries, however, led to the failure of the treaty's ratification. On 29 August 1842, Hong Kong Island was formally ceded in perpetuity to the United Kingdom of Great Britain and Ireland under the Treaty of Nanking.[65] The British officially established a Crown colony and founded the City of Victoria in the following year.[66]
The population of Hong Kong Island was 7,450 when the Union Flag raised over Possession Point on 26 January 1841. It mostly consisted of Tanka fishermen and Hakka charcoal burners, whose settlements scattered along several coastal hamlets. In the 1850s, a large number of Chinese immigrants crossed the then-free border to escape from the Taiping Rebellion. Other natural disasters, such as flooding, typhoons and famine in mainland China would play a role in establishing Hong Kong as a place for safe shelter.[67][68]
Further conflicts over the opium trade between Britain and Qing quickly escalated into the Second Opium War. Following the Anglo-French victory, the Crown Colony was expanded to include Kowloon Peninsula (south of Boundary Street) and Stonecutter's Island, both of which were ceded to the British in perpetuity under the Convention of Beijing in 1860.
In 1898, Britain obtained a 99-year lease from Qing under the Convention for the Extension of Hong Kong Territory, in which Hong Kong obtained a 99-year lease of Lantau Island, the area north of Boundary Street in Kowloon up to Shenzhen River and over 200 other outlying islands.[69][70][71]
Hong Kong soon became a major entrepôt thanks to its free port status, attracting new immigrants to settle from both China and Europe. The society, however, remained racially segregated and polarised under early British colonial policies. Despite the rise of a British-educated Chinese upper-class by the late-19th century, race laws such as the Peak Reservation Ordinance prevented ethnic Chinese in Hong Kong from acquiring houses in reserved areas such as Victoria Peak. At this time, the majority of the Chinese population in Hong Kong had no political representation in the British colonial government. The British governors did rely, however, on a small number of Chinese elites, including Sir Kai Ho and Robert Hotung, who served as ambassadors and mediators between the government and local population.
File:1937 Hong Kong VP8.webmPlay media
Hong Kong filmed in 1937
In 1904, the United Kingdom established the world's first border and immigration control; all residents of Hong Kong were given citizenship as Citizens of United Kingdom and Colonies (CUKC).
Hong Kong continued to experience modest growth during the first half of the 20th century. The University of Hong Kong was established in 1911 as the territory's first higher education institute. While there had been an exodus of 60,000 residents for fear of a German attack on the British colony during the First World War, Hong Kong remained unscathed. Its population increased from 530,000 in 1916 to 725,000 in 1925 and reached 1.6 million by 1941.[72]
In 1925, Cecil Clementi became the 17th Governor of Hong Kong. Fluent in Cantonese and without a need for translator, Clementi introduced the first ethnic Chinese, Shouson Chow, into the Executive Council as an unofficial member. Under Clementi's tenure, Kai Tak Airport entered operation as RAF Kai Tak and several aviation clubs. In 1937, the Second Sino-Japanese War broke out when the Japanese Empire expanded its territories from northeastern China into the mainland proper. To safeguard Hong Kong as a freeport, Governor Geoffry Northcote declared the Crown Colony as a neutral zone.
Japanese occupation: 1941–45
Main article: Japanese occupation of Hong Kong
The Cenotaph in Hong Kong commemorates those who died in service in the First World War and the Second World War.[73]
As part of its military campaign in Southeast Asia during Second World War, the Japanese army moved south from Guangzhou of mainland China and attacked Hong Kong in on 8 December 1941.[74] Crossing the border at Shenzhen River on 8 December, the Battle of Hong Kong lasted for 18 days when British and Canadian forces held onto Hong Kong Island. Unable to defend against intensifying Japanese air and land bombardments, they eventually surrendered control of Hong Kong on 25 December 1941. The Governor of Hong Kong was captured and taken as a prisoner of war. This day is regarded by the locals as "Black Christmas".[75]
During the Japanese occupation of Hong Kong, the Japanese army committed atrocities against civilians and POWs, such as the St. Stephen's College massacre. Local residents also suffered widespread food shortages, limited rationing and hyper-inflation arising from the forced exchange of currency from Hong Kong dollars to Japanese military banknotes. The initial ratio of 2:1 was gradually devalued to 4:1 and ownership of Hong Kong dollars was declared illegal and punishable by harsh torture. Due to starvation and forced deportation for slave labour to mainland China, the population of Hong Kong had dwindled from 1.6 million in 1941 to 600,000 in 1945, when the United Kingdom resumed control of the colony on 2 September 1945.[76]
Resumption of British rule and industrialisation: 1945–97
Main articles: British Hong Kong, 1950s in Hong Kong, 1960s in Hong Kong, 1970s in Hong Kong, 1980s in Hong Kong, and 1990s in Hong Kong
Flag of British Hong Kong from 1959 to 1997
Hong Kong's population recovered quickly after the war, as a wave of skilled migrants from the Republic of China moved in to seek refuge from the Chinese Civil War. When the Communist Party eventually took full control of mainland China in 1949, even more skilled migrants fled across the open border for fear of persecution.[69] Many newcomers, especially those who had been based in the major port cities of Shanghai and Guangzhou, established corporations and small- to medium-sized businesses and shifted their base operations to British Hong Kong.[69] The establishment of a socialist state in China (People's Republic of China) on 1 October 1949 caused the British colonial government to reconsider Hong Kong's open border to mainland China. In 1951, a boundary zone was demarked as a buffer zone against potential military attacks from communist China. Border posts along the north of Hong Kong began operation in 1953 to regulate the movement of people and goods into and out of the territory.
Stamp with portrait of Queen Elizabeth II, 1953
In the 1950s, Hong Kong became the first of the Four Asian Tiger economies under rapid industrialisation driven by textile exports, manufacturing industries and re-exports of goods to China. As the population grew, with labour costs remaining low, living standards began to rise steadily.[77] The construction of the Shek Kip Mei Estate in 1953 marked the beginning of the public housing estate programme to provide shelter for the less privileged and to cope with the influx of immigrants.
Under Sir Murray MacLehose, 25th Governor of Hong Kong (1971–82), a series of reforms improved the public services, environment, housing, welfare, education and infrastructure of Hong Kong. MacLehose was British Hong Kong's longest-serving governor and, by the end of his tenure, had become one of the most popular and well-known figures in the Crown Colony. MacLehose laid the foundation for Hong Kong to establish itself as a key global city in the 1980s and early 1990s.
A sky view of Hong Kong Island
An aerial view of the northern shore of Hong Kong Island in 1986
To resolve traffic congestion and to provide a more reliable means of crossing the Victoria Harbour, a rapid transit railway system (metro), the MTR, was planned from the 1970s onwards. The Island Line (Hong Kong Island), Kwun Tong Line (Kowloon Peninsula and East Kowloon) and Tsuen Wan Line (Kowloon and urban New Territories) opened in the early 1980s.[78]
In 1983, the Hong Kong dollar left its 16:1 peg with the Pound sterling and switched to the current US-HK Dollar peg. Hong Kong's competitiveness in manufacturing gradually declined due to rising labour and property costs, as well as new development in southern China under the Open Door Policy introduced in 1978 which opened up China to foreign business. Nevertheless, towards the early 1990s, Hong Kong had established itself as a global financial centre along with London and New York City, a regional hub for logistics and freight, one of the fastest-growing economies in Asia and the world's exemplar of Laissez-faire market policy.[79]
The Hong Kong question
In 1971, the Republic of China (Taiwan)'s permanent seat on the United Nations was transferred to the People's Republic of China (PRC), Hong Kong's status as a recognised colony became terminated in 1972 under the request of PRC. Facing the uncertain future of Hong Kong and expiry of land lease of New Territories beyond 1997, Governor MacLehose raised the question in the late 1970s.
The British Nationality Act 1981 reclassified Hong Kong into a British Dependent Territory amid the reorganisation of global territories of the British Empire. All residents of Hong Kong became British Dependent Territory Citizens (BDTC). Diplomatic negotiations began with China and eventually concluded with the 1984 Sino-British Joint Declaration. Both countries agreed to transfer Hong Kong's sovereignty to China on 1 July 1997, when Hong Kong would remain autonomous as a special administrative region and be able to retain its free-market economy, British common law through the Hong Kong Basic Law, independent representation in international organisations (e.g. WTO and WHO), treaty arrangements and policy-making except foreign diplomacy and military defence.
It stipulated that Hong Kong would retain its laws and be guaranteed a high degree of autonomy for at least 50 years after the transfer. The Hong Kong Basic Law, based on English law, would serve as the constitutional document after the transfer. It was ratified in 1990.[69] The expiry of the 1898 lease on the New Territories in 1997 created problems for business contracts, property leases and confidence among foreign investors.
Handover and Special Administrative Region status
Main articles: Transfer of sovereignty over Hong Kong and 2000s in Hong Kong
Transfer of sovereignty
Golden Bauhinia Square
On 1 July 1997, the transfer of sovereignty over Hong Kong from the United Kingdom to the People's Republic of China took place, officially marking the end of Hong Kong's 156 years under British colonial governance. As the largest remaining colony of the United Kingdom, the loss of Hong Kong effectively represented the end of the British Empire. This transfer of sovereignty made Hong Kong the first special administrative region of China. Tung Chee-Hwa, a pro-Beijing business tycoon, was elected Hong Kong's first Chief Executive by a selected electorate of 800 in a televised programme.
Structure of government
Hong Kong's current structure of governance inherits from the British model of colonial administration set up in the 1850s. The 1984 Sino-British Joint Declaration states that "Hong Kong should enjoy a high degree of autonomy in all areas except defence and foreign affairs" with reference to the underlying principle of one country, two systems.[note 3] This Declaration stipulates that Hong Kong maintains her capitalist economic system and guarantees the rights and freedoms of her people for at least 50 years after the 1997 handover. [note 4] Such guarantees are enshrined in the Hong Kong's Basic Law, the territory's constitutional document, which outlines the system of governance after 1997, albeit subject to interpretation by China's Standing Committee of the National People's Congress (NPCSC).[95][96]
Hong Kong's most senior leader, Chief Executive, is elected by a committee of 1,200 selected members (600 in 1997) and nominally appointed by the Government of China. The primary pillars of government are the Executive Council, Legislative Council, civil service and Judiciary.
Policy-making is initially discussed in the Executive Council, presided by the Chief Executive of Hong Kong, before passing to the Legislative Council for bill adoption. The Executive Council consists of 30 official/unofficial members appointed by the Chief Executive and one member among them acts as the convenor.[97][98]
The Legislative Council, set up in 1843, debates policies and motions before voting to adopt or rejecting bills. It has 70 members (originally 60) and 40 (originally 30) among them are directly elected by universal suffrage; the other 30 members are "functional constituencies" (indirectly) elected by a smaller electorate of corporate bodies or representatives of stipulated economic sectors as defined by the government. The Legislative Council is chaired by a president who acts as the speaker.[99][100]
In 1997, seating of the Legislative Council (also public services and election franchises) of Hong Kong modelled on the British system: Urban Council (Hong Kong and Kowloon) and District Council (New Territories and Outlying Islands). In 1999, this system has been reformed into 18 directly elected District Offices across 5 Legislative Council constituencies: Hong Kong Island (East/West), Kowloon and New Territories (East/West); the remaining outlying islands are divided across the aforementioned regions.
Hong Kong's Civil Service, created by the British colonial government, is a politically neutral body that implements government policies and provides public services. Senior civil servants are appointed based on meritocracy. The territory's police, firefighting and customs forces, as well as clerical officers across various government departments, make up the civil service.[101][102]
I can't cook rice consistently. sometimes it's great, and last week I burned it. I get distracted.
I found this mini rice cooker, used, online. It's smaller than my kettle; just the thing for 2 portions, ready in 30 minutes.
My photostream this week has had a developing theme alluding to the logo of Channel 4, one of the UK’s main television channels. To watch TV in the UK you will need a television licence (a consumption tax). I believe I’m right in saying Channel 4 receives a portion of the licence fee funding, despite being a commercial channel (which some might say represents a conflict of interest with government intervention resulting in pseudo-obligation of some kind). The reason I drew attention to Channel 4 is that I would like people to watch Cathy Newman’s interview with Professor Jordan Peterson, which can be found here (www.youtube.com/watch?v=aMcjxSThD54).
Originally, many people were seeing it as a (a kind of Frost/Nixon) victory for Conservatism, as supposedly embodied by Prof Peterson, against the ‘Progressive Left’, as embodied by Ms Newman.
I choose to see it another way, as does Prof Peterson I believe, (see here, www.youtube.com/watch?v=E6qBxn_hFDQ if interested). He is an advocate for free speech and an opponent of mandated speech. The interview was a victory for all those who seek open debate, so that truth can be uncovered.
I also would like to congratulate Ms Newman for conducting the interview vigorously and for accepting with good grace, the ideological/rhetorical cul-de-sac into which she had steered her train of thought, (apologies for the mixed metaphor). As for those who say the final ‘Gotcha’ was unnecessary, I disagree. It made clear there was something specific and of great importance to take from the encounter.
It might not be a watershed moment that leads to lasting improvement in the quality and openness of public discourse. It was at least a shining moment of what could be achieved with intellect and an open mind. Furthermore, it would be lovely to see news journalism improve and see interviewees of all beliefs, affiliations, seniority, treated consistently. We might even end ambush journalism, de-contextualization, reframing and interruption of an interviewee who is answering the question posed not five seconds previously. I am a dreamer at heart.
Hello there. Relevant comments welcome but please do NOT post any link(s). All my images are my own original work, under my copyright, with all rights reserved. You need my permission to use any image for ANY purpose.
Copyright infringement is theft.
Esta réplica, da coroa de espinhos usada por Jesus Cristo, se encontra em uma sala ao lado do altar da Igreja Real de São Lourenço (San Lorenzo) em Turim, Itália.
A seguir, texto, em português, da Wikipédia, a enciclopédia livre:
O Sudário de Turim, ou o Santo Sudário é uma peça de linho que mostra a imagem de um homem que aparentemente sofreu traumatismos físicos de maneira consistente com a crucificação. O Sudário está guardado fora das vistas do público na capela da catedral de São João Baptista em Turim, Itália.
O sudário é uma peça rectangular de linho com 4,4 metros de comprimento e 1,1 de largura. O tecido mostra as imagens frontal e dorsal de um homem nu, com as mãos pousadas sobre as partes baixas, consistentes com a projecção ortogonal, sem a projeção referente à parte lateral do corpo humano. As duas imagens apontam em sentidos opostos e unem-se na zona central do pano. O homem representado no sudário tem barba e cabelo comprido pela altura dos ombros, separado por uma risca ao meio. Tem um corpo bem proporcionado e musculado, com cerca de 1,75 de altura. O sudário apresenta ainda diversas nódoas encarnadas que, interpretadas como sangue, sugerem a presença de vários traumatismos
* ferida num dos punhos, de forma circular; o segundo punho está escondido em segundo plano;
* ferida na zona lateral, aparentemente provocada por instrumento cortante;
* conjunto de pequenas feridas em torno da testa; e
* série de feridas lineares nas costas e pernas.
A 28 de Maio de 1898, o fotógrafo italiano Secondo Pia tirou a primeira fotografia ao sudário e constatou que o negativo da fotografia assemelhava-se a uma imagem positiva do homem, o que significava que a imagem do sudário era, em si, um negativo. Esta descoberta lançou o mote para uma discussão científica que ainda hoje permanece aberta: o que representa o sudário?
As primeiras referências a um possível sudário surgem na própria Bíblia. O Evangelho de Mateus (27:59) refere que José de Arimateia envolveu o corpo de Jesus Cristo com "um pano de linho limpo". João (19:38-40) também descreve o evento, e relata que os apóstolos Pedro e João, ao visitar o túmulo de Jesus após a ressurreição, encontraram os lençóis dobrados (Jo 20:6-7). Embora depois desta descrição evangélica o sudário só tenha feito sua aparição definitiva no século XIV, para não mais ser perdido de vista, existem alguns relatos anteriores que contêm indicações bastante consistentes sobre a existência de um tal tecido em tempos mais antigos.
A primeira menção não-evangélica a ele data de 544, quando um pedaço de tecido mostrando uma face que se acreditou ser a de Jesus foi encontrado escondido sob uma ponte em Edessa. Suas primeiras descrições mencionam um pedaço de pano quadrado, mostrando apenas a face, mas São João Damasceno, em sua obra antiiconoclasta "Sobre as imagens sagradas", falando sobre a mesma relíquia, a descreve como uma faixa comprida de tecido, embora disesse que se tratava de uma imagem transferida para o pano quando Jesus ainda estava vivo.
Em 944, quando esta peça foi transferida para Constantinopla, Gregorius Referendarius, arquidiácono de Hagia Sophia pregou um sermão sobre o artefato, que foi dado como perdido até ser redescoberto em 2004 num manuscrito dos arquivos do Vaticano. Neste sermão é feita uma descrição do sudário de Edessa como contendo não só a face, mas uma imagem de corpo inteiro, e cita a presença de manchas de sangue. Outra fonte é o Codex Vossianus Latinus, também no Vaticano, que se refere ao sudário de Edessa como sendo uma impressão de corpo inteiro.
Outra evidência é uma gravura incluída no chamado Manuscrito Húngaro de Preces, datado de 1192, onde a figura mostra o corpo de Jesus sendo preparado para o sepultamento, numa posição consistente com a imagem impressa no sudário de Turim.
Em 1203, o cruzado Robert de Clari afirmou ter visto o sudário em Constantinopla nos seguintes termos: "Lá estava o sudário em que nosso Senhor foi envolto, e que a cada quinta-feira é exposto de modo que todos possam ver a imagem de nosso Senhor nele". Seguindo-se ao saque de Constantinopla, em 1205 Theodoros Angelos, sobrinho de um dos três imperadores bizantinos, escreveu uma carta de protesto ao papa Inocêncio III, onde menciona o roubo de riquezas e relíquias sagradas da capital pelos cruzados, e dizendo que as jóias ficaram com os venezianos e relíquias haviam sido divididas entre os franceses, citando explicitamente o sudário, que segundo ele havia sido levado para Atenas nesta época.
Dali, a partir de testemunhos de época de Geoffrey de Villehardouin e do mesmo Robert de Clari, o sudário teria sido tomado por Otto de la Roche, que se tornou Duque de Atenas. Mas Otto logo o teria transmitido aos Templários, que o teriam levado para a França. Apesar desses indícios de que o sudário de Edessa seja possivelmente o mesmo que o de Turim, o assunto ainda é objeto controvérsia.
Então começa a parte da história do sudário que é bem documentada. Ele aparece publicamente pela primeira vez em 1357, quando a viúva de Geoffroy de Charny, um templário francês, a exibiu na igreja de Lirey. Não foi oferecida nenhuma explicação para a súbita aparição, nem a sua veneração como relíquia foi imediatamente aceite. Henrique de Poitiers, arcebispo de Troyes, apoiado mais tarde pelo rei Carlos VI de França, declarou o sudário como uma impostura e proibiu a sua adoração. A peça conseguiu, no entanto, recolher um número considerável de admiradores que lutaram para a manter em exibição nas igrejas. Em 1389, o bispo Pierre d’Arcis (sucessor de Henrique) denunciou a suposta relíquia como uma fraude fabricada por um pintor talentoso, numa carta a Clemente VII (em Avinhão). D’Arcis menciona que até então tem sido bem sucedido em esconder o pano e revela que a verdade lhe fora confessada pelo próprio artista, que não é identificado. A carta descreve ainda o sudário com grande precisão. Aparentemente, os conselhos do bispo de Troyes não foram ouvidos visto que Clemente VII declarou a relíquia sagrada e ofereceu indulgências a quem peregrinasse para ver o sudário.
Em 1418, o sudário passou a ser propriedade de Umberto de Villersexel, Conde de La Roche, que o removeu para o seu castelo de Montfort, sob o argumento de proteger a peça de um eventual roubo. Depois da sua morte, o pároco de Lirey e a viúva travaram uma batalha jurídica pela custódia da relíquia, ganha pela família. A Condessa de La Roche iniciou então uma tournée com o sudário que incluiu as catedrais de Genebra e Liege. Em 1453, o sudário foi trocado por um castelo (não vendido porque a transacção comercial de relíquias é proibida) com o Duque Luís de Sabóia. A nova aquisição do duque tornou-se na atracção principal da recém construída catedral de Chambery, de acordo com cronistas contemporâneos, envolvida em veludo carmim e guardada num relicário com pregos de prata e chave de ouro.
O sudário foi mais uma vez declarado como relíquia verdadeira pelo Papa Júlio II em 1506. Em 1532, o sudário foi danificado por um incêndio que afectou a sua capela e pela água das tentativas de o controlar. Por volta de 1578 a peça foi transferida para Turim em Itália, onde se encontra até aos dias de hoje na Cappella della Sacra Sindone do Palazzo Reale di Torino. A casa de Sabóia foi a proprietária do sudário até 1983, data da sua doação ao Vaticano. A última exibição da peça foi no ano 2000, a próxima está agendada para 2010. Em 2002, o sudário foi submetido a obras de restauro.
As primeiras análises ao sudário foram realizadas em 1977 por uma equipe de cientistas da Universidade de Turim que usou métodos de microscopia. Os resultados demonstraram que o linho do sudário contém inúmeras gotículas de tinta fabricada a partir de ocre. Entretanto, a hipótese de uma pintura realizada por ação humana foi completamente descartada por experimentos posteriores.
Em 1978, a equipe americana do STURP (Shoud of Turin Research Project) teve acesso ao sudário durante 120 horas. A equipe era composta por 40 cientistas, dos quais apenas 7 católicos e um ateu, Walter C. McCrone, que retirou-se logo no início das investigações. Foram realizados muitos experimentos que envolveram diversas áreas da ciência, como fotografias com diferentes tipos de filme, radiografia de raios X, raio X com fluorescência, espectroscopia, infravermelho e retirada de amostras com fita.
Depois de três anos de análise do STURP, ficou provado que existia sangue humano no sudário e que as gotículas de tinta ocre eram resultado de contaminação. Existiram diversas tentativas de se recriar algo semelhante ao sudário, realizadas durante os séculos, feitas por dezenas de pintores, mas que nunca chegaram a um resultado minimamente próximo ao sudário examinado pelo STURP. Quando questionados sobre se o sudário não era a mortalha de Jesus Cristo, de forma unânime, foi afirmado que nenhum dos resultados dos estudos contradisse a narrativa dos evangelhos. Entretanto, como cientistas, também não podiam afirmar que a mortalha era verdadeira porque essa é uma hipótese não falseável.
Cientistas do STURP também mostraram a completa improbabilidade de aquela ser uma imagem gerada pela ação de um artista, ou seja, é humanamente impossível que o sudário seja uma pintura. A habilidade e equipamentos necessários para gerar uma falsificação daquela natureza são completamente incompatíveis com o período da Idade Média, época em que o sudário apareceu e foi guardado.
As principais conclusões científicas do STURP após cerca de 100.000 horas de pesquisa sobre o artefato foram as seguintes:
a) as marcas do Sudário são um duplo negativo fotográfico do corpo inteiro de um homem. Existe a imagem de frente e de dorso. O sangue do Sudário é positivo;
b) a figura do Sudário, ao contrário de todas as outras figuras bidimensionais já testadas até então, contém dados tridimensionais;
c) o material de cor vermelha do Sudário é sangue;
d) não existe ainda explicação científica de como as imagens do Sudário foram feitas; e
e) o Sudário está historicamente de acordo com os Evangelhos, pois mostra nas imagens as marcas da paixão de Cristo com precisão.
Na época, o STURP não foi autorizado a fazer o teste por datação carbono-14.
A Igreja Católica não emitiu nenhuma opinião acerca da autenticidade desta alegada relíquia. A posição oficial a esta questão é a de que a resposta deve ser uma decisão pessoal do crente. O Papa João Paulo II confessou-se pessoalmente comovido e emocionado com a imagem do sudário, mas afirmou que uma vez que não se trata de uma questão de fé, a Igreja não se pode pronunciar, ao mesmo tempo que convidou as comunidades científicas a continuar a investigação. O grande problema reside na dificuldade de acesso ao sudário, que não é de propriedade da Igreja Católica, mas de uma fundação italiana que alega que novos e constantes testes podem danificar o material da suposta relíquia. A Catholic Encyclopedia, editada pela Igreja Católica, no seu artigo sobre o Sudário de Turim afirma que o sudário está além da capacidade de falsificação de qualquer falsário medieval.
Following, a text, in english, from Wikipedia, the free encyclopedia:
The Shroud of Turin (or Turin Shroud)
The Shroud of Turin (or Turin Shroud) is a linen cloth bearing the image of a man who appears to have been physically traumatized in a manner consistent with crucifixion. It is kept in the royal chapel of the Cathedral of Saint John the Baptist in Turin, Italy. It is believed by many to be the cloth placed on the body of Jesus at the time of his burial.
The image on the shroud is much clearer in black-and-white negative than in its natural sepia color. The striking negative image was first observed on the evening of May 28, 1898, on the reverse photographic plate of amateur photographer Secondo Pia, who was allowed to photograph it while it was being exhibited in the Turin Cathedral. According to Pia, he almost dropped and broke the photographic plate from the shock of seeing an image of a person on it.
The shroud is the subject of intense debate among scientists, people of faith, historians, and writers regarding where, when, and how the shroud and its images were created. From a religious standpoint, in 1958 Pope Pius XII approved of the image in association with the Roman Catholic devotion to the Holy Face of Jesus, celebrated every year on Shrove Tuesday. Some believe the shroud is the cloth that covered Jesus when he was placed in his tomb and that his image was recorded on its fibers at or near the time of his resurrection. Skeptics, on the other hand, contend the shroud is a medieval forgery; others attribute the forming of the image to chemical reactions or other natural processes.
Various tests have been performed on the shroud, yet the debates about its origin continue. Radiocarbon dating in 1988 by three independent teams of scientists yielded results published in Nature indicating that the shroud was made during the Middle Ages, approximately 1300 years after Jesus lived.[4] Claims of bias and error in the testing were raised almost immediately and were addressed by Harry E. Gove.[5] Follow-up analysis published in 2005, for example, claimed that the sample dated by the teams was taken from an area of the shroud that was not a part of the original cloth. The shroud was also damaged by a fire in the Late Middle Ages which could have added carbon material to the cloth, resulting in a higher radiocarbon content and a later calculated age. This analysis itself is questioned by skeptics such as Joe Nickell, who reasons that the conclusions of the author, Raymond Rogers, result from "starting with the desired conclusion and working backward to the evidence".[6] Former Nature editor Philip Ball has said that the idea that Rogers steered his study to a preconceived conclusion is "unfair" and Rogers "has a history of respectable work".
However, the 2008 research at the Oxford Radiocarbon Accelerator Unit may revise the 1260–1390 dating toward which it originally contributed, leading its director Christopher Ramsey to call the scientific community to probe anew the authenticity of the Shroud.[7][8] "With the radiocarbon measurements and with all of the other evidence which we have about the Shroud, there does seem to be a conflict in the interpretation of the different evidence" Gordan said to BBC News in 2008, after the new research emerged.[9] Ramsey had stressed that he would be surprised if the 1988 tests were shown to be far off, let alone "a thousand years wrong", and insisted that he would keep an open mind.
The shroud is rectangular, measuring approximately 4.4 × 1.1 m (14.3 × 3.7 ft). The cloth is woven in a three-to-one herringbone twill composed of flax fibrils. Its most distinctive characteristic is the faint, yellowish image of a front and back view of a naked man with his hands folded across his groin. The two views are aligned along the midplane of the body and point in opposite directions. The front and back views of the head nearly meet at the middle of the cloth. The views are consistent with an orthographic projection of a human body, but see Analysis of the image as the work of an artist.
The "Man of the Shroud" has a beard, moustache, and shoulder-length hair parted in the middle. He is muscular and tall (various experts have measured him as from 1.75 m, or roughly 5 ft 9 in, to 1.88 m, or 6 ft 2 in). For a man of the first century (the time of Jesus' death), or of the Middle Ages (the time of the first uncontested report of the shroud's existence and the proposed time of a possible forgery), these figures present an above-average although not abnormal height. Reddish brown stains that have been said to include whole blood are found on the cloth, showing various wounds that correlate with the yellowish image, the pathophysiology of crucifixion, and the Biblical description of the death of Jesus:
* one wrist bears a large, round wound, apparently from piercing (the second wrist is hidden by the folding of the hands)
* upward gouge in the side penetrating into the thoracic cavity, a post-mortem event as indicated by separate components of red blood cells and serum draining from the lesion
* small punctures around the forehead and scalp
* scores of linear wounds on the torso and legs claimed to be consistent with the distinctive dumbbell wounds of a Roman flagrum.
* swelling of the face from severe beatings
* streams of blood down both arms that include blood dripping from the main flow in response to gravity at an angle that would occur during crucifixion
* no evidence of either leg being fractured
* large puncture wounds in the feet as if pierced by a single spike
Other physical characteristics of the shroud include the presence of large water stains, and from a fire in 1532, burn holes and scorched areas down both sides of the linen due to contact with molten silver that burned through it in places while it was folded. Some small burn holes that apparently are not from the 1532 event are also present. In places, there are permanent creases due to repeated foldings, such as the line that is evident below the chin of the image.
On May 28, 1898, amateur Italian photographer Secondo Pia took the first photograph of the shroud and was startled by the negative in his darkroom.[3] Negatives of the image give the appearance of a positive image, which implies that the shroud image is itself effectively a negative of some kind. Pia was immediately accused of forgery, but was finally vindicated in 1931 when a professional photographer, Giuseppe Enrie, also photographed the shroud and his findings supported Pia
Image analysis by scientists at the Jet Propulsion Laboratory found that rather than being like a photographic negative, the image unexpectedly has the property of decoding into a 3-D image of the man when the darker parts of the image are interpreted to be those features of the man that were closest to the shroud and the lighter areas of the image those features that were farthest. This is not a property that occurs in photography, and researchers could not replicate the effect when they attempted to transfer similar images using techniques of block print, engravings, a hot statue, and bas-relief.
Many people, including author Robin Cook,[42] have put forth the suggestion that the image on the shroud was produced by a side effect of the Resurrection of Jesus, purposely left intact as a rare physical aid to understanding and believing in Jesus' dual nature as man and God. Some have asserted that the shroud collapsed through the glorified body of Jesus, pointing to certain X-ray-like impressions of the teeth and the finger bones. Others assert that radiation streaming from every point of the revivifying body struck and discolored every opposite point of the cloth, forming the complete image through a kind of supernatural pointillism using inverted shades of blue-gray rather than primary colors. However, science has yet to find an example of a reviving body emitting radiation levels significant enough to produce these changes.
There are several reddish stains on the shroud suggesting blood. McCrone (see above) identified these as containing iron oxide, theorizing that its presence was likely due to simple pigment materials used in medieval times. This is in agreement with the results of an Italian commission investigating the shroud in the early 1970s. Serologists among the commission applied several different state-of-the-art blood tests which all gave a negative result for the presence of blood. No test for the presence of color pigments was performed by this commission.[57] Other researchers, including Alan Adler, a chemist specializing in analysis of porphyrins, identified the reddish stains as type AB blood and interpreted the iron oxide as a natural residue of hemoglobin. But the problem with a blood type AB for an authentic shroud is that it is today known that this type of blood is of relative recent origin. There is no evidence of the existence of this blood type before the year AD 700. It is today assumed that the blood type AB came into the existence by immigration and following intermingling of mongoloid people from central Asia with a high frequency of the blood type B to Europe and other areas where people with a relatively high frequency of the blood type A live.
As a depiction of Jesus, the image on the shroud corresponds to that found throughout the history of Christian iconography. For instance, the Pantocrator mosaic at Daphne in Athens is strikingly similar. This suggests that the icons were made while the Image of Edessa was available, with this appearance of Jesus being copied in later artwork, and in particular, on the Shroud. Art historian W.S.A. Dale proposed (before the radiocarbon dating of the Shroud) that the Shroud itself was an icon created in the 11th century for liturgical use. In opposition to this viewpoint, the locations of the piercing wounds in the wrists on the Shroud do not correspond to artistic representations of the crucifixion before close to the present time. In fact, the Shroud was widely dismissed as a forgery in the 14th century for the very reason that the Latin Vulgate Bible stated that the nails had been driven into Jesus' hands and Medieval art invariably depicts the wounds in Jesus' hands.
Although the Vatican newspaper Osservatore Romano covered the story of Secondo Pia's photograph of May 28 1898 in its June 15, 1898 edition, it did so with no comment and thereafter Church officials generally refrained from officially commenting on the photograph for almost half a century.
The first official connection between the image on the shroud and the Catholic Church was made in 1940 based on the formal request by Sister Maria Pierina De Micheli to the curia in Milan to obtain authorization to produce a medal with the image. The authorization was granted and the first medal with the image was offered to Pope Pius XII who approved the medal. The image was then used on what became known as the Holy Face Medal worn by many Catholics, initially as a means of protection during the Second World War. In 1958 Pope Pius XII approved of the image in association with the devotion to the Holy Face of Jesus, and declared its feast to be celebrated every year the day before Ash Wednesday.
In 1983 the Shroud was given to the Holy See by the House of Savoy. However, as with all relics of this kind, the Roman Catholic Church has made no pronouncements claiming whether it is Jesus' burial shroud, or if it is a forgery. As with other approved Catholic devotions, the matter has been left to the personal decision of the faithful, as long as the Church does not issue a future notification to the contrary. In the Church's view, whether the cloth is authentic or not has no bearing whatsoever on the validity of what Jesus taught nor on the saving power of his death and resurrection. The late Pope John Paul II stated in 1998, "Since we're not dealing with a matter of faith, the church can't pronounce itself on such questions. It entrusts to scientists the tasks of continuing to investigate, to reach adequate answers to the questions connected to this shroud." He showed himself to be deeply moved by the image of the shroud and arranged for public showings in 1998 and 2000. In his address at the Turin Cathedral on Sunday May 24 1998 (the occasion of the 100th year of Secondo Pia's May 28 1898 photograph), Pope John Paul II said: "... the Shroud is an image of God's love as well as of human sin" and "...The imprint left by the tortured body of the Crucified One, which attests to the tremendous human capacity for causing pain and death to one's fellow man, stands as an icon of the suffering of the innocent in every age."
Recent developments
On April 6, 2009, the Times of London reported that official Vatican researchers had uncovered evidence that the Shroud had been kept and venerated by the Templars since the 1204 sack of Constantinople. According to the account of one neophyte member of the order, veneration of the Shroud appeared to be part of the initiation ritual. The article also implies that this ceremony may be the source of the 'worship of a bearded figure' that the Templars were accused of at their 14th century trial and suppression.
On April 10, 2009, the Telegraph reported that original Shroud investigator, Ray Rogers, acknowledged the radio carbon dating performed in 1988 was flawed. The sample used for dating may have been taken from a section damaged by fire and repaired in the 16th century, which would not provide an estimate for the original material. Shortly before his death, Rogers said:
"The worst possible sample for carbon dating was taken."
"It consisted of different materials than were used in the shroud itself, so the age we produced was inaccurate."
"...I am coming to the conclusion that it has a very good chance of being the piece of cloth that was used to bury the historic Jesus."
A text, in english, about The Real Chiesa of S. Lorenzo and Turin:
The Real Chiesa of S. Lorenzo, restored on the occasion of the two Ostensionis of the Shroud (happened in 1998 and in 2000), he/she offers to the visitor, is assiduous, the vision is occasional marveled of this jewel of Guarino Guarini.
The Priests of the church of S. Lorenzo wish to each to bring itself, after having tasted how much the creation guariniana offers to the intelligence and the heart, that feelings of architectural and religious harmony that Guarino Guarini, father Teatino, knew how to amalgamate with his genius of architect and with the faith of the believer.
A visitor to the Church of San Lorenzo – a veritable work of art – reaches piazza Castello and sees no façade marking the church. Piazza Castello is a square with a theatre without a façade (Regio), a façade of a palace (Madama) with no corresponding palace, and a church without a façade. One in fact was designed but never built to maintain the architectural harmony of the square.
The church is next to the gates of the royal palace.
On the church front there is a plaque commemorating the dead on the Russian front and above a bell that strikes 10 times at 5.15 p.m. every day.
Why is this Royal Chapel dedicated to San Lorenzo (St. Lawrence)?
In 1557, Emmanuel Philibert, Duke of Savoy, and his cousin Phillip II, King of Spain, were fighting the French at Saint-Quentin in Flanders.
They made a votive offering to build a church in the name of the saint whose feast fell on the day of their eventual victory; that victory came on 10 August, St. Lawrence’s day.
Turin:
Turin, Torino in Italian, is an interesting and often overlooked city in the Piedmont region of Italy. Famous for the Shroud of Turin and Fiat auto plants, Turin has a lot more to offer. From its Baroque cafes and architecture to its arcaded shopping promenades and museums, Turin is a great city for wandering and exploring. Turin hosted the 2006 Winter Olympics and makes a good base for exploring nearby mountains and valleys.
Turin is in the northwest of Italy in the Piemonte region between the Po River and the foothills of the Alps.
Turin is served by a small airport, Citta di Torino - Sandro Pertini, with flights to and from Europe. There is bus service connecting Turin's airport with Turin and the main railway station. A railway links the airport to GTT Dora Railway Station in the northwest of Turin. The closest airport for flights from the United States is in Milan, a little over an hour away by train.
Turin is a major hub on the Italian train line and intercity buses provide transportation to and from Turin.
Turin has an extensive network of trams and buses that run from 5AM until midnight. There are also electric mini-buses in the city center. Bus and tram tickets can be bought in a tabacchi shop. A 28km metropolitan line is due for completion in 2006.
Turin's main railway station is Porta Nuova in central Turin at the Piazza Carlo Felice. The Porta Susa Station is the main station for trains to and from Milan and is connected to central Turin and the main station by bus.
There are tourist offices at the Porta Nuova Railway Station and at the airport. The main office is in Piazza Castello and there is also one in Piazza Solferino.
You can find landromats and internet points in Turin with Lavasciuga.
Turin discount cards: See Turin and Piedmont Card for information about discount passes and the ChocoPass for chocolate tastings.
The Piedmont region has some of the best food in Italy. Over 160 types of cheese and famous wines like Barolo and Barbaresco come from here as do truffles, plentiful in fall. Turin has some outstanding pastries, especially chocolate ones. Chocolate for eating as we know it today (bars and pieces) originated in Turin. The chocolate-hazelnut sauce, gianduja, is a specialty of Turin.
Turin celebrates its patron saint in the Festa di San Giovanni June 24 with events all day and a huge fireworks display at night. Turin's big chocolate festival is in March. Turin has several music and theater festivals in summer and fall. During the Christmas season there is a 2-week street market and on New Year's Eve an open-air conert in the main piazza. The Turin Marathon in April attracts a huge number of international participants.
Turin has many museums. Walking around the city with its arcades, Baroque buildings, and beautiful piazzas can be very enjoyable.
* The Via Po is an interesting walking street with long arcades and many historic palaces and cafes. Start at Piazza Castello.
* Mole Antonelliana, a 167 meter tall tower built between 1798 and 1888, houses an excellent cinema museum. A panoramic lift takes you to the top of the tower for some expansive views of the city.
* Palazzo Carignano is the birthplace of Vittorio Emanuele II in 1820. The Unification of Italy was proclaimed here in 1861. It now houses the Museo del Risorgimento and you can see the royal apartments Royal Armoury, too.
* Museo Egizio is the third most important Egyptian museum in the world. It is housed in a huge baroque palace which also holds the Galleria Sagauda with a large collection of historic paintings.
* Piazza San Carlo, known as the "drawing room of Turin", is a beautiful baroque square with the twin churches of San Carlo and Santa Cristina as well as the above museum.
* Piazza Castello and Palazzo Reale are at the center of Turin. The square is a pedestrian area with benches and small fountains, ringed by beautiful, grand buildings.
* Il Quadrilatero is an interesting maze of backstreets with sprawling markets and splendid churches. This is another good place wo wander.
* Elegant and historic bars and cafes are everywhere in central Turin. Try a bicerin, a local layered drink made with coffee, chocolate, and cream. Cafes in Turin also serve other interesting trendy coffee drinks.
Morimoto Restaurant in Philadelphia has consistently been recognized as one of the top 10 restaurants in the city since 2001. If the name sounds familiar, then you’ve probably watched the Iron Chef TV show on the Food Network. Masaharu Morimoto was featured on that show and also the original Japanese version so it’s no surprise that the self-named restaurant features his signature Japanese and western fusion cuisine.
Although most diners go for the food, I’m sure that some leave talking about the design. Having a fond adoration for architecture I’ve always enjoyed the contradiction between the curvy wall sculptures and the geometric lines of the glass booths. The walls and tables have a changing LED light pattern and if that’s not enough each table has an illuminated egg sculpture as a centerpiece...or maybe it’s a battery operated toy that one might find in a night table drawer....cough...cough...
Anyway, my take on the style is that it’s a cross between a Frank Gehry building and a chic 60’s nightclub. I always thought that the clash of styles would make an interesting photograph, the only problem was convincing my wife since she only wanted a romantic dinner. After a little begging and even more concealing, that involved stashing my camera under my jacket and hiding my tabletop tripod in my pants, I finally ventured up to the 2nd floor lounge to take some photos. I only had a few minutes before an employee caught me hanging from the overlook snapping away so I didn’t capture the lighting scheme that I had wanted...oh well.
Either way, I hope those of you around the world can now see and appreciate the unique and interesting interior and in case you were wondering the food was pretty good too.
North Pier is the most northerly of the three coastal piers in Blackpool, England. Built in the 1860s, it is also the oldest and longest of the three. Although originally intended only
as a promenade, competition forced the pier to widen its attractions to include theatres and bars. Unlike Blackpool's other piers, which attracted the working classes with open air
dancing and amusements, North Pier catered for the "better-class" market, with orchestra concerts and respectable comedians. Until 2011, it was the only Blackpool pier that
consistently charged admission.
The pier is designated by English Heritage as a Grade II listed building, due to its status as the oldest surviving pier created by Eugenius Birch. As of 2012 it is still in regular use,
despite having suffered damage from fires, storms and collisions with boats. Its attractions include bars, a theatre, a carousel and an arcade. One of the oldest remaining Sooty
glove puppets is on display commemorating Harry Corbett buying the original puppet there.
North Pier was built at the seaward end of Talbot Road, where the town's first railway station, Blackpool North, was built. Its name reflects its location as the most northerly of
Blackpool's three piers. It is about 450 yards (410 m) north of Blackpool Tower, which is roughly the midpoint of Blackpool's promenade. The sea front is particularly straight and
flat on this stretch of coastline, and the 1,650 feet (500 m) pier extends at right angles into the Irish Sea, more or less level with the promenade.
History: The construction of Blackpool Pier (eventually North Pier) started in May 1862, in Layton-cum-Warbreck, part of the parish of Bispham. In October 1862 severe storms
suggested that the planned height of the pier was insufficient, and it was increased by 3 feet (0.91 m) North Pier was the second of fourteen piers designed by Eugenius Birch,
and since Margate Pier was destroyed by a storm in 1978, it is the oldest of the remaining examples of his work still in use. It was the first of Birch's piers to be built by Glasgow
engineering firm Richard Laidlaw and Son.
The pier, which cost £11,740 to build, originally consisted of a promenade 1,405 feet (428 m) long and 28 feet (8.5 m) wide, extending to 55 feet (17 m) wide at the pier-head. The
bulk of the pier was constructed from cast iron, with a wooden deck laid on top. The cast iron piles on which the structure rests were inserted using Birch's screw pile process; the
screw-tipped piles were twisted into the sand until they hit bedrock. This made construction much quicker and easier, and guaranteed that the pier had a solid foundation. The
cast iron columns, 12 inches (300 mm) in diameter, were filled with concrete for stability at intervals of 60 feet (18 m), and supported by struts that were on average were slightly
more than 1 inch (25 mm) thick.The pier's promenade deck is lined with wooden benches with ornamental cast iron backs. At intervals along the pier are hexagonal kiosks built
around 1900 in wood and glass with minaret roofs topped with decorative finials. On opening two of the kiosks were occupied by a bookstall and confectionery stall and the
kiosks near the ends of the pier were seated shelters. The pier-head is a combination of 420 tons of cast iron and 340 tons of wrought iron columns; standing 50 feet (15 m)
above the low water line, it sees a regular 35 feet (11 m) change in sea level due to the tide.
The pier was officially opened in a grand ceremony on 21 May 1863, even though the final 50 yards (46 m) had not yet been completed. All the shops in the area were closed
and decorated with flags and streamers for the ceremony, which included a procession and a cannon salute, and was attended by more than 20,000 visitors. Although the town
only had a population of approximately 4,000, more than 200,000 holiday makers regularly stayed there during the summer months; this included 275,000 admissions in 1863,
400,000 in 1864 and 465,000 the following year. The pier was officially opened by Major Preston, and he and 150 officials then travelled to the Clifton Hotel for a celebratory
meal.
The pier was intended primarily for leisure rather than seafaring; for the price of 2d (worth approximately £4.90 in 2012) the pier provided the opportunity for visitors to walk close
to the sea without distractions.This fee was insufficient to deter "trippers'", which led to Major Preston campaigning for a new pier to cater for the 'trippers'. In 1866, the
government agreed that a second pier could be built, despite objections from the Blackpool Pier Company that it was close to their pier and therefore unnecessary
As permitted by the original parliamentary order, a landing jetty was built at the end of North Pier in incremental stages between 1864 and 1867. The full length of the jetty was
474 feet (144 m), and the extensions increased the pier's total length to its current 1,650 feet (500 m). The Blackpool Pier Company used the jetty to operate pleasure steamers
that made trips to the surrounding areas. In 1871 swimming and diving lessons were added to the pier.
In 1874, the pier-head was extended to allow Richard Knill Freeman to incorporate a pavilion, which opened in 1877. The interior decoration led it to be known as the "Indian
Pavilion", and it was Blackpool's primary venue for indoor entertainment until the Winter Gardens opened in 1879.
To differentiate itself from the new pier, North Pier focused on catering for the "better classes", charging for entry and including attractions such as an orchestra and band
concerts, in contrast to the Central Pier (or the "People's pier"), which regularly had music playing and open-air dancing. The pier owners highlighted the difference, charging at
least a shilling (worth approximately £19.90 in 2012) for concerts and ensuring that advertisements for comedians focused on their lack of vulgarity. Sundays were given over to a
church parade.
On 8 October 1892, a storm-damaged vessel, Sirene, hit the southern side of the pier, causing four shops and part of the deck to collapse onto the beach below. Several columns
were also dislodged, and the ship's bowsprit hit the pier entrance. All eleven crew members were rescued when they were hauled onto the pier. Damage to the pier was
estimated to be £5,000 and was promptly repaired.
Nelson's former flagship, HMS Foudroyant, was moored alongside North Pier for an exhibition, but slipped anchor and was wrecked on the shore in a violent storm on 16 June
1897, damaging part of the jetty. The wreck of the ship broke up during December storms.
The pier was closed for the winter during 1895–6 as it unsafe; as a result, the pier was widened as electric lighting was added.
An Arcade Pavilion was added in 1903 at the entrance to the pier and contained a wide range of amusements to suit all tastes. Further alterations were made to the pier in 1932-
3 when the open air stand was replaced with a stage and sun lounge.
In 1936, a pleasure steamer returning from Llandudno crashed into the pier. The collision left a 10 feet (3.0 m) gap, and stranded a number of people at the far end.
The 1874 Indian Pavilion was severely damaged by fire in 1921. It was refurbished, but was then destroyed by a second fire in 1938. In 1939 it was replaced by a theatre, built in
an Art Deco style. At around the same time, the bandstand was removed and replaced with a sun lounge.
In the 1960s, the Merrie England bar and an amusement arcade were constructed at the end of the pier nearest to the shore. The 1939 theatre, which is still in use, narrowly
escaped damage in 1985 when the early stages of a fire were noticed by performer Vince Hill. In the 1980s, a Victorian-styled entrance was built. In 1991 the pier gained the
Carousel bar as an additional attraction, and a small tramway to ease access to the pier-head. By this point, the pier had ceased to have any nautical use, but the jetty section
was adapted for use as a helicopter pad in the late 1980s. Storms on 24 December 1997 destroyed the landing jetty, including the helipad.
The North Pier is one of the few remaining examples of Birch's classic pier architecture and is a Grade II Listed building, the only Blackpool pier to hold that status. It was
recognised as "Pier of the Year" in 2004 by the National Piers Society.
North Pier's attractions include a Gypsy palm reader and an ice cream parlour, the North Pier Theatre, a Victorian tea room, and the Carousel and Merrie England bars. The
arcade, built in the 1960s, has approximately eleven million coins pass through its machines each year.
One of the earliest Sooty bear puppets used by Harry Corbett is on display on the pier. Corbett bought the original Sooty puppet on North Pier for his son, Matthew. When Corbett
took the puppet on BBC's Talent Night programme, he marked the nose and ears with soot so that they would show up on the black and white television, giving the puppet its
name.
The Carousel bar on the pier-head has a Victorian wrought iron canopy, and its outdoor sun-lounge is classified as the largest beer garden in Blackpool. Next to the bar is a two
tier carousel, the "Venetian Carousel", which is protected from sand and spray by a glass wall.
After the fire in 1938, the pavilion was replaced with a 1,564 seat theatre which has since hosted a number of acts including; Frankie Vaughan, Frank Randle, Tessie O'Shea,
Dave Morris, Bernard Delfont, Morecambe and Wise, Paul Daniels, Freddie Starr, Russ Abbott, Bruce Forsyth, Des O'Connor, Joe Longthorne, Lily Savage, Brian Conley and
Hale and Pace.
In 2002 a heritage room with photographs was opened up, the foyer entrance was refurbished and a disabled lift added. By 2005, there was no longer a live organist playing in
the sun lounge although other live entertainment continues. In 2013, the live organist was brought back into the sun lounge.
The pier was built and owned by the Blackpool Pier Company, created with three thousand £5-shares in 1861 (worth approximately £2,990 in 2012). The same firm operated the
pier in 1953, and the company was incorporated in 1965. The Resorts Division of First Leisure, including the pier, was sold to Leisure Parks for £74 million in 1998. In 2009, the
pier was sold to the Six Piers group, which owns Blackpool's other two piers, and hoped to use it as a more tranquil alternative to them. The new owners opened the Victorianthemed
tea room, and built an eight-seat shuttle running the length of the pier.
In April 2011, the pier was sold to a Blackpool family firm, Sedgwick's, the owners of amusement arcades and the big wheel on Blackpool's Central Pier. Peter Sedgwick
explained that he proposed to his wife on North Pier forty years ago, and promised to buy it for her one day. He said that he wants to restore the Victorian heritage of the pier and
re-instate the pier's tram. An admission charge of fifty pence to access the board-walk section of the pier was abolished by the Sedgewicks.
A petition to wind up the Northern Victorian Pier Limited (the company used by the Sedgwick family to manage Blackpool North Pier) was presented on 17 September 2012 by
Carlsberg UK Limited, a creditor of the Company, and this was to be heard at Blackpool County Court on 15 November 2012.
At the 11th hour, an agreement to pay the outstanding balance owed to Carlsberg was made and Peter Sedgwick's company escaped liquidation.
[Wikipedia]
This Cardinal consistently tapped on the window but would fly away if I approached. He was persistent. Cardinals are known for this kind of behaviour & will tap their beaks on car mirrors as well. I don't know if he wanted something or was just having fun. The bird feeders were full.
Member of the Flickr Bird Brigade
Activists for birds and wildlife
Here in Sydney the only consistent thing you’ll see in the SUEZ C&I fleet is the set of Fuso front lifts bought mainly in 2010, most of which reside in the Wetherill Park depot. They are all 8x4s with Superior Pak bodies, and most of them remain in the former SITA green with SUEZ stickers (like the shown truck), whilst I think only 2 were repainted blue inline with the rebranding.
French postcard, no. 30. Photo: Paramount Pictures.
Blonde Mae West (1895-1982) was a seductive, overdressed, endearing, intelligent, and sometimes vulgar American actress and sex symbol. She featured a come-hither voice, aggressive sexuality, and a genius for comedy. West started in Vaudeville and on the stage in New York, and later moved to Hollywood to star in such films as I’m No Angel (1933), She Done Him Wrong (1933), and Klondike Annie (1936). She was one of the first women in the cinema to consistently write the films she starred in.
Mary Jane West was born in 1892, in Brooklyn, New York, to Matilda and John West. Family members called her Mae. Her father was a prizefighter known around the Brooklyn area as ‘Battlin' Jack’ West. Later, he worked as a "special policeman" (most likely as muscle for local business and crime bosses) and then as a private detective. Mae began working as an entertainer at age five at a church social. After a few years in stock, she moved into burlesque, where she was billed as ‘The Baby Vamp’. In 1907, 14-year-old West began performing professionally in vaudeville in the Hal Claredon Stock Company. Her mother made all her costumes, drilled her on rehearsals, and managed her bookings and contracts. In 1909, West met Frank Wallace, an up-and-coming vaudeville song-and-dance man. They formed an act and went out on the burlesque circuit. In 1911, she married Frank Wallace. Only 17, she lied about her age on her marriage certificate and kept the marriage secret from the public and her parents. She broke up the act soon after they arrived back in New York and the union remained a secret until 1935. In 1911, West auditioned for, and got a part, in her first Broadway show, ‘A La Broadway’, a comedy review. The show folded after only eight performances, but West was a hit. In the audience on opening night were two successful Broadway impresarios, Lee and J.J. Shubert, and they cast her in the production of ‘Vera Violetta’, also featuring Al Jolson and Gaby Deslys. West got her big break in 1918 in the Shubert Brothers revue Sometime, playing opposite Ed Wynn. Her character, Mayme, danced the shimmy, a brazen dance move that involved shaking the shoulders back and forth and pushing the chest out. As more parts came her way, West began to shape her characters, often rewriting dialogue or character descriptions to better suit her persona. She eventually began writing her own plays, initially using the pen name Jane Mast. In 1926 her first play, ‘Sex’, which she wrote, produced, and directed on Broadway, caused a scandal and landed her in jail for ten days on obscenity charges. Media attention surrounding the incident enhanced her career, by crowning her the darling "bad girl" who "had climbed the ladder of success wrong by wrong". She wrote and directed her second play, ‘Drag’ (1927) about homosexuality. She was an early supporter of gay rights and publicly declared against police brutality that gay men experienced. The play was a smash hit during a series of try-outs in Connecticut and New Jersey, but she was warned by city officials, not to bring it to Broadway. Finally, her play ‘Diamond Lil’ (1928), about a racy, easygoing, and ultimately very smart lady of the 1890s, became a Broadway hit and cemented West's image in the public's eye. And, after two more successful stage productions, she was invited to Hollywood.
At Paramount Pictures, Mae West made her film debut in Night After Night (Archie Mayo, 1932), starring George Raft. At 38 years old, she might have been considered in her ‘advanced years’ for playing sexy harlots, but her persona and physical beauty seemed to overcome any doubt. At first, she balked at her small role in Night After Night but was appeased when allowed to rewrite her scenes. One scene became a sensation. When a coat check girl exclaims, "Goodness! What lovely diamonds!", after seeing Mae's jewelry. Mae replies, "Goodness had nothing to do with it, dearie". Mae was a hit and later George Raft said of Mae: "She stole everything but the cameras." In her second film, She Done Him Wrong (Lowell Sherman, 1933), West was able to bring her ‘Diamond Lil’ character to the screen in her first starring film role. Her co-star was newcomer Cary Grant in one of his first major roles. ‘Lil’ was renamed ‘Lady Lou’, and she uttered the famous West line, "Why don't you come up sometime and see me?" The film was nominated for an Oscar for Best Picture, and did tremendously well at the box office. She Done Him Wrong is attributed to saving Paramount from bankruptcy. In her next film, I'm No Angel (Wesley Ruggles, 1933), she was again paired with Grant. This film, too, was a financial blockbuster and West became the highest-paid woman in the United States. However, her reputation as a provocative sexual figure and the steamy settings of her films aroused the wrath and moral indignation of several groups. The new Hays Office had the power to pre-approve films' productions and change scripts. In 1934, the organisation began to seriously and meticulously enforce the Production Code on West's screenplays, and heavily edited them. West responded in her typical fashion by increasing the number of innuendos and double entendres, fully expecting to confuse the censors, which she did for the most part. Her film Klondike Annie (Raoul Walsh, 1936) with Victor McLaglen, concerned itself with religion and hypocrisy. William R. Hearst disagreed so vehemently with the film's context, and West's portrayal of a Salvation Army worker, that he personally forbade any stories or advertisements of the film to be published in any of his newspapers. However, the film did well at the box office and is considered the high-point of West's film career. Throughout the 1930s her films were anticipated as major events, but by the end of the decade she seemed to have reached her limit and her popularity waned. The few other films she did for Paramount — Go West, Young Man (Henry Hathaway, 1936) and Everyday's a Holiday (A. Edward Sutherland, 1937) — did not do well at the box office, and she found censorship was severely limiting her creativity. In 1937, she was banned from NBC Radio after a guest appearance with Edgar Bergen and Charlie McCarthy that was loaded with flirtatious dialogue and double-entendres.
In 1939, Mae West was approached by Universal Pictures to star in a film opposite comedian W.C. Fields. The studio wanted to duplicate the success they had with another film, Destry Rides Again (George Marshall, 1939), a Western morality tale starring Marlene Dietrich and James Stewart. West, looking for a vehicle to make a comeback in films, accepted the part, demanding creative control over the film. Using the same Western genre, she wrote the script for My Little Chickadee (Edward F. Cline, 1940). Despite tension on the set between West and Fields (she was a teetotaler and he drank), the film was a box-office success, out-grossing Fields' previous two films. After making The Heat's On (Gregory Ratoff, 1943) for Columbia, she planned to retire from the screen and went back to Broadway and on a tour of English theatres. Among her popular stage performances was the title role in ‘Catherine Was Great’ (1944) on Broadway, in which she penned a spoof on the story of Catherine the Great of Russia, surrounding herself with an ‘imperial guard’ of tall, muscular young actors. The play was produced by theater and film impresario Mike Todd and ran for 191 performances and then went on tour. In 1954, when she was 62, she began a nightclub act in which she was surrounded by musclemen; it ran for three years and was a great success. In 1954, West formed a nightclub act which revived some of her earlier stage work, featuring her in song-and-dance numbers and surrounded by musclemen fawning over her for attention. The show ran for three years and was a great success. With this victory, she felt it was a good time to retire. In 1959, West released her bestselling autobiography, ‘Goodness Had Nothing To Do With It’, recounting her life in show business. She made a few guest appearances on the 1960s television comedy/variety shows like The Red Skelton Show and some situation comedies like Mister Ed. She also recorded a few albums in different genres including rock 'n' roll and a Christmas album which, of course, was more parody and innuendo than a religious celebration. In the 1970s, she appeared in two more films. She had s small part in Gore Vidal's Myra Breckenridge (Michael Sarne, 1970), starring Raquel Welch. She starred in Sextette (Ken Hughes, 1978), which she based on her own stage play. Both were box office flops, but are now seen as cult films. In 1980, Mae West died after suffering two strokes in Hollywood and was entombed in Brooklyn, New York. She was 88. Denny Jackson at IMDb: “The actress, who only appeared in 12 films in 46 years, had a powerful impact on us. There was no doubt she was way ahead of her time with her sexual innuendos and how she made fun of a puritanical society. She did a lot to bring it out of the closet and perhaps we should be grateful for that.”
Sources: Denny Jackson (IMDb), Biography.com, AllMovie, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards..
French postcard by EC, no. 14.
Blonde Mae West (1895-1982) was a seductive, overdressed, endearing, intelligent, and sometimes vulgar American actress and sex symbol. She featured a come-hither voice, aggressive sexuality, and a genius for comedy. West started in Vaudeville and on the stage in New York, and later moved to Hollywood to star in such films as I’m No Angel (1933), She Done Him Wrong (1933), and Klondike Annie (1936). She was one of the first women in the cinema to consistently write the films she starred in.
Mary Jane West was born in 1892, in Brooklyn, New York, to Matilda and John West. Family members called her Mae. Her father was a prizefighter known around the Brooklyn area as ‘Battlin' Jack’ West. Later, he worked as a "special policeman" (most likely as muscle for local business and crime bosses) and then as a private detective. Mae began working as an entertainer at age five at a church social. After a few years in stock, she moved into burlesque, where she was billed as ‘The Baby Vamp’. In 1907, 14-year-old West began performing professionally in vaudeville in the Hal Claredon Stock Company. Her mother made all her costumes, drilled her on rehearsals, and managed her bookings and contracts. In 1909, West met Frank Wallace, an up-and-coming vaudeville song-and-dance man. They formed an act and went out on the burlesque circuit. In 1911, she married Frank Wallace. Only 17, she lied about her age on her marriage certificate and kept the marriage secret from the public and her parents. She broke up the act soon after they arrived back in New York and the union remained a secret until 1935. In 1911, West auditioned for, and got a part, in her first Broadway show, ‘A La Broadway’, a comedy review. The show folded after only eight performances, but West was a hit. In the audience on opening night were two successful Broadway impresarios, Lee and J.J. Shubert, and they cast her in the production of ‘Vera Violetta’, also featuring Al Jolson and Gaby Deslys. West got her big break in 1918 in the Shubert Brothers revue Sometime, playing opposite Ed Wynn. Her character, Mayme, danced the shimmy, a brazen dance move that involved shaking the shoulders back and forth and pushing the chest out. As more parts came her way, West began to shape her characters, often rewriting dialogue or character descriptions to better suit her persona. She eventually began writing her own plays, initially using the pen name Jane Mast. In 1926 her first play, ‘Sex’, which she wrote, produced, and directed on Broadway, caused a scandal and landed her in jail for ten days on obscenity charges. Media attention surrounding the incident enhanced her career, by crowning her the darling "bad girl" who "had climbed the ladder of success wrong by wrong". She wrote and directed her second play, ‘Drag’ (1927) about homosexuality. She was an early supporter of gay rights and publicly declared against police brutality that gay men experienced. The play was a smash hit during a series of try-outs in Connecticut and New Jersey, but she was warned by city officials, not to bring it to Broadway. Finally, her play ‘Diamond Lil’ (1928), about a racy, easygoing, and ultimately very smart lady of the 1890s, became a Broadway hit and cemented West's image in the public's eye. And, after two more successful stage productions, she was invited to Hollywood.
At Paramount Pictures, Mae West made her film debut in Night After Night (Archie Mayo, 1932), starring George Raft. At 38 years old, she might have been considered in her ‘advanced years’ for playing sexy harlots, but her persona and physical beauty seemed to overcome any doubt. At first, she balked at her small role in Night After Night but was appeased when allowed to rewrite her scenes. One scene became a sensation. When a coat check girl exclaims, "Goodness! What lovely diamonds!", after seeing Mae's jewelry. Mae replies, "Goodness had nothing to do with it, dearie". Mae was a hit and later George Raft said of Mae: "She stole everything but the cameras." In her second film, She Done Him Wrong (Lowell Sherman, 1933), West was able to bring her ‘Diamond Lil’ character to the screen in her first starring film role. Her co-star was newcomer Cary Grant in one of his first major roles. ‘Lil’ was renamed ‘Lady Lou’, and she uttered the famous West line, "Why don't you come up sometime and see me?" The film was nominated for an Oscar for Best Picture, and did tremendously well at the box office. She Done Him Wrong is attributed to saving Paramount from bankruptcy. In her next film, I'm No Angel (Wesley Ruggles, 1933), she was again paired with Grant. This film, too, was a financial blockbuster and West became the highest-paid woman in the United States. However, her reputation as a provocative sexual figure and the steamy settings of her films aroused the wrath and moral indignation of several groups. The new Hays Office had the power to pre-approve films' productions and change scripts. In 1934, the organisation began to seriously and meticulously enforce the Production Code on West's screenplays, and heavily edited them. West responded in her typical fashion by increasing the number of innuendos and double entendres, fully expecting to confuse the censors, which she did for the most part. Her film Klondike Annie (Raoul Walsh, 1936) with Victor McLaglen, concerned itself with religion and hypocrisy. William R. Hearst disagreed so vehemently with the film's context, and West's portrayal of a Salvation Army worker, that he personally forbade any stories or advertisements of the film to be published in any of his newspapers. However, the film did well at the box office and is considered the high-point of West's film career. Throughout the 1930s her films were anticipated as major events, but by the end of the decade she seemed to have reached her limit and her popularity waned. The few other films she did for Paramount — Go West, Young Man (Henry Hathaway, 1936) and Everyday's a Holiday (A. Edward Sutherland, 1937) — did not do well at the box office, and she found censorship was severely limiting her creativity. In 1937, she was banned from NBC Radio after a guest appearance with Edgar Bergen and Charlie McCarthy that was loaded with flirtatious dialogue and double-entendres.
In 1939, Mae West was approached by Universal Pictures to star in a film opposite comedian W.C. Fields. The studio wanted to duplicate the success they had with another film, Destry Rides Again (George Marshall, 1939), a Western morality tale starring Marlene Dietrich and James Stewart. West, looking for a vehicle to make a comeback in films, accepted the part, demanding creative control over the film. Using the same Western genre, she wrote the script for My Little Chickadee (Edward F. Cline, 1940). Despite tension on the set between West and Fields (she was a teetotaler and he drank), the film was a box-office success, out-grossing Fields' previous two films. After making The Heat's On (Gregory Ratoff, 1943) for Columbia, she planned to retire from the screen and went back to Broadway and on a tour of English theatres. Among her popular stage performances was the title role in ‘Catherine Was Great’ (1944) on Broadway, in which she penned a spoof on the story of Catherine the Great of Russia, surrounding herself with an ‘imperial guard’ of tall, muscular young actors. The play was produced by theater and film impresario Mike Todd and ran for 191 performances and then went on tour. In 1954, when she was 62, she began a nightclub act in which she was surrounded by musclemen; it ran for three years and was a great success. In 1954, West formed a nightclub act which revived some of her earlier stage work, featuring her in song-and-dance numbers and surrounded by musclemen fawning over her for attention. The show ran for three years and was a great success. With this victory, she felt it was a good time to retire. In 1959, West released her bestselling autobiography, ‘Goodness Had Nothing To Do With It’, recounting her life in show business. She made a few guest appearances on the 1960s television comedy/variety shows like The Red Skelton Show and some situation comedies like Mister Ed. She also recorded a few albums in different genres including rock 'n' roll and a Christmas album which, of course, was more parody and innuendo than a religious celebration. In the 1970s, she appeared in two more films. She had s small part in Gore Vidal's Myra Breckenridge (Michael Sarne, 1970), starring Raquel Welch. She starred in Sextette (Ken Hughes, 1978), which she based on her own stage play. Both were box office flops, but are now seen as cult films. In 1980, Mae West died after suffering two strokes in Hollywood and was entombed in Brooklyn, New York. She was 88. Denny Jackson at IMDb: “The actress, who only appeared in 12 films in 46 years, had a powerful impact on us. There was no doubt she was way ahead of her time with her sexual innuendos and how she made fun of a puritanical society. She did a lot to bring it out of the closet and perhaps we should be grateful for that.”
Sources: Denny Jackson (IMDb), Biography.com, AllMovie, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards..
Singapore Zoo ranks consistently (after San Diego Zoo) as one of the best in the world.
The penguins are a delight to watch. As they waddle out single file on opposite feet, I’m reminded of my daughter’s tap dance classes.
For the story, please visit: www.ursulasweeklywanders.com/travel/teeth-claws-and-colou...
"-Singer-Songwriter, Katy Perry, and Kathleen Checki of Simply Consistent Management."
"-The New Chanel Boutique Opening and Charity Event,hosted by SIMPLY CONSISTENT INC. and Kathleen Checki."
www.simplyconsistent.com/artist-management
"-Kathleen Checki."
"-Checki."
"-Simply Consistent."
"-Simply Consistent Management."
"-Katy Perry and Kathleen Checki."
"-Chanel Boutique."
Fujifilm X-E1 Canon FD 50mm f/1.2 non L
Shot with a Canon 5D mark iii & 70-200mm.
One consistent light to camera right and one 580EX ii shot into a white bounce umbrella to camera left.
Estou em crer que já aqui falei dele.
Trata-se de um livro que me foi emprestado quando quis começar mais a sério na fotografia. Na altura, devorei-o como a um bolo e, garanto, soube-me a pouco, que queria eu mais daquilo.
O dono do livro nunca mo quis vender, oferecer, “emprestadar”-mo, deixar-me roubá-lo, sempre quis – e bem – ficar com ele. O tempo passou, este meu mestre morreu e perdi o rasto ao livro.
Há algum tempo, de conversa com uma livreira (que de muito gostar de livros, acabou por falir e fechar portas, para grande pena de todos os seus clientes e amigos) falei-lhe nele e ela disse que o iria procurar. Trata-se de um livro editado em 1973, nos EUA, e nunca reeditado. O seu nome? “Photographic Seeing”, escrito por Andreas Feininger.
Uns meses depois da conversa, recebo um E-Mail, informando-me que o livro existia em segunda mão, que custava 30€, se eu estava ainda interessado e se podia mandá-lo vir dos EUA. Claro que estava e só faltou mesmo sair de casa a correr para ir beijar a livreira.
Em o recebendo, li-o de fio a pavio, de novo, e fiquei com uma sensação esquisita:
Ou bem que quando o li, há mais de 30 anos, me influenciou de tal forma que ainda hoje penso como ele, ou bem que, com o correr dos tempos, fui afinando a minha própria forma de ver e pensar a fotografia e gostaria de eu mesmo o ter escrito. Isto, apesar das diferenças óbvias das técnicas e das modas de imagem.
Mas coisas há que acabam por ser intemporais e este livro está recheado disso mesmo.
Aqui vos deixo o início de um dos capítulos. Atente-se na simplicidade da linguagem mas, ao mesmo tempo, na eficácia do que aqui é descrito.
Quanto à imagem, desculpem qualquer coisinha, mas é minha. Alguma coisa teria que usar.
“Photogenic and Unphotogenic Subject Qualities and Techniques
Nobody denies that the means and methods of modern photography permit a photographer to depict any subject in the form of a recognizable and even faithful rendition. However, as any critical photographer knows from his own experience, a "faithful" rendition is not necessarily the same as a good picture. Faithfulness in photography is a quality which, of course, is indispensable in scientific, documentary, educational, medical, judicial, catalog, etc., photography, but insufficient as far as the creative photographer is concerned because it neither includes nor guarantees such picture qualities as meaning, impact, eye-appeal, stimulation, or graphically exciting rendition - the qualities which make a photograph "good," perhaps even great.
In their striving for "good" photographs, perceptive photographers have noticed that certain kinds of subjects consistently make better pictures than others and that this peculiarity has virtually nothing to do with the eye-appeal of the subject. For example, a wide-open view from a famous vantage point-miles and miles of mountains and valleys, blue sky and drifting summer clouds, hot sunshine and cooling breeze may be a breathtaking and unforgettable experience, but as sure as anything will make a miserable picture. Why? Because the subject is too big to be squeezed successfully into the small confines of an average-sized picture (it possibly would have been all right in photomural size); because it contains too much detail which, in the unavoidable reduction, becomes so small as to be virtually invisible; because it does not contain a focal point or center of interest - a specific motif, a nucleus around which the rest of the picture can be organized in the form of a satisfactory composition; because its overall contrast is too low, resulting in a flat, monotonous impression; because it contains an overabundance of weak colors and not enough strong ones and therefore produces a wishy-washy effect; because it is totally devoid of scale and consequently appears no larger than the projection screen or the paper on which it is printed instead of evoking that overwhelming feeling of immensity which prompted the photographer to make the shot in the first place. That's why.”
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Foto en GRANDE con Fondo NEGRO
Orden:Suliformes
Familia:Anhingidae
Género:Anhinga
nombres comunes: Anhinga, ave serpiente,Corúa real,Ave cuello de serpiente,Marbella americana
Nombre científico: Anhinga anhinga
Nombre Ingles: Anhinga
Lugar de captura: Viera Wetlands, Florida.
Por : Cimarron mayor Panta.
ME QUEDE VIENDO LA IMAGEN Y VI QUE TAMBIEN TENÍA UN CORAZON VERDE A LA DERECHA, PERO ESE DETALLE NO LO VIO ESA CULEBRA!!! POR ESO LO REVENTE DE SOPA DE MARIPOSAS Y POLILLAS EN FLAMINGO. ADEMAS LO PUSE A FREGAR MAS QUE UN PRESO!!
Despues que esa culebra me dijo eso, no he parado de reír y decidí mostrar esta pequeña serie y hablar un poco de nuestro campamento en Flamingo.
Todos teníamos obligaciones! Marino era el chofer pero se me reveló cuando lo mandé a fregar jajajajaja, así que el fregao le tocó a la mamba negra Chilensis.
Huascar colaba el cafe,además de facilitarme todos los ingredientes de lo que se iba a cocinar. Por supuesto el cocinero era yo.
Se sentaban como niños a velar mis suculentas sopas cimarrónicas de cada día con la cuchara en las manos! Yo utilizaba un foco de explorador en mi cabeza para tener las manos libres, pero se presentó un problema. Una mardita vieja comenzó a quejarse de que la luz del foco le molestaba y no tuvimos más remedio que apagar el foco y prender nuestra lampara.
El problema era que la lampara atraía demasiado insectos, polillas y mariposas que se metían en el caldero y llegó un punto en que me cansé de sacarsela! Que carajo, si los Tyrannidos viven comiendo mariposas y estan vivos, estas maripositas le servirán de pócima milagrosa a estos cimarrones.
Anoche vino Marino a visitarme y me dice... Las celulas de mi cuerpo me piden una sopa cimarronica de las que tu nos hacía en el campamento de Flamingo. Yo le respondí.. como la quieres? Con mariposas o sin mariposas?
Yo creo que esas polillas y mariposas lo que hacían era darle consistencia a nuestras sopas, el sabor cimarronico era responsabilidad del chef jajajajaja.
Nos poníamos que los ombligos se nos querían reventar y luego un cafe y la mamba negra obedientemente a fregar jajajajaja y Huascar a recoger y guardarlo todo.
No teníamos que poner despertador, pues un enorme carpintero venía a darmos picotazos en la cabeza bien temprano. Tenía un nido el mardito en nuestras cabezas prácticamente.
En la noche hacían unos desacatos en esa tienda de campaña y aquello más bien se convertía en una cámara de gas jajajaja.Yo creo que esas mariposas y polillas le estaban haciendo daño a todas esas mambas Chilensis y boas del Caribe.
Pero la pasamos de maravilla y no se imaginan como extrañamos todos tan gratos momentos y hasta mis sopas de mariposas le hacen falta ya a estos cimarrones
Un abrazo para todos y los dejo con estas serpientes que vuelan.
Cimarron mayor Panta.
© yohanes.budiyanto, 2014
PRELUDE
The 1st of August, 2014 was such an historic day as the world finally welcomed the birth of the first in line to the Parisian throne after a painstaking and extraordinary "labor" process that took four years in creation, and almost a decade in the making. I was not talking about a French rival to baby George, but instead a newborn that has sent shivers down the spines of Paris' oldest and current Kings and Grand Dames from the day it was conceived. Yes, I was referring to The Peninsula Paris, the youngest sister to the legendary Peninsula Hong Kong (circa 1928).
Ever since the project was announced to the public four years ago, it has been on my top list of the most eagerly awaited hotel openings of the decade. So when the hotel announced 1st of August as an opening date back in March, I immediately issued my First Class return tickets to the City of Light, risking the usual opening delay. A man of his word, Peninsula Paris finally opened as scheduled.
HISTORY
The Peninsula brand needs no introduction, as it is synonymous with quality, technology, innovation, craftsmanship and sophistication, -much like a slogan for French top brands and their savoir faire. Despite having only 10 current properties worldwide in its portfolio (Paris is its tenth), each Peninsula hotel is a market leader in each respective cities, and consistently tops the chart in many bonafide travel publications and reigns supreme as the world's best, especially elder sisters in Hong Kong and Bangkok. The Peninsula model is different from other rival hotel groups, which usually expand aggressively through both franchise and managed models worldwide. Instead, the Peninsula focuses on acquiring majority to sole ownership on all its properties to ensure control on quality (Hong Kong, New York, Chicago and Tokyo are 100% owned; Bangkok, Beijing and Manila are over 75%; Shanghai is 50%, while Beverly Hills and Paris are the only two with only 20% ownership).
The history of the Peninsula Paris could be traced back to a modest villa aptly called Hotel Basilevski on the plot of land at 19 Avenue Kleber back in 1864, -named after its Russian diplomat owner, Alexander Petrovich Basilevski, which caught the attention of hotelier Leonard Tauber for his prospective hotel project. The Versailles-styled property was partly a museum housing Basilevski's vast and impressive collection of 19th century medieval and Renaissance art, which eventually was acquired by Alexander III, -a Russian Tsar, at the sums of six millions francs. These collections were later transported to the Hermitage Museum in St. Petersburg, and formed the base collection for the newly established Department of Medieval and Renaissance Art. After Basilevski sold the villa and moved to a more palatial residence at Avenue du Trocadero, the property was then acquired and rebranded the Palais de Castille as the residence of the exiled Queen Isabella II of Spain in 1868, who seeked refuge and continued to live there until 1904. Upon her death, the property was later demolished in 1906 to make way for the Majestic hotel, which finally opened in 1908 with much satisfaction of Leonard Tauber, who has eyed the premise from the very beginning.
The Majestic Hotel was exquisitely designed in the Beaux-Art style as a grand hotel by prominent architect of that time, Armand Sibien. Together with The Ritz (circa 1898), the two became the most preferred places to stay and entertain in Paris of the time. The Majestic has attracted the well-heeled crowd, and hosted many high profile events, most notably for a particular dinner hosted by rich British couple Sydney and Violet Schiff on 18 May 1922 as the after party of Igor Stravinsky's 'Le Renard' ballet premiere, and the hotel becomes an instant legend. The guests list were impressive: Igor Stravinsky himself, Pablo Picasso, Sergei Diaghilev, and two of the 20th century most legendary writers: James Joyce and Marcel Proust, who met for the first and only time before Proust's death six months later. Since then, the Majestic continued to draw high profile guests, including George Gershwin on 25 March 1928, where he composed "An American in Paris" during the stay.
If the walls could talk, the Majestic has plenty of stories to tell. It was once converted into a hospital during the infamy in 1914, and the British took residency at the hotel during the Paris Peace Conference back in 1919. The hotel was then acquired by the French State in 1936 as the offices of the Ministry of Defence; and later had a stint as the German Military High Command in France between October 1940 to July 1944 during the World War II. Post war, it then became the temporary home for UNESCO from 16 September 1946 until 1958. More than a decade after, the Paris Peace talks was opened by Henry Kissinger in one of its spectacular Ballrooms in 1969 with the Northern Vietnamese. Four years later, the Paris Peace Accord was finally signed at the oak paneled-room next to the Ballroom on 27 January 1973, which ended the Vietnam War. This triumphant event has also led to another victorious event when Henry Kissinger won the Nobel Peace Prize that same year.
The hotel continued to serve as the International Conference Center of the French Ministry of Foreign Affairs until it was up for sale by the government in 2008 as part of the cost cutting program to the Qatari Diar, -which later transferred its ownership to Katara Hospitality, for a staggering USD 460 million. An excess of USD 600 million was further spent on the massive rebuilding and refurbishment not only to restore the hotel to its former glory, but also to transform it into a Peninsula with the highest standard.
The epic restoration work was led by prominent French architect, Richard Martinet, who has also previously work with the restoration of Prince Roland Bonaparte's former mansion into the Shangri-La Paris and also the Four Seasons George V; and involved teams of France's leading craftsmen; heritage designers and organisations; stonemasons from historic monument specialist; master glass crafters; crystal manufacturer; wood, moulding and gilder restoration experts, -many of whom are third generation, and have carried out high profile projects such as the Palace of Versailles, Louvre Museum, the dome of Les Invalides, the Grand and Petit Palais, and even the flame of the Statue of Liberty in New York. The result is truly breathtaking, and it was certainly money well spent to revive and recreate one of the nation's most treasured landmark. One of my favorite places within the hotel is the Main Lobby at Avenue des Portugais where the grand hall is adorned with a spectacular chandelier installation comprising 800 pieces of glass leaves inspired by the plane trees along Avenue Kleber. The work of Spain's most influential artist since Gaudi, Xavier Corbero, could also be found nearby in the form of a beautiful sculpture called Moon River.
Katara Hospitality owns 80% of The Peninsula Paris, and already has a spectacular portfolio ownership consisting some of the world's finest hotels, including The Raffles Singapore, Le Royal Monceau-Raffles Paris, Ritz-Carlton Doha, Schweizerhof Bern, and most recently, 5 of the InterContinental Hotel's European flagships, including Amstel in Amsterdam, Carlton in Cannes, De la Ville in Rome, Madrid and Frankfurt. It is interesting to note that Adrian Zecha, founder of the extraordinary Amanresorts chain is a member of the Board of Directors at Katara since September 2011, lending his immense hospitality expertise to the group.
At over USD 1 billion cost, the Pen Paris project is easily the most expensive to ever being built, considering it has only 200 rooms over 6 storeys. As a comparison, the cost of building the 101 storey, 494m high Shanghai World Financial Center (where the Park Hyatt Shanghai resides) is USD 1.2 billion; whereas Burj Khalifa, the current tallest building on earth at 163 storey and 828m, costed a 'modest' USD 1.5 billion to build. The numbers are truly mind boggling, and The Peninsula Paris is truly an extraordinary project. It might took the Majestic Hotel two years to build; but it took four years just to restore and reincarnate it into a Peninsula.
HOTEL OPENING
On a pleasant afternoon of 1 August 2014, the hotel finally opened its door to a crowd of distinguished guests, international journalists, first hotel guests and local crowds who partake to witness the inauguration and rebirth of a Parisian legend and grande dame (Many A-list celebrities and even Head of State flocked to the hotel to witness its sheer beauty). It was an historic day not just for Paris, but also for the Hong Kong and Shanghai Hotels Group as it marks their arrival in Europe with its first ever Peninsula, while the second is already on the pipeline with the future opening of The Peninsula London, located just behind The Lanesborough at Knightsbridge.
The eagerly-awaited opening ceremony was attended by the Chairman of Katara Hospitality, His Excellency Sheikh Nawaf Bin Jassim Bin Jabor Al-Thani; CEO of Hong Kong and Shanghai Hotels Limited (HSH), Clement Kwok; Minister of Foreign Affairs and International Development, Laurent Fabius; General Manager of the Peninsula Paris, Nicolas Béliard; and the event kicked off with an opening speech by the famous French Secretary of State for Foreign Trade, the Promotion of Tourism and French Nationals Abroad, Madame Fleur Pellerin, who clearly stole the show with her public persona. A ribbon cutting and spectacular lion dance show concluded the event, which drew quite a spectacle on Avenue des Portugais as it brought a unique display of Asian heritage to the heart of cosmopolitan Paris.
LOCATION
The Peninsula Paris stands majestically at the tree-lined Avenue Kléber, just off the Arc de Triomphe. Personally, this is an ideal location in Paris as it is a stone's throw away from all the happenings at the Champs-Élysées, but is set away from its hustle and bustle, which is constantly a tourist trap day and night. Once you walk pass the leafy Avenue Kléber, the atmosphere is very different: peaceful and safe. The Kléber Metro station is just a few steps away from the hotel, providing guests a convenient access to further parts of town.
Champs-Élysées is the center of Parisian universe, and it is just a short and pleasant stroll away from the hotel, where some of the city's most legendary commercial and cultural institutions reside. For a start, Drugstore Publicis at the corner by the roundabout has been a legendary hang-out since the 1960s, and is my ultimate favourite place in town. The Post Modern edifice by architect Michele Saee (renovated in 2004) houses almost everything: a Cinema; side walk Brasserie & Steak House; Newsagency; Bookshop (you can find Travel publications and even the Michelin Guide); upscale Gift shop and Beauty corner (even Acqua di Parma is on sale here); Pharmacy (whose pharmacist thankfully speaks English and gladly advises you on your symptoms); upscale deli (stocking pretty much everything from Foie gras burger on the counter, to fine wines & cigar cellar; to Pierre Herme & Pierre Marcolini chocolates; Dalloyau bakery; Marriage Freres tea; and even the Petrossian Caviar!). Best of all, it features a 2 Michelin star L'atelier de Joel Robuchon Etoile on its basement; and the store is even opened on Sunday until 2am. It is a one stop shopping, eating and entertainment, showcasing the best of France.
Further down the road, Maison Louis Vuitton stands majestically on its own entire 7 storey building, which was opened in 2005 as one of the biggest flagship stores in the world, covering a total area of 1,800m2. Designed by Eric Carlson and Peter Marino, the entire store is an architectural marvel and the temple of luxury, elegance and sophistication. This is one of the very few stores to open in Sunday as the French Labour Unions prohibits commercial stores to open on Sunday, unless if it involves cultural, recreational and sporting aspect. Initially, Maison LV was ordered by the court to close on Sunday, but LVMH finally wins an appeal in 2007 on the grounds of cultural experience; and the store has continued to draw endless queue on Sunday.
A block away from Maison LV is the legendary Parisian Tea Room of Ladurée, which was founded in 1862 by Louis Ernest Ladurée on its original store at 16 Rue Royal as a bakery. The Champs-Élysées store was opened in 1997 and has since attracted an endless queue of tourists and locals who wish to savour its legendary Macarons and pastries. The Ladurée phenomenon and popularity could only be rivaled by fellow Frenchmen Pierre Hermé, who has also attracted a cult of loyal fans worldwide. It may not have a flagship store at Champs-Élysées, but one could easily stop by Drugstore Publicis for a quick purchase to ease the craving.
For those looking for upscale boutiques, Avenue Montaigne located just nearby on a perpendicular, and features the flagship presence of the world's finest luxury fashion labels: Armani, Bottega Veneta, Valention, Prada, Dior, Versace, Chanel, Dolce & Gabbana, Gucci, Saint Laurent, Fendi and Salvatore Ferragamo to name a few. For the ultimate in shopping extravaganza, head down to Rue du Faubourg Saint-Honoré where all money will (hopefully) be well spent.
Champs-Élysées is the most famous and expensive boulevard in the world, yet it has everything for everyone; and myriad of crowds flocking its grand boulevards for a pleasant stroll. It has no shortage of luxury stores, but it also offers mainstream stores for the general public, from Levi's to Zara and Lacoste; to McDonalds and Starbucks; and FNAC store (French answer to HMV).
In terms of fine dining experience, the areas around Champs-Élysées has plenty to offer. I have mentioned about the 2 Michelin L'atelier de Joel Robuchon Etoile at the Drugstore Publicis, which was excellent. Robuchon never disappoints as it consistently serves amazing French cuisine amidst its signature red and black interior everywhere I visited, including Tokyo (3 Michelin), Hong Kong (3 Michelin), Paris (2 Michelin) and Taipei.
During my stay, I also managed to sample the finest cuisine from the kitchens of two, 3-Michelin Paris institutions: Pierre Gagnaire at Rue Balzac, just off Champs-Élysées; and Epicure at Le Bristol by Chef Eric Frechon on Rue du Faubourg Saint-Honoré, which was undoubtedly the best and most memorable dining experiences I have ever had in Paris to date. It is certainly the gastronomic highlight of this trip.
Other 3 Michelin establishment, such as Ledoyen is also located nearby at an 18th century pavilion by the Gardens of Champs-Élysées by newly appointed famous French Chef Yannick Alléno, who previously also resided at the Le Meurice with 3 Michelin, until Alain Ducasse took over last year during the Plaza Athénée closure for expansion.
August is a time of misery for international visitors to Paris as most fine dining restaurants are closed for the summer holiday. When choices are limited, foodies could rely on Epicure and Robuchon, which are opened all year round; and also the 2 Michelin star Le Cinq at the Four Seasons George V. Although its food could not compete with Robuchon, Epicure and Gagnaire, guests could still enjoy the beautiful surroundings.
ROOMS:
On my visit to Paris last year, I was not too impressed with my stay at the Four Seasons George V, as everything seemed to be pretty basic: the room design; the in-room tech and amenities; and even the much lauded service. It simply does not justify the hefty price tag. The only thing stood out there were the ostentatious designer floral display at the lobby, which reportedly absorbed a six digit figure budget annually. When I saw them at the first time, this was what came to mind: guests are paying for these excessive flowers, whether you like it or not.
Fortunately, the Peninsula Paris skips all this expensive gimmick, and instead spends a fortune for guests to enjoy: advance room technology; a host of complimentary essential amenities, including internet access, non-alcoholic minibar, and even long distance phone calls. In fact, every single items inside the room has been well thought and designed for guest's ultimate comfort.
Ever since The Peninsula Bangkok opened in 1998 to much success, the group has used it as a template for its signature rooms for future sister hotels, which consists of an open plan, ultra-wide spacious room equivalent to a 2 bays suite, with 5-fixtures bathroom, and a separate Dressing Room, which soon becomes a Peninsula signature.
The Peninsula Tokyo followed this template when it opened in 2007 to rave reviews; and it was soon adopted as a model for Peninsula Shanghai, which later opened in 2009 as the flagship property in Mainland China. This layout is also being applied at The Peninsula Paris, albeit for its Suites categories, i.e. Junior Suite, which measure at an astonishing 50 - 60m2. The entry level Superior and Deluxe Rooms lack the signature layout with smaller size at 35 - 45m2, but they are already spacious for a Parisian standard; and each is equipped with Peninsula's signature technology.
Technology is indeed at the core of the Peninsula DNA, and no expense is spared in creating the world's most advance in-room technology. When other hotels try to cut costs and budgets on in-room technology with lame excuses, the Peninsula actually spends a fortune to innovate and set a new benchmark. In fact, it is probably the only hotel group to have its own Technology laboratory at a secret location deep inside Aberdeen, Hong Kong, where in-room tech is being developed and tested. It was here where innovative devices, such as the outside temperature indicator; my favourite Spa Button by the bathtub; or even the portable nail dryer for the ladies are invented. The Peninsula took the world by storm when it introduced the Samsung Galaxy tablet device at the Peninsula Hong Kong in 2012, which is programmed in 11 languages and virtually controls the entire room, including the lights, temperature, curtains, TV, radio, valet calls and Do Not Disturb sign. It even features touch screen Room Service Menu, hotel information, city guide, and a function to request room service and housekeeping items, thus creating an entirely paperless environment.
All these technological marvel are also being replicated at the Peninsula Paris, together with other 'standard' features, such as Nespresso Coffee Machine; flat-screen 3D LED television; LED touch screen wall panels; an iPod/iPad docking station; memory card reader; 4-in1 fax/scanner/printer/photocopier machine; DVD player; complimentary in-house HD movies; complimentary internet access and long distance calls through the VOIP platform. Even the room's exterior Parisian-styled canopy is electronically operated. All these technological offerings is so extremely complex, that it resulted in 2.5 km worth of cabling in each room alone.
Bathroom at the Junior Suite also features Peninsula's signature layout: a stand alone bathtub as the focal point, flanked by twin vanities and separate shower and WC compartments amidst acres of white marble. Probably the first in Paris, it features a Japanese Toilet complete with basic control panel, and a manual handheld bidet sprayer.
When all these add up to the stay, it actually brings a very good value to the otherwise high room rates. Better yet, the non-alcoholic Minibar is also complimentary, which is a first for a Peninsula hotel. The Four Seasons George V may choose to keep looking back to its antiquity past and annihilate most technological offerings to its most basic form, but the Pen always looks forward to the future and brings the utter convenience, all at your finger tip. The Peninsula rooms are undoubtedly the best designed, best equipped and most high-tech in the entire universe.
ROOM TO BOOK:
The 50 - 60m2 Junior Suite facing leafy Avenue Kléber is the best room type to book as it is an open-plan suite with Peninsula's signature bathroom and dressing room; and the ones located on the Premiere étage (first floor) have high ceilings and small balcony overlooking Kleber Terrace's iconic glass canopy. Personally, rooms facing the back street at Rue La Pérouse are the least preferred, but its top level rooms inside the Mansart Roof on level 5 have juliet windows that allow glimpse of the tip of Eiffel Tower despite being smaller in size due to its attic configuration. Superior Rooms also lack the signature Peninsula 5 fixtures bathroom configuration, so for the ultimate bathing experience, make sure to book at least from the Deluxe category.
If money is no object, book one of the five piece-de-resistance suites with their own private rooftop terrace and gardens on the top floor, which allow 360 degree panoramic views of Paris. Otherwise, the mid-tier Deluxe Suite is already a great choice with corner location, multiple windows and 85m2 of pure luxury.
DINING:
Looking back at the hotel's illustrious past, the Peninsula offers some of the most unique and memorable dining experiences in Paris, steep in history.
The area that once housed Igor Stravinksy's after party where James Joyce met Marcel Proust for the first time is now the hotel's Cantonese Restaurant, aptly called LiLi; and is led by Chef Chi Keung Tang, formerly of Peninsula Tokyo's One Michelin starred Hei Fung Terrace. Lili was actually modeled after Peninsula Shanghai's Yi Long Court, but the design here blends Chinese elements with Art Nouveau style that flourished in the late 1920s. It also boasts a world first: a spectacular 3x3.3m fiber optic installation at the entrance of the restaurant, depicting the imaginary portrait of LiLi herself. The Cantonese menu was surprisingly rather simple and basic, and features a selection of popular dim sum dishes. The best and most memorable Chinese restaurants I have ever experienced are actually those who masterfully fuse Chinese tradition with French ingredients: Jin Sha at the Four Seasons Hangzhou at Westlake; 2 Michelin Tin Lung Heen at Level 102 of the Ritz-Carlton Hong Kong; Jiang at Mandarin Oriental Guangzhou by Chef Fei; and Ya Ge at Mandarin Oriental Taipei. Ironically, the world's only 3 Michelin star Chinese restaurant, Lung King Heen at the Four Seasons Hong Kong failed to impress me.
The former Ballroom area where Henry Kissinger started the Paris Peace talks with the Vietnamese has now been transformed as The Lobby, which is a signature of every Peninsula hotels where the afternoon tea ritual takes place daily. The spectacular room with intricate details and crystal chandeliers has been meticulously restored, and is an ideal place to meet, see and be seen. Breakfast is served daily here, and guests could choose to have it either inside or outside at the adjoining al fresco La Terrasse Kléber, which connects all the F&B outlets on the ground floor, including Lili. Guests could choose from a Chinese set breakfast, which includes dim sum, fried vermicelli, and porridge with beef slices; or the Parisian set, which includes gourmet items such as Egg Benedict with generous slices of Jamon Iberico on top. The afternoon tea ritual is expected to be very popular as renowned Chef Pattissier Julien Alvarez, -who claimed the World Pastry Champion in 2009; and also the Spanish World Chocolate Master in 2007 at the tender age of 23, is at the helm; and the venue quickly booked out from the opening day.
Next to the Lobby is a small, intimate bar covered in exquisite oak panelling where Henry Kissinger signed the Paris Peace Accord back in 1973 that ended the Vietnam War. Kissinger politely declined the offer to have the Bar named after him, and instead it is simply called Le Bar Kléber.
On the top floor of the hotel lies the signature restaurant L'Oiseau Blanc, which is named after the French biplane that disappeared in 1927 in an attempt to make the first non-stop transatlantic flight between Paris and New York. A 75% replica of the plane has even been installed outside the main entrance of the restaurant with the Eiffel Tower on its background. The restaurant is divided into 3 distinct areas: a spectacular glass enclosed main dining room; a large outdoor terrace that runs the entire length of the hotel's roof; and an adjoining lively bar, all with breathtaking uninterrupted views of Paris' most identifiable landmarks, including the Eiffel Tower and the Sacré-Cœur at the highest point of the city at Montmartre.
L'Oiseau Blanc is led by Chef Sidney Redel, a former protégé of Pierre Gagnaire, and serves contemporary French cuisine focussing on 'terroir' menu of locally sourced seasonal ingredients from the region. During my stay, tomato was the seasonal ingredients, and Chef Redel created four courses incorporating tomato, even on dessert. While the food was of high quality, personally the menu still needs fine tuning, considering the sort of clientele the Pen is aiming for: the ultra rich (Chinese), who usually seek top establishments with luxury ingredients, such as caviar, black truffle, foie gras, blue lobster, Jamon Iberico, Wagyu beef, Kurobuta pork and Challans chicken.
LEISURE:
The Peninsula Paris features one of the best health and recreational facilities in the city, housed within the basement of the hotel, and covers an expansive area of 1,800m2. For a comparison, rival Mandarin Oriental Spa covers a total area of only 900m2 over two floors. The Peninsula Spa is undoubtedly one of the nicest urban spa that I have been to, it easily beats the Spa at the Four Seasons George V. The pool is also one of the city's largest at 22m long, -compared to both the Shangri-La and Mandarin Oriental at 15m; the George V at only 9m, which is more like a bigger jacuzzi. The only two other pools better than the Peninsula is the one designed by Phillippe Starck at the Le Royal Monceau at 28m; and the spectacular grand pool at the Ritz.
There is the usual 24 hours gym within two fitness spaces equipped with Technogym machines and free weights; and the locker rooms features steam, sauna, and experience shower room. There is a total of 8 treatment rooms within the Spa area, and the highlight is certainly the Relaxation Room, which is equipped with amazing day beds with specially placed deep cushions. The best part? the beds are electronically operated, much like a first class seat on a plane.
X-FACTOR:
The Peninsula signature technology; The Spa Button in the bathroom; VOIP technology for complimentary long distance calls; The top suites (Historic, Katara and Peninsula Suites); Xavier Corbero's Moon River sculpture at the Lobby; Lili; The Lobby and Bar where Henry Kissinger signed Paris Peace Accord; L'Oiseau Blanc Restaurant; The 1,800m2 Peninsula Spa; and the 1934 Rolls Royce Phantom II.
SERVICE:
There are a total of 600 staffs for just 200 rooms, so the service level is expected to be high; but it is perhaps unfair to judge the service during the opening weeks when all staffs were not at their best due to the intense preparation leading to the opening event. Furthermore, teething problems are expected for a newly opened hotel as great hotels are not born overnight, but takes a good few years of refinement.
Nonetheless, I was actually quite impressed with the level of service during the whole stay, as the majority of the staffs showed great attitude and much enthusiasm, which is a testament of great intense training. As one of the first guests arriving on the opening day, check-in was truly delightful and memorable as a battalion of staffs of different ranks welcomed and wished the most pleasant stay. The mood could not have been more festive as moments later, the hotel was finally inaugurated.
I was also particularly impressed with the service at both LiLi and The Lobby where staffs performed at an exceptional level like a veteran. There are two distinct qualities that made a lot of difference during the stay: humility and friendliness, which is quite a challenge to find, not only in Paris and the entire Europe, but even in Asian cities, such as Hong Kong. It is like finding needles in a haystack. A genuine smile seems to be a rare commodity these days, so I was happy to see plenty of smiles at the Peninsula Paris during the stay, from the signature Peninsula Pageboys to waiters, Maître d, receptionists and even to Managers and Directors. In fact, there were more smiles in Paris than Hong Kong.
When I woken up too early for breakfast one day, the restaurant was just about to open; and there were hardly anyone. I realized that even the birds were probably still asleep, but I was extremely delighted to see how fresh looking and energetic the staffs were at the dining room. There was a lot of genuine smile that warmed the rather chilly morning; and it was a great start to the day. One of the staffs I met during the stay even candidly explained how they were happy just to be at work, and it does not feel like working at all, which was clearly shown in their passion and enthusiasm.
That said, the Shangri-La Paris by far is still my top pick for best service as it is more personalized and refined due to its more intimate scale. The Shangri-La Paris experience is also unique as guests are welcomed to a sit down registration by the historic lounge off the Lobby upon arrival, and choice of drinks are offered, before being escorted to the room for in-room check-in. Guests also receive a Pre-Arrival Form in advance, so the hotel could anticipate and best accommodate their needs. During the stay, I was also addressed by my last name everywhere within the hotel, so it was highly personalized. I did receive similar treatment at The Peninsula Paris, -albeit in a lesser extent due to its size; and even the housekeeping greeted me by my last name. Every requests, from room service to mineral water were all handled efficiently at a timely manner. At times, service could be rather slow at the restaurants (well, it happens almost everywhere in Paris), but this is part of the Parisian lifestyle where nothing is hurried; and bringing bills/checks upfront is considered rude. I did request the food servings to be expedited during a lunch at LiLi on the last day due to the time constraint; and the staffs managed to succeed the task not only ahead of the time limit, but also it never felt hurried all along. Everything ran as smooth as silk.
VERDICT:
It was a personal satisfaction to witness the history in the making during the opening day on 1 August 2014, as the Peninsula Paris is my most eagerly awaited hotel opening of the decade. It was also historic, as it was a first in my travel to dedicate a trip solely for a particular hotel in a particular city (in this case Paris, some 11,578km away from home), without staying at other fine hotels. It was money well spent, and a trip worth taking as it was an amazing stay; and certainly a lifetime experience.
The Peninsula Paris could not have arrived at a better time, as two of the most established Parisian grande dames (Ritz and de Crillon) are still closed for a complete renovation, and will only be revealed in 2015; so there is plenty of time to adapt, grow and hone its skills. But with such pedigree, quality and illustrious history, the Pen really has nothing to be worried about. The Four Seasons George V seems to have a cult of highly obsessed fans (esp. travel agents) worldwide, but personally (and objectively), it is no match to the Peninsula. Based on physical product alone, the Pen wins in every aspect as everything has been meticulously designed with the focus on guest comfort and convenience. In terms of technology, the Pen literally has no rival anywhere on the planet, except from the obvious sibling rivalry.
The only thing that the Pen still needs to work on is its signature restaurants as all its rival hotels have at least 2 Michelin star restaurants (L'abeille at the Shangri-La; Sur Mesure at the Mandarin Oriental; and 3 Michelin at Epicure, Le Bristol; Le Cinq at the Four Seasons George V and Alain Ducasse at Le Meurice). L'Oiseau Blanc design is truly breathtaking and would certainly be the most popular gastronomic destination in Paris, but at the moment, the food still needs some works.
There were the expected teething problems and some inconsistencies with the service; but with years of refinement, The Peninsula Paris will no doubt ascend the throne. Personally, the Shangri-La Paris is currently the real competitor, together with the upcoming Ritz and de Crillon when they open next year, especially when Rosewood has taken over Crillon management and Karl Lagerfeld is working on its top suites. The two, however, may still need to revisit the drawing boards and put more effort on the guestrooms if they ever want to compete; because at the moment, The Peninsula Paris is simply unrivaled.
UPDATE 2016:
*I have always been very spot-on with my predictions. After only two years since its opening, The Peninsula Paris has been awarded the much coveted Palace status. In fact, it is the only hotel in Paris to receive such distinction in 2016. Congratulations, it is very much deserving*
PERSONAL RATING:
1. Room: 100
2. Bathroom: 100
3. Bed: 100
4. Service: 90
5. In-room Tech: 100
6. In-room Amenities: 100
7. Architecture & Design: 100
8. Food: 80
9. View: 80
10. Pool: 95
11. Wellness: 95
12. Location: 95
13. Value: 100
Overall: 95.00
Compare with other Parisian hotels (all with Palace status) that I have stayed previously:
SHANGRI-LA HOTEL, PARIS: 95.00
PARK HYATT PARIS-VENDOME: 90.00
My #1 ALL TIME FAVORITE HOTEL
LANDMARK MANDARIN ORIENTAL, HONG KONG: 95.38
THE PENINSULA, PARIS
19, Avenue Kléber, Paris
Awarded Palace Status in 2016
General Manager: Nicolas Béliard
Hotel Manager: Vincent Pimont
Executive Chef: Jean-Edern Hurstel
Head Chef (Lili): Chi Keung Tang
Head Chef (L'oiseau Blanc): Sidney Redel
Head Chef (The Lobby): Laurent Poitevin
Chef Patissier: Julien Alvarez
Architect (original Majestic Hotel, circa 1908): Armand Sibien
Architect (renovation & restoration, 2010-2014): Richard Martinet
Interior Designer: Henry Leung of Chhada Siembieda & Associates
Landscape Designer: D. Paysage
Art Curator: Sabrina Fung
Art Restorer: Cinzia Pasquali
Artist (Courtyard installation): Ben Jakober & Yannick Vu
Crystal work: Baccarat
Designer (Lili fiber optic installation): Clementine Chambon & Francoise Mamert
Designer (Chinaware): Catherine Bergen
Gilder Specialist & Restorer: Ateliers Gohard
Glass Crafter (Lobby Installation): Lasvit Glass Studio
Master Glass Crafters: Duchemin
Master Sculptor (Lobby): Xavier Corbero
Metalwork: Remy Garnier
Plaster & Moulding Expert: Stuc et Staff
Silverware: Christofle
Silk & Trimmings: Declercq Passementiers
Wood Restoration Expert: Atelier Fancelli
Hotel Opening Date: 01 August 2014
Notable owners: Katara Hospitality; Hong Kong and Shanghai Hotels Group (HSH)
Total Rooms & Suites: 200 (including 35m2 Superior, 45m2 Deluxe, 50m2 Grand Deluxe, 55m2 Premier and 60m2 Grand Premier Rooms)
Total Suites: 34 Suites (including 70m2 Superior, 85m2 Deluxe and 100m2 Premier
Top Suites: Historic Suite, Katara Suite, and The Peninsula Suite
Bathroom Amenities: Oscar de la Renta
Restaurants: The Lobby (All day dining & Afternoon tea), LiLi (Cantonese), L'Oiseau Blanc (French), La Terrasse Kléber
Bars and Lounges: Le Bar Kléber; Kléber Lounge; Cigar Lounge; and L'Oiseau Blanc Bar
Meeting & Banquets: Salon de l'Étoile for up to 100 guests, and 3 smaller Function Rooms
Health & Leisure: 24 hours gym & 1,800m2 Peninsula Spa with 22m indoor swimming pool and jacuzzis; Steam & Sauna, Relaxation Room, and 8 treatment rooms
Transport: chauffeur-driven Rolls Royce Extended Wheel Base Phantom; a 1934 Rolls Royce Phantom II; 2 MINI Cooper S Clubman; and a fleet of 10 BMW 7 Series
Complimentary facilities: Non-alcoholic Minibar; Wired and Wireless Internet; VOIP long distance calls; HD Movies; Daily fruit Basket; International Newspaper; Chauffeured MINI Cooper S Clubman for Suites guests; and Chauffeured Rolls Royce for top Suites
paris.peninsula.com
North Pier, Blackpool
North Pier is the most northerly of the three coastal piers in Blackpool, England. Built in the 1860s, it is also the oldest and longest of the three. Although originally intended only
as a promenade, competition forced the pier to widen its attractions to include theatres and bars. Unlike Blackpool's other piers, which attracted the working classes with open air
dancing and amusements, North Pier catered for the "better-class" market, with orchestra concerts and respectable comedians. Until 2011, it was the only Blackpool pier that
consistently charged admission.
The pier is designated by English Heritage as a Grade II listed building, due to its status as the oldest surviving pier created by Eugenius Birch. As of 2012 it is still in regular use,
despite having suffered damage from fires, storms and collisions with boats. Its attractions include bars, a theatre, a carousel and an arcade. One of the oldest remaining Sooty
glove puppets is on display commemorating Harry Corbett buying the original puppet there.
North Pier was built at the seaward end of Talbot Road, where the town's first railway station, Blackpool North, was built. Its name reflects its location as the most northerly of
Blackpool's three piers. It is about 450 yards (410 m) north of Blackpool Tower, which is roughly the midpoint of Blackpool's promenade. The sea front is particularly straight and
flat on this stretch of coastline, and the 1,650 feet (500 m) pier extends at right angles into the Irish Sea, more or less level with the promenade.
History: The construction of Blackpool Pier (eventually North Pier) started in May 1862, in Layton-cum-Warbreck, part of the parish of Bispham. In October 1862 severe storms
suggested that the planned height of the pier was insufficient, and it was increased by 3 feet (0.91 m) North Pier was the second of fourteen piers designed by Eugenius Birch,
and since Margate Pier was destroyed by a storm in 1978, it is the oldest of the remaining examples of his work still in use. It was the first of Birch's piers to be built by Glasgow
engineering firm Richard Laidlaw and Son.
The pier, which cost £11,740 to build, originally consisted of a promenade 1,405 feet (428 m) long and 28 feet (8.5 m) wide, extending to 55 feet (17 m) wide at the pier-head. The
bulk of the pier was constructed from cast iron, with a wooden deck laid on top. The cast iron piles on which the structure rests were inserted using Birch's screw pile process; the
screw-tipped piles were twisted into the sand until they hit bedrock. This made construction much quicker and easier, and guaranteed that the pier had a solid foundation. The
cast iron columns, 12 inches (300 mm) in diameter, were filled with concrete for stability at intervals of 60 feet (18 m), and supported by struts that were on average were slightly
more than 1 inch (25 mm) thick.The pier's promenade deck is lined with wooden benches with ornamental cast iron backs. At intervals along the pier are hexagonal kiosks built
around 1900 in wood and glass with minaret roofs topped with decorative finials. On opening two of the kiosks were occupied by a bookstall and confectionery stall and the
kiosks near the ends of the pier were seated shelters. The pier-head is a combination of 420 tons of cast iron and 340 tons of wrought iron columns; standing 50 feet (15 m)
above the low water line, it sees a regular 35 feet (11 m) change in sea level due to the tide.
The pier was officially opened in a grand ceremony on 21 May 1863, even though the final 50 yards (46 m) had not yet been completed. All the shops in the area were closed
and decorated with flags and streamers for the ceremony, which included a procession and a cannon salute, and was attended by more than 20,000 visitors. Although the town
only had a population of approximately 4,000, more than 200,000 holiday makers regularly stayed there during the summer months; this included 275,000 admissions in 1863,
400,000 in 1864 and 465,000 the following year. The pier was officially opened by Major Preston, and he and 150 officials then travelled to the Clifton Hotel for a celebratory
meal.
The pier was intended primarily for leisure rather than seafaring; for the price of 2d (worth approximately £4.90 in 2012) the pier provided the opportunity for visitors to walk close
to the sea without distractions.This fee was insufficient to deter "trippers'", which led to Major Preston campaigning for a new pier to cater for the 'trippers'. In 1866, the
government agreed that a second pier could be built, despite objections from the Blackpool Pier Company that it was close to their pier and therefore unnecessary
As permitted by the original parliamentary order, a landing jetty was built at the end of North Pier in incremental stages between 1864 and 1867. The full length of the jetty was
474 feet (144 m), and the extensions increased the pier's total length to its current 1,650 feet (500 m). The Blackpool Pier Company used the jetty to operate pleasure steamers
that made trips to the surrounding areas. In 1871 swimming and diving lessons were added to the pier.
In 1874, the pier-head was extended to allow Richard Knill Freeman to incorporate a pavilion, which opened in 1877. The interior decoration led it to be known as the "Indian
Pavilion", and it was Blackpool's primary venue for indoor entertainment until the Winter Gardens opened in 1879.
To differentiate itself from the new pier, North Pier focused on catering for the "better classes", charging for entry and including attractions such as an orchestra and band
concerts, in contrast to the Central Pier (or the "People's pier"), which regularly had music playing and open-air dancing. The pier owners highlighted the difference, charging at
least a shilling (worth approximately £19.90 in 2012) for concerts and ensuring that advertisements for comedians focused on their lack of vulgarity. Sundays were given over to a
church parade.
On 8 October 1892, a storm-damaged vessel, Sirene, hit the southern side of the pier, causing four shops and part of the deck to collapse onto the beach below. Several columns
were also dislodged, and the ship's bowsprit hit the pier entrance. All eleven crew members were rescued when they were hauled onto the pier. Damage to the pier was
estimated to be £5,000 and was promptly repaired.
Nelson's former flagship, HMS Foudroyant, was moored alongside North Pier for an exhibition, but slipped anchor and was wrecked on the shore in a violent storm on 16 June
1897, damaging part of the jetty. The wreck of the ship broke up during December storms.
The pier was closed for the winter during 1895–6 as it unsafe; as a result, the pier was widened as electric lighting was added.
An Arcade Pavilion was added in 1903 at the entrance to the pier and contained a wide range of amusements to suit all tastes. Further alterations were made to the pier in 1932-
3 when the open air stand was replaced with a stage and sun lounge.
In 1936, a pleasure steamer returning from Llandudno crashed into the pier. The collision left a 10 feet (3.0 m) gap, and stranded a number of people at the far end.
The 1874 Indian Pavilion was severely damaged by fire in 1921. It was refurbished, but was then destroyed by a second fire in 1938. In 1939 it was replaced by a theatre, built in
an Art Deco style. At around the same time, the bandstand was removed and replaced with a sun lounge.
In the 1960s, the Merrie England bar and an amusement arcade were constructed at the end of the pier nearest to the shore. The 1939 theatre, which is still in use, narrowly
escaped damage in 1985 when the early stages of a fire were noticed by performer Vince Hill. In the 1980s, a Victorian-styled entrance was built. In 1991 the pier gained the
Carousel bar as an additional attraction, and a small tramway to ease access to the pier-head. By this point, the pier had ceased to have any nautical use, but the jetty section
was adapted for use as a helicopter pad in the late 1980s. Storms on 24 December 1997 destroyed the landing jetty, including the helipad.
The North Pier is one of the few remaining examples of Birch's classic pier architecture and is a Grade II Listed building, the only Blackpool pier to hold that status. It was
recognised as "Pier of the Year" in 2004 by the National Piers Society.
North Pier's attractions include a Gypsy palm reader and an ice cream parlour, the North Pier Theatre, a Victorian tea room, and the Carousel and Merrie England bars. The
arcade, built in the 1960s, has approximately eleven million coins pass through its machines each year.
One of the earliest Sooty bear puppets used by Harry Corbett is on display on the pier. Corbett bought the original Sooty puppet on North Pier for his son, Matthew. When Corbett
took the puppet on BBC's Talent Night programme, he marked the nose and ears with soot so that they would show up on the black and white television, giving the puppet its
name.
The Carousel bar on the pier-head has a Victorian wrought iron canopy, and its outdoor sun-lounge is classified as the largest beer garden in Blackpool. Next to the bar is a two
tier carousel, the "Venetian Carousel", which is protected from sand and spray by a glass wall.
After the fire in 1938, the pavilion was replaced with a 1,564 seat theatre which has since hosted a number of acts including; Frankie Vaughan, Frank Randle, Tessie O'Shea,
Dave Morris, Bernard Delfont, Morecambe and Wise, Paul Daniels, Freddie Starr, Russ Abbott, Bruce Forsyth, Des O'Connor, Joe Longthorne, Lily Savage, Brian Conley and
Hale and Pace.
In 2002 a heritage room with photographs was opened up, the foyer entrance was refurbished and a disabled lift added. By 2005, there was no longer a live organist playing in
the sun lounge although other live entertainment continues. In 2013, the live organist was brought back into the sun lounge.
The pier was built and owned by the Blackpool Pier Company, created with three thousand £5-shares in 1861 (worth approximately £2,990 in 2012). The same firm operated the
pier in 1953, and the company was incorporated in 1965. The Resorts Division of First Leisure, including the pier, was sold to Leisure Parks for £74 million in 1998. In 2009, the
pier was sold to the Six Piers group, which owns Blackpool's other two piers, and hoped to use it as a more tranquil alternative to them. The new owners opened the Victorianthemed
tea room, and built an eight-seat shuttle running the length of the pier.
In April 2011, the pier was sold to a Blackpool family firm, Sedgwick's, the owners of amusement arcades and the big wheel on Blackpool's Central Pier. Peter Sedgwick
explained that he proposed to his wife on North Pier forty years ago, and promised to buy it for her one day. He said that he wants to restore the Victorian heritage of the pier and
re-instate the pier's tram. An admission charge of fifty pence to access the board-walk section of the pier was abolished by the Sedgewicks.
A petition to wind up the Northern Victorian Pier Limited (the company used by the Sedgwick family to manage Blackpool North Pier) was presented on 17 September 2012 by
Carlsberg UK Limited, a creditor of the Company, and this was to be heard at Blackpool County Court on 15 November 2012.
At the 11th hour, an agreement to pay the outstanding balance owed to Carlsberg was made and Peter Sedgwick's company escaped liquidation.
[Wikipedia]
Here's the other side of BN 612 sitting in the Dirt House at Superior. Modelers are always looking for photographs of both sides of the equipment that they are building to keep the details, paint, lettering, and weathering consistent with the actual prototype being modeled. But sometimes that's difficult to do, especially when the prototypes disappeared so long ago. This one had less than a year to go before it was off the property and scrapped.
The large, black smokestack in the background upper left belonged to the Great Northern's power house that provided steam heat throughout all of the shop buildings and the roundhouse once located here. Notice just to the right of that big smokestack is a skinny pole, with a large steam whistle mounted on top of it. This is the famous steam whistle of the Great Northern Belknap Street shops that called men to work from all parts of the city.
The whistle sounded each day at 7:30AM; 8AM; 12 Noon; 12:20; 12:30; and 4PM. It was also used to sound fire drills and there was a special code used in the event of an actual fire that would bring the Superior Fire Department to the exact building in trouble, all based on different long and short blasts from the steam whistle.
The whistle dated back to about 1895 when this facility was started by James J. Hill's fledgling Eastern Railway of Minnesota. The power house was smaller then and when it was moved, rebuilt, and enlarged by Great Northern in 1917 the whistle was moved from the old power house to the new one.
During the earliest times at the shops most of the men who worked here lived in Billings Park. According to Shop Superintendent Earl Coleman (who worked here during the 1950s) back in those old days they blew the whistle at 6AM to wake them up. The 7:30 and 8AM whistles were to signal that actual start of the work day. Some workers had just 20 minutes for lunch while others had 30 minutes. So the two different whistles at lunch time were for two sets of workers. The 4PM whistle was quitting time.
Henry Westermeyer was the man in charge of the power house and it was up to him to blow that whistle every day, on time. He was always prepared to signal the emergency signal to each area of the shops including the lumber yard, the old car shop, the blacksmith and boiler shops, steel shop and RIP, the machine shop, the fuel tank, the storehouse and the roundhouse. If you worked in the roundhouse and you heard 2 long and 4 short whistles blasting repeatedly from the top of the power house—you had to run for it!
Most likely, everyone working in the other shops would have taken a look-see as well.
The boilers inside the power house were coal fired until the Fall of 1953 when the steam plant was converted to run off of fuel oil. When it was torn down in the early 1980s the steam whistle was silenced forever. Hopefully, someone took that off of the building before the wreckers moved in to take the rest.
Contrary to popular believe, the turntable at the roundhouse was definitely not steam powered. During the summer months the power house was idled to save money on fuel and the staff who operated the boilers. That's why Heater Car 8 was always parked next to the power house during the summer months, just in case the temperatures dipped, and the roundhouse offices needed a blast of steam to keep warm. But the boiler cars couldn't heat the whole facility—just the first few stalls of the roundhouse where the offices were located.
So it was an electrically controlled turntable. In fact, if you look hard, in the top left corner of this picture, you'll see the two power lines that ran in an arc from the power distribution bar on the power poles to the rotating head frame located mid point on the 120-foot Bethlehem Twin Span turntable.
The steam that bathed the turntable pit during cold days was leaking from underground steam lines that ran from the power house into the roundhouse, then across the pit into the Mallet House where that steam was used to heat the cast iron radiators that lined the walls of the track pits. Those kept workers warm over the long winter as they did heavy repairs to running gear on steam and diesel locomotives alike.
Viewed from Nungate Bridge.
"The Collegiate Church of St Mary the Virgin is a Church of Scotland parish church in Haddington, East Lothian, Scotland.
Building work on the church was started in 1380, and further building and rebuilding has taken place up to the present day. It is the longest church in Scotland, at 206 feet (62.8 metres) from east to west, and is in the early Gothic style.
The cruciform church is located in a large open churchyard, at some distance from the town centre. The church is built on a scale becoming of a cathedral. It is of a uniform and consistent design, that suggests a clear adherence to the original plans. Having been desecrated during the sixteenth century, the nave of the church and the tower were repaired for use by the congregation, this part being subject to various restorations in subsequent centuries. A comprehensive renovation of the whole church was carried out in the 1970s.
The choir is aisled and is made up of four bays, intersected by buttresses with a mixture of gabled and pinnacled terminals. The windows between have simple curvilinear tracery dividing two main lights. The cornice below the eaves has foliate carving. The clerestory is unbuttressed and has double-lighted windows beneath two mouchettes. The window at the east end of the choir was built in 1877, and consists of four lights with contemporary tracery. One of the finials shows an angel playing the bagpipe. On the north side of the choir there is a medieval sacristy, which is now an ecumenical chapel and mausoleum of the Maitland family dedicated to the Three Kings.
The transepts are aisleless, with windows at the gables and to the west, the gable windows are triple lighted with mouchettes above. The north transept contains modern toilets and stairs to the north gallery. The south transept contains a memorial to George Seton and a stained glass window by Edward Burne-Jones donated by the Victoria and Albert Museum as part of the restoration. to the east of the north transept lies the Lauderdale Aisle, a small Scottish Episcopal chapel that commemorates John Maitland, 1st Lord Maitland of Thirlestane and others of the Maitland family. There is a stair turret in the east angle of the north transept which gives access to the tower. The tower is cubic in form and has triple lancet windows on each elevation. There are single figure niches on either side of the openings. The wall heads terminate in a decorative cornice with gargoyles. The corbelling at this level suggests that there were plans to erect a crown spire similar to that of St. Giles Cathedral in Edinburgh and St. Michael's Parish Church, Linlithgow. It is not known whether or not this decorative structure was ever built.
The nave is similar to the choir, in that it has four bays on the north and south aspects, buttressed in between. The windows, however, are similar to those on the transept gables. The side aisles were raised by some 10 feet in 1811 and were finished with castellation and pinnacles. The clerestory windows are similar to those of the aisles and the wall heads finished with cornicing. The position of the pre-1811 vaults are still visible on the sides of the nave.
The western front of the building has a large window divided into six main lights in groups of three divided by a 'Y' shaped central mullion. These are each surmounted by double mouchettes and vesica piscis windows. The capital is formed of double "dagger" and single quatrefoil windows. Below is the main door, with round headed arch composed of several filleted shafts, the door is divided into two by a trumeau shaft topped with two semi-circular arches; the capital here bears a representation of the Arma Christi.
The interior of the church is notable for the extensive sexpartite vaulting. The pulpit and font were both designed by Glaswegian sculptor, William Birnie Rhind in 1891. In the north choir aisle there is an ancient sculpture of Haddington Burgh arms, discovered in the north transept, during the 1970s restoration. The east wall of the south transept houses a memorial to William Seton, Provost of Haddington, erected in 1682. In the late 1980s a new pipe organ was commissioned, and installed in 1990 on a gallery within the north transept. The tower of St Mary's had been silent since 1548, when the English army removed the three bells extant. In 1999 the church acquired a set of eight bells, cast to celebrate the coronation of George V in 1911, and originally hung as a chime in Dunecht House. These were installed between March and May 1999 and were dedicated by The Very Rev Dr John B. Cairns, the Moderator of the General Assembly of the Church of Scotland, on the 6th of June.
The Royal Burgh of Haddington (Scots: Haidintoun) is a town in East Lothian, Scotland. It is the main administrative, cultural and geographical centre for East Lothian, which as a result of late-nineteenth century Scottish local government reforms took the form of the county of Haddingtonshire for the period from 1889 to 1921. It lies about 17 miles (27 km) east of Edinburgh. The name Haddington is Anglo-Saxon, dating from the sixth or seventh century AD when the area was incorporated into the kingdom of Bernicia. The town, like the rest of the Lothian region, was ceded by King Edgar of England and became part of Scotland in the tenth century. Haddington received burghal status, one of the earliest to do so, during the reign of David I (1124–1153), giving it trading rights which encouraged its growth into a market town.
Today Haddington is a small town with a population of fewer than 10,000 people; although during the High Middle Ages, it was the fourth-biggest city in Scotland after Aberdeen, Roxburgh and Edinburgh. In the middle of the town is the Town House, built in 1748 according to a plan by William Adam. When first built, it inheld a council chamber, jail and sheriff court, to which assembly rooms were added in 1788, and a new clock in 1835. Nearby is the Corn Exchange (1854) and the County Courthouse (1833). Other nearby notable sites include the Jane Welsh Carlyle House, Mitchell's Close and the birthplace of author and government reformer Samuel Smiles on the High Street, marked by a commemorative plaque.
Haddington is located predominantly on the north-east bank of the River Tyne, and was once famous for its mills. It developed into the fourth-largest town in Scotland during the High Middle Ages, and later was at the centre of the mid-eighteenth century Scottish Agricultural Revolution.
In 1641, an Act was passed by the Parliament of Scotland to encourage the production of fine cloth, and in 1645 an amendment went through stating that the masters and workers of manufactories would be exempt from military service. As a result of this, more factories were established; these included the New Mills. This factory suffered during the Civil War with the loss of its cloth to General Monck. A new charter was drawn up in May 1681, and major capital invested in new machinery, but the New Mills had mixed fortunes, inevitably affected by the lack of protectionism for Scottish manufactured cloth. The Scots Courant reported in 1712 that New Mills was to be "rouped" (auctioned). The property was sold on 16 February 1713 and the machinery and plant on 20 March. The lands of New Mills were purchased by Colonel Francis Charteris and he changed their name to Amisfield.
As the county town of East Lothian, Haddington is the seat of East Lothian Council with offices located at John Muir House behind Court Street. This building occupies the site of Haddington's twelfth century royal palace and adjoins the former Sheriff Court complex. The town centre is home to a wide range of independent retailers including: a bookshop, two sports shops, a saddlery and country goods specialist, two butchers, a hardware shop, cookware shop and several gift shops alongside several pubs, restaurants and cafés. Nationwide retailers with a presence in Haddington include: Tesco, M&Co, Boots, Aldi and Co-op Food. Besides retail and administration, the town is also home to various law firms and has industrial capacity in the works beside the Tyne at the Victoria Bridge (PureMalt), and around the site of the old station (Lemac), and various smaller industrial units and garages. Haddington is also home to the offices of the local newspaper the East Lothian Courier. There is a farmers' market held on the last Saturday of the month in Court Street.
The town centre largely retains its historic street plan with Court Street, High Street, Market Street and Hardgate defining the edges of the original open triangular medieval market place, divided by a central island of buildings developed from the 16th century onwards on the site of market stalls. To the north and south the medieval rigg pattern of burgage plots can still be observed with narrow buildings fronting the main streets and long plots behind stretching back, originally to the line of the old town walls, accessed by small closes and pends. The historic importance of the town's relatively unaltered medieval plan and significant survival of historic buildings was recognised as early as the 1950s, with Haddington subject to an Improvement Scheme, Scotland's earliest, which saw many period properties rehabilitated by the Town Council (under the leadership of Frank Tindall as Director of Planning) and a pioneering town colour scheme developed, resulting in the distinctive and colourful townscape seen today. Some comprehensive redevelopment did occur, chiefly around Newton Port and Hardgate to allow for widening of these narrow streets to improve motor traffic flow. This included the demolition of Bothwell Castle and its dovecote in 1955, the land now forming part of Hardgate Park. Today the whole town centre is a conservation area with a high proportion of listed buildings, some dating back to the C16th, and the redevelopment and infill schemes undertaken since the 1950s have largely been in a sympathetic vernacular style which has maintained the town's historic character." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
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Link to Cincinnati Zoo..............
Also a new group to join for anyone who has Ohio Zoo pictures!
www.flickr.com/groups/ohio_zoos/
Also check out Zoos Around the World group!
www.flickr.com/groups/zoos_around_the_world/
I don't know how much I'll be able to be on Flickr except to post some photos because my hip surgery is taking place on Feb. 9th and I have a lot of things to do. I'll stop in whenever possible but I know that I will miss a lot of photos. Right now I want to spend time getting things ready, spend time with my family, and my dogs. I hope you all understand. Hopefully I'll have a chance to let everyone know how I'm doing after I get home from the hospital. I'll do that as soon as possible. Obviously it will be awhile before I can come back to Flickr in full force. I wish you all a very nice week and want to thank you all for being such great friends here on Flickr. Lots of love and hugs!
I'm sorry that I am posting so many photos. I just have so many and I want to have more on here for the Cincinnati Zoo. You certainly don't have to comment on them because I can't promise that I'll be able to visit your beautiful photostreams consistently for awhile. I'll miss seeing all your beautiful photos and talking with you all. Thanks everyone!
Uncropped
Source: en.wikipedia.org/wiki/Stuttgart
Stuttgart (Swabian: Schduagert) is the capital and largest city of the German state of Baden-Württemberg. Stuttgart is located on the Neckar river in a fertile valley known locally as the "Stuttgart Cauldron." It lies an hour from the Swabian Jura and the Black Forest. Its urban area has a population of 609,219, making it the sixth largest city in Germany. 2.7 million people live in the city's administrative region and another 5.3 million people in its metropolitan area, making it the fourth largest metropolitan area in Germany. The city and metropolitan area are consistently ranked among the top 20 European metropolitan areas by GDP; Mercer listed Stuttgart as 21st on its 2015 list of cities by quality of living, innovation agency 2thinknow ranked the city 24th globally out of 442 cities and the Globalization and World Cities Research Network ranked the city as a Beta-status world city in their 2014 survey.
Since the 6th millennium BC, the Stuttgart area has been an important agricultural area and has been host to a number of cultures seeking to utilize the rich soil of the Neckar valley. The Roman Empire conquered the area in 83 AD and built a massive castrum near Bad Cannstatt, making it the most important regional centre for several centuries. Stuttgart's roots were truly laid in the 10th century with its founding by Liudolf, Duke of Swabia, as a stud farm for his warhorses. Initially overshadowed by nearby Cannstatt, the town grew steadily and was granted a charter in 1320. The fortunes of Stuttgart turned with those of the House of Württemberg, and they made it the capital of their county, duchy, and kingdom from the 15th century to 1918. Stuttgart prospered despite setbacks in the Thirty Years' War and devastating air raids by the Allies on the city and its automobile production during World War II. However, by 1952, the city had bounced back and it became the major economic, industrial, tourism and publishing centre it is today.
Stuttgart is also a transport junction, and possesses the sixth-largest airport in Germany. Several major companies are headquartered in Stuttgart, including Porsche, Bosch, Mercedes-Benz, Daimler AG, and Dinkelacker.
Stuttgart is unusual in the scheme of German cities. It is spread across a variety of hills (some of them covered in vineyards), valleys (especially around the Neckar river and the Stuttgart basin) and parks. This often surprises visitors who associate the city with its reputation as the "cradle of the automobile". The city's tourism slogan is "Stuttgart offers more". Under current plans to improve transport links to the international infrastructure (as part of the Stuttgart 21 project), the city unveiled a new logo and slogan in March 2008 describing itself as "Das neue Herz Europas" ("The new Heart of Europe"). For business, it describes itself as "Where business meets the future". In July 2010, Stuttgart unveiled a new city logo, designed to entice more business people to stay in the city and enjoy breaks in the area.
Stuttgart is a city with a high number of immigrants. According to Dorling Kindersley's Eyewitness Travel Guide to Germany, "In the city of Stuttgart, every third inhabitant is a foreigner." 40% of Stuttgart's residents, and 64% of the population below the age of five, are of immigrant background.
Source: en.wikipedia.org/wiki/Cannstatter_Volksfest
The Cannstatter Volksfest is an annual three-week Volksfest (beer festival and travelling funfair) in Stuttgart, Germany. It is sometimes also referred to by foreign visitors as the Stuttgart Beer Festival, although it is actually more of an autumnal fair.
The festival takes place at the Cannstatter Wasen from late September to early October, spanning a period over three weekends, ending the second Sunday in October. The extensive Wasen area is in the Stuttgart city district of Bad Cannstatt, near the river Neckar. A smaller variant of the Stuttgart festival, the Stuttgart Spring Festival, is also held each year in Wasen.