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art of network, arte tessile, donostia culture, elena scaratti, human web art, infinity connections, installazione temporanea, network, network age, olatutalka 2017, san sebastian
More than 400 participants gathered at the Poliforum in León, Guanajuato for the 11th annual PMA Fresh Connections: Mexico conference and expo. With an impressive lineup of international speakers, covering hot topics, and a full exposition floor – a true unparalleled networking experience.
I used a 5.1 V Zener Diode and 200 Ohm resistor. These instruction were from hackaday.com This is the resistor and diode, soldered onto the usb plug. This puts out a constant 5 volts.
2008 -
I love Pylons. You would think they would ruin the lovely countryside landscapes, but they add details and interest. They are a sight of communication and life...
Please, let me know your thoughts on this photograph.
x54x
Elite Connections founder Sherri Murphy in her office in Beverly Hills surrounded by photos of her match-making successes.
Women's Connection 2017.
For more information about Women's Connection, www.montreat.org/women.
Photos by Montreat Conference Center
This weeks prompt: connection. I wanted to find a quotation about the mother-daughter connection, but I'm coming up empty. Grrr.
The Connection's 2nd event, Go Green on February 5 had a great turnout!
Flowers. Beer. Wine. Appetizers. Enough said.
Birmingham, AL: United Methodist Women's National Seminar attendees were encouraged to share their National Seminar experience and consult with a supportive team back home. Workshops on social media also took place in the Connection Cafe. © Meg McKinney for United Methodist Women.
...just for a few brief seconds..then it was gone.(I think it was tasting to see if skin is edible lol) Amazing to me. I really enjoyed the butterfly gardens at the Calgary zoo and cannot wait to return.
Published Summer 1992, featuring more on Kerouac's spontaneous prose method, by John Rupert, and a review of Ann Charters' "Beat Reader" by Rod Anstee, as well as news of some forthcoming previously unpublished Kerouac books (which proved to be not quite accurate ...)
A short and busy trip to the heart of Korea, known as Seoul. A really amazing city. If I had more time I would have stayed more. I'll try to go there again soon.
Date taken: 1st June 2021
Service: Connections 4
Operator: Go North East
Livery: Connections 4
Fleet code: 5362
Mercedes Citaro
Women's Connection 2017.
For more information about Women's Connection, www.montreat.org/women.
Photos by Montreat Conference Center
20th January 2020 at the GCU Students' Association (Bistro), Glasgow.
Celtic Connections on Campus, Celtic Connections Festival, www.celticconnections.com/.
Country: Britain - Scotland. Style: Traditional Scottish Folk & other styles.
Lineup: Eilidh Macintyre (flute/whistle), Laureline Morgan-Davies (clarsach/v), Hazel Imrie (fiddle), James Kirkpatrick (g/v).
I photographed this band from Central Scotland at last year's Celtic Connections on Campus (www.flickr.com/photos/kmlivemusic/albums/72157678188161487/). Both times they were missing one member, this year it was fiddler Eoghan Mcmanus.
More information: www.facebook.com/MadderamBand/.
23rd January 2016 at Drygate Brewery, Glasgow.
Late Night Sessions, Celtic Connections Festival, www.celticconnections.com/.
Country: Britain - Scotland. Style: Traditional Scottish Folk.
Lineup: Cameron MacDougall (border pipes/whistle), Shannon Cowie (whistle/v), Robbie MacKenzie (fiddle), Katie MacDonald (g).
Fèis means “festival” or “feast", and the Fèisean movement teaches young people about Gaelic music and song. A concert at the Celtic Connections Festival celebrated the 30th anniversary of Fèis Rois, the Ross-shire organisation, with a vairety of former and current participants. Since 2000, Fèis Rois has organised annual summer Ceilidh Trails. These four musicians at Late Night Sessions were part of the 2015 Ross-Shire / Highland Trail.
More information: feisrois.org.uk/, www.whatson-north.co.uk/Whats-On/Music/Talented-five-head....
Palazzo del Capitano del Popolo
Work on the construction of the Palazzo del Capitano del Popolo began in the 13th century on an area that had been occupied since 1157 by the Papal Palace built under the reign of Pope Hadrian IV.
The original Palazzo del Capitano was a single ground floor loggia that was used as a market place or for meetings, from which the magistrate would speak to the citizens. This was where the surrounding lords or representatives of vanquished cities came to pay their allegiance to Orvieto.
The structure was enlarged within ten years of it having been completed and in 1315 the bell tower was added and in the subsequent year a great bell was hung there. The upper part of the structure was covered in 1472 and the large hall divided into two rooms, one large and the other small. The larger of the two occupied an area that corresponds approximately to the room known today as the Sala dei Quattrocento. Subsequently, the building functioned as a residence for the Capitano del Popolo, the Podestà and the Signori Sette.
From 1596 one of the lower section rooms housed the Studium, which had been re-instituted a few years earlier by Lorenzo Magalotti. Students of law, theology and logic came here to study twice a day, each time the bell of Palazzo del Popolo rung, until 1651. Few records exist of this ancient university appear after this date. Some sources indicate that it dates back to 1013 and had connections with names such as the Benedictine monks Graziano and Gozio of Orvieto.
72 Mercer was, back in 2000, the second new building approved in SoHo after the Scholastic Building. The site, 30 feet wide by 200 feet long, is located between Broadway and Mercer Streets in the SoHo Cast Iron District. The original building, which was destroyed by fire in the 1960’s, was designed in the 1860’s in the early days of the cast iron renaissance emerging along the booming Broadway strip.In this period the buildings on Broadway are an early example of the new type of retail and manufacturing buildings being constructed: classically designed with monumental facades. On Broadway the buildings were mostly constructed of stone and cast-iron. The façade on the Broadway side was designed to be the main façade with a secondary facade on the narrower Mercer Street.The Mercer Street façade with few recesses, details and shallow cornices spoke to the utilitarian and gritty nature of that side of the building.The proposed 42,000sf new mixed use building with retails on the ground floor and loft apartments above, spans the entire lot between Broadway and Mercer Streets with a courtyard in the middle for light and air. Located in the Cast Iron Historic District, the location, size and scale of the new building is all together part of the architectonic solution. The new building makes subtle references to the surrounding urban context. The geometry of both facades fits with the pattern of the surroundings. At the same time the new building responds to the need to standout as a contemporary statement. Loft buildings and the spaces that are created, are by definition “pure rooms”, thus like in the old loft buildings, the architecture plays on the thickness of the building skin that surrounds the pure room. This thick skin is at once the connection to the past and a bridge to the present; it also creates a sense of privacy to buffer the interior space from the street. In the proposed design the depth of the window wall assembly is created by the movement of the spandrel panel inward.As seen in the surrounding loft buildings, very few pre-fabricated elements are utilized in order to create two at once similar and different facades. The Broadway facade is five stories and is organized around a central set of windows and on the Mercer Street façade, which is seven stories tall, the façade is organized around a central pilaster, which at the ground floor separates the residential entrance from the retail space.Both facades utilize one pilaster and one window design.
Photo by Rich Caplan