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Processed with snapseed & flickr app.
The so-called Gioconda complex includes three G+5 apartment buildings and a G+17 tower with two extra split floors, totalling 321 apartaments. The constructive system consists of reinforced concrete frames with back-up masonry for the lower buildings and reinforced concrete membranes with thick slabs for the tower.
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♫ I Got You Babe ♫
☑ Hair Left: Tram (N0308)
☑ Hair Right: Dura (NA18)
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☑ Outfit Right: Complex (KA Boots) + Complex (Harajaku)
☑ Hoodie: Stoic (Hoodie Black)
☑ Pose: Diversion (I Got You)
☑ Added: Hive (Gas station grab. phone+cig. hold1L)
The Qutb complex is considered to be the first foundation of Delhi. On the ruins of Delhi's first mosque - built after the Muslim conquest of the city (around 1200).
The portico of the Quwwat-ul-Islam mosque framing the courtyard consists of columns/pillars from destroyed Hindu and Jain temples.
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Der Qutb-Komplex wird als erste Stadtgründung Dehlis gezählt. Gelände auf den Ruinen der ersten – nach der muslimischen Eroberung der Stadt erbauten – Moschee Delhis (um 1200).
Der die Hoffläche rahmende Säulengang der Quwwat-ul-Islam-Moschee besteht aus Säulen/Pfeilern von zerstörten Hindu- und Jain-Tempeln.
This vantage point gave me an opportunity to see multiple large shopping malls in their entirety, as well as the numerous commercial or office buildings that surround them.
A picture of a large shopping complex, consisting of multiple shopping malls that are interconnected with each other, as well as a few office buildings that surround it.
Guggenheim Museum is a gallery of modern and contemporary art in Bilbao, Spain, designed by architect Frank Gehry. The architecture of this building is out of this world. It seems almost organic and fluid in nature.
The museum looks different form every angle and it changes in appearance with every single change of perspective. It is not just the angle that changes, the building really transforms before your eyes and no doubt its design has a lot to do with that perception. It is one giant random generator of shapes and textures.
More about this photo on my Blog and Facebook page.
www.youtube.com/watch?v=o5GodBpOQ50
"They say that the Natives once had a Holy Site that they would go to once a month. It was one of the first sites ever raised to thank the Red Father for their fortunes. When the first corporations came, they destroyed the Holy Site and erected one of the first colonies. Monstrosities of Steel and Light over the ruins and remnants of the Faith of the Natives. It wouldn't be longer until the Natives retaliated and destroyed that Colony themselves. When A.R.E.S came, they showed their might by rising yet another Colony on the same location: Hades. And now that A.R.E.S themselves have attacked and wrecked the colony, many claim to hearing the ghosts emerging from the depths, from the ruins of the Holy Site, and the ruins of so many lives cut short... Like Demons, they rise towards the light"
Tartarus continues to get awesomer and awesomer by the day! New addition to the Mars setting on Cocoon!
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Cocoon: Come for the Neon, stay for the Intrigue
From Portal, AZ, with Nikon D750 (Ha modified) and Nikkor 300mm f/2.8 lens. May 2020. 5 hours of 2 minute exposures, processed via PixInsight.
Complex simplification
Man I’ve struggled to write this text. It’s felt like digging a hole from England to Australia. The first few spades full were effortless as I enthusiastically threw them over my shoulder, but the hole quickly became very deep and then I hit ROCK. Now the task of finishing the job has become very daunting and if I’m to continue, it’s going to be slow and arduous. So…I’m going to start this with a paradoxical conclusion, then offer some alternative perspectives on digging …but first the conclusion, “simplicity turns out to be rather bloody complex!”
My messy mind
When photographing in a location, I’ve often observed how my ‘state of mind’ influences the way I see world and engage with it. Now this is a massive topic and I’d be foolish to attempt to cover it here, (man it looks very dark in the bottom of that hole). But more recently, I have observed whilst in the most peaceful locations, ‘self imposed artistic ideals’ creep into and distort my particular view of that reality. These thoughts can be very productive when wanted, but sometimes have become irritants when not, placing unattainable expectations of ‘perfection’ of light subject and composition over what is essentially reality.
To experience a ‘beautiful’ location in ‘perfect’ light is indeed, very special but, ‘the very act of photographing’ the location is further introducing complications on how one engage with any given scene. Often, (even without the camera), instead of enjoying the view, I have a sometimes (self diagnosed), irritating tendency to scout for locations, attempt to second-guess the weather, seek out detail, light and foreground interest. When I do have the camera (if I’m honest most of the time when in these locations) and feel inspired to take the tripod off my back, I’m often racing the fast moving conditions, setting up equipment and looking at the world through the viewfinder.
So why is this a problem you ask? Isn’t it your intention to seek out these locations and try to convey some of the feelings you have in a photographic representation? Well yes, but it’s those very ‘feelings’, that are being distorted by the process, that I want to experience as ‘pure’ in order to attempt to convey. I’ve noticed that often I actually ‘see’ and ‘feel’ more for a location when viewing the ‘image’ some time after its making, when I’ve have had time to reflect, things have slowed down and I’ve allowed my mind to dig deeper into the image and location. Unusually I see and feel things that I didn’t when I was making the image, which is bizarre, as you would think that being there in the flesh enables you to see more, but the opposite seems to be true. I would speculate that on location, our senses can become overloaded and the previously mentioned reasons, all influence the unique filtrated perception of the location.
I do believe that we in fact absorbed the overlooked information, somewhere deep in the subconscious mind, but it is only when reflecting on the imagery later that we begin to process the mechanical representations disentangling the thoughts, laden them with significance, and produce feelings. The photograph then seems not only to be historical record of the place we were. But actively catalyzing the emotions surrounding the experience, digging not only into the very place we were making the image, but deep into the recesses of our memory and dragging out past seemingly tenuously connected feelings.
Now all this mental clutter isn’t necessarily a problem, I suppose it depends on how you choose to look at why you were there in the first place. I do however wonder why we naturally filter out that information? I wonder if we simplify it because we cannot possibly process it all to satisfactory levels whilst there (it that just me?) maybe I need a few more slots of ram, or a better fan on my processor.
But seriously I feel analysis of the seemingly natural way our brains simplify any given experience into manageable chunks, offers us some incite as to a method of improving the ‘power’ in our photography.
A compositional tool that distills meaningful elements
The world is a complex place and the act of photographing it has a tendency to simplify our view on it. By choosing to narrow down the subjects, condensing the third and fourth dimension into two and directing the viewers attention onto a particular representation, is offering us an illusion on reality. A distorted view that has been manipulated by the photographer’s actions and thoughts, in a vague representation on a perceived, often overlooked reality. There is a common misinformed perception that photography is truth, but I digress.
If you use landscape painting as a convenient comparison and I’m thinking of artist such as (turner), the simplification of any given perception on reality, enables the artist an ability to distil the multitude of sensory data coming into the mind and focus on presenting only the ones that communicate the desired message/feelings they want to convey. The very act of rejecting elements is in fact paradoxically focusing deeper ones attention on the remaining.
When a shot is simplified, to clear compositional elements, the smallest details can possess greater power. A simple curve can become an overriding factor in the way your eye moves around the presented landscape. The shape and flow of that line, then has to be of impeccable clarity to retain its power. We as viewers linger longer on smaller elements, expecting and actually extracting more from them. The accomplished photographer, then, has primed the work for the viewer, without them even noticing. The ability for a photographer to expose us to the simplified view is then showing us that they are able to creatively distil the elements; it revels to us that we are looking at a skilled practitioner.
When looking at a successfully simplified photograph, I often get some sense of my eye moving over the scene in a controlled manor. It’s almost slowing the viewing process down and highlighting subtle nuances. The experience forces me to really LOOK at the image and draws my attention to normally overlooked elements. Playing with the juxtaposition of these simplified elements has in it hints of ambiguous purity, and when successfully accomplished it’s a powerful viewing experience.
It is also catalyzing a meditative state
We all seem to lead busy lives these days, attempting to squeeze multitudes of tasks and experiences in. Don’t get me wrong I’m the first to admit cramming my free time full of the things I want to do, places I want to photograph, (doesn’t the weekend wiz by), but are we not missing something along the way? It seems to me trying to reach out to wider and wider locations doesn’t necessarily mean greater rewards, as the essence of each place is being overpowered by its very complexity. Slowing down, concentrating on the elemental, gives the experience more depth. Letting your senses see, taste, smell, feel what it is that you’re doing enriches the experience. (For me that is).
Please don’t make the assumption that I’m arrogantly stating this is the only way to enjoy photography, because extracting pleasure in whatever form, is a respectable goal. But it is my intention, no, ‘need’ to dig deep, push my mind into new and uncharted territory, because I thrive on the unpredictable, and looking into oneself through the implementation and reflection of my photography, it’s definitely not simple but incredibly rewarding.
This cloud to ground (CG) discharge was the last of a 15 minute period of strikes that saw just one lightning strike per minute on average. This frame was only 0.25s at f/5.6, iso 500, with focal length of 35mm cropped sensor. Fujifilm X-T3, 16-55mm f/2.8 lens in movie mode (4fps). This image was also cropped from original.
The Long Beach Convention and Entertainment Center is a convention center located in Long Beach, California. Built on the former site of the Long Beach Municipal Auditorium; the venue is composed of the Long Beach Convention Center, Long Beach Arena and the Long Beach Performing Arts Center.
Long Beach Arena was the first building to be completed in the complex. Capacities are as follows: 11,200 for hockey, 13,609 for basketball and either 4,550, 9,200 or 13,500 for concerts, depending on the seating arrangement.
The arena has hosted various entertainment and professional and college sporting events, most notably the volleyball events of the 1984 Summer Olympic Games.
For trade shows, the arena features 46,000 square feet (4300 m2) of space, with an additional 19,000 square feet (1800 m2) of space in the lobby and 29,000 square feet (2700 m2) in the concourse. Hanging from the arena's 77 foot (23 m) high ceiling is a center-hung scoreboard with four White Way "Mega Color" Animation Screens. There is an 11 by 15 foot SACO Smartvision LED Wall located on the south end of the arena.
The arena was the site of the first NHL game involving a 1967 expansion team, as the Los Angeles Kings and the Philadelphia Flyers, both expansion teams, played on October 14, 1967, the Kings won 4–2. The Kings played in Long Beach for the first half of their expansion season while The Forum was being completed.
In the 1970s, the arena hosted several games of the Los Angeles Sharks, of the WHA and regular appearances of the Los Angeles Thunderbirds roller derby team. The Grateful Dead played the arena on December 15th, 1972; the first of 13 concerts there through 1988.
In 1980–81 the arena was also home to the California Surf of the North American Soccer League for one season of indoor soccer.
The arena was home to the former Long Beach Ice Dogs team, which played professional ice hockey in the IHL, WCHL and ECHL. The Ice Dogs ceased operations of the team in 2007.
The Eagles performed during a benefit concert for California Senator Alan Cranston on July 31, 1980, on what has been described as "Long Night at Wrong Beach".Tempers boiled over as Glenn Frey and Don Felder spent the entire show telling each other about the beating each planned to administer backstage. "Only three more songs until I kick your ass, pal," Frey recalls Felder telling him near the end of the band's set.Felder recalls Frey making a similar threat to him during "Best of My Love"."We're out there singing ‘Best of My Love', but inside both of us are thinking, 'As soon as this is over, I'm gonna kill him,' " recalled Frey. The animosity purportedly developed as a result of Felder's response of "You're welcome – I guess" to Senator Cranston as he was thanking the band for doing the benefit for his reelection. A live recording of their song "Life in the Fast Lane" from this show was included on their live album, entitled Eagles Live. This marked their final live performance, as The Eagles, for 14 years, until April 25, 1994.
Iron Maiden performed four consecutive shows during their World Slavery Tour on March 14–17, 1985. The show on the 15th was recorded and released as a double live-album, entitled Live After Death.
The arena was also one of the sites of the 1986 NCAA Men's Division I Basketball Championship Rounds of 64 and 32. The teams, which played at the arena, included Maryland, Pepperdine & UNLV. Maryland's Len Bias played his final collegiate game at the arena on March 14, 1986, in a loss to UNLV in the Round of 32. The arena was also the site of the Big West Conference men's basketball tournament from 1989 to 1993. It was the home court for Long Beach State's men's basketball team for several seasons in the 1970s and 1980s.
Run–D.M.C. performed during their Raising Hell Tour on August 17, 1986, with Whodini, LL Cool J, The Beastie Boys and The Timex Social Club as their opening act. The show made news worldwide when gang fights broke out between the Long Beach-based Insane Crips and the Los Angeles based Rollin 60's Crips within the audience, with 42 reported injuries during the incident.
From 2009 to 2016, the FIRST Robotics Competition Los Angeles Regional was held at the Long Beach Arena.
On July 1 and 2, 2017, the arena hosted New Japan Pro-Wrestling's G1 Special in USA shows, which marked the company's first independently promoted shows in the United States.
The arena will host handball during the 2028 Summer Olympics.
Whilst admiring the stunning mountain scenery at Glencoe, Scotland, I was naturally drawn to the arboreal views that presented themselves to me. I didn't see cameras being pointed at this wonderful structure and is a textural treat for the eyes. I loved the earthy colours contrasting against the thin pale branches.
An Inferiority complex is a psychological term used to describe people with intense feelings of inadequacy, often resulting in the belief that one is in some way deficient, or inferior, to others.
Flickr Friday
Recursion
Recursion occurs when a thing is defined in terms of itself or of its type.
PIRAMIDS OF GIZA
The only survivor of the Seven Wonders of the World.
The Great Pyramid of Giza is the main part of a complex setting of buildings that included two mortuary temples in honor of Khufu (one close to the pyramid and one near the Nile), three smaller pyramids for Khufu's wives, an even smaller "satellite" pyramid, a raised causeway connecting the two temples, and small mastaba tombs surrounding the pyramid for nobles. One of the small pyramids contains the tomb of queen Hetepheres (discovered in 1925), sister and wife of Sneferu and the mother of Khufu. There was a town for the workers of Giza, which included a cemetery, bakeries, a beer factory and a copper smelting complex. A few hundred meters south-west of the Great Pyramid lies the slightly smaller Pyramid of Khafre, one of Khufu's successors who is also commonly considered the builder of the Great Sphinx, and a few hundred meters further south-west is the Pyramid of Menkaure, Khafre's successor, which is about half as tall. In May 1954, 41 blocking stones were uncovered close to the south side of the Great Pyramid. They covered a 30.8 meter long rock-cut pit that contained the remains of a 43 meter long ship of cedar wood. In antiquity, it had been dismantled into 650 parts comprising 1224 pieces. This funeral boat of Khufu has been reconstructed and is now housed in a museum on the site of its discovery. A second boat pit was later discovered nearby.[