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DELMARVA MEN WHO RODE WITH CUSTER AT THE BATTLE OF LITTLE BIG HORN
The Battle of the Little Big Horn or as it is sometime called Custer’s Last Stand happened on June 25th 1876. There has been so much written about it, it is hard to tell fact from fiction, but what we do know is out of a force of over 600 7th Cavalry men; 268 men died and 55 were injured. Of the men who died one was from Delaware, and of the men that survived one was from Dorchester County, Maryland.
George Morris enlisted for five years at Philadelphia, Pa on the 26th of October 1872. He signed a paper saying he was 21 years of age and by occupation a Carriage-maker. He stated he was born in Georgetown, Delaware. Captain S. M. Whiteside of the 6th Cavalry swore that he minutely inspected George Morris and he was sober at that time of enlistment and appear to be of lawful age and he had Brown eyes, Brown hair, fair complexion and was 5 feet 5 ¾ inches high. J. M. Neill, Assistant Army Surgeon, swore he examined George Morris and he was free of all bodily defects and mental infirmity. Unknown to Captain Whiteside and Assistant Army Surgeon Neill was George Morris was really a man named Eugene Cooper.
Eugene Cooper entered military service under an alias, George Morris. We do not know the reason why. The first thought that comes to mind is he was wanted by the law for some reason but in 1872 there was a great depression going on. It was referred to as the “great depression” until 1930 when even a worst depression took place and the name was changed to the “Panic of 1873.” So either down on his luck or hunted by the law Eugene Cooper did what a lot of young men did—he enlisted. Joining the U.S. Army in 1872 was an admission of economic incompetence if you were a native-born American, as Eugene Cooper was, and a lot of young men signed up under assumed names.
If Private Morris (Cooper) followed the path of other 7th Cavalry Company “I” troopers he would have been sent to Columbus Barracks, Ohio for training and then to Shebyville, Kentucky and in 1873 transferred to Fort Totten, Dakota Territory (DT). In 1874 Company “I” of the 7th Cavalry moved from Fort Totten to Fort Abraham Lincoln.
He must have had ability and intelligence as four years after enlisting he was a Corporal. So on a hot Sunday on June 25th 1876, Corporal Morris was riding with “I” Company, commanded by Captain Myles Keogh, an Irishman who was born in County Carlow and who had fought in the American Civil War. The fighting took place along what is called Calhoun Hill, Keogh Ridge and Custer Hill, an area about a kilometer in distance. Most of Company “I” died on what is called Keogh Ridge with Captain Keogh. The spot where Captain Keogh and his men fell was a slight depression in the ground. The men were found around this depression indicating they had used it as a defensive position. This was a rapid battle that was over within an hour. We do not know where Corporal Morris (Cooper) died as when positions became overrun the surviving trooper would try to run toward the nucleus of troopers around Lt. Colonel Custer on “Custer Last Stand” Hill. Three days later when the surviving members of the 7th cavalry found them, the bodies were too mutilated, stripped of clothing that may have contained personal identification items, and had spent three days in the hot sun. Most were not identified.
Eugene T. Cooper was born July 4, 1851 in Georgetown Delaware. His parents were Benjamin Brady Cooper (1828 -1888) and Hannah Sherwood (1829-1914 ) . Benjamin and Hannah married on August 6, 1850. In addition to Eugene they would have a second son, Thomas O. Cooper (1854 - 1925). Benjamin was a wheelwright and the family moved frequently. Eugene being born in Georgetown may have represented the farthest southern movement of the family. They lived mostly in Kent and New castle family. Both Benjamin and Hannah are connected with the Coopers, Sherwoods, Broadways and Lowbers from Petersburg, Murderkill Hundreds, Kent County, Delaware. They are classic Delmarva families that intermarry frequently. Those families came from around Easton and Denton Maryland and moved to Delaware when Lord Baltimore started to tax non-Catholics at a little higher rate plus used other forms of bias against them. From the census records Benjamin and Hannah always had lodgers and servants in their homes. Frequently the lodgers were relatives from both sides of their families.
Benjamin B. Cooper would die of a heart attack at age 60 on March 3, 1888. After her husband’s death Hannah, applied for a pension under George Morris (Eugene Cooper) federal service.
In 1892 Hannah Cooper would begin receiving twelve dollars a month as a pension.
Hannah Cooper was found dead in bed on December 21, 1914. The medical doctor said she was asphyxiated.
Thomas O. Cooper, the second son, lived in Wilmington and had a varying career of photographer, dance master, music teacher and finally Doctor. He served as a Democratic Delaware State representative from 1904 to 1913 during which time he was speaker of the house from 1909 to 1910. He remained a bachelor throughout his life and he died in Wilmington September 7, 1925. His will was probated September 7, 1926. He left his belongings to servants and relatives on the Sherwood side of the family. He was buried with his family at Wilmington and Brandywine cemetery.
Benjamin Brady Cooper, father of Eugene Cooper, was the son of Richard Cooper (1795 -?) and Mary Brady. Richard Cooper was the son of Thomas Cooper (1765-1806) and Catherine Lowber (1765-1852). In the 1850 census Richard is a farmer in Murderkill Hundreds, Kent County. He is listed as insane. His wife, Mary Brady, born February 25, 1798, was one of eight children of Benjamin Brady (1760-1839) and Elizabeth Broadway . Benjamin Brady was a Justice of the Peace and one of the founders of Whatcoat Chapel in Camden Delaware. Mary Brady Cooper died October 16, 1859 and is buried at Whatcoat Methodist Church.
Thomas Cooper (1765-1860), father of Richard Cooper, born in Caroline County, Maryland, was the son of Richard Cooper, Sr and Ann Broadway. Thomas and Catherine Lowber would have seven known children; Catherine, Jeremiah, Mary, Peter, Richard, Sarah Ann, and Ezekiel. Thomas was a Superior Court Judge and President of Farmers Bank in Georgetown, Delaware.
Richard Cooper, Sr. (1726 – 1773) was the husband of Ann Broadway (1727-1794) and the son of John Cooper and Deborah Smith. Born in Talbot County Maryland he moved to Kent County, Delaware. He was in the French and Indian wars.
John Cooper (1681 – 1763) born in Nottinghamshire England, died in Queen Anne County Maryland. Married Deborah Smith (1694- bef 1739). Deborah was the daughter of Captain John Smith from Ulster, Ireland and Agnes Lowber (loper) from Amsterdam, Holland.
Our second man from Delmarva with the 7th Cavalry at little Big Horn was Hugh N. Moore from Dorchester County. Private Moore was with “M” Company lead by Captain Thomas French and assigned to the command of Major Reno. Major Reno led the initial attack on the south end of the Indian Village at Little Big Horn and was beaten back to what is today called “Reno Hill.” In the process of retreating he lost 40% of his men. Captain Benteen returned with his three companies of men and a little later the Pack Train arrived on Reno hill. Major Reno had at that time about 350 men. The Indians surrounded them and they were under attack for June 25th, and June 26th, on June 27th. Company “M” was assigned to defend the perimeter of the hill facing the river.
Hugh Moore enlisted in 1872 August 24th in Louisville Kentucky at the age of 29. We do not know what took him from Baltimore, where in the 1860 and 1870 census he was a sailmaker, to Louisville but we do know, generally, what Hugh Moore looked liked from his enlistment and re-enlistment papers. He was white, eyes; gray, complexion; fair, hair; brown, (by his fourth re-enlistment the hair color would be described as gray), and his height was 5’ 7 ½ inches. At the time he joined the cavalry the requirement was the men could be no taller than 5’10” nor shorter than 5’5” with a maximum weight of 165 pounds. This was to allow the horse not to tire too soon as in addition to the weight of the trooper there was another 50 pounds of equipment to be carried on horseback. There were, of course, exceptions to this rule of height and weight.
Private Moore would be assigned to the 7th cavalry “M” company at Fort Lincoln Dakota Territory (DT). “M” company was commanded by Captain Thomas French, who was born in Baltimore. In addition to Captain French serving in the 7th cavalry at this time were 11 other troopers who had been born in Baltimore, so Hugh Moore may have had common experiences with them in Baltimore. Company “M” had 57 men of which 12 would die at Little Big Horn and another 10 would be wounded.
After the little Big Horn battle “M” company was rotated among various forts in the west from Fort Abraham Lincoln, Fort Buford, Fort Keogh, Fort Leavenworth, Fort Meade Fort Totten and Fort Riley. We know from his re-enlistment papers and census records. Hugh Moore was at Fort Meade, Lawrence, Dakota Territory, Fort Sill Lawton Indian Territory, Camp Lower Geyser Basin MT, and Yellowstone Park.
A couple of weeks after the Battle of Little Big Horn, Moore was promoted to Corporal and in December 1876 he was promoted to Sergeant. In April, 1879 he was reduced to Private, appointed to Corporal again in 1881, promoted again to Sergeant in October 1881, reduced to Private in December 1881 he would go thru this promotion/reduction in rank cycle until 1887 when he would remain a private. Perhaps his health record or sick call record reflects the reason why this occurred. Among the medical problems for Moore are; incised wound 1873, Sprain Knee 1877, Contusion 1879, acute diarrhea 1882, inebriation 1882, intercostal rheumatism 1885, inebriation 1887, boils on buttocks 1889, and from 1887 to 1889 numerous alcohol related problems. By 1889 he was consider a chronic alcoholic. Perhaps this alcohol problem was the reason for his transfer in 1887 from his original “M” Company to “K” company and later in the year to “F” Company.
Hugh Moore was discharged from Military Service due to an oblique inguinal hernia on the right side and chronic alcoholism on August 10th, 1889 at Ft Sill, Indian Territory. As Blain Taylor, Asst Surgeon, described his condition “his constitution is completely shattered from excessive use of alcoholic stimulants”. Shortly after that he was a resident of the Old Soldier Home in Washington D.C. He applied for an invalid pension in 1890 and was turned down as his problems were not service related. He would die at the Old Soldier’s Home on September 3rd, 1900 at age 58. He was buried in the Military Asylum Cemetery 21 Harewood Road N.W. Washington DC in Section K Grave #6825.
Hugh N. Moore parents were Nield (Neild) Moore (1810-1859)and Elizabeth Keene (1814- )of Church Creek, Dorchester County Maryland. In the 1850 census Hugh had an older sister, Melvina (b1837), a younger brother Henry W. (b 1844) and a younger sister Sarah Jane (b 1848). Nield Moore was a slave owner and is shown in the Maryland Slave Schedule for 1850. In 1859 Hugh Moore’s father, Nield Moore, died and Hugh Moore in the 1860 census is shown as an apprentice sailmaker in Baltimore living with the Washington Tall family. Since Tall is also a Dorchester county name that person may be a relative. His sister Melvina in 1860 is living with Hugh Nield (Neild) age 69, and family. Hugh Nield would act as Sureties for the settling of Neild Moore estate. Later in 1860 Hugh Nield would die.
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Day 21/365: A cancerous undertaking.
For someone of my complexion at least. Yeah, it'll be spray on tans for me for life or nothing I'm afraid.
For the record: I do not recommend looking directly into an Alienbee repeatedly to make a photo, especially not one this silly. It hurts.
Strobist: Three lights.
AB800, tight grid spot, camera left as a rim light. AB1600, tight grid, camera right as background light.
AB800, reflector, hand held and pointed at face as the blinding, sun tan providing, key light. Split toned in Lightroom.
Camera info: Nikon D300 | 50mm f/1.4D | f8 | 1/250s | Triggered sync cables.
The smooth complexion of a two and a half year old called Storm. The bokeh is also smooth and silky - his mother sits behind him.
Desmond Richardson, Maggie Allesee and Dwight Rhoden
Music Hall’s 2008 – 2009 Season Opener started with Complexions Contemporary Ballet including an encore performance for long time supporter Maggie Allesee’s Birthday Celebration.
Complexions was created by Dwight Rhoden and Desmond Richardson and boasts dancers from New York City Ballet, National Ballet of Canada and the Dance Theater of Harlem. The evening performances included Hissy Fits, Gone, Momentary Forevers, Ava Maria, Wonder-Full and Routines (pictured).
Missed this event? They will be back in 2010 check www.musichall.org for exciting up coming events!
portrait of beautiful teen girl on white background - Elegant orchid in the hair of this teen model.. To Download this image without watermarks for Free, visit: www.sourcepics.com/free-stock-photography/24710493-portra...
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These local kids are all so stunningly beautiful . . . slender and fit . . .
with flaw-less complexions, and the most gorgeous sun-tan !
This is my friend Will; he usually looks a little more friendly than this but making people look scary is fun.
To produce artistic (defined here to mean "unflattering") portraits, particularly of teens, make a black and white image from the blue channel. Except in this case, he still managed to pull off a kind of rough handsomeness; so I had to resort to extreme measures.
Music Hall’s 2008 – 2009 Season Opener started with Complexions Contemporary Ballet including an encore performance for long time supporter Maggie Allesee’s Birthday Celebration.
Complexions was created by Dwight Rhoden and Desmond Richardson and boasts dancers from New York City Ballet, National Ballet of Canada and the Dance Theater of Harlem. The evening performances included Hissy Fits, Gone, Momentary Forevers, Ava Maria, Wonder-Full and Routines (pictured).
Missed this event? They will be back in 2010 check www.musichall.org for exciting up coming events!
This is the picture of childhood innocence. This beautiful little girl has her whole future ahead of her and with her stunning looks of bright blue eyes and her shimmering ginger red hair with a clear milky complexion the world could be her oyster. This photo is in soft focus, but the happiness is clear to see in her smiley eyes
"I bare my windowed self untamed and untrained.
Dreams that hardly touch our complexions truest faults.
If room enough for both my drowsy spirit shall fall.
Bold waves tumble to the season of my heart.
You have offended my faith and my trust,
Until all is lost into the beauty of the day.
Until all is lost and I think It's lost,
And there's something in the way you laugh,
And it makes me feel like a child.
Aspects of life they confuse me,
You and your thesis amuse me.
After an afternoon with you.
And your rich brown eyes,
Your lips and dark hair.
Elbows and exposed knees tossing toward your ceiling
As we lay in bed,
After an afternoon."
I'm happy. Even though no actions have yet taken place, I'm content with these daydreams and thoughts. <3
She has the most pearlescent complexion and still manages to take my breath away when I take her photo, to me she is just perfect
Behind the scene "following Lights" photo shoot featuring movmnt co-founder and Danny Tidwell(ABT, Complexions, SYTYCD) and Desmond Richardson (Complexions). Also present during the shoot, David Benaym (movmnt Publisher), Denise Wall (DWDE), Jaimie Goodwin (SYTYCD), Matt Golding (ABD and Jessica Saund (ABT).
Check for more pictures and video on movmnt magazine's network - Join for free at www.movmnt.net
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COMPLEXION CARE TINTED MOISTURISER FACE CRÈME is a unique blend of organic herbs, along with vital essential & natural oils, that is formulated for intense hydration and rejuvenation. Anti-ageing, it supports cell renewal and smoothens fine lines. With active nutrients that penetrate deeply, it restores suppleness and luminescence. It keeps the pores clear and heals the skin from acne and breakouts.
www.bioayurveda.in/complexion-care-tinted-moisturiser-fac...
Origins is launching its first CC cream in August this year - the Smarty Plants CC SPF 20 Skin Complexion Corrector.
The Beautiful Lottie Locke. The star of a Club shoot organised by David Rann at Fotofilia Studios.
Model Lottie Locke
MUA Devon Martin
Artistic Oversight David Rann
From the trained artists with impeccable voices & porcelain complexion (see comment), to the average homemakers & men on the street, Chengdu folks simply love song, dance & drama.
Every day, 10-20 groups of amateurs gather at the Renmin Gongyuan (People's Park) to sing & dance their hearts away under the shades of the trees, encouraged by the very appreciative crowd. With such enthusiasm, none needs a stage - any corner of the park will do.
Chengdu, Sichuan, China.
Love the ghostly complexion. Toshnonova doesn't look as much like Chelsea Clinton in this photo. This is only her 20th do over. She is a vintage Greneker from 1980, and the first mannequin I ever owned. I salvaged her from going into the trash heap as the design director at Garfinkle's Department Store (where I was completing a summer, visual merchandising internship in 1986) decided she was useless. He didn't want anyone to have her, so the visual manager snuck her out of the building for me. She's been everywhere with me and has had a number of repairs from being banged and dropped. Needless to say, she's had a hard life.
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
PRIYA AHUJA
[ACTOR/MODEL]
Email : contact@priyaahuja.com
VITALS : 33-24-36
HEIGHT : 5ft 4 inches
WEIGHT : 47 Kgs
COMPLEXION : Fair
Lewis Albert Steele: 6 ft. tall, 200 lbs, dark complexion, light blue eyes, auburn hair., taken 4 September 1910
Snow White and her Prince have now been fully deboxed. They are posed standing, supported by the built-in doll stands in the base of the display case.
This regular version of the Snow White and the Prince Disney Fairytale Designer Collection Doll Set has the same two base dolls as the D23 special edition dolls that I reviewed earlier. That is the dolls themselves are identical in every way (except for the serial numbers on the back of the Prince dolls). They also have outfits of almost identical designs, but made of different materials and with differing colors. So the dolls have different looks, especially the Snow Whites.
Snow White has the body of a 2012 Disney Store Classic Princess doll. That is, she has hard plastic legs, with hinged knee joints and ball jointed ankles. She is missing the usual manufacturer's marks printed on Disney limited edition dolls, including the part number and her edition size and serial number. She is also missing the twist waist joint of the previous Designer Princess and Designer Villain dolls. She has a pale complexion, the same as the 2012 Snow White, with whom she shares the same body. However, her neck joint has more freedom of movement, especially downward, and her painted on panties are deep golden yellow, much darker than the 2012 Snow White.
Her face mold appears to be the same as the 2012 and 2013 Classic Snow White, but with a considerably different face paint than either of them. She has large dark brown eyes that are glancing to her left, with four short thick lashes over each eye and four very short and thin lashes under each eye. Over her eyes is gold eyeshadow, and thin black eyebrows gently following the curve of her eyes. She also had short rooted eyelashes that are just barely curving upwards, and are even in length. She has a small button nose, a small mouth with blood red lips forming a charming open mouth smile. She has light pink rouge over most of her cheeks, and a round face with small chin. She is a very beautiful and faithful representation of the sweet and charming movie character.
Her hair is a considerable departure from the traditional short flip hairdo. Her jet black hair is parted to the left of her head, and pulled tightly over her head into a medium length braided ponytail that tapers down to a point and is secured by black rubberband, and is sewn to her collar on her right side. There is a small amount of hair product applied just above her forehead, to a thin strip of her hair. In my doll, that strip keeps on separating from the rest of her hair. I haven't been able to integrate it with the rest of her hair; perhaps I will have to apply more hair product to keep it place. There is a thin bright red satin ribbon around the top of her head that ends in a small bow at left side of her head.
Her outfit is a take on her traditional Princess gown. Her bodice and skirt are separate pieces. The bodice is dark blue velvet with gold piping and elaborate gold embroidery, and decorated with a bow made of metallic gold thread. The floral design is similar to the D23 doll, but differs in its details. She has puffy sleeves of the same dark blue velvet, with separate ribbons of bright red satin that float over the velvet. The sleeves have black lace cuffs decorated with gold hearts, and the oversized collar is pure white lace folded in a fan-like manner behind her neck and head. Her skirt is dark golden taffeta with gold embroidering incorporating fleur-de-lis, flowers and hearts. The embroidery in the skirt is identical to that of the D23 doll. The taffeta gives the skirt has a wrinkled, antique appearance. It has a thin pale tan satin lining. There are golden rhinestones scattered throughout the bodice and skirt of her dress. Under her dress is a floor length white satin slip with the lacey pattern at the hem showing below her skirt. It is sewn to her skirt at two spots at the hem, which I chose to leave alone for now. It is also sewn to the waist band of the skirt, so it is a permanent part of the skirt. She is wearing golden tan flat shoes (or slippers), the same as the D23 doll. It is a beautifully designed and beautifully made outfit that is a darker and more ornated version of the Princess outfit of the movie character.
The Prince appears to have the standard Disney Store Prince body, with articulation at the neck, shoulders, hinge jointed elbows, ball jointed hips, and internal knee joints with limited movement. His hands and feet are large, but his head is disproportionately small compared to Snow White. His face has a neutral expression, with small, narrow deep blue eyes, wide mouth and a straight nose. His molded dark brown hair looks okay. His face doesn't look that movie accurate to me; I actually prefer the playline Classic Prince. As with all Disney Prince dolls, he is sturdily built, and can free stand fairly stably. But for safe keeping, it is best to put him up in the included doll stand, which has a wide C-clamp that goes around his waist very snuggly.
The Prince's outfit is very well made and fitted to his body. It consists of a dark blue faux leather vest, a bright red velvet and satin cape with gold piping permanently attached at the shoulders of the vest, a dark blue faux leather belt with a gold metal buckle and a short black faux leather scabbard attached, white satin shirt, black pants and black boots with a worn look and creases. In the scabbard is a steel gray sword with a brown handle. The sword is thin and very flexible. It was slightly bent out of the box, but was easily bent back into shape. The D23 Prince's vest is much thicker, and feels much more like real leather than this Prince doll. But this Prince has an outfit that is much closer in color to the movie character. He looks great in his outfit, and very dashing, but I wish his expression had more emotion, and was more cheerful.
Snow White and the Prince - Limited Edition Doll Set
Disney Fairytale Designer Collection
US Disney Store
Released and purchased in store on August 20, 2013.
Released online August 21, 2013.
$129.95 US
#558 of 6000
First Look
I will photograph the set boxed, during the deboxing, and fully deboxed. I will also pose the dolls next to comparable dolls, for instance the Gold D23 Snow White doll set.
Product information from the US Disney Store website:
Snow White and the Prince Doll Set - Disney Fairytale Designer Collection
$129.95
Item No. 6070040900883P
Fairest two of all
With lips red as the rose and skin as white as snow, the Princess has never looked fairer. Paired with her handsome Prince, this stunning set of Disney Fairytale Designer Collection dolls will be cherished happily ever after.
Magic in the details...
Please Note: Each Guest will be limited to ordering a maximum of one of this item per order.
As part of the Disney Fairytale Designer Collection this pair of Snow White and Prince dolls were carefully crafted by artists inspired by Walt Disney's 1937 classic, Snow White and the Seven Dwarfs. The original Disney Princess and her Prince have been reimagined in exquisite detail with these limited edition dolls. Brought to life with thoughtful attention, they uniquely capture the essence of the fairytale couple, creating a one of a kind set that will be a treasured keepsake of collectors, Disney fans and every princess at heart.
•Global Limited Editon of 6000
•Includes Certificate of Authenticity
•Romantic side-swept hair
•Dramatic lace collar
•Elaborately embroidered velvet bodice with puff sleeves with red satin detailing
•Layered gown ornately decorated with golden gemstones, taffeta, lace, and embroidered foliage
•Dramatic make-up and rooted eyelashes
•Red bow headband
•Prince features velvet cape
•Satin shirt with faux leather waistcoat and belt
•Boots and sword
•Dolls sold in a special keepsake display case with intricate details on the base, including a golden plate with the name of Snow White and the Prince
•Includes special Disney Fairytale Designer Collection Gift Bag
•Part of the Disney Fairytale Designer Collection
* Intended for adult collectors -- Not a child's toy.
The bare necessities
•Plastic / polyester
•Snow White: 11 1/2''
•Prince: 12'' H
•Imported
For Inti
Request For:
Complexion is cool, pink based.
Up to my discretion for whatever I would like but with a bit of eyeshadow, not goth and freckling.
I decided to go for a muted plummy base for her eyeshadow look and super glossy rose pink lips. I wanted her to have fairly thick eyebrows and lots of lashes. I kept her freckling very very minimal so as not to distract from her large eyes. They are kept to a bit of texture and are a bit more apparent in real life than in the lighting here.
There is no extra cost to the freckling shown here.
Eyelashes used are heavy black from Switch.
Eyes: 14mm from my own horde