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Sam Pugh, Damon Stock, Daniel O'Neil, Glynn Merryweather, Olivia Tuppen, April Gwynne, Joe Maynard, Alice Perkins - Games Design
Toby Farrier, Dan George, Oliver Osei-Ofosu, Jason Farrier - Forensic Computing
Jade Byrne, Stuart Carter, Bradley Warren, Kane Whelan - Multimedia Web Design
Kieran Scott, Luke Cutuan, Thomas Jaggs - Product Design
Liam Harris, Jack Mills, Emmanuel Tresor Siebadji- Computing
Sepideh - Cyber Security and Chris Zielazny - Business IT (all model release forms signed - in folder)
location: school of computing, joensuu, finland
date: may 2010
this is a part of my photography project hemma.
For my Introduction to Physical Computing class I plan to create a cat toy that features a remote controlled laser beam and arm with feathers. This concept will evolve during the next several weeks as I figure out how to build it, and do some user/cat testing.
At The National Museum of Computing www.tnmoc.org at Bletchley Park, on a trip with Sarah, Jenny and Stephen AKA Spacedog.
At The National Museum of Computing www.tnmoc.org at Bletchley Park, on a trip with Sarah, Jenny and Stephen AKA Spacedog.
Computing Venus
Jan. 23–Jan. 25, 2026
Location: Martel Theater
Friday, January 23, 2026, 7:30 p.m.
Saturday, January 24, 2026, 2:00 p.m., followed by a panel with the creative team
Sunday, January 25, 2026, 2:00 p.m.
The award-winning opera Computing Venus (2024) provides a fascinating glimpse into the life of astronomer Maria Mitchell (1818–1889), a groundbreaking historical figure who paved the way for women in Science, Technology, Engineering, and Math (STEM) in America. Two years later, she became one of the first women to work for the federal government as an astronomer, when she was hired to calculate the positions of Venus in the heavens for the U.S. Nautical Almanac Office. From 1865 on, Mitchell focused on cultivating the next generation of women astronomers as the first female professor of astronomy at Vassar College. By the 1870s, however, Mitchell saw a growing backlash against women in science. Focusing on Mitchell’s struggles against shifting public opinion, Computing Venus highlights one woman’s efforts to ensure a lasting scientific legacy, even as movements outside her classroom threatened to close the world of science to women forever.
Opera by Timothy C. Takach, composer, and Caitlin Vincent, librettist
Eden Bartholomew ’23, soprano; Marc Molomot, tenor; Michael Hofmann ’13, baritone
Directed by Christopher Grabowski & Drew Minter; Christine Howlett, conductor
Image credit: Vassar College