View allAll Photos Tagged Composition
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Mars 2016, l'A1A A1A 68081 est en charge d'un acheminement de matériel pour différents évènements. Sur la partie Mulhouse - Thionville elle était accompagné du BB 63406 qui a fait des manœuvres et du BB 67615 qui a fait une autre partie de l'acheminement un fois que le train a été scindé en deux.
Ensuite nous trouvons dans l'ordre :
- la voiture corail Masteris,
- une corail couchette Lunéa et la Club 32 de la Cellule du Matériel Radié qui sert de cuisine/réfectoire pour l'équipe qui accompagne le train,
- 2 fourgons MC76,
- 230 D 9,
- la voiture Service Audio-Visuel de la Cité du Train,
- BB 63013,
- Z 23156,
- BB 36,
- Voiture Mistral 69,
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- BB 66170,
- BB 9291,
- CC 65001,
- BB 20210,
- BB 9301,
- CC 72029
La première partie devait être présenté lors d'un évènement dont j'ai complètement oublié le but et la date...
L'autre partie à été exposé pendant plusieurs mois à l'ancien dépôt de Paris la Chapelle pour l'évènement Grand Train.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Humans are predators and our primordial instinct is to lock in on our subject. Food, friend, or foe, with pinpoint accuracy. Draw your attention to the airplane above. Tracking it smoothly across the sky is one of the most complicated neurological functions our brain does.
Zebras have found a way to disrupt that with their stripes. After all its a matter of milliseconds of life and death in their world.
Centering is one of the established compositional styles I favor when setting up a shot. It immediately draws the viewer's attention.
I ask you to look at my previous photo and see how I set it up. Now it is quite obvious. With a digital camera it's is easy, but that shot was with an analog camera with an offset viewfinder. Nonetheless it worked.
Spoiler alert: but as photographers our main concern is not with the center of the image, but our attention is how the scene relates to the four corners and frame.
COmposition - il Progetto
Estrapolare dal contesto volumi, colori e forme creando soggettivamente una nuova armonia autosufficiente e dotata di un forte impatto estetico, mantenendo comunque riconoscibili gli elementi della scena di appartenenza; da un mondo nasce un altro mondo.
COmposition - the Project
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony endowed with a strong aesthetic impact while still retaining the elements of the scene of belonging; from a world a different world is born.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Ogni granello. Ogni millimetro di foglia.
Ogni estremità di zampa d’ape
Tutto ha siffatto marchio d’una cura
che lo sostiene
come fosse ogni specie prediletta
e prescelta, ognuna nella fattispecie sua
che a guardarla per bene ogni particella
è centro universale, bella
d’una bellezza unica e abbagliante
commovente per quanto ci è vicina
e somigliante.
Mariangela Gualtieri, Le giovani parole, Einaudi