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This was my final typography composition. I has to capture the 'essence' of the font by highlighting features which I found relevant and intriguing. My final work was meant to highlight the fancy, elegant elements of the typeface which referred to the arrogance of the environment it is most commonly integrated into- the fashion industry.
The Korean Cultural Centre UK presents Hanji: Paper Compositions
Event Details
Date : 10 June – 13 August
Venue : Korean Cultural Centre
Private View : 6:00-8:00pm 10 June
The Korean Cultural Centre, UK presents Hanji: Paper Compositions, an exhibition that explores the possibilities of traditional Korean paper, or hanji. The exhibition approaches hanji as a versatile material, and features the work of over 20 internationally recognised and emerging artists whose mastering of various hanji techniques allows them to push the boundaries of making processes and practices.
While hanji was originally enjoyed by the royal family and nobility, its uptake became more widespread during the Joseon Dynasty (1392–1910) when craftspeople, engaged with making goods for everyday use, took to recycling paper from discarded, old books. The paper products they created ranged from shoes, briefcases and ornamental objects, to lamps, basins, and even water buckets. The making techniques devised by artisans using hanji, which include jiho, jiseung and jeonji, have been developed over time ever since.
Through spotlighting methods of making, the Hanji: Paper Compositions exhibition presents audiences with the rare opportunity to encounter art and craft practices, all the while revealing the intricacies of creating paper-based works.
*Hanji: Paper Compositions is a special exhibition that is also touring to the Korean Cultural Centres in Italy.
Participating Artists
Cho Byung Guk, Choi Sung Rok, Jang Eung Yeol, Jeon Hye Kyoung, Jung Ji Youn, Kang Young Sook, Kim Eun Hee, Kim Han Su, Kim Jung Soon, Kim Keum Ja, Kim Yang Hee, Kim Weon Ja, Lee Bu Ok, Lee Gun Hee, Lee Ji Hyun, Lee Sun Kyung, Oh Myung Hee, Park Chul, Park Dong Sam, Moon Yeon Hee, Moon You Mi, Na Seo Hwan.
Our update to the classic Composition Notebook you used in school, now in our 5x7 Mega Scout Book size.
[windows series, picture #4]
(Praktica BMS, Prakticar 28mm 1:2.8, Kodak Elite Chrome Extra Color 100, ISO 100/21º)
Golden Ratio Composition Portrait Photography Blonde Venus! Pretty Swimsuit Bikini Model Goddess! Sony A7 R & Carl Zeiss Sony Sonnar T* FE 55mm f/1.8 ZA Lens Bokeh! Pretty Red Hair Model! Malibu Beach Spring Summer Photoshoot! Bikini Surf Girl Lifestyle Portraiture! Beautiful! High Res
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I should probably give some context to this image and the Golden Spiral hairline that is superimposed on it.
Composition is a constant refrain in my photographic work. I've taken classes in it, read alot about it and indeed teach composition for photographers as well.
I've been mentally visualizing formal compositional geometries on the viewfinder for several years and it has become a habit whenever I pick up a camera. Nevertheless, it's often a surprise when I look at an image in the processing phase to see just how strongly those forms are embedded.
This shot is a good example of that mental process. When I took this shot I was concerned with getting the area of highest contrast in the picture, the bowsprit, somewhere near one of the golden section line intersections. I was also concerned that the angle of the steel work on the bowsprit point up towards the upper right corner of the frame. I took about 3 shots of this scene, varying the exposure a bit each time but altering the view point only a tiny bit in each. In the end, I wound up selecting this particular image as the best of the batch.
As the hairline on the image shows, the bowsprit fitting is located nearly perfectly on the origin of the golden spiral. Similarly, the curve of the hull of the boat follows the outward track of the spiral as well. As t turns out the diagonals of the bowsprit fitting point directly to the corner fairly precisely. The combination of the golden spiral and diagonal elements working with the forms of the boat in the image give the image, at least to me, a sense of proportion and of completeness.
For those that are interested in the processing, the above image is a screen shot from Lightroom 3, with a slight neutral gradient applied to the sky, as well as corrections for lens distortion, a little noise reduction and a little sharpening. In my normal workflow, this image, with this amount of processing, would then be exported into Photoshop 5 for additional color work (using Nik Viveza), converted to black (using Nik Silver Efx 2) and then toned, with a final pass of sharpening and watermarked. You can see the result of that workflow in the final image.
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My photo meets the project goals by using symmetry to make the image look more appealing. I first went to my garage, set up a tripod, attached my phone, made an invention (attached led lights to a metal rod), then made the shutter speed 10 and proceeded to wave the rod until I got the shape I wanted. I think I did really well in managing to make the light create a nearly perfect circle. I would’ve liked for it to be a little less grainy in most areas.
The standard resistor of the 1950s to early 1970s. Make from a ceramic tube filled with a mixture of carbon and filler materials (the "composition"). Lack of a tolerance band means they're +/- 20%.