View allAll Photos Tagged Composition
Composition doll that probably dates from the 1930's and stands about 21" tall. It was my mother's and in her cedar chest for many years. No markings on her but possibly a Shirley Temple look alike.
There is some damage but restoration is a thought for the future.
This photo uses composition by emphasizing the flower in the middle of the picture. To take this picture I had to put a pot of flowers we have on our porch in the right sunlight so it is hitting all of the flowers evenly. To edit this photo I mostly just brightened it a little bit. If i could change anything about this photo I would blur out the rest of the flowers and have it just focusing on the one in the middle. I would also edit out the leaves in the back.
Down the side of the composition notebook included all kinds of ribbons in colors that were my partners colors. As well, there were some unique chipboard, wooden, and paper diecuts reflective of my partner. The front cover of the compostition notebook was covered with paper first, and so was the back and spine. The rest of the front is covered with 12 slide mounts designed and created by me with varied items representing my partner. Some were 2-D and others were 3-D.
Depth
I chose this photo, because it perfectly depicts the area where I live. The water is smooth and tranquil, and the sunset reflects off it with a fiery intensity. The dock leads your eye across the scene to the epicenter of the sunset. A mixture of cool tones of the coming night, as well as the warm tones of the descending sun. The treeline in the background is perfectly mirrored of the water as well. Colors bumped up slightly in contrast, and shadows bumped as well.
Day twenty two of the #fmsphotoaday challenge for November.
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Etude en rapport avec Narcisse (Cat. 626)
H. 7,6 cm ; L. 13,7 cm (vue)
Mine de plomb. Mise au carreau à la mine de plomb
Bibliographie :
1983 Bittler Mathieu, Des. 2648
1995 Tokyo Kyoto, (12), p. 42 (repr.)
1995 Cooke (a), (98), p. xxiii, p. 149 note 137, (repr. n. p.)
I was struck by the composition of these three lights at work, but didn't get it quite right.
I want to set up a long exposure shot of this using my tripod, Erin's 35mm f/1.8G prime lens and no flash.
THis will have to do for now.