View allAll Photos Tagged Composition
Another HDR which I'm still getting to grips with, again using Photomatix & Photoshop, I do like the composition of this photo
Thinking about the spacing and orientation of objects on a canvas ...
These visualizations illustrate a collection of patterns for programmatically arranging visual objects in 2D space.
Recent summer trips to Southeastern Washington State and Northern Idaho have served as inspiration for several larger paintings. Watching the “Super Moon” arrive while standing on top of Kamiak Butte just outside Pullman, and witnessing nature unleash wind, rain, and lightning while vacationing on Lake Coeur d’Alene were two natural yet Surrealistic events that set my brush in motion.
Along with larger Abstract Expressionist works, I have chosen to exhibit several sets of glass coasters that feature the theme “World Traveler”. These small compositions are collage pieces that incorporate acrylic wash, Japanese papers, and Smithsonian canceled Stamps from around the world. My intent in creating these smaller abstract paintings is to evoke the color, excitement, and layers of adventure I have experienced after visiting many foreign places. Enjoy the exhibit! -Robert Hunter
Contact Robert at 360-581-9605
roberthunter04@msn.com
Sistema multimedia "Composition Media" VW Play del Volkswagen T-Cross 200 TSI. Lugar: Pocitos, Melilla y Carrasco, Montevideo. Juanicó, Canelones. Producción: Autoblog y Diego Olivera (oliverafotografo.com.uy).
Some shapes formed by composition and a shadow falling on a bright wall and grass
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Large Image Can Be Viewed Here
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The goal of this project was to take an interesting photo using composition and framing. In the photo I have chosen, the wood frames the flowers. The top of the wood is lined up with the top line using the rule of thirds.
i bought a composition book (cheap!) from a grocery store. then i decided to gesso it. and draw a tree on the front. then came the watercolor. and stars. pasted on, gesso painted, and then prismacolors. and then there were pea pods. i don't know why there were pea pods, but there were pea pods. watercolor, gesso, prismacolor, and layered found papers.
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
This shot is the starting pattern for a collection of similar composition images.
Look for other composition patterns in the "Composition Patterns Group "
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Photos by Philip De Vere: Tissot in Brunoff at John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...