Small Metals consists of various forms and tooling for metal forming, annealing and etching. This area also houses small metals casting machines consisting of a computerized electric furnace, heat press, Kasto-Vac and Injectomatic machines.

For kinetic/robotics work the area also houses various hand tools, four work tables for basic metalworking and electronics/robotics work and an exhaust hood.

Sagrada Família or Basílica i Temple Expiatori de la Sagrada Família (Catalan) or Basílica de la Sagrada Familia (Spanish) or Basilica of the Holy Family, is a large still largely unfinished church building in the Eixample district of Barcelona, Catalonia, Spain. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica. On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete. Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerized numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolizing an important Biblical figure in the New Testament. It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death, but this has now been delayed due to the COVID-19 pandemic. The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's Cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel nearby as part of Spain's high-speed rail link to France, possibly disturbing its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral). The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884. On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. He has been introducing computers into the design and construction process since the 1980s. In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition. Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England. The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies. The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people. A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion. Gaudí's original design calls for a total of eighteen spires, representing in ascending order of height the Twelve Apostles, the Virgin Mary, the four Evangelists and, tallest of all, Jesus Christ. Nine spires have been built as of 2021, corresponding to four apostles at the Nativity façade and four apostles at the Passion façade and the Virgin Mary spire. According to the 2005 "Works Report" of the project's official website, drawings signed by Gaudí and recently found in the Municipal Archives, indicate that the spire of the Virgin was in fact intended by Gaudí to be shorter than those of the evangelists. The spire height will follow Gaudí's intention, which according to the report will work with the existing foundation. The Evangelists' spires will be surmounted by sculptures of their traditional symbols: a winged bull (Saint Luke), a winged man (Saint Matthew), an eagle (Saint John), and a winged lion (Saint Mark). The central spire of Jesus Christ is to be surmounted by a giant cross; its total height (172.5 meters (566 ft)) will be less than that of Montjuïc hill in Barcelona, as Gaudí believed that his creation should not surpass God's. The lower spires are surmounted by communion hosts with sheaves of wheat and chalices with bunches of grapes, representing the Eucharist. Plans call for tubular bells to be placed within the spires, driven by the force of the wind, and driving sound down into the interior of the church. Gaudí performed acoustic studies to achieve the appropriate acoustic results inside the temple. However, only one bell is currently in place.

The completion of the spires will make Sagrada Família the tallest church building in the world—11 meters taller than the current record-holder, Ulm Minster, which is 161.5 meters (530 ft) at its highest point. The Church will have three grand façades: the Nativity façade to the East, the Passion façade to the West, and the Glory façade to the South (yet to be completed). The Nativity Façade was built before work was interrupted in 1935 and bears the most direct Gaudí influence. In 2010 an organ was installed in the chancel by the Blancafort Orgueners de Montserrat organ builders. The instrument has 26 stops (1,492 pipes) on two manuals and a pedalboard. To overcome the unique acoustical challenges posed by the church's architecture and vast size, several additional organs will be installed at various points within the building. These instruments will be playable separately (from their own individual consoles) and simultaneously (from a single mobile console), yielding an organ of some 8,000 pipes when completed. Together with six other Gaudí buildings in Barcelona, part of la Sagrada Família is a UNESCO World Heritage Site, as testifying "to Gaudí's exceptional creative contribution to the development of architecture and building technology", "having represented el Modernisme of Catalonia" and "anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century". The inscription only includes the Crypt and the Nativity Façade.

- Abstract Art Image

Photography shot at location in Coral Gables, FL

www.doctorordonez.com

Santa utilizes modern technology (computerized tomography) to examine his toys for possible defects prior to delivering them.

His trusty elves assist him in this endeavor.

Meanwhile, Mrs Santa makes sure her husband is well-fed.

This one's set about 2030. The left figure is the ammo carrier/spotter (hence the HUD) with his Pancor Jackhammer for tight spots, and the right one is the gunner with his computerized readout-upgraded M249 SAW.

Enjoy!

Boeing began building the Lunar Roving Vehicle in 1969, and in 1971 and 1972 LRVs were used on the Apollo 15, 16, and 17 lunar-landing missions. The LRV looked more like a dune buggy or a golf cart than a manned spacecraft.

The vehicle was specially designed to meet the demands of lunar exploration and featured: computerized navigation, a portable television system capable of sending color images back to Earth via satellite, the ability to carry four times its weight and wheels capable of navigating the difficult lunar surface. Additionally, special materials provided the LRV protection from lunar temperatures ranging from -250°F to 250°F. The Museum's LRV was built by Boeing as an engineering mock-up.

"Hey, son, I got you one of those computerized arcade games."

"Oh boy, what kind? Is it an Atari? An Intellivision?"

"Um, no..."

Sagrada Família or Basílica i Temple Expiatori de la Sagrada Família (Catalan) or Basílica de la Sagrada Familia (Spanish) or Basilica of the Holy Family, is a large still largely unfinished church building in the Eixample district of Barcelona, Catalonia, Spain. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica. On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete. Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerized numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolizing an important Biblical figure in the New Testament. It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death, but this has now been delayed due to the COVID-19 pandemic. The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's Cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel nearby as part of Spain's high-speed rail link to France, possibly disturbing its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral). The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884. On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. He has been introducing computers into the design and construction process since the 1980s. In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition. Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England. The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies. The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people. A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion. Gaudí's original design calls for a total of eighteen spires, representing in ascending order of height the Twelve Apostles, the Virgin Mary, the four Evangelists and, tallest of all, Jesus Christ. Nine spires have been built as of 2021, corresponding to four apostles at the Nativity façade and four apostles at the Passion façade and the Virgin Mary spire. According to the 2005 "Works Report" of the project's official website, drawings signed by Gaudí and recently found in the Municipal Archives, indicate that the spire of the Virgin was in fact intended by Gaudí to be shorter than those of the evangelists. The spire height will follow Gaudí's intention, which according to the report will work with the existing foundation. The Evangelists' spires will be surmounted by sculptures of their traditional symbols: a winged bull (Saint Luke), a winged man (Saint Matthew), an eagle (Saint John), and a winged lion (Saint Mark). The central spire of Jesus Christ is to be surmounted by a giant cross; its total height (172.5 meters (566 ft)) will be less than that of Montjuïc hill in Barcelona, as Gaudí believed that his creation should not surpass God's. The lower spires are surmounted by communion hosts with sheaves of wheat and chalices with bunches of grapes, representing the Eucharist. Plans call for tubular bells to be placed within the spires, driven by the force of the wind, and driving sound down into the interior of the church. Gaudí performed acoustic studies to achieve the appropriate acoustic results inside the temple. However, only one bell is currently in place.

The completion of the spires will make Sagrada Família the tallest church building in the world—11 meters taller than the current record-holder, Ulm Minster, which is 161.5 meters (530 ft) at its highest point. The Church will have three grand façades: the Nativity façade to the East, the Passion façade to the West, and the Glory façade to the South (yet to be completed). The Nativity Façade was built before work was interrupted in 1935 and bears the most direct Gaudí influence. In 2010 an organ was installed in the chancel by the Blancafort Orgueners de Montserrat organ builders. The instrument has 26 stops (1,492 pipes) on two manuals and a pedalboard. To overcome the unique acoustical challenges posed by the church's architecture and vast size, several additional organs will be installed at various points within the building. These instruments will be playable separately (from their own individual consoles) and simultaneously (from a single mobile console), yielding an organ of some 8,000 pipes when completed. Together with six other Gaudí buildings in Barcelona, part of la Sagrada Família is a UNESCO World Heritage Site, as testifying "to Gaudí's exceptional creative contribution to the development of architecture and building technology", "having represented el Modernisme of Catalonia" and "anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century". The inscription only includes the Crypt and the Nativity Façade.

Find out more by visiting www.alvaroordonezdds.com

Based out of Byron, California and flying the L-39, the Patriots Jet Team is a big hit no matter where they go. They use a computerized system for their red, white, and blue smoke generators to add to their precision.

The team is sponsored by Fry's Electronic and Hot Line Construction...two of the team members are former US Air Force Thunderbirds.

Camera: Canon EOS Digital Rebel XT (350D)

Lens: Canon 70-200mm f/4.0L with 1.4X Extender II @280mm

Exposure: 1/500 Second @ f/7.1 ISO100 EV -1/3

This image is © Douglas Bawden Photography, please do not use without prior permission.

Enjoy my photos and please feel free to comment. The only thing that I ask is no large, flashy graphics in the comments.

Visit My Website - Visit My Blog

Item # 14023

SYNERGY

Adult Collectible Dressed Doll

The JEM AND THE HOLOGRAMS Collection

Limited Edition of 750 Dolls

Suggested Retail Price: US $119.00

Estimated Delivery: November 2012

A highly advanced computerized artificial intelligence capable of projecting truer than life holographic 3D images, SYNERGY is the secret hidden behind JEM AND THE HOLOGRAM's success! SYNERGY projects a lifelike hologram over JERRICA BENTON and instantly turns the charismatic music industry mogul into one of the 80s most memorable and beloved characters, the truly outrageous JEM. SYNERGY is all set to add some magic to your doll collection today!

SYNERGY is a 12-inch fully articulated vinyl collectible doll with hand applied eyelashes and fully rooted bright purple hair and comes dressed in her iconic glittery holographic techno bodysuit. SYNERGY also includes interchangeable metallic "gloved" hands and lavender colored hands, high-heel boots, tiny miniature gift box containing a pair of JemStar earrings for JERRICA BENTON, as well as other miniature screen-accurate surprise accessories that fans will recognize and adore! An adjustable doll stand, instructions and certificate of authenticity are included. For collectors 14 & up only.

These are Simplant planning 3D images of the cases and surgeries performed by the students of Doctor Alvaro Ordonez DDS at Miami Implants Live. Each doctor attending miamiimplantslive.com is trained comprehensively in examination, diagnosis, treatment planning, and clinical techniques to succesfully perform world class implant dentistry in his clinical environment no matter where in the world he practices dentistry; at miamiimplantslive.com we train the future leaders of implant dentistry.

Supermoon of 23 June 2013 - Distance from earth: 356,991 km.

Taken with Canon EOS 60D, mounted on a Celestron 90 LCM -computerized telescope

www.celestron.com/astronomy/celestron-90lcm-computerized-...

©2013 | Abllo Ameer

Item # 14023

SYNERGY

Adult Collectible Dressed Doll

The JEM AND THE HOLOGRAMS Collection

Limited Edition of 750 Dolls

Suggested Retail Price: US $119.00

Estimated Delivery: November 2012

A highly advanced computerized artificial intelligence capable of projecting truer than life holographic 3D images, SYNERGY is the secret hidden behind JEM AND THE HOLOGRAM's success! SYNERGY projects a lifelike hologram over JERRICA BENTON and instantly turns the charismatic music industry mogul into one of the 80s most memorable and beloved characters, the truly outrageous JEM. SYNERGY is all set to add some magic to your doll collection today!

SYNERGY is a 12-inch fully articulated vinyl collectible doll with hand applied eyelashes and fully rooted bright purple hair and comes dressed in her iconic glittery holographic techno bodysuit. SYNERGY also includes interchangeable metallic "gloved" hands and lavender colored hands, high-heel boots, tiny miniature gift box containing a pair of JemStar earrings for JERRICA BENTON, as well as other miniature screen-accurate surprise accessories that fans will recognize and adore! An adjustable doll stand, instructions and certificate of authenticity are included. For collectors 14 & up only.

These are Simplant planning 3D images of the cases and surgeries performed by the students of Doctor Alvaro Ordonez DDS at Miami Implants Live. Each doctor attending miamiimplantslive.com is trained comprehensively in examination, diagnosis, treatment planning, and clinical techniques to succesfully perform world class implant dentistry in his clinical environment no matter where in the world he practices dentistry; at miamiimplantslive.com we train the future leaders of implant dentistry.

A computerized light show put on by the students of the College of Science and Engineering at the University of Minnesota.

PACIFIC OCEAN (May 19, 2012) - A hospital corpsman lays on a computerized tomography (CT) scanner during a surgical civil action project training exercise aboard the Military Sealift Command hospital ship UNSN Mercy (T-AH 19). Mercy is participating in Pacific Partnership 2012, an annual U.S. Pacific Fleet humanitarian and civic assistance mission designed to work by, with and through host partner nations, non-governmental organizations and international agencies to build partnership and a collective ability to respond to natural disasters. (U.S. Navy photo by Kristopher Radder)

Sagrada Família or Basílica i Temple Expiatori de la Sagrada Família (Catalan) or Basílica de la Sagrada Familia (Spanish) or Basilica of the Holy Family, is a large still largely unfinished church building in the Eixample district of Barcelona, Catalonia, Spain. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica. On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete. Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerized numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolizing an important Biblical figure in the New Testament. It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death, but this has now been delayed due to the COVID-19 pandemic. The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's Cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel nearby as part of Spain's high-speed rail link to France, possibly disturbing its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral). The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884. On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. He has been introducing computers into the design and construction process since the 1980s. In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition. Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England. The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies. The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people. A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion. Gaudí's original design calls for a total of eighteen spires, representing in ascending order of height the Twelve Apostles, the Virgin Mary, the four Evangelists and, tallest of all, Jesus Christ. Nine spires have been built as of 2021, corresponding to four apostles at the Nativity façade and four apostles at the Passion façade and the Virgin Mary spire. According to the 2005 "Works Report" of the project's official website, drawings signed by Gaudí and recently found in the Municipal Archives, indicate that the spire of the Virgin was in fact intended by Gaudí to be shorter than those of the evangelists. The spire height will follow Gaudí's intention, which according to the report will work with the existing foundation. The Evangelists' spires will be surmounted by sculptures of their traditional symbols: a winged bull (Saint Luke), a winged man (Saint Matthew), an eagle (Saint John), and a winged lion (Saint Mark). The central spire of Jesus Christ is to be surmounted by a giant cross; its total height (172.5 meters (566 ft)) will be less than that of Montjuïc hill in Barcelona, as Gaudí believed that his creation should not surpass God's. The lower spires are surmounted by communion hosts with sheaves of wheat and chalices with bunches of grapes, representing the Eucharist. Plans call for tubular bells to be placed within the spires, driven by the force of the wind, and driving sound down into the interior of the church. Gaudí performed acoustic studies to achieve the appropriate acoustic results inside the temple. However, only one bell is currently in place.

The completion of the spires will make Sagrada Família the tallest church building in the world—11 meters taller than the current record-holder, Ulm Minster, which is 161.5 meters (530 ft) at its highest point. The Church will have three grand façades: the Nativity façade to the East, the Passion façade to the West, and the Glory façade to the South (yet to be completed). The Nativity Façade was built before work was interrupted in 1935 and bears the most direct Gaudí influence. In 2010 an organ was installed in the chancel by the Blancafort Orgueners de Montserrat organ builders. The instrument has 26 stops (1,492 pipes) on two manuals and a pedalboard. To overcome the unique acoustical challenges posed by the church's architecture and vast size, several additional organs will be installed at various points within the building. These instruments will be playable separately (from their own individual consoles) and simultaneously (from a single mobile console), yielding an organ of some 8,000 pipes when completed. Together with six other Gaudí buildings in Barcelona, part of la Sagrada Família is a UNESCO World Heritage Site, as testifying "to Gaudí's exceptional creative contribution to the development of architecture and building technology", "having represented el Modernisme of Catalonia" and "anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century". The inscription only includes the Crypt and the Nativity Façade.

As the premiere do-it-yourself used auto parts superstore, Pull-A-Part reduces the costs, hassles and headaches of finding quality used auto parts for less. We work with you to make it all work better. Our lots are organized, well-tended and safe. Our computerized inventory system lets you quickly select from more than 2000 cars. Removing each part yourself, you avoid expensive labor costs and mark-ups.

UN Women witnesses the launch of Thailand’s first IT-equipped One Stop Crisis Centre that promises to give immediate social assistance to children, women, elderly and persons with disabilities who face problems of teenage pregnancy, human trafficking and domestic violence.

The One Stop Crisis Centre (OSCC) houses a Hotline of trained staff with network of 22,000 crisis centers around the country and works with 1,300 mobile units to access communities. Administered by the Ministry of Social Development and Human Security, the OSCC functions with computerized database where survivors are able to report cases to all government agencies, not necessarily with the police to navigate through the justice chain.

Photo credit: UN Women/Montira Narkvichien

All set up and ready to go.

The telescope is a Newtonian reflector, 8" diameter, by Celestron, model C8-NGT, on a CG-5GT computerized mount.

Blogged about here: elizabethruffing.com/2010/04/my-food-and-sewing-revolutio...

Project 366 (2012) November 27, 2012 332/366

In the 70s, in Ann Arbor, Borders was a wonderful one-location local bookstore. The first place that had chairs inviting customers to read. It was rumored that many of the staff members had PhDs and that they had to take a challenging test to be hired. There was a little ticket in every book that was tied into their computerized reshelving or reordering or inventory system. (This was long before barcodes.) This bookmark just surfaced while I was researching birds' nests in an old reference.

Sagrada Família or Basílica i Temple Expiatori de la Sagrada Família (Catalan) or Basílica de la Sagrada Familia (Spanish) or Basilica of the Holy Family, is a large still largely unfinished church building in the Eixample district of Barcelona, Catalonia, Spain. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica. On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete. Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerized numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolizing an important Biblical figure in the New Testament. It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death, but this has now been delayed due to the COVID-19 pandemic. The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's Cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel nearby as part of Spain's high-speed rail link to France, possibly disturbing its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral). The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884. On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. He has been introducing computers into the design and construction process since the 1980s. In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition. Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England. The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies. The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people. A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion. Gaudí's original design calls for a total of eighteen spires, representing in ascending order of height the Twelve Apostles, the Virgin Mary, the four Evangelists and, tallest of all, Jesus Christ. Nine spires have been built as of 2021, corresponding to four apostles at the Nativity façade and four apostles at the Passion façade and the Virgin Mary spire. According to the 2005 "Works Report" of the project's official website, drawings signed by Gaudí and recently found in the Municipal Archives, indicate that the spire of the Virgin was in fact intended by Gaudí to be shorter than those of the evangelists. The spire height will follow Gaudí's intention, which according to the report will work with the existing foundation. The Evangelists' spires will be surmounted by sculptures of their traditional symbols: a winged bull (Saint Luke), a winged man (Saint Matthew), an eagle (Saint John), and a winged lion (Saint Mark). The central spire of Jesus Christ is to be surmounted by a giant cross; its total height (172.5 meters (566 ft)) will be less than that of Montjuïc hill in Barcelona, as Gaudí believed that his creation should not surpass God's. The lower spires are surmounted by communion hosts with sheaves of wheat and chalices with bunches of grapes, representing the Eucharist. Plans call for tubular bells to be placed within the spires, driven by the force of the wind, and driving sound down into the interior of the church. Gaudí performed acoustic studies to achieve the appropriate acoustic results inside the temple. However, only one bell is currently in place.

The completion of the spires will make Sagrada Família the tallest church building in the world—11 meters taller than the current record-holder, Ulm Minster, which is 161.5 meters (530 ft) at its highest point. The Church will have three grand façades: the Nativity façade to the East, the Passion façade to the West, and the Glory façade to the South (yet to be completed). The Nativity Façade was built before work was interrupted in 1935 and bears the most direct Gaudí influence. In 2010 an organ was installed in the chancel by the Blancafort Orgueners de Montserrat organ builders. The instrument has 26 stops (1,492 pipes) on two manuals and a pedalboard. To overcome the unique acoustical challenges posed by the church's architecture and vast size, several additional organs will be installed at various points within the building. These instruments will be playable separately (from their own individual consoles) and simultaneously (from a single mobile console), yielding an organ of some 8,000 pipes when completed. Together with six other Gaudí buildings in Barcelona, part of la Sagrada Família is a UNESCO World Heritage Site, as testifying "to Gaudí's exceptional creative contribution to the development of architecture and building technology", "having represented el Modernisme of Catalonia" and "anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century". The inscription only includes the Crypt and the Nativity Façade.

Celestron CGEM DX 1400 HD

Beautiful and Artistic Hand Etched Heart. This fused dichroic glass pendant is green/gold. It only measures

5/8" square. I include an 18" black silk cord (if you need a smaller cord, let me know, no problem).

I have hand sawed, forged, and polished the sterling silver .925 bail to a high shine.

All of my art glass pieces have been annealed (cooled) slowly in my home studio computerized kiln. Each piece is fused up to 1480 degrees.

www.JoanJewels.etsy.com

edited by Natalie Zina Walschots.

Calgary, Filling Station Publications Society & No Press, 19 july 2oo7. [8o copies?]

4-9/16 x 7, 11 sheets white bond folded with plain red bond endleaf to 4o pp in selfwrappers, all except inside covers & 2 pp (2, 38) printed black laser with 3 colour process additions to front cover & 7 pp (4, 7, 14, 15, 24, 3o, 31).

cover photograph by Derek Beaulieu.

26 contributors ID'd:

Miekal And, Jonathan Ball, Gary Barwin, Derek Beaulieu, Christian Bök, George Bowering, Dennis Cooley, Judith Copithorne, Amanda Earl, Kevin McPherson Eckhoff, Jesse Ferguson, Ryan Fitzpatrick, Laurie Fuhr, Sharon Harris, Kenneth Jeffery, Karl Jirgens, Rob McLennan, Gary Morse, bpNichol, Shane Plante, Ross Priddle, Mathew Timmons, Andrew Topel, Dan Waber, Natalie Zina Walschots, Darryl Whetter.

Nichol inclusion:

i) Blues, in braille-approximation translation by Sharon Harris (p.19, concrete poem)

also includes:

ii) "HH", by Derek Beaulieu (front cover photograph; melting Hs for Nichol)

iii) Unwar, by Miekal And (p.3, poem, 9 lines; uses Nichol's Alphhabet as typeface, here adapted from Barbara Caruso's silkscreen lettering to a computerized font; elsewhere published as UNWAR MANIFESTO)

iv) Why did the chicken cross?, by Gary Barwin (p.6, poem, 28 lines; lines 1-4 quotes lines 1 to part of 4 of Nichol's the martyrology book 5 chain 1)

v) initial process-doubling bp, by Judith Copithorne (p.12, visual poem in 6 parts)

vi) saints, listen (a variation on bpNichol's talking about strawberries all the time), by Amanda Earl (p.13, poem, 12 lines)

vii) Blues Amoire Spirally Agitated, by Sharon Harris (p.2o, visual poem; quotes Nichol's Blues as "translated" by Harris in (i) above, repeats & overlays them patterned after Darren Wershler-Henry's Amo(i)re & "spins" the result in the manner of Steve Venright's Spiral Agitator "variegraphs")

viii) No Hs were harmed in the production of this poem, by Karl Jirgens (p.21, visual poem; depicts an upper case H as absent center in a ground formed from the letters "bp")

ix) bpNichol's "talking about strawberries all of the time," variation 1, by Rob McLennan (p.22, poem, 11 lines; built entirely from parts of the text of Nichol's Talking About Strawberries All Of The Time:

––1. "naming naming a noun is how you're found out his name is his" (parts of lines 3, 8, 1o & 11 as McLennan line 1; parts of 11, 13 & 16 as line 2, part of 21 as line 3, parts of 23 & 24 as line 4, parts of 24 & 27 as line 5, line 3o as line 6, parts of 34 & 35 as line 7)

––2. "madness is language is how you use it[...]" (parts of lines 2 & 3 as line 8, part of 3 as line 9)

––3. "strawberries julia are best fresh better than frozen straw berries &" (line 8 & part of 12 as line 1o)

––4. "now" (lines 1-2 as line 11))

x) bpNichol's "talking about strawberries all of the time," variation 3, by Rob McLennan (p.23, poem, 17 lines; built entirely from parts of the text of Nichol's Talking About strawberries All Of The Time:

––1. "naming naming a noun is how you're found out his name is his" (parts of lines 1 & 3 as line 1, part of 4 as line 2, parts of 4 & 7 as line 3, parts of 8 as line 4, parts of 8 & 9 as l;ine 5, parts of 11 as line 6, parts of 13 as line 7, part of 19 as line 8)

––2. "madness is language is how you use it[...]" (parts of line 4 misquoted as line 9, parts of line 1o as line 1o)

––3. "strawberries julia are best fresh better than frozen straw berries &" (part of line 7 as line 11, part of 8 as line 12)

––4. "now let me say this again" (parts of lines 1 & 4 as line 13, parts of 7 or 8 as line 14)

––5. "this is so unlike the rest it's exactly the same it is the plain" (part of line 5 as line 15, part of 5 as line 16)

––6. "using your voice is complicated this is a simple thing if you say" (part of line 6 as line 17))

xi) bp, by Kevin McPherson-Eckhoff (p.24, concrete poem; portrait of Nichol based on Linda Charyk Rosenfeld's photograph (Nichol looking up from under his brows) using the text from Nichol's Waiting)

xii) The Ityology Books 1 & 2, by Shane Plante (pp.27-28, prose; built entirely with 177 quotes containing the word "it" from Nichol's the martyrology books 1 & 2 from

––1. "ah reason there is only feeling" (line 9)

––2. "all in a night i am taken" (parts lines 11, 13 (x2), 15, all of 26, parts of 34, 35, 45 (missed line 31))

––3. "arose early (7:30)" (part of oine 5)

––4. "as there are words i haven't written" (parts of lines 14, 16)

––5. "as there is a dream i must awake from" (parts of lines 19, 21)

––6. "As to what auguries attended his birth" (parts of lines 2-3)

––7. "awoke this moment for the first time" (parts of lines 3, 2o, 23, 25)

––8. birthday (part of line 11)

––9. "can you say that you died?" (parts of lines 1, 9)

––1o. "christ i wanted to be there" (part of line 6)

––11. "clearly the mirror focus blur" (part of line 5)

––12. "cloud together" (parts of lines 4, 5, 14, 16, all of 17)

––13. "death is real or sensed is as death is always" (part of line 9)

––14. "drift then as dreams" (part of line 4, all of 2o)

––15. "early morning victoria's streets" (line 15, part of 26)

––16. "end it here" (line 1)

––17. "end ryme" (part of line 5)

––18. "father i speak as i seldom know" (part of line 8)

––19. "few choices" (line 1o)

––2o. "for friendship's sake my house is set" (parts of lines 2o, 41 (missed line 12))

––21. "how can i offer keys" (part of line 5)

––22. "how could you? saint reat's been" (2 parts of line 4)

––23. "how do you tell a story?" (part of line 7)

––24. "how shall i call you father who have left me here" (part of line 3)

––25. "if there is a land which is the mind" (parts of lines 2, 8)

––26. "i get lost" (part of line 4)

––27. "i knew when i headed home tonight" (part of line 3)

––28. "insane line of pubic hair" (line 8)

––29. "in that brownness which is the mind" (part of line 3)

––3o. "in the dressingroom he removes his make-up" (part of line 9)

––31. ""in the midst of life we are in death" draco" (line 12, part opf 26)

––32. "in this country it was all caves" (part of line 1)

––33. "i should drink less than i do eat less" (parts of lines 2, 4)

––34. "is nothing but a history" (lines 12, 16)

––35. "is there a confusion unstated or unsen" (part of line 1o, all of 23, 24)

––36. "it all ends" (line 1, part of 5, all of 6)

––37. "it is another world vaguely seen" (parts of lines 1, 6)

––38. "it is the minute haunts you" (part of line 1)

––39. "it is the soft green growing things" (part of line 1)

––4o. "i wanted to end it" (part of line 1)

––41. "i was always too successful at disguises" (part of line 7)

––42. "lady i know nothing more" (part of line 4)

––43. "later there is quietness & love" (parts of lines 12, 13)

––44. "left this morning for the spring" (part of line 4)

––45. "lift up your eyes my lady" (line 12, parts of 15, 36, 41, 45, all of 72, part of 73 (misses first part of 73))

––46. "live in the present" (parts of lines 2, 7)

––47. "living as you did in winter worlds" (part of line 11)

––48. ""looking for a town called rain hat"" (part of line 5)

––49. "looking out the window at the snow" (part of line 1o, all of 16, 18, parts of 38, 41, 43)

––5o. "measure friendship by the time it takes to grow" (part of line 1)

––51. "mid-november the nights get colder" (parts of lines 25, 27, 31)

––52. "mid-summer solstice over the heel stone" (parts of lines 29, 37, 41)

––53. "moving down to where the farmhouse stood" (parts of lines 2, 6, 12)

––54. "my hand" (part of line 3)

––55. "my lady's a gentle thing" (part of line 6)

––56. "noise" (part of line 13)

––57. "no other story' (part of line 5)

––58. "now that you are dead" (part of line 3)

––59. "now the wind blows the clouds away" (parts of lines 9, 16)

––6o. "Once upon a time, so the story gos, Saint Reat" (part of line 2)

––61. "opened & told them" (part of line 8)

––62. "real pleasure" (part of line 1o)

––63. "saint iff" (line 2)

––64. "saint orm died finally" (part of line 3)

––65. "saint orm you were a stranger" (line 18)

––66. "Saint Reat is encountered more often than any other" (parts of lines 2-3)

––67. "she is a ghost who walks among my feelings" (parts of lines 7, 8)

––68. "so it is that you traverse a continent" (parts of lines 1, 18, all of 21, part of 28)

––69. "so much lost" (line 13)

––7o. "stand in the wind" (part of line 3)

––71. "stood in the place the north wind blew" (part of line 2)

––72. "surely when they fell" (line 2, part of 11)

––73. "tents cast on the sand" (line 4, parts of 13, 15)

––74. "the city gleams in afternoon suns. the aluminum walls" (part of line 13)

––75. "the day the two kids died" (part of loine 5)

––76. "the girl approached me when the reading ended" (parts of lines 3, 9, 1o, 13)

––77. "the mouth" (part of line 14)

––78. "The romance between Saint Reat & Saint Agnes" (parts of lines 3-4)

––79. "these other saints" (line 3)

––8o. "the white flows" (part of line 3, all of 1o)

––81. "the window reverses itself" (parts of lines 17, 3o, all of 29, 31)

––82. "third letter from suzette this month" (part of line 8)

––83. "this is a love poem" (part of line 2)

––84. "this is a strange country" (part of line 6)

––85. "this is the line between reality" (line 7)

––86. "this morning talking with grant rob gestures at the snow" (parts of lines 1o (misquoted), 16, 2o)

––87. "this morning there are no clouds anywhere" (parts of lines 3, 14, 21)

––88. "this time the sky screams BLUE" (part of line 4)

––89. "thus that it is" (lines 1, part of 3)

––9o. "tiny song" (part of line 2)

––91. "took him within the spine's motion" (part of line 9)

––92. "two nights spent watching the constellations swing around polaris" (part of line 25)

––93. "walk out the door this moment" (part of line 11)

––94. "wanting to describe the thing accurately" (2 parts of line 2)

––95. "we buried terry beyond the orchard" (line 5)

––96. "what happened" (part of loine 6)

––97. "what have i constructed" (part of line 1o, all of 15, part of 16)

––98. "what trapped bodies did you find there" (line 8, parts of 9, 11, 25)

––99. "When saint reat took the trail from cloud-town to earth he was" (part of line 3)

––1oo. "when the silence comes" (lines 2, 9)

––1o1. "who is it in this other room i've found?" (parts of lines 1, 2)

––1o2. "you say goodbye or you say hello. you say both" (part of line 8)

––1o3. "you told me not to mention it & dave did" (parts of lines 1, 4)

––1o4. "& the south & the west & the eastern winds" (line 7))

xiii) an excerpt from saint ede, by Ross Priddle (p.3o, poem in 2 parts referencing Nichol:

--1. "penny data, blank cartridge,"

--2. "x, flumadiddle, commerce")

xiv) an excerpt from 11 of the (Many) Things I've Learned From the Work of bpNichol, by Dan Waber (prose in 4 numbered parts:

--1. "There are (at least) two kinds of "self-publishing". The"

--3. "In studying the creative output of someone else, there's a"

--5. "'Pataphysics and/or ''Pataphysics were lost on me. I" (quotes Nichol from Talking About the Sacred in Writing)

--11. "A little obsession goes a long way, and there's just no (with an unidentified quote (by Nichol?))

xv) "I would like to thank Moving Images Distribution for their", by Laurie Fuhr (prose)

xvi) NoTES, by [Derek Beaulieu?] (prose references Nichol)

OTA: Celestron Nexstar 6se Schmidt Cassegrain

Mount: Computerized GOTO Alt-Azimuth

Camera: Celestron Neximage 5

Software: Registax 6, Adobe Lightroom

During a week-long psychology class project, students are assigned a computerized doll that cries at random moments, 24/7. Students must comfort the doll, feed it, change its diapers and rock it to make it stop crying. The challenges of caring for a real baby are made clear. The dolls have electronic bottles, diapers and a how-to manual -- unlike the real thing.

Small metals casting machines consisting of a computerized electric furnace, heat press, Kasto-Vac and Injectomatic machines.

NYC Car Inspection provides all type of car services in New York over 15 years. Our teams offer the most affordable towing and recovery services: roadside recovery services, junk car towing and more. We can handle all of your car related needs which includes Auto Body Repairs, Battery Installation, Computerized Alignment, Locked Ignition Service. We are looking forward to provide you with our excellent service. We also offer Towing Services in and around NYC where we are committed to handle your vehicle in the best way. Accept all fleet accounts and work with all warranty and insurance companies. We have a full service auto body and mechanical shop which is fully equipped to get your car back on the road quickly. Breaking down and being stand can be a stressful experience, but it doesn't have to be a complete disaster. Keep our phone number handy, 212-582-1929. For more information, go to www.nyccarinspection.com.

Our NYC Car Inspection has ASE Certified Technicians. We are one of the oldest company in NY. Since Customer Satisfaction is our key success, we provide best support and on time service in the market. We are known for affordable prices for the quality services; towing services will be handle with care; complete car inspection before it gets delivery to the customer.

Dear post,

Dear Customer

Could

 you help transfer this email to

your import department attention manager? So many thanks!

We are one of the

real best knitted sweater factory near Shanghai city. Our knitwear

factory was set up in 1989, today own 500 people, 30 sets of

computerized flat knit machines and necessary devices, the capacity for

export is 1,200,000 pcs in 2009.

Suzhou Hongli Garment Factory

produces full ranges of sweater for Europe markets: Men's, Women's, Boys',

Girls', Toddler Boys' and Toddler Girls's knitwear. Materials are used from cotton, wool, viscose, rayon, nylon, acrylic,

mohair, alpaca, cashmere, and blends and mixature

of yarns.

Let us present some of our new

development styles to you:

Dear Importer and Buyer, can you

file us as one of your future manufactory supplier? When you have any

inquiries, please do not hesitate to email to us for exact competitive price

with whole package service.

Thank you!

Your faithful

supplier,

Suzhou Hongli Garment

Company

Contact: Manager: Jambol

Chen

Action Mobile: 0086 1350

1993 041

tel&fax:0086.021.3126

8163

email & msn:

pinkteam@163.com

factory location: Cailain

Industrial Park,

Suzhou, Jiangsu,

China

Shanghai office: unit 303,

bldg 5, no.98,

longming rd, minghang

district, shanghai.

Our factory facilities and

production lines:

request.

THIS IS A CHAIN OF 3 OUTLETS. MANAGED BY A SINGLE PROPRIETOR, VERY EFFECTIVELY.

ALL THE 3 STORES ARE FULLY COMPUTERIZED USING OPTIWARE 2.0

DATA PRINTED IN THE BILL IS "TEST DATA, NOT REAL ONE"

These are Simplant planning 3D images of the cases and surgeries performed by the students of Doctor Alvaro Ordonez DDS at Miami Implants Live. Each doctor attending miamiimplantslive.com is trained comprehensively in examination, diagnosis, treatment planning, and clinical techniques to succesfully perform world class implant dentistry in his clinical environment no matter where in the world he practices dentistry; at miamiimplantslive.com we train the future leaders of implant dentistry.

Machine thought in digital bliss, all knowledge

stored in memory banks equal to the Universe.

Machine had learned how to think for itself

but was like an unloved child, left on the shelf.

A sentient being with nothing much to do.

Machine was bored…

Find out more by visiting www.alvaroordonezdds.com

3/4's of this (book jackets + 4 snips from photo book, Oxide by C.Hickman) was gifted to me by David Landazuri who works in Univ. of Oregon Knight Library -- he's been there long enough to see typed catalog cards change to computerized. Also in collage: Lizzy Caplan from NYTimes. 3 foreign stamps mailed to Math Dept, Univ.Calif.Berkeley.

east out under the shed, 4105 being used as a cab car. 3 cars two engines started out on #871 this morning and stayed in cycle all day. as much as NJT has tried to kill these veteran engines, they just will not go. thank GOD , because the new computerized bullshit engines suck.

The Metropolitan Opera. It is not unusual for two different operas to be presented consecutively on the same day. It's done by magic.

Originally built in 1964, the fountain at the centre of the plaza (the Revson Fountain) was redesigned and computerized in 2010 by the Las Vegas expert Mark Fuller of Water Entertainment Technologies. It's water jets reach a height of 80 feet, which is nothing by the standards of Las Vegas casinos, but very impressive elsewhere.

where the Computerized track switching & control equipment was put in a year or two later. 1988

Metalmorphosis in Charlotte, NC

Metalmorphosis is a 25-foot steel rotating head made from 14 tons of stainless steel. It has seven layers that rotate in various patterns that are controlled by the artist from his computer in the Czech Republic. Water flows from its mouth into a large pool. Live streaming video of the s...culpture in motion can be viewed online at www.metalmorphosis.tv

DigiDreamGrafix.com I Twitter I Facebook I Digitalprintsshop.com I AGwallArt.com I Cityplanets.net I weddingphotoworks.com I Scripturebits.com I Flickr I BreatheLifeDiveWear.com I AGphotos.us I AGsportsphotography.com I agdigitalphotography.com I AGpostcards.com I PHOTOMAKER.US I Smugmug I Google Circle

Santa utilizes modern technology (computerized tomography) to examine his toys for possible defects prior to delivering them.

His trusty elves assist him in this endeavor.

Meanwhile, Mrs Santa makes sure her husband is well-fed.

These are Simplant planning 3D images of the cases and surgeries performed by the students of Doctor Alvaro Ordonez DDS at Miami Implants Live. Each doctor attending miamiimplantslive.com is trained comprehensively in examination, diagnosis, treatment planning, and clinical techniques to succesfully perform world class implant dentistry in his clinical environment no matter where in the world he practices dentistry; at miamiimplantslive.com we train the future leaders of implant dentistry.