View allAll Photos Tagged Composition
This is a medium shot of Segui in front of the shed. I like the way the medium shot allows us to see some details in his face, like his dripping nose and slightly squinting eyes, as well as some detail on his back (like the shedding hair). In terms of composition, I like the soft vertical lines in the background, and the diagonal line that my dog is positioned in. I think the use of lines helps draw attention to his face in a nice way.
Λόγο έδωσα πως δεν θα τον κρατήσω, πως όσο κι αν ο χρόνος με λυγίσει και γέροντα πια μόνο νεαρός.
Κι αν η χαραυγή έρθει και στο τέλος της ημέρας το ηλιοβασίλεμα τότε ξανά στην ανατολή, άξιος ο ήλιος.
Από τη βουή των στεναγμών και από το πλήθος των νεκρών και πιο πολύ των άγνωστων που έζησαν.
Και ξανά στο τέλος της ημέρας εκεί μόνο να βλέπω να παραβλέπω ποτέ, στο σκοτάδι ποτέ τα μάτια κλειστά.
Έπειτα θα λέω και εγώ θα τα ακούω πρώτος, να μην τα ξεχάσω να τα αποστηθίζω, ξανά μικρός όπως τότε.
Μα κι αν εκείνο το σκοτάδι έρθει που πάντοτε έρχεται και βραδιάζει, τότε στο Φώς που έζησα, του κεριού της λάμπας.
Η ζωή κρατά μια και για πάντα και αν δεν φαίνεται το παντοτινό είναι επειδής χάνετε στη γνώση που του έδωσα.
Να την αποζητάς την γνώση όσο κι αν μπορείς αλλά προς το τέλος κάθε φορά θα βλέπεις πως δεν αρκεί.
Υπάρχουν και άλλοι που γνωρίζουν διαφορετικά, μην τους λησμονείς γιατί έχουν δει τα διαφορετικά.
Το γένος του ανθρώπου προχωρά από άκρη σε άκρη και από την μέση ενδιάμεσα και από παντού των πάντων.
Ένας οργανισμός είναι αυτό που βλέπεις και εσύ κομμάτι της διαδικασίας του και έπειτα κομμάτι μου.
Είτε θα δώσω είτε θα λάβω και τον λόγο που έδωσα θα τον κρατήσω και ας μην τον βλέπεις καθαρά.
Τα αγνά και τα ιερά πράγματα δεν φαίνονται και για να τα δεις θα πρέπει να τα απορροφήσεις από διαφορετική τομή.
Στη ματιά μου και τις σχισμές μου, στο μέρος που δεν φαίνεται να ψάξεις να τις βρεις γιατί εκεί υπάρχω.
Μα και να θες εδώ ποτέ δεν θα μπορέσεις να'ρθεις, ο δρόμος τόσο παράξενος που δεν θα καταλάβεις.
Όσο κι αν έρχεσαι κοντά μου τόσο απόμακρα θα νιώθεις και η απόσταση θα μεγαλώνει παρά θα μηδενίζετε.
Μα από τα πολλά πέρασε η μέρα και βράδιασε, το καλό σκοτάδι είναι αυτό και από το ιερό μου σώμα.
Τη λογική της φύσης που έδωσα να την ακολουθείς, να ξυπνάς άνθρωπος και έπειτα ημέρα, βράδυ τώρα ξεκούραση.
Υ.Γ...Τσάπα..."βράδυ τώρα ξεκούραση"
geometrical and decorative elements of this region's architecture help frame and level the shot...
Pontresina, Engadin, Canton of Graubunden, Switzerland.
~ A set of clothes that hanged on those fancy 'fashion hangers' you would see in movies concerning movies. When I happened to move to Serbia, I had one in my room outside of my closet. I used to put clothes I either hated or loved. It'd change all the time.
I miss that room. I can't imagine what it'd be like to visit it again.. Oh gosh.
I think it's called a 'Clothes' rack' I'm not sure
Cheryl became enamored with a "junque" journal video she saw and created a group for it. :o) Since I can't say no to Cheryl to save my life, here is my attempt. I haven't actually added anything to it yet because I have other projects with deadlines. LOL
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1 foreground interest in rocky outcrop
2 background rocky hill
3 main subject the hillside village
4 cows grazing on vertical third
5 cluster of trees on left vertical third
6 dirt road leads across the image
I plan to start another painting later in the week, but meanwhile I am catching up with editing photos. Here's one that I took back on October 3, on pickup day for The Food Project, which is our CSA, over at Long Hill Gardens. These peppers were in a great big bin. I liked the way they looked, so I took a picture. Today I did a little retouching in iPhoto and then cropped the original to get this composition.
CAmera:vermeer pinhole 4x5 with calumet holder c2n for 120 roll 6x7 (pinhole size 0,2mm)
exposure: 45min
film ilford pan f+ 50
developed at home: hc110 dil f (1+79)
13 min
test camera
taken at Geneva airport, Switzerland
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Unlike many of his contemporaries, Titus Salt was determined to ensure a decent quality of life for his workers, even after they left his employ.
The 45 Almshouses were built to provide shelter for those who couldn’t support themselves, such as widows and injured workers. Although preference was given to workers in Salts Mill and their families, anyone of ‘good character’ and unable to support themselves was eligible. Although this was unusually generous by the standards of the time, residents were subject to strict rules on their behaviour and the maintenance of the houses. In what is now No. 29, there was originally a small chapel to save residents walking down to the Congregational Church.
On the west side of Victoria Road, the Italianate-style Almshouses form asymmetrical U-shaped composition around Alexandra Square, which is one of the few open areas in the village. It was never designed as an informal recreation area, but for the enjoyment of the Almshouses’ residents. There were originally 45 Almshouses, each with an oven, boiler and pantry, together with a single bedroom. 41 of the properties remain, as four were absorbed by the expansion of the (hospital) Infirmary and Dispensary.
Saltaire is a Victorian model village. The Victorian era Salt's Mill and associated residential district located by the River Aire and Leeds and Liverpool Canal is a designated UNESCO World Heritage Site and an Anchor Point of the European Route of Industrial Heritage.
Saltaire was built in 1851 by Sir Titus Salt, a leading industrialist in the Yorkshire woollen industry. The name of the village is a combination of the founder's surname and the name of the river.
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