View allAll Photos Tagged Complexion
Various makeup products to even out skin tone and complexion laid out as frame on aged paper. Copy space in the center. Retro style processing
With the active ingredient, Crocus Sativus this product is widely recommended for people who cravea radiant complexion. Crocus Sativus contains properties which are antioxidant, anti cancerous and blood purifying in nature. KAIRCIN is essential to every woman's beauty regime.
Kaircin is an Ayurvedic product that aimed to maintain the health and glow of your skin, this Ayurvedic Facial oil repairs damaged skin, moisturizes it and reduces the signs of aging. Kaircin contains potent herbal ingredients and medicated oils that are proven to nourish your skin and keep it youthful.
www.kairaliproducts.in/kaircin-10ml.html
Benefits
Gives a Youthful Glowing Complexion
Nourishes & Tones the Face & Skin
Removes Stretch Marks & Dark Circles
Prevents Pimples Pigmentation
Scares and Wrinkles
Contains Anti-Ageing Properties.
Regular use prevents ageing leaving your skin radiant and glowing.
Leaves your skin glowing and alive.
Beloved Aurora is fully deboxed, and is posed free standing. Once the right balance is achieved, she is fairly stable. Her simple and symmetrical dress made it much more easy to balance on her shoes than the Coronation Aurora doll, who had a heavy train on her dress. Photographed in daylight.
Review of Beloved Aurora Doll
Both Beloved and Royal Coronation Aurora dolls have identical faces. Her face is pretty, but bland and generic. She only has a passing resemblance to the movie character, as portrayed by Elle Fanning. She doesn't have very realistic features, but looks like an ordinary doll painted to look like an animated character. She has a light complexion, small blue green eyes gazing straight ahead, brown eyebrows, small straight nose, light pink lips on a small mouth, large chin, and light rouge on her cheeks.
Her hair out of the box is much neater than Coronation Aurora's hair. Like the other doll, she has a long side curl down the left side of her head. It is bit stiff from hair product, and is a much tighter curl than the one on Coronation Aurora. There is also some hair product in the side bangs right over her forehead. The rest of her hair is loose and gently wavy down the her back to her hips, and is soft and smooth. Her hair is thinly rooted hair over most of her head, so a bald spot is visible right behind her side bangs. Also bald spots are easily visible if her hair is moved around on the top of her head. It would help if she had some hair ornaments or headdress to help hide the bald spots.
Her outfit is very simple. It is a full length one piece dress, made of light blue satin, with gold glitter decoration, white organza trim at the collar, flared full length sleeves, and a plastic belt around her waist with a hanging piece down the front of her dress. The satin is shiny and very smooth, and the glitter does not shed at all. In addition to the gold glitter, there is also printed flowers in the hem of the dress. She is wearing the same style high heeled shoes as Coronation Aurora, but these are light blue in color instead of tan.
Packaging and Deboxing
Deboxing the Beloved Aurora Doll by Tollytots/Jakks Pacific was more difficult than for the Coronation Aurora doll. In order to remove the front plastic cover from the box, it was necessary to almost tear the back of the box apart, as the two layers of the backing were taped and glued shut. The tabs of the plastic cover were also taped and glued to the inside of the backing. The box would need a lot of tape to put it back together securely, if it were to be reused for storing or displaying the doll in the box. And the tearing apart of the backing of course creased and weakened the cardboard.
Aurora is standing on a small cardboard spacer. Behind her is a printed background from the movie, which is common to all the dolls in this series. Unfortunately, the bottom of the backing was not square to the back side, so the doll would fall face forward if I tried to stand her up in the backing.
Removing her from the backing was very easy, especially compared to most Disney Store dolls. There was only plastic T-tab fasteners securing her to the backing and the plastic spacer. It was possible to reach all the fasteners and snip them off, without having to remove the large plastic spacer, including the one through the back of her head. The remaining post sticking out of her head was snipped off as close to her scalp as possible, without cutting her hair. Unlike Coronation Aurora, there was no tissue paper around her legs.
Purchase Details
I just received the four available Jakks Pacific dolls from the Maleficent movie in single doll packages. I ordered them from Toys R Us on Friday night and got them Tuesday, with free shipping. I appreciated the quick shipping, compared to the Disney Store. The dolls are the following, with links to the TRU site. All the dolls are 12'' H. The Coronation dolls are $39.95 each, the other two are $19.95. They are also available in some ToysRUs stores. The cheaper dolls are also available online, for the same price, from Amazon.
wit:
Urban Decay Complexion Potion: pore refiner
dynair airbrush foundation: alabaster
wit&wild megaglow blush: spotlight peach
Lise Watier portfolio highlights
NYX lipliner to chisel in details: toast
Alice in Wonderland Book of Shadows: White Rabbit
www.Beauties-Factory.com 120 color palette: browns and blue
benefit browszings brow shaping kit: light
Lash Stilletto: brownish black
Revlon Colorstay Lipstick: indulgence
Sally Hansen Lip inflation: sheer pink
Espree needed to look young without too much pink to her complexion. She also took on some freckles. ;0)
Creative DiVi 428 .evaporating dew when the sun raising higher ,showing the shadow of the depth and the color contrast to our eyes and camera.
www.drguida.com/skin/laser-skin-resurfacing/
Time, gravity and excess sun exposure can cause deepening of facial lines and uneven pigmentation. This gives an older, tired look to an otherwise youthful complexion. Laser skin resurfacing can reduce, and often remove, much of this damage to the skin and literally "turn back the clock". A tired looking, sun damaged face can obtain an entirely new, fresh look with healthy, glowing smooth skin. This is the goal of laser resurfacing.
There are different levels of laser resurfacing available, depending on the patient's condition, the level of "down time" or recovery period a patient can tolerate, and cost.
And they did. Melissa, the one with the huge smile on her face, just celebrated her birthday and she had a bunch of friends over and they went out for a good time. I took some shots of them on the couch. I got normal shots, of course, and then told 'em to go crazy. This is the crazy shot.
www.drguida.com/skin/laser-skin-resurfacing/
Time, gravity and excess sun exposure can cause deepening of facial lines and uneven pigmentation. This gives an older, tired look to an otherwise youthful complexion. Laser skin resurfacing can reduce, and often remove, much of this damage to the skin and literally "turn back the clock". A tired looking, sun damaged face can obtain an entirely new, fresh look with healthy, glowing smooth skin. This is the goal of laser resurfacing.
There are different levels of laser resurfacing available, depending on the patient's condition, the level of "down time" or recovery period a patient can tolerate, and cost.
san·guine (snggwn)
adj.
1.
a. Of the color of blood; red.
b. Of a healthy reddish color; ruddy: a sanguine complexion.
2. Archaic
a. Having blood as the dominant humor in terms of medieval physiology.
b. Having the temperament and ruddy complexion formerly thought to be characteristic of a person dominated by this humor; passionate.
3. Cheerfully confident; optimistic.
[Middle English, from Old French sanguin, from Latin sanguineus, from sanguis, sanguin-, blood.]
sanguine·ly adv.
sanguine·ness, san·guini·ty n.
Word History: The similarity in form between sanguine, "cheerfully optimistic," and sanguinary, "bloodthirsty," may prompt one to wonder how they have come to have such different meanings. The explanation lies in medieval physiology with its notion of the four humors or bodily fluids (blood, bile, phlegm, and black bile). The relative proportions of these fluids was thought to determine a person's temperament. If blood was the predominant humor, one had a ruddy face and a disposition marked by courage, hope, and a readiness to fall in love. Such a temperament was called sanguine, the Middle English ancestor of our word sanguine. The source of the Middle English word was Old French sanguin, itself from Latin sanguineus. Both the Old French and Latin words meant "bloody," "blood-colored," Old French sanguin having the sense "sanguine in temperament" as well. Latin sanguineus was in turn derived from sanguis, "blood," just as English sanguinary is. The English adjective sanguine, first recorded in Middle English before 1350, continues to refer to the cheerfulness and optimism that accompanied a sanguine temperament but no longer has any direct reference to medieval physiology.
Garza real
Ardea cinereaFamilia: Ardeidos – ArdeidaeAspecto: Garza grande, de complexión robusta, predominantemente de color gris, con un pico recto, fuerte, en forma de daga. Las garzas pueden diferenciarse de las grullas durante el vuelo, y a menudo también cuando están de pie, por la forma en que encorvan su cuello.Tamaño: Largo 84-102 cm, envergadura alar 155-175 cm, peso 930-1.150 g.Nido: Una gran pila desarreglada de ramas, generalmente construido muy alto en un abeto o pino. Las aves pueden usar el mismo nido durante muchos años.Reproducción: Pone 6 huevos en mayo, incubados de forma alternada por los padres, en 4 a 6 períodos, durante 25 a 28 días. Las aves jóvenes aprenden a volar aproximadamente a los 50 días. Muchas garzas reales anidan en colonias.Distribución: Ave migratoria de verano que se reproduce poco en Finlandia (solo hay alrededor de 100 parejas). En los últimos años, los avistamientos de invierno se han vuelto más comunes.Migración: Pasa el invierno en el oeste y sur de Europa. La migración de otoño puede tener lugar entre mediados de agosto y principios de noviembre, y las aves regresan de marzo a mayo.
Alimentación: Acecha inmóvil a lo largo de costas, lista para emboscar, en espera de que peces y animales acuáticos pequeños estén a su alcance.Sonidos: Un chillido fuerte, molesto, similar al llamado de la pagaza piquirroja.
La garza real tiene partes superiores de color gris claro, y partes inferiores de color blanco grisáceo. Su cabeza es mayormente blanca, excepto por una raya negra que se extiende desde encima de sus ojos hasta la parte posterior de su cuello, donde algunas de sus plumas se alargan para formar una cresta. Los adultos con plumaje de apareamiento pueden tener un color rosáceo a los lados del cuello, y algunas filas de rayas oscuras en el cuello y el pecho. La garza real tiene el pico de color amarillo o naranja amarillento, patas de color marrón opaco e iris amarillo.
Las aves inmaduras generalmente se parecen a las adultas, pero su capuchón y su cuello son más grises (y el cuello no tiene color rosáceo). Su pico es más pardusco y el iris es blanco.
Self-Portrait, c. 1781
Elisabeth Louise Vigée Le Brun, French
This youthful self-portrait depicts Elisabeth Louise Vigée Le Brun at the age of about twenty-six, several years after she painted the first of her many portraits of Queen Marie-Antoinette. Here she presents herself not as an artist, with palette and brushes, but as a charming and attractive lady of society––indistinguishable from her own patrons, including the queen and aristocratic ladies, whom she sometimes painted in similar informal attire. Largely self-taught, Vigée Le Brun was recommended by the queen for membership in the Royal Academy in 1783 and soon acquired considerable fame and renown. When shown at the Salon her paintings were “the most highly praised . . . the topics of conversation at court and in Paris, in suppers, in literary circles."
Her radiant self-portrait highlights Vigée Le Brun’s healthy good looks and creamy complexion, a sparkling light catching her eyes and crystal earrings. Attentive to the latest fashions, she outfitted her sitters in comfortable Grecian gowns and scarves. Here her simple muslin gown and elegant scheme of white, black, and cherry, along with her loose curls of hair, convey an appealingly glamorous persona.
Kimbell Art Museum, Fort Worth, Texas - April 14, 2026
The Kimbell Art Museum, owned and operated by the Kimbell Art Foundation, is internationally renowned for both its collections and for its architecture. The Kimbell's collections range in period from antiquity to the 20th century and include European masterpieces by artists such as Fra Angelico, Michelangelo, Caravaggio, Poussin, Velázquez, Monet, Picasso and Matisse; important collections of Egyptian and classical antiquities; and the art of Asia, Africa and the ancient Americas.
The museum's 1972 building, designed by the American architect Louis I. Kahn, is widely regarded as one of the outstanding architectural achievements of the modern era. A second building, design
The Kimbell collection consists of approximately 375 works that not only epitomize their periods and movements but also touch individual high points of aesthetic beauty and historical importance.
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kimbellart.org/holy-sepulcher?gad_source=1&gad_campai...
The architect behind the expansion of the Kimbell Art Museum in Fort Worth is so famous that his name has been affixed to the project like a brand: the addition, which will be unveiled on Wednesday, is called the Renzo Piano Pavilion.
Over nearly 50 years, Mr. Piano has designed notable buildings like the Pompidou Center in Paris and the Modern Wing of the Art Institute of Chicago, and his association with Texas institutions of fine art dates back more than a quarter-century to his 1987 Menil Collection in Houston. Eight years later, he designed the Cy Twombly Gallery in the same city and in 2003 his Nasher Sculpture Center opened in Dallas. (Some 1,400 miles away, he designed the headquarters building of The New York Times.)
But the $135 million Piano Pavilion is, perhaps, Mr. Piano’s most subtly ambitious Texas work to date — in part because the structure was commissioned to serve one of the most revered museum buildings in the country, designed by the American architect Louis I. Kahn. The Piano Pavilion will be the main location for visiting exhibitions and the museum’s Asian art collection. It also contains a 298-seat auditorium.
Mr. Piano’s pavilion design aims to complement Kahn’s monumental modernist aesthetic, his fondness for concrete and his emphasis on light. “I understood that we needed to create a dialogue between the two buildings,” Mr. Piano wrote in an email.
What Mr. Piano’s pavilion adds to the conversation is a stress on contemporary sustainability practices.
“The Kahn building is famous for its natural light,” Mr. Piano said. “But that was a natural lighting system designed in the late ’60s and ’70s. Technologies have advanced considerably since then. We needed to capitalize on the new technologies and make a design that is more flexible and responsive to the issues of today, like sustainability.”
“Designing for energy savings is not an ‘add on,’ ” Mr. Piano said in an October Kimbell Art Museum publicity release, “but, rather, the proper way to build.”
He set three-quarters of the 101,130-square-foot building below ground. Though the decision was driven by Mr. Piano’s desire not to overpower Mr. Kahn’s masterpiece, “having a huge amount of the museum program underground increases its energy efficiency as we only send daylight into the areas where the public actually goes,” said Andy Klemmer, president of Paratus Group, the pavilion’s project director.
The pavilion’s roof has fritted glass and fabric scrims, over which lies a network of aluminum mechanical louvers, or slats, that open and close to control and diffuse the amount of light let into the museum. The evenly distributed natural light cuts down on how much electricity the Kimbell might otherwise use to illuminate the gallery spaces.
Moreover the tops of those aluminum louvers are covered with photovoltaic cells, or solar panels, that harvest sunlight to generate electricity for the museum.
“The solar cells produce the energy to illuminate the building at night,” Mark Carroll, the pavilion’s lead architect and partner with the Renzo Piano Building Workshop, wrote in an email.
On the ground, Mr. Piano and his team have installed 36 geothermal wells, each one 460 feet deep, to harness the more stable temperature of the ground water to heat and cool the building.
The galleries’ white oak plank floors (with quarter-inch gaps between the floor boards) are made to be breathable, allowing low-velocity air to circulate throughout the pavilion. The air-displacement system uses less energy, and air is sent only where there are people.
Finally, there is the 19,200-square-foot green sod roof covering the museum’s western pavilion. It insulates the building from both the sun and the cold. “And unlike from a traditional roof, you will avoid lots of wasteful rainwater runoff into a nearby gutter,” said Kathryn Holliday, director of the David Dillon Center for Texas Architecture at the University of Texas at Arlington.
Of course the roof also scores aesthetic points.
“The roof is done in such a beautiful, sculptural way,” said Carlos Jiménez, a professor of architecture at Rice University. “It is more like an impeccable green tapestry.”
Because of Mr. Piano’s many green choices Mr. Klemmer says that the Piano Pavilion will need only half the energy per square foot required to run the nearby Kimbell.
“Piano firmly set out the environmental goal of this new building to make it as carbon-neutral as possible, and to wring every bit of energy efficiency out of it, while still providing natural light and a great place to view art,” Mr. Klemmer said. “What we’ve finally created is the most energy-efficient art museum Piano has ever designed — by a long shot.”
As impressive as that is, the Kimbell Art Museum director, Eric M. Lee, is most proud of the fact that none of Mr. Piano’s environmental features intrude on the sheer beauty of his latest Texas museum.
“I’m thrilled at how Renzo built into the Kimbell his concern for building green, as, in 2013, I don’t think you can construct a museum without building it green,” Mr. Lee said. “But even better is that none of these green aspects have compromised the new building’s stunning visual appeal. In fact, so many of our works of art, especially from our African, pre-Columbian and Asian collections, positively sing in the new Piano building.” And Mr. Kahn’s original Kimbell Museum building, just 65 yards to the east, positively sings outside and across from it.
www.nytimes.com/2013/11/24/us/the-kimbells-stylish-sustai...
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Just recently finished these sleeves for Manuel Tur's new release. Big typography and paint textures. It was a lot of fun to stick it all together by hand.
See more of our stuff at www.jawa-midwich.com
Face not feeling as snazzy as you'd like? Liven it up with this naturally-based cream - ideal for problematic skin or for plain old everyday moisturizing.
Tea tree oil is a powerful anti-septic which is commonly used to gently clear away acne and other irritation. This cream starts out with raw shea butter (chock full of good stuff!) which is then whipped together with light hydrating oils, including red raspberry seed oil which is reputed to offer the skin broad spectrum protection from damaging UV-A and UV-B rays; however, please note that this cream should not be substituted for a sunscreen.
This cream contains no artificial fragrances, its scent derives entirely from the tea tree essential oil. Tea tree oil has fresh aroma with slight backnotes of mint and spice.
Beloved Aurora is fully deboxed, and is posed free standing. Once the right balance is achieved, she is fairly stable. Her simple and symmetrical dress made it much more easy to balance on her shoes than the Coronation Aurora doll, who had a heavy train on her dress. Photographed in daylight.
Review of Beloved Aurora Doll
Both Beloved and Royal Coronation Aurora dolls have identical faces. Her face is pretty, but bland and generic. She only has a passing resemblance to the movie character, as portrayed by Elle Fanning. She doesn't have very realistic features, but looks like an ordinary doll painted to look like an animated character. She has a light complexion, small blue green eyes gazing straight ahead, brown eyebrows, small straight nose, light pink lips on a small mouth, large chin, and light rouge on her cheeks.
Her hair out of the box is much neater than Coronation Aurora's hair. Like the other doll, she has a long side curl down the left side of her head. It is bit stiff from hair product, and is a much tighter curl than the one on Coronation Aurora. There is also some hair product in the side bangs right over her forehead. The rest of her hair is loose and gently wavy down the her back to her hips, and is soft and smooth. Her hair is thinly rooted hair over most of her head, so a bald spot is visible right behind her side bangs. Also bald spots are easily visible if her hair is moved around on the top of her head. It would help if she had some hair ornaments or headdress to help hide the bald spots.
Her outfit is very simple. It is a full length one piece dress, made of light blue satin, with gold glitter decoration, white organza trim at the collar, flared full length sleeves, and a plastic belt around her waist with a hanging piece down the front of her dress. The satin is shiny and very smooth, and the glitter does not shed at all. In addition to the gold glitter, there is also printed flowers in the hem of the dress. She is wearing the same style high heeled shoes as Coronation Aurora, but these are light blue in color instead of tan.
Packaging and Deboxing
Deboxing the Beloved Aurora Doll by Tollytots/Jakks Pacific was more difficult than for the Coronation Aurora doll. In order to remove the front plastic cover from the box, it was necessary to almost tear the back of the box apart, as the two layers of the backing were taped and glued shut. The tabs of the plastic cover were also taped and glued to the inside of the backing. The box would need a lot of tape to put it back together securely, if it were to be reused for storing or displaying the doll in the box. And the tearing apart of the backing of course creased and weakened the cardboard.
Aurora is standing on a small cardboard spacer. Behind her is a printed background from the movie, which is common to all the dolls in this series. Unfortunately, the bottom of the backing was not square to the back side, so the doll would fall face forward if I tried to stand her up in the backing.
Removing her from the backing was very easy, especially compared to most Disney Store dolls. There was only plastic T-tab fasteners securing her to the backing and the plastic spacer. It was possible to reach all the fasteners and snip them off, without having to remove the large plastic spacer, including the one through the back of her head. The remaining post sticking out of her head was snipped off as close to her scalp as possible, without cutting her hair. Unlike Coronation Aurora, there was no tissue paper around her legs.
Purchase Details
I just received the four available Jakks Pacific dolls from the Maleficent movie in single doll packages. I ordered them from Toys R Us on Friday night and got them Tuesday, with free shipping. I appreciated the quick shipping, compared to the Disney Store. The dolls are the following, with links to the TRU site. All the dolls are 12'' H. The Coronation dolls are $39.95 each, the other two are $19.95. They are also available in some ToysRUs stores. The cheaper dolls are also available online, for the same price, from Amazon.
Garza real
Ardea cinerea
Familia: Ardeidos – Ardeidae
Aspecto: Garza grande, de complexión robusta, predominantemente de color gris, con un pico recto, fuerte, en forma de daga. Las garzas pueden diferenciarse de las grullas durante el vuelo, y a menudo también cuando están de pie, por la forma en que encorvan su cuello.
Tamaño: Largo 84-102 cm, envergadura alar 155-175 cm, peso 930-1.150 g.
Nido: Una gran pila desarreglada de ramas, generalmente construido muy alto en un abeto o pino. Las aves pueden usar el mismo nido durante muchos años.
Reproducción: Pone 6 huevos en mayo, incubados de forma alternada por los padres, en 4 a 6 períodos, durante 25 a 28 días. Las aves jóvenes aprenden a volar aproximadamente a los 50 días. Muchas garzas reales anidan en colonias.
Distribución: Ave migratoria de verano que se reproduce poco en Finlandia (solo hay alrededor de 100 parejas). En los últimos años, los avistamientos de invierno se han vuelto más comunes.
Migración: Pasa el invierno en el oeste y sur de Europa. La migración de otoño puede tener lugar entre mediados de agosto y principios de noviembre, y las aves regresan de marzo a mayo.
Alimentación: Acecha inmóvil a lo largo de costas, lista para emboscar, en espera de que peces y animales acuáticos pequeños estén a su alcance.
Sonidos: Un chillido fuerte, molesto, similar al llamado de la pagaza piquirroja.
La garza real tiene partes superiores de color gris claro, y partes inferiores de color blanco grisáceo. Su cabeza es mayormente blanca, excepto por una raya negra que se extiende desde encima de sus ojos hasta la parte posterior de su cuello, donde algunas de sus plumas se alargan para formar una cresta. Los adultos con plumaje de apareamiento pueden tener un color rosáceo a los lados del cuello, y algunas filas de rayas oscuras en el cuello y el pecho. La garza real tiene el pico de color amarillo o naranja amarillento, patas de color marrón opaco e iris amarillo.
Las aves inmaduras generalmente se parecen a las adultas, pero su capuchón y su cuello son más grises (y el cuello no tiene color rosáceo). Su pico es más pardusco y el iris es blanco.
These strange, headless, wrong-complexioned mannikins were everywhere in the Bulawayo marketplace. We watched them being disrobed and taken down the evening before, and returned to find these piles of "corpses" littering the marketplace the following morning.
www.drguida.com/skin/laser-skin-resurfacing/
Time, gravity and excess sun exposure can cause deepening of facial lines and uneven pigmentation. This gives an older, tired look to an otherwise youthful complexion. Laser skin resurfacing can reduce, and often remove, much of this damage to the skin and literally "turn back the clock". A tired looking, sun damaged face can obtain an entirely new, fresh look with healthy, glowing smooth skin. This is the goal of laser resurfacing.
There are different levels of laser resurfacing available, depending on the patient's condition, the level of "down time" or recovery period a patient can tolerate, and cost.