View allAll Photos Tagged Computerized
I volunteered with Camp Createability today to help students who are classified on the autism spectrum to produce their own videos. We took the campers on a tour of the WKOW (channel 27) studios here in Madison. Production is almost entirely computerized now, but these analog control boards are maintained as a backup system.
Fully Posted Sofa
Imported Fabric
Computerized Stitching of fabric design
Sofa includes 3+2+1
Guarantee of 10 years of Foam and Structure
In United States service, the Hawkeye provides all-weather airborne early warning and command and control functions for the carrier battle group. Additional missions include surface surveillance coordination, strike and interceptor control, search and rescue guidance and communications relay. An integral component of the carrier air wing, the E-2C uses computerized sensors to provide early warning, threat analysis and control of counteraction against air and surface targets. It is a high-wing aircraft with stacked antennae elements contained in a 24-foot (7.3 m) rotating dome above the fuselage.
The continuous improvements in early airborne radars by 1956 led to the concept of an airborne early warning and command and control aircraft. The first aircraft to perform this mission was the Grumman E-1 Tracer (a variant of the S-2 Tracker anti-submarine aircraft), which saw service from 1958 to 1977. The E-1's successor, the E-2 Hawkeye, was the first carrier-based aircraft designed from the outset for the all-weather airborne early warning and command and control function. The first production version, the E-2A, entered service in January 1964.
The original E-2C, known as the Group 0, became operational in 1973 and has been through several upgrade programs since then. The first of these was the E-2C Group I which replaced the older APS-125 radar and T56-A-425 engines with the improved APS-139 and T56-A-427. This version was soon followed by the further improved Group II which now featured the APS-145 radar. The Group II has been incrementally upgraded with new navigation systems, displays and computers culminating in the E-2C Hawkeye 2000 variant (sometimes referred to as Group III, although the term is no longer used as an official designation).
.The Hawkeye 2000 features the APS-145 radar with a new mission computer and CIC (Combat Information Center) workstations (Advanced Control Indicator Set or ACIS), and carries the U.S. Navy’s new CEC (cooperative engagement capability) data-link system. It is also fitted with a larger capacity vapor cycle avionics cooling system. A variant of the Group II with the upgrades to the mission computer and CIC workstations is referred to as the MCU/ACIS. All Group II aircraft have had their 1960s vintage computer-processors replaced by a mission computer with the same functionality but built using more modern computer technology. This is referred to as the GrIIM RePr (Group II Mission Computer Replacement Program, pronounced "grim reaper"). In 2007 and 2008 a hardware and software upgrade package is being added to Hawkeye 2000 aircraft that allows faster processing, double current trackfile capacity, and access to satellite information networks. Hawkeye 2000 cockpits are also being upgraded to include solid-state glass displays, upgraded weather detection systems, and GPS-approach capability. Testing for in-flight refueling modifications is also being conducted.
Cradle of Aviation Museum Long Island NY
"BINGO! Hold your cards!," caller Dolores Byrne yells out to Wednesday night's crowd. "That's a good bingo."
Ms. Byrne, 76, has been the bingo caller at the American Legion Jack C Fortune Post No. 205 on Highland Avenue for 15 years. In that time, she has befriended all the regulars and watched as bingo technology has become computerized.
"Oh, I love it, I don't know why," Ms. Byrne says about the game and her role. "I just enjoy the people. We have a beautiful crowd," she said.
"Where is everybody tonight? My goodness. Well, as long as we're here, that's all that counts."
Every Wednesday from 7:30 to 10 p.m. you can find Ms. Byrne behind a table with numbered balls popping and a grid to place them. Because her husband was a veteran, she became involved with Post No. 205. She volunteered regularly and then signed up for the caller position.
"Everything we have going on here is to help the veterans," she said, and she is happy to help.
The first hour or so before the game starts is more of a social hour, to catch up with friends. It's hard to believe that in a while everyone will be vying for the cash winnings.
Every so often, Ms. Byrne has someone fill in for her, and she gets behind several bingo cards herself for a night of 17 games. She won't play on a night she's working, though, because other players get suspicious.
Once "she won a game, we caught the dickens," Jim Hodges, bingo committee chairman and junior vice commander of the post said. "They thought it was rigged."
The two laugh at the thought.
The only tip from her 15 years of experience that Ms. Byrne let slip was the rule of leaving for the night once you win. You don't want to test your luck.
And to the losers?
"Have a piece of candy. We don't charge for the candy," Ms. Byrne said, gesturing toward the bowl full of various hard candies on her console table.
"We tell all the losers, come up and have a piece of candy."
And there's always next week and 17 more chances to win.
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photo column for the Augusta Chronicle.
i just started a weekly summer sports photo column, too. i'll probably be posting some of them here after they run.
An old N.J. vechicle inspection card showing all the inspections they preformed, today only emissions and is computerized. This would go under your winshield wiper and each station would punch the results, the last station would either give you a pass sticker or you got the card back with a fail sticker. This was from my 1974 Ford Torino's last inspection, which I gave up on and donated to a charity since it wasn't yet old enough for Historic registration.
LCRFM
The Shamen-Ebeneezer Goode
Soup Dragons-I'm Free
Daft Punk feat. Jay-Z-Computerized
The KLF-Last Train To Trancentral
Lily Allen-Sheezus
Counting Crows-Mr. Jone
Bingo Players-Knock You Out
EMF-Unbelievable
Ferreck Dawn and Redondo-Love To
Tubthumping-I Get Knocked Down
Right Said Fred-I`m Too Sexy
New Radicals-You Get What You Give
Dimitri Vegas and Martin Garrix-Like M
The Farm-All Together Now
George Michael-Older
Hanson-MMMBop
Aloe Blacc-The Man
All Saints-Pure Shores
Jack the Biscuit-Tell Me Please
Hey! dw-Blue Is The Warmest
Pharrell Williams Ft Daft Punk-Gust of Wind
Prince-Pussy Control Bass Boosted
Three Lions-Football's Coming Home
Sagrada Família or Basílica i Temple Expiatori de la Sagrada Família (Catalan) or Basílica de la Sagrada Familia (Spanish) or Basilica of the Holy Family, is a large still largely unfinished church building in the Eixample district of Barcelona, Catalonia, Spain. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica. On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete. Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerized numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolizing an important Biblical figure in the New Testament. It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death, but this has now been delayed due to the COVID-19 pandemic. The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's Cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel nearby as part of Spain's high-speed rail link to France, possibly disturbing its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral). The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884. On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. He has been introducing computers into the design and construction process since the 1980s. In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition. Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England. The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies. The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people. A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion. Gaudí's original design calls for a total of eighteen spires, representing in ascending order of height the Twelve Apostles, the Virgin Mary, the four Evangelists and, tallest of all, Jesus Christ. Nine spires have been built as of 2021, corresponding to four apostles at the Nativity façade and four apostles at the Passion façade and the Virgin Mary spire. According to the 2005 "Works Report" of the project's official website, drawings signed by Gaudí and recently found in the Municipal Archives, indicate that the spire of the Virgin was in fact intended by Gaudí to be shorter than those of the evangelists. The spire height will follow Gaudí's intention, which according to the report will work with the existing foundation. The Evangelists' spires will be surmounted by sculptures of their traditional symbols: a winged bull (Saint Luke), a winged man (Saint Matthew), an eagle (Saint John), and a winged lion (Saint Mark). The central spire of Jesus Christ is to be surmounted by a giant cross; its total height (172.5 meters (566 ft)) will be less than that of Montjuïc hill in Barcelona, as Gaudí believed that his creation should not surpass God's. The lower spires are surmounted by communion hosts with sheaves of wheat and chalices with bunches of grapes, representing the Eucharist. Plans call for tubular bells to be placed within the spires, driven by the force of the wind, and driving sound down into the interior of the church. Gaudí performed acoustic studies to achieve the appropriate acoustic results inside the temple. However, only one bell is currently in place.
The completion of the spires will make Sagrada Família the tallest church building in the world—11 meters taller than the current record-holder, Ulm Minster, which is 161.5 meters (530 ft) at its highest point. The Church will have three grand façades: the Nativity façade to the East, the Passion façade to the West, and the Glory façade to the South (yet to be completed). The Nativity Façade was built before work was interrupted in 1935 and bears the most direct Gaudí influence. In 2010 an organ was installed in the chancel by the Blancafort Orgueners de Montserrat organ builders. The instrument has 26 stops (1,492 pipes) on two manuals and a pedalboard. To overcome the unique acoustical challenges posed by the church's architecture and vast size, several additional organs will be installed at various points within the building. These instruments will be playable separately (from their own individual consoles) and simultaneously (from a single mobile console), yielding an organ of some 8,000 pipes when completed. Together with six other Gaudí buildings in Barcelona, part of la Sagrada Família is a UNESCO World Heritage Site, as testifying "to Gaudí's exceptional creative contribution to the development of architecture and building technology", "having represented el Modernisme of Catalonia" and "anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century". The inscription only includes the Crypt and the Nativity Façade.
So, this is the big purchase of the weekend! A new Janome sewing machine! Can I just say, this thing basically thinks for me! I was very scared of the computerized machines, thinking it would take away all my control. The salesman was very helpful and explained that the machine only wants to help me. He threw in a 1/4" seam foot and a darning foot when I mentioned I would want those too, and this was the floor model so I got an extra $50 off! Bargain!
or for Film, Finally. I know it's not an exciting photo, but I'm excited that my problem is solved.
Polaroid Land Camera 103
Fuji Pack Film FP-3000B
Our local library only moved to a fully computerized system in the last few years. The card files are still in use.
Thank you so much to Bridget (Aviary Images) for pointing out that my polaroid land camera problem was probably the battery. It was (a battery had popped out), and I only wasted 7 exposures on that. Sheesh. I guess that's part of the fun of film -- the challenge.
For FILM26 and This Little Instant (*)
This was the first high dollar-high tech street rod I ever saw. It was shocking and elating in the late '80s to see a hot rod built using parts from European cars with computerized components and an interior worthy of a Rolls Royce. Yet with a funky American attitude and balls out stance.
This was a real eye opener on an extremely hot August day.
This is a sketch for a specimen poster i gotta do for this hebrew tagging font i am working on.
so basically i've decided on all the final letters for the hebrew alphabet and added some symbols as well.
the poster says "Fast Forward Calligrpahy" cause the tagging has many calligraphic elements in it and one of its main characteristics is that its done really fast.
i manually write the whole hebrew alphabet for this font in 30 secs.
so yea...it is now vectorized and computerized..
Schmidt Cassegrain type
5" inch telescope with 1250mm FOCAL
Recommended zoom magnification x175
Max x300
During a week-long psychology class project, students are assigned a computerized doll that cries at random moments, 24/7. Students must comfort the doll, feed it, change its diapers and rock it to make it stop crying. The challenges of caring for a real baby are made clear. The dolls have electronic bottles, diapers and a how-to manual -- unlike the real thing.
The staff at Animal Medical Clinic, Fayetteville, AR has state of the art diagnostic capabilities at its disposal. These include a tonopen for measuring intraocular (internal eye) pressure, a Doppler blood pressure unit, computerized ECG machine, an ultrasound machine, in-house serology, chemistry, and Complete Blood Count (CBC) machines. In addition, we use outside laboratories and work closely with board certified veterinary specialists such as an endocrinologist, cardiologist, dermatologist, and internist/oncologist. Our goal is to correctly diagnose a problem in order to provide proper treatment.
Cruise in comfort aboard Bali Bounty Cruises 600 passenger catamaran. With a cruising speed of up to 30 knots, you may sit back, relax and enjoy full staff service while reading the daily newspaper or viewing our onboard video entertainment. We sail from Bali every day.
Bounty Cruises is equipped with state of the art computerized stabilizer and meets with International Safety Standards. Complete with an executive standard of service, the Bounty Catamaran is three decks of pure luxury.
Day Cruise
Join our cruise for a full day of water activities above and below the sea from our 48 m pontoon at the beautiful crystal clear bay on Nusa Lembongan Island. Your day includes hotels transfers, morning and afternoon tea, snorkelling, surf ski, unlimited banana boat rides, 44 m waterslide, glass bottom boat rides, village tour and a scrumptious buffet lunch. Optional extras include diving with BIDP, surf bike and massages.
Please Visit our Official Website: www.bali-individually.com/tour-organizer/category/adventu.... If you have questions or need assistance with a reservation, please call or click to chat online or send us e-mail for inquiry, the best price and packages: sales@bali-individually.com | Telp. +62 - 361-7415637 | text message: +62-81338579071 | facebook: www.facebook.com/pages/Bali-Villa-Reservation/251116974245
LCRFM
The Shamen-Ebeneezer Goode
Soup Dragons-I'm Free
Daft Punk feat. Jay-Z-Computerized
The KLF-Last Train To Trancentral
Lily Allen-Sheezus
Counting Crows-Mr. Jone
Bingo Players-Knock You Out
EMF-Unbelievable
Ferreck Dawn and Redondo-Love To
Tubthumping-I Get Knocked Down
Right Said Fred-I`m Too Sexy
New Radicals-You Get What You Give
Dimitri Vegas and Martin Garrix-Like M
The Farm-All Together Now
George Michael-Older
Hanson-MMMBop
Aloe Blacc-The Man
All Saints-Pure Shores
Jack the Biscuit-Tell Me Please
Hey! dw-Blue Is The Warmest
Pharrell Williams Ft Daft Punk-Gust of Wind
Prince-Pussy Control Bass Boosted
Three Lions-Football's Coming Home
Image © Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to license this image for any purpose, please visit my site and contact me with any questions you may have. Please visit Susan Candelario artists website to purchase Prints Thank You.
Cruise in comfort aboard Bali Bounty Cruises 600 passenger catamaran. With a cruising speed of up to 30 knots, you may sit back, relax and enjoy full staff service while reading the daily newspaper or viewing our onboard video entertainment. We sail from Bali every day.
Bounty Cruises is equipped with state of the art computerized stabilizer and meets with International Safety Standards. Complete with an executive standard of service, the Bounty Catamaran is three decks of pure luxury.
Day Cruise
Join our cruise for a full day of water activities above and below the sea from our 48 m pontoon at the beautiful crystal clear bay on Nusa Lembongan Island. Your day includes hotels transfers, morning and afternoon tea, snorkelling, surf ski, unlimited banana boat rides, 44 m waterslide, glass bottom boat rides, village tour and a scrumptious buffet lunch. Optional extras include diving with BIDP, surf bike and massages.
Please Visit our Official Website: www.bali-individually.com/tour-organizer/category/adventu.... If you have questions or need assistance with a reservation, please call or click to chat online or send us e-mail for inquiry, the best price and packages: sales@bali-individually.com | Telp. +62 - 361-7415637 | text message: +62-81338579071 | facebook: www.facebook.com/pages/Bali-Villa-Reservation/251116974245
Freedom Golf Association’s First Annual “Honor Wounded Vets 5K Run/Walk” succeeds in showing how adaptive golf is aiding vets’ road to recovery
The enthusiasm and good will were palpable at McDonald’s corporate campus in Oak Brook, Illinois on Sunday, October 29 as the Freedom Golf Association’s (FGA) First Annual “Honor Wounded Vets 5K Run/Walk” succeeded in drawing attention to the fact that adaptive golf is clearly helping wounded vets return to normality after their military service. The more than 100 participants conquered the 5K course to show their support for the programs of the Freedom Golf Association, which is leading the way In Illinois in bringing the joy of golf to persons with physical, emotional and developmental needs.
“The 5K Run/Walk was a terrific way to honor Veterans who have been wounded in their service to the country and to acknowledge Illinois’ wounded vets, a growing number of whom have taken up golf to enjoy its many physical, emotional and social benefits,” said Sally Ruecking, FGA’s Vice President of Strategic Advancement. “Adaptive golf is bringing fun into the lives of people who are often left out due to their disabilities.”
Cheered on by the music of the Elmhurst College Jazz Band and with welcoming remarks from E.Q. Sylvester, Chairman of FGA; radio and TV personality Bob Sirott of event co-sponsor WLS-AM radio; and Ruecking, the runners and walkers took to the track with smiles and a sense of mission. Other event sponsors included Molex LLC, Rich Harvest Farms, KF Partners LLC, and Reebie Storage and Moving.
The overall men’s winner was 16-year old Matt Pierce of Alsip, Illinois, who ran the 5K course in 18:59. Second place went to Thomas Potaczek of Bensenville, IL, with a time of 19:23 and third place went to Andrew Pyle of Hinsdale, IL with a time of 22:14.
Among the women, the overall winner was Eileen Skisak of La Grange, IL with a time of 18:59. Eileen also ran in fifth place overall. The second-place women’s winner was 12-year old Alexandra Two, with a time of 25:36; third place went to 10-year old Kelly Fergus of Chicago, with a time of 27:27.
Winners by age group were:
•Male 10-14: James Mercurio, Hinsdale, IL
•Male 15-19: Thomas Mercurio, Hinsdale, IL
•Male 20-24: Ben Landress, Chicago, IL
•Male 30-34: (1st) Michael Bellino, Villa Park, IL; (2nd) Nick Bada, Villa Park, IL
•Male 45-49: (1st) Jim Mercurio, Hinsdale, IL; (2nd) Carmelo Aguinir, Joliet, IL
•Male 50-54: (1st) Bob Fergus, Chicago, IL; (2nd) Ross Hurst, Clarendon Hills, IL; (3rd) Randy Pyle, Hinsdale, IL; (4th) Roger Keys, Northbrook, IL
•Male 65-69: (1st) Jerome Getter, Oak Park, IL; (2nd) John Kosmatka, Valparaiso, IN; (3rd) Karl Johnson, Woodridge, IL
•Male 70-74: James Smith, Clarendon Hills, IL
•Female 15-19: Maria Meyer, Hinsdale, IL
•Female 40-44: Lori Kosmatka, Chicago, IL
•Female 45-49: (1st) Kimberly Mercurio, Hinsdale, IL; (2nd) Arlinda Nunez, Hinsdale, IL; (3rd) Christine Two, Wilmette, IL
•Female 50-54: (1st) Joy Hyzny, Burbank, IL; (2nd) Christie Bellino, Villa Park, IL
•Female 55-59: Jud Hrad, Chicago, IL
•Female 60-64: Sue Shepard, Elmhurst, IL
•Female 65-69: Carol Raska, Oak Park, IL
Freedom Golf Association leads the way in bringing adaptive golf to Illinois and is an integral part of the growing national movement, which has been embraced by major golf entities such as the PGA, LPGA and USGA.
“Freedom Golf Association encourages corporations with cause marketing programs that help the disabled to become FGA sponsors or corporate foundation grant providers and help us grow,” said Ruecking.
About Freedom Golf Association
Freedom Golf Association (FGA), a 501(C)3 non-profit charitable organization, is the leading adaptive golf organization in Illinois and is a charter member of the United States Adaptive Golf Alliance. FGA was founded in July 2012 by Edmund (E.Q.) Sylvester. E.Q. is a director of the Western Golf Association (WGA), member of the United States Senior Golf Association (USSGA), member of the United States Golf Association (USGA) and a triple amputee. FGA is dedicated to bringing joy and a sense of freedom to the special needs community through their inclusion in the game of golf.
FGA believes that all special needs individuals deserve a chance to accomplish the same things as any others do and work towards bringing a positive transformation to their lives. FGA contributes to the positive development of those with special needs through the magic of golf.
FGA works to assist individuals with disabilities in many ways:
•Provides professionally run adaptive golf instructional clinics and golf events
•Engages children, adults and veterans with special needs in FREE adaptive golf instruction with other classmates
•Conducts adaptive golf training workshops to increase the number of qualified adaptive golf coaches to instruct individuals with special needs
•Provides leadership and collaboration with nationally recognized organizations on how to expand/grow adaptive golf programs
Based on its growing understanding of the needs of disabled golfers, the FGA has developed a ground-breaking Adaptive Golf Enhancement Program™ that increases the golfing ability of special needs golfers. FGA’s golf coaches learn this six-step process, which helps them better understand and enhance the capabilities of special needs golfers.
To assist coaches and special needs golfers in determining what adaptive measures would be most beneficial, FGA recently invested in what they call a “personal swing sensors and computerized program” to 1) measure the disabled golfer’s initial swing path and limitations; 2) develop an appropriate exercise program to improve flexibility and range of motion; and 3) to chart the golfer’s progress, using the initial swing measurements as a baseline.
In 2016, FGA provided more than 1,300 adaptive golf lessons. In the same year, 110 special needs golfers went out and played on the course. Ten individuals became trained FGA Adaptive Golf Coaches, growing the total number to 42.
79 cents out of every dollar received goes to FGA’s special needs golf programs and events. FGA has led 40 Chicagoland courses in becoming accessible to the disabled community.
For more information about the Freedom Golf Association, please visit the official website at www.fgagolf.org and the online newsroom at www.newsline360.com/freedomgolfassociation. Contact FGA by phone at 855-342-4465 or 630-455-6018, or by email at playgolf@fgagolf.org. Donations to Freedom Golf Association can be made at www.fgagolf.org/donate.html.
Follow FGA on Facebook at www.facebook.com/FGA4Golf. Follow FGA on Twitter at www.twitter.com/FGA4Golf.
Photo credit: Cindy Kurman, Kurman Communications
Kopernik Observatory & Science Center - Southwestern Equatorial Room: 14 in (0.36 m) f/11 C14 Schmidt-Cassegrain Reflector manufactured by Celestron of Torrance, California, USA, which uses a Celestron CGE Computerized German Equatorial Mount.
I arrived early tonight, while it was still light outside. The domes were open for setup and they allowed me to wander around, taking photographs.
During a week-long psychology class project, students are assigned a computerized doll that cries at random moments, 24/7. Students must comfort the doll, feed it, change its diapers and rock it to make it stop crying. The challenges of caring for a real baby are made clear. The dolls have electronic bottles, diapers and a how-to manual -- unlike the real thing.
As the happy result of a free-market capitalist society, we are finally able to determine our own hereafter.
It has become privatized and computerized.
For a reasonable price, you can download your consciousness into a computer to live forever in a virtual world.
In this way, you can rage against the dying of the light by choosing an afterlife that is fast, furious, and spicy—the crystallization of your fantasies.
. . . It is no surprise that everyone is lining up for this avant-garde afterlife. Instead of slipping into worm fodder, it is far better to choose the moment of your own death and elect the finest of all possible hereafters.
The only ones not signing up are a few religious folks who claim they're waiting for their
Heaven, imagining they will discover themselves in an afterlife of biblical description.
The Company, having long ago outgrown the concept of God, attempts to explain to these people that their fantasies have cursed their available realities.
The religious counter that God's greatest gift to them is the ability to look beyond what their eyes can see and have faith in something grander.
That's not a gift, that's a trap, the Company retorts. It's like having a wonderful lover available but desiring an unattainable movie star instead.
The religious don't sign up and eventually slip off into a neutral death in a lonely hospital bed.
For the rest of us, the transition into the virtual hereafter is painless: when your prescheduled moment arrives, you come in to the office and recline in the red dental chair. The Company nurse assures you that you will feel as though you've closed your eyes in their office and without delay opened them again in your glorious virtual afterworld. A technician presses a button and you become pulverized by a laser beam. A copy of the three-imensional structure of your brain is re-created in zeros and ones on a cluster of hyperthreading processors.
There's only one caveat: the neuroscientists and engineers who have developed this procedure have no way of proving it works.
After all, the pulverized have no way to report back.
However, it is generally agreed that nothing can go wrong with the download: all of our physical theories predict that reconstructing an exact replica of the brain will reproduce
exactly the feeling of being that person.
So everyone presumes that it works.
Sadly, it does not work. Its failure is not due to bad engineers or unscrupulous businessmen, but instead stems from a misunderstanding of the cosmic scheme. Your essence cannot be downloaded because your essence (which the Company did not believe existed as a separate entity) gets spirited off to Heaven.
Despite your excitement about your chosen afterlife, it turns out that God exists after all and has gone through great trouble and expense to construct an afterlife for us, So you awaken on soft clouds, encircled by harp-strumming angels, finding yourself swathed in a white toga.
The problem is that this isn't what you wanted. You've just paid good money for an afterlife of fast cars and charisma and drinking and lovemaking.
This Heaven, by comparison, seems hopelessly inadequate and stale, You're wearing an ill-fitting white sheet . . . There's manna and milk at the buffet instead of sushi and sake. The harp music is maddeningly slow.
. . . There's nothing to do here. . .
All this recent disappointment has put God in an awkward position, He nowadays spends much of His time trying to comfort His subjects scattered across the cloudscapes, "Your fantasies have cursed your realities," He explains, wringing His hands, "The Company offered you no evidence that it would work; why did you believe them?"
Although He doesn't say it, everyone knows what He's thinking when He retires to His bed at night: that one of His best gifts - the ability to have faith in an unseen hereafter- has backfired.
~ from SUM: Forty Tales from the Afterlives, by David Eagleman
Sagrada Família or Basílica i Temple Expiatori de la Sagrada Família (Catalan) or Basílica de la Sagrada Familia (Spanish) or Basilica of the Holy Family, is a large still largely unfinished church building in the Eixample district of Barcelona, Catalonia, Spain. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica. On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete. Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerized numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolizing an important Biblical figure in the New Testament. It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death, but this has now been delayed due to the COVID-19 pandemic. The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's Cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel nearby as part of Spain's high-speed rail link to France, possibly disturbing its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral). The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884. On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. He has been introducing computers into the design and construction process since the 1980s. In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition. Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England. The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies. The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people. A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion. Gaudí's original design calls for a total of eighteen spires, representing in ascending order of height the Twelve Apostles, the Virgin Mary, the four Evangelists and, tallest of all, Jesus Christ. Nine spires have been built as of 2021, corresponding to four apostles at the Nativity façade and four apostles at the Passion façade and the Virgin Mary spire. According to the 2005 "Works Report" of the project's official website, drawings signed by Gaudí and recently found in the Municipal Archives, indicate that the spire of the Virgin was in fact intended by Gaudí to be shorter than those of the evangelists. The spire height will follow Gaudí's intention, which according to the report will work with the existing foundation. The Evangelists' spires will be surmounted by sculptures of their traditional symbols: a winged bull (Saint Luke), a winged man (Saint Matthew), an eagle (Saint John), and a winged lion (Saint Mark). The central spire of Jesus Christ is to be surmounted by a giant cross; its total height (172.5 meters (566 ft)) will be less than that of Montjuïc hill in Barcelona, as Gaudí believed that his creation should not surpass God's. The lower spires are surmounted by communion hosts with sheaves of wheat and chalices with bunches of grapes, representing the Eucharist. Plans call for tubular bells to be placed within the spires, driven by the force of the wind, and driving sound down into the interior of the church. Gaudí performed acoustic studies to achieve the appropriate acoustic results inside the temple. However, only one bell is currently in place.
The completion of the spires will make Sagrada Família the tallest church building in the world—11 meters taller than the current record-holder, Ulm Minster, which is 161.5 meters (530 ft) at its highest point. The Church will have three grand façades: the Nativity façade to the East, the Passion façade to the West, and the Glory façade to the South (yet to be completed). The Nativity Façade was built before work was interrupted in 1935 and bears the most direct Gaudí influence. In 2010 an organ was installed in the chancel by the Blancafort Orgueners de Montserrat organ builders. The instrument has 26 stops (1,492 pipes) on two manuals and a pedalboard. To overcome the unique acoustical challenges posed by the church's architecture and vast size, several additional organs will be installed at various points within the building. These instruments will be playable separately (from their own individual consoles) and simultaneously (from a single mobile console), yielding an organ of some 8,000 pipes when completed. Together with six other Gaudí buildings in Barcelona, part of la Sagrada Família is a UNESCO World Heritage Site, as testifying "to Gaudí's exceptional creative contribution to the development of architecture and building technology", "having represented el Modernisme of Catalonia" and "anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century". The inscription only includes the Crypt and the Nativity Façade.
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Sagrada Família or Basílica i Temple Expiatori de la Sagrada Família (Catalan) or Basílica de la Sagrada Familia (Spanish) or Basilica of the Holy Family, is a large still largely unfinished church building in the Eixample district of Barcelona, Catalonia, Spain. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica. On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete. Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerized numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolizing an important Biblical figure in the New Testament. It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death, but this has now been delayed due to the COVID-19 pandemic. The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's Cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel nearby as part of Spain's high-speed rail link to France, possibly disturbing its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral). The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884. On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. He has been introducing computers into the design and construction process since the 1980s. In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition. Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England. The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies. The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people. A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion. Gaudí's original design calls for a total of eighteen spires, representing in ascending order of height the Twelve Apostles, the Virgin Mary, the four Evangelists and, tallest of all, Jesus Christ. Nine spires have been built as of 2021, corresponding to four apostles at the Nativity façade and four apostles at the Passion façade and the Virgin Mary spire. According to the 2005 "Works Report" of the project's official website, drawings signed by Gaudí and recently found in the Municipal Archives, indicate that the spire of the Virgin was in fact intended by Gaudí to be shorter than those of the evangelists. The spire height will follow Gaudí's intention, which according to the report will work with the existing foundation. The Evangelists' spires will be surmounted by sculptures of their traditional symbols: a winged bull (Saint Luke), a winged man (Saint Matthew), an eagle (Saint John), and a winged lion (Saint Mark). The central spire of Jesus Christ is to be surmounted by a giant cross; its total height (172.5 meters (566 ft)) will be less than that of Montjuïc hill in Barcelona, as Gaudí believed that his creation should not surpass God's. The lower spires are surmounted by communion hosts with sheaves of wheat and chalices with bunches of grapes, representing the Eucharist. Plans call for tubular bells to be placed within the spires, driven by the force of the wind, and driving sound down into the interior of the church. Gaudí performed acoustic studies to achieve the appropriate acoustic results inside the temple. However, only one bell is currently in place.
The completion of the spires will make Sagrada Família the tallest church building in the world—11 meters taller than the current record-holder, Ulm Minster, which is 161.5 meters (530 ft) at its highest point. The Church will have three grand façades: the Nativity façade to the East, the Passion façade to the West, and the Glory façade to the South (yet to be completed). The Nativity Façade was built before work was interrupted in 1935 and bears the most direct Gaudí influence. In 2010 an organ was installed in the chancel by the Blancafort Orgueners de Montserrat organ builders. The instrument has 26 stops (1,492 pipes) on two manuals and a pedalboard. To overcome the unique acoustical challenges posed by the church's architecture and vast size, several additional organs will be installed at various points within the building. These instruments will be playable separately (from their own individual consoles) and simultaneously (from a single mobile console), yielding an organ of some 8,000 pipes when completed. Together with six other Gaudí buildings in Barcelona, part of la Sagrada Família is a UNESCO World Heritage Site, as testifying "to Gaudí's exceptional creative contribution to the development of architecture and building technology", "having represented el Modernisme of Catalonia" and "anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century". The inscription only includes the Crypt and the Nativity Façade.
The do-it-yourself screen protector I had installed on my camera was coming loose by the day and I needed to replace it somehow. Perhaps the Arizona heat had something to do with it but I had to do something about it. The internet gave some mixed customer reviews on the Zagg product but said if you get a professional installation it can be excellent.
Today we returned to Tucson's Park Place Mall for a bit of shopping and wouldn't you know it, there was an "authorized Zagg installation Center" in a kiosk. The heavily-tattooed franchise owner, Tami, saw me circling the kiosk, undecided. "I can put protection on your camera for you right now." That did it. After my asking a few questions which broadcast my anxiety over having someone do something to "my baby" I said to go ahead.
I had to wait while pre-paid customers were picking up cell phones because my camera was going to be a "custom" job (protector measured and cut by hand rather than by the computerized cutting machine). Tami was training a couple of sisters to help with the franchise and one of them asked what I was using the camera for. "For taking pictures of people like you" I said, "total strangers." I told her about my project and asked if she was my next subject. "Sure" was her reply. Meet Raquel who is no longer a stranger.
I explained I'd have to move her to the door of the mall, just a short walk away, to have some natural light. Tami said "It's ok. Go ahead and come back when you're done." I promised to return her in undamaged condition and Tami said "You'd better or I'll hunt you down!" Tami was very nice but no-nonsense and I wouldn't want to get on her wrong side. Just to make sure this project was on the up and up, Raquel's older sister said she'd come with us. "That's fine."
I explained a bit more about the project to Raquel as we walked to the mall entrance, a different mall entrance than the one I used last week for another Stranger, Chontae. This entrance, however, had the same sand-coloured flagstones which provided a very nice, neutral background. After having her sister check her teeth for no traces of lipstick etc., we took the photos. I had to ask her to crouch a bit to keep the lines between the stones from hitting at just the wrong place and then I moved us to a small ledge for the final photos. I gave her a hand up and joked that she didn't expect to work so hard for a photo. She said "It's ok, I work out." It was a fun exchange and she photographed very well.
Raquel is 27, a native Tucsonian, and the baby of her family. Her parents are both form Mexico which didn't surprise me because of her attractive Hispanic features. She and her sisters have just started training for the Zagg job and were both helping Tami deal with customers who were waiting for service. When I asked Raquel what other jobs she has had she said "Oh goah, let me think. I was a ballroom dancing instructor, I am a qualified interior designer, I worked in a custom bikini boutique...." I could only remember so much and to tell the truth, that last job probably scrambled my thought process. When I asked how she would describe herself she said "Ambitious and loving."
Raquel is another subject who told me she doesn't photograph well. I hope when she gets her photos she will change her mind on that.
Thank you Raquel for participating in 100 Strangers. You are now Stranger #445 in Round 5 of my project. I hope you like your job at the mall.
Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
To browse Round 1 of my 100 Strangers project click here: www.flickr.com/photos/jeffcbowen/sets/72157633145986224/
To browse Round 2 of my 100 Strangers project click here:
www.flickr.com/photos/jeffcbowen/sets/72157634422850489/
To browse Round 3 of my 100 Strangers project click here: www.flickr.com/photos/jeffcbowen/sets/72157635541434065/
To browse Round 4 of my 100 Strangers project click here:
With the aging of the Grumman S-2 Tracker and the increasing effectiveness of Soviet submarines, the US Navy issued a requirement for a new carrier-based ASW aircraft. Lockheed won the contract, partnering with LTV to design carrier-specific equipment and Univac to design the ASW suite. The resulting S-3A Viking first flew in January 1972 and entered the fleet in February 1974.
While the S-2 integrated the hunter-killer team concept into a single airframe, the S-3 went one step further by completely computerizing the sub-hunting process, integrating the entire sensor suite into one system rather than in several as on the S-2. Initially, this employed a Univac AN/AYK-10 computer served by Texas Instruments AN/APS-116 radar and AN/ASQ-81 MAD sensor in a retractable tail boom. Flown by a crew of four, the S-3’s interior was so efficient that one aviation writer described it as the most compactly designed aircraft in history.
The S-3A--nicknamed "Hoover" for the sound of its engines-- acquired a reputation for being a reliable, easy to fly aircraft, and spawned a number of variants, including the US-3A carrier-onboard delivery (COD) transport aircraft and the ES-3A Shadow Elint variant. A dedicated KS-3A tanker never went into production, but S-3s were increasingly equipped with buddy refuelling packs. When the KA-6D Intruder dedicated tanker was retired from the US Navy in the mid-1990s, the S-3 took over the role, though its relatively slow speed meant it could not accompany strikes into enemy territory. Despite that, the S-3 always had the capability to carry not only antisubmarine ordnance such as torpedoes and depth charges, but also bombs and later the AGM-84 Harpoon antiship missile and AGM-65 Maverick AGM. The S-3’s antiship capability was used in both Gulf Wars: in 1991, a S-3 sank an Iraqi attack boat with conventional bombs, while in 2003 a S-3 destroyed an Iraqi command post with a Maverick in Basra.
Beginning in 1991, the S-3As in service were modified to S-3B standard, with upgraded avionics and a new APS-127V synthetic-aperature radar, giving the S-3B a significant ship-detection and SAR capability as well. Though the ES-3A was withdrawn from service in the mid-1990s, several S-3Bs were converted to littorial reconnaissance (Gray Wolf) and ground surveillance (Brown Boy) roles. With the reduction of submarine threats to the US Navy, the S-3 fleet is being gradually retired; those remaining in service have had their ASW equipment removed and serve primarily as tankers. Their role has been largely replaced by the SH-60B/F Seahawk series, and, aside from a handful of test aircraft, the S-3 was retired in 2009.
If you're like me and you like small-scale aircraft, like to do what-ifs, and are on a budget, the Micro Machine toy collection might be worth getting into. A few years ago, I picked up a Micro Machine P-3 Orion and this S-3 Viking at a used toy store in Phoenix, and finally got around to the S-3 a few months ago. It originally came in "Bad Guy" camouflage (which looked a lot like the US Navy RA-3 scheme in Vietnam), but I went with the overall, albeit boring, light gray used by the Navy towards the end of the S-3's career. This one, however, belongs to my fictional Free Intelani Naval Air Arm.
Because of its tiny size, there isn't a lot of room for markings on something this small, so tailcodes and such are beyond my ability. All the same, the marking on the tail is supposed to be a stylized kangaroo (as the S-3 did a lot of up-and-down while hunting submarines), marking this as an aircraft of Naval Air Antisubmarine Squadron 1.
For their size, the Micro Machine line has a good bit of detail and panel line work, so this ended up turning out pretty well, all things considered.
On display at Big Event Bowling in Cherry Hill is this vintage Brunswick bowling scoring table. They had overhead projectors used with transparent score cards. These have been replaced with computerized scoring.
During a week-long psychology class project, students are assigned a computerized doll that cries at random moments, 24/7. Students must comfort the doll, feed it, change its diapers and rock it to make it stop crying. The challenges of caring for a real baby are made clear. The dolls have electronic bottles, diapers and a how-to manual -- unlike the real thing.
The CNC (computerized numerical control) can cut a wide variety of wood, including plywood and hardwood. Precise cuts can be programmed to tolerances of a few thousandths of an inch.
During a week-long psychology class project, students are assigned a computerized doll that cries at random moments, 24/7. Students must comfort the doll, feed it, change its diapers and rock it to make it stop crying. The challenges of caring for a real baby are made clear. The dolls have electronic bottles, diapers and a how-to manual -- unlike the real thing.
2009 diesel hydraulic (biodiesel)
Marshfield Station, NH
Powered by a 600hp John Deere marine engine governed by a computerized operating system. Hydraulic pressure delivers a maximum of 30,000 ft-lbs. of torque to each of two drive cogs beneath the locomotive, pulling the train up the mountain. A redundant air brake system ensures positive braking and parking when needed, but in normal operations, hydraulic pressure is also used to bring the train back down to Marshfield Station.
Eastern Sierra Museum located in INDEPENDENCE, CA
www.totalescape.com/destin/california-towns.php?tid=203
Founded in 1928, it has been operated by the County of Inyo since 1968. The mission of the Museum is to collect, preserve, and interpret objects and information related to the cultural and natural history of Inyo County and the Eastern Sierra, from Death Valley to Mono Lake. The Museum collection is held in public trust, and a computerized database with over 15,550 records is used to manage the Museum's extensive collections.
See their web site - www.inyocounty.us/ecmsite/