I was initiated, and advanced to the honourary Degree of a Mark Master Mason by Phoenix Chapter No. 34, Cookstown, ON.

www.royalarchmasons.on.ca

 

en.m.wikipedia.org/wiki/Order_of_Mark_Master_Masons

 

Probably the most beautiful symbol of Freemasonry is that of the Keystone!

 

It does not appear in the symbolism of the Lodge, but is reserved for those degrees dealing with the Chapter and, its symbolism, where it is found in all but one of the degrees of that system. The reason for its absence in lodge symbolism is that the lodge deals with preparation for eternal life, whereas the Chapter deals with the completion. (This reminds me of the Jason Bourne movies which refer to him rebuilding his life)

 

Keystone Symbol - The Keystone is the symbol of completion.

 

For all practical purposes the Keystone is the last stone placed in the arch, and as such represents completion. The placing of the Keystone in the symbolic arch of the Chapter, represents the completion of the individual Temple which each craftsman is erecting.

 

True, the Temple material was destroyed, but it was only the symbol of the Spiritual Temple which can never be destroyed. Royal Arch Masonry efforts are towards building spiritual Temples and its ceremonies, its legends, and its teachings, while beautiful in themselves, are there for the sole purpose of teaching great spiritual truths.

 

Our spiritual Temple can be completed only by death, the great leveller, but if that Temple be built by plumb line, by level, and by square, we are taught that its foundations shall never crumble nor decay, and that when we have reached “that bourne from which no traveller returns” we may enjoy the fruits of our labours here on earth throughout the endless eons of time.

 

And we may add again, the Keystone, the emblem of completion, is the outstanding symbol of Masonic teaching!

 

Cookstown Masonic Temple.

 

THE WAGES OF AN ENTERED APPRENTICE - June 09, 1958

 

PRESENTED TO: PORT ARTHUR LODGE A.F. & A.M. No. 499 BY HORNEPAYNE LODGE A.F. & A.M. No. 636

THUNDER BAY, ONTARIO.

 

THE WAGES OF AN ENTERED APPRENTICE:

 

The catechisms of the Craft and the conventional lecture on the Tracing Board of the Second Degree, all of which speak with that authority that belongs to age, tell us that the wages of an Entered Apprentice are Corn, Wine and Oil. Sometimes it is added that he received Corn for food, Wine for nourishment, and Oil for comfort. The broad difference that was thought to be set up between the Apprentice and the Fellowcraft apparently was that the Fellowcraft was paid in coin while the apprentice was paid in kind. I fear it would be difficult to produce any authority for this, and probably the distinction between the liaisons of the two degrees is the invention of some imaginative brother who may have got the hint from a practise that was not uncommon among early operatives. Two or three centuries ago the conditions of labour were laid down as firmly as they are today by our powerful trade unions. A master could not employ more than a certain very limited number of apprentices - often the number was restricted to one - and these apprentices were taken bound to serve their masters for a period of seven years. Not infrequently, alike in mason and other trades, the apprentice went into residence with his master and during the early years of his apprenticeship received no remuneration except board and lodging. Only when he became a journeyman, or Fellowcraft, and was free from the master who had taught him his business, was he entitled to wages in the form of cash. If, as it is possible, some elaborator of Freemasonry, got the hint here as to the remuneration of an apprentice one can easily understand that commonplace language such as “board and lodging” would not appeal to him, and that he would seek to ornament the matter with just such combination of words as “Corn, Wine and Oil.”

 

One of the traditions of the craft, dearly beloved by uncritical Freemasons, says that the whole number of workmen engaged on the Temple at Jerusalem amounted to 217,281 persons, and that of these 80,000 were Fellowcraft and 30,000 were Entered Apprentices - the latter of whom were arranged into one hundred lodges with three hundred members in each. This immense multitude was paid weekly on the sixth day of the week; and one tradition solemnly asserts that the 80,000 Fellowcraft toiled up the Winding Stair to the Inner Chamber to receive their wages. Mackey tells us in this “Lexicon” that the Fellowcraft “were paid in corn, wine and oil”, and the authors of “The Reflected Rays of Light upon Freemasonry” adopting the same view say “What could be more absurd than to believe that eighty thousand craftsmen had to ascend such a stair, to the narrow precincts of the Middle Chamber to receive their wages in Corn, Wine and Oil? “It is very evident that Mackey and the authors of “Reflected Rays” have misread the Lecture on the Second Tracing Board. It was the Entered Apprentice who received the corn, wine and oil and wherever he got it, he did not receive it in the Inner Chamber. To gain access to that apartment a workmen required the pass-grip and pass-word of a Fellowcraft, and it is obvious that no Entered Apprentice could have possessed these.

 

One may pause here for a moment to remark that according to another tradition, all the workers of every degree were paid in current coin. The total wage bill is alleged to have amounted to about £140,000,000 sterling, and it was distributed among the craftsmen on a progressive scale which was quite obviously adjusted on the principle of the more honour the more pay. At the one end of the industrial line stood the humble Entered Apprentices who received one shekel, or about 2s 3d of English money (.50) per day, while at the other end, was the Super-Excellent Mason who received 81 shekels per day, equal to about £9 2s 3d sterling (One Masonic author very generously described this as “only a fanciful speculation of some of our ancient brethren, “and we may return, therefore, to our Corn, Wine and Oil.

 

If I am right in my theory that the wages of an Entered Apprentice in Speculative Freemasonry were suggested by the board and lodging which were the reward of the operative youth while learning t his trade, I think it is clear that the person who fixed to Wages of the Speculative A found his material in the Volume of the Sacred Law. We read in the Second Chapter of the Second Book of Chronicles that when Solomon appealed to the King of Tyre for assistance in building the Temple, he said, “Behold, I will give to thy servants, the hewers that cut timber twenty thousand measures of beaten wheat, and twenty thousand measures of barley, and twenty thousand baths of wine, and twenty thousand baths of oil.” The offer of Solomon was accepted by the King of Tyre who replied “now, therefore, the wheat, and the barley, the oil and the wine, which my lord hath spoken of, let him send unto his servants; and we will cut wood out of Lebanon as much as thou shalt need.” The account preserved. In the 5th Chapter of the first book of Kings, indicates that the gifts were made annually to Hiram’s work people, but there is a discrepancy as to the amount. In 1st Kings the Wines is omitted, and the oil is set down as “twenty measures” equal to about 1340 gallons, whereas the 20,000 baths of 2nd Chronicles were more than ten times as much, being the equivalent of about 165,000 gallons.

 

Old Sheckels:

www.flickr.com/photos/21728045@N08/31064028256/in/datepos...

 

www.flickr.com/photos/dynamosquito/5723176457/in/photolis...

 

THE WAGES OF A FELLOW CRAFT MASON:

 

From The Grand Lodge Of Texas

 

During the second section of the Fellow Craft Degree, the new initiate is presented with the wages of a Fellow Craft Mason. He is told the reward for the Freemason who has observed the moral and divine law and not wasted his time in idleness or vice is to be corn, wine and oil. Such wages were indeed true in ancient days when corn, wine and oil represented wealth and were used for money. The Fellow Craft Mason received these wages, not in a literal sense, but symbolically.

 

In ancient days, "corn" was not what we think of as corn today. Instead it was a grain, such as wheat or barley, which was called corn. Thus, an ear of grain (corn) represents plenty. It is also a symbol of nourishment.

 

Wine is mentioned in Psalms 104 as something "that gladdens the heart of man" and, as such, can symbolize health and refreshment of body and spirit. On another level, wine can represent the completed and perfected human life. Wine starts as an inferior juice when newly pressed from the grape, representing youth or immaturity. But with time and through fermentation, it can become a completed product, wine. Wine represents the maturity of mind and spirit we should strive to obtain in our relationship with God, while the fermentation process symbolizes the struggles of life we encounter in developing that relationship.

 

The oil is olive oil, which was a necessity in ancient times as it served multiple purposes. It was used in the preparation of food, served as a medicine both internally and externally, and provided a source of light in the ancient oil lamps. In this view, oil can represent nourishment, health, and peace. As a food item, oil symbolizes nourishment for our physical bodies but also the moral development we as Freemasons should be striving to obtain. As a medicine or remedy, it represents physical health and the spiritual health (or joy) we obtain in our relationship to God. As a source of light, oil represents the physical and spiritual peace we obtain by overcoming the vices of life.

 

Taken as a whole, the corn, wine and oil represent both the physical and spiritual nourishment, refreshment and joy the Freemason receives for living an industrious life devoted to the service of God and his fellowman. The faithful Fellow Craft Mason is assured that his wages, his reward, shall not be just sufficient but plentiful to supply all of his physical, moral, and spiritual needs. He will have health of body, mind, and soul. He will enjoy peace in this life, in the hour of death, and in the life to come.

 

The Grand Lodge of Scotland

 

MASTER'S WAGES:

 

It is rewarding to know that we as Freemasons can answer the

question as to what induced us to become Master Masons, and one answer, of course, is to receive Master's Wages.

 

Our Operative Brethren received their Master's Wages in coin of the realm. Speculatives content themselves with intangible wages, and occasionally some are hard pressed to explain to the wondering initiate just what, in this practical age, a "Master's Wages" really are.

 

The wages of a Master may be classified under two heads: first,

those inalienable rights which every Freemason enjoys as a result of payment of fees, initiation and the payment of annual dues to his Lodge; second, those more precious privileges which are his if he will but stretch out his hand to take.

 

The first right of which any initiate is conscious is that of

passing the Tyler and attending his Lodge, instead of being

conducted through the West Gate as a preliminary step to initiation. For a time this right of mingling with his new brethren is so engrossing that he looks no further for his Master's Wages.

 

Later he learns that he has also the right of visitation in other

Lodges, even though it is a "right" hedged about with restrictions. He must be in good standing to exercise it.

 

Generally this right of visiting other Lodges is a very real part of

what may be termed his concrete Master's Wages, and many are the Freemasons who find in it a cure for loneliness in strange places; who think of the opportunity to find a welcome and friends, where otherwise they would be alone, as wages of substantial character.

 

The opportunities to see and hear the beautiful ceremonies of

Freemasonry, to take from them again and again a new thought, are wages not to be lightly received. For him with the open ears and the inquiring mind, the degrees lead to a new world, since familiarity with ritual provides the key by which he may read an endless stream of books about Freemasonry.

 

"Master's Wages" are paid in acquaintance. Unless a newly made Master Mason is so shy and retiring that he seeks the farthest corner of his Lodge-room, there to sit shrinking into himself, inevitably he will become acquainted with many men of many minds, always an interesting addition to the joy of life. What he does with his acquaintances is another story, but at least wages are there, waiting for him. No honest man becomes a Freemason thinking to ask the Craft for relief. Yet the consciousness that poor is the Lodge and sodden the hearts of the brethren thereof from which relief will not be forthcoming if the need is bitter, is wages from which much comfort may be taken.

 

Freemasonry is not, per se, a relief organisation It does not exist merely for the purpose of dispensing charity. Nor has it great funds with which to work its gentle ministrations to the poor.

 

Fees are modest; dues often are too small, rather than too large. Yet, for the Brother down and out, who has no fuel for the fire, no food for his hungry children, whom sudden disaster threatens, the strong arm of the fraternity stretches forth to push back the danger. The cold are warmed, the hungry fed, the naked clothed, the jobless given work, the discouraged heartened. "Master's Wages" surely far greater than the effort put forth to earn them.

 

Freemasonry is strong in defence of the helpless. The widow and the orphan need ask but once to receive her bounty. All Brethren hope to support their own, provide for their loved ones, but misfortune comes to the just and the unjust alike. To be one of a world-wide Brotherhood on which widow and child may call is of untold comfort, "Master's Wages" more precious than coin of gold.

 

Finally, it is the right of Mason's burial. At home or abroad a

Freemason, known to desire it, is followed to his last home by

sorrowing Brethren who lay him away under the apron of the Craft and the sprig of Acacia of immortal hope. This, too, is "Wages of a Master".

 

"Pay the Craft their Wages, if any be due."

 

To some the practical wages mentioned are the important payments for a Freemason's work. To others, the more tangible but none the less beloved opportunities to give, rather than to get, are the "Master's Wages" which count the most.

 

Great among these is the Craft's opportunity for service. The world is full of chances to do for others, and no man need apply to a Masonic Lodge only because he wants a chance to "do unto others as he would that others do unto him". But Freemasonry offers peculiar opportunities to unusual talents which are not always found in the profane world.

 

There is always something to do in a Lodge. There are always

committees to be served and committee work is usually thankless work. He who cannot find his payment in his satisfaction of a task well done will receive no "Master's Wages" for his labours on Lodge committees.

 

There are Brethren to be taught. Learning all the "work" is a man's task, not to be accomplished in a hurry. Yet it is worth the doing, and in instructing officers and candidates many a Mason has found a quiet joy which is "Master's Wages" pressed down and running over.

 

Service leads to the possibility of appointment or election to the

line of officers. There is little use to speak of the "Master's

Wages" this opportunity pays, because only those who have occupied the Oriental Chair know what they are. The outer evidence of the experience may be told, but the inner spiritual experience is untellable because the words have not been invented. But Past

Masters know! To them is issued a special coinage of "Master's

Wages" which only a Worshipful Master may earn. Ask any of them if they were not well paid for the labour.

 

If practical "Master's Wages" are acquaintance in Lodge, the

enjoyment of fellowship, merged into friendship, is the same payment in a larger form, Difficult to describe, the sense of being one of a group, the solidarity of the circle which is the Lodge, provides a satisfaction and pleasure impossible to describe as it is clearly to be felt. It is interesting to meet many men of many walks of life;

 

it is heart-warming continually to meet the same group, always with the same feeling of equality. High and low, rich and poor, merchant and farmer, banker and fisherman, doctor and ditch-digger, meet on the level, and find it happy - "Master's Wages", value untranslatable into money.

 

Finally - and best - is the making of many friends. Thousands of

Brethren count their nearest and dearest friends on the rolls of the Lodge they love and serve. The Mystic Tie makes for friendship. It attracts man to man and often draws together "those who might otherwise have remained at a perpetual distance". The teachings of brotherly love, relief and truth; of temperance, fortitude, prudence and justice; the inculcation of patriotism and love of country, we everyday experience in a Masonic Lodge. When men speak freely those thoughts which, in the world without, they keep silent, friendships are formed. Count gain for work well done in what coin seems most valuable; the dearest of the intangibles which come to any Master Mason are those Masonic friendships of which there are no greater "Master's Wages".

 

Map: www.flickr.com/photos/internetarchivebookimages/147770369...

 

Portable Masonic Wages: From Phoenix Masonry

 

A portable leather case of corn, wine and oil is symbolic of the wages paid to a Fellow Craft Mason as he makes his way or "passes" through the middle chamber. The "corn, wine, and oil are emblematical of nourishment, refreshment and joy and teach us this important lesson... that we should be ever-ready to nourish the needy, refresh the destitute, and pour the oil of joy in the hearts of the afflicted."

 

The corn in the Masonic rituals is a synonym of grain or wheat. In ancient rituals was used as an emblem of the Greek goddess

Demeter, or of the Roman Cybelis. Both female figures were conceived as appearances of the Mother Earth. In Greek pottery someone can see that in festivities in honour of Demeter the priests and the faithful were crowned with ears of wheat. This symbolized the fertility of the earth, which with the grain gives the bread to the mankind. Thus was corn or grain according to this symbolism the personification of the idea of plenty, abundance, and due to the divine intervention promised fertility.

 

Following the same religious beliefs was wine the symbol of Greek God Dionysos. By drinking the wine the Dionysiac priests and initiated participants to the Bacchical mysteries were able to come to the psychic condition of "methexis" - a condition of holy madness -, so they could play the drama of ritual death and rebirth of Dionysos. The wine helped them to loose their identity and come as divine actors to a psychological situation, under which they understood hidden truths and the divine allegory by using their feelings and insights rather than their intellect. The wine was seen

as a symbol of joy, exaltation ,and as a mean towards the initiation through the emotion and the instinct, by acting in Bacchical rituals, after having eliminated the logic.

 

The oil was, as an extract of the olive fruit, a reward of the

Greek goddess of knowledge Athena - Pallas, who had as emblem, among others, the olive-tree. One of the principal uses of oil was to bring the light in homes, so it was seen in its more esoterical significance as a symbol of spiritual Enlightenment, in other words as a symbol of the eternal lantern of divine knowledge. In the same meaning was the oil a symbol of peace through Enlightenment. Plants of the olive tree were given as a reward to the winners of the Olympic games, during which every war must be breached. Thus Athena brought to

the faithful with the present of oil the reward of hidden knowledge, enlightenment and peace.

 

In the Biblical symbolism the three products possessed a similar meaning and significance to this of the Greco-roman world. King Solomon gave corn, wine and oil to the builders of the Temple as a reward for their labors. The ear of corn together with the flood of water personifies in the Hebrew word Shibboleth the abundance and wealth. The wine was seen as an element of consecration and a divine refreshment. The Hebrews anointed their Kings, Prophets and High Priests with oil mixed with other spices, because the oil was the major element of the ceremony, which was leading towards the path of the divine initiation.

 

In the Christian symbolism the corn refers to the bread and this

last one makes someone remember of the body of Jesus Christ in the Eucharist, as well as the wine refers to the blood of him. The oil symbolizes the Baptism. The three substances are the most significant of the Christian initiation. In Christian Masonic

degrees these three rewards of the Mason bring with them the

remembrance of the Holy Passion and the promise of the Resurrection.

 

According to all above mentioned symbolical languages the Mason receives as a reward for his labors in the Lodge the present of grain, because he fertilized himself and all other Masons by working in the building of himself and the building of the Temple. He receives the wine to remember that through his emotion and instinct conquered the hidden knowledge by playing in the rituals the passions of God his symbolical murder and his eternal rebirth. Thirdly, he receives the oil to remember that he achieved at the end of the road the spiritual enlightenment, the baptism, and his inner peace as a reflection of the eternal peace of God.

 

Mark Master Degree - Its Ritual and Antiquity

 

R. E. Trebilcock

 

RITUAL OF THE MARK MASTER DEGREE:

 

The degree of Mark Master has continued with as few changes as any Masonic degree of which we have knowledge. It is impossible for anyone to specify accurately what the ritual consisted of previous to 1797, but in that year, Thomas Smith Webb issued the first complete Masonic Monitor which included the Capitular degrees.

 

We have before us, as we write, this first edition of Webb; in it he says of the degree:

 

The first section explains the manner of convocating and opening a Master Mark Lodge. It teaches the duties of the respective officers, and recapitulates the mystic ceremony of introducing a candidate. In this section is exemplified the regularity and good order that was observed by the craftsmen on Mount Libanus, and in the plains and quarries of Zeredathah, and ends with a beautiful display of the manner by which one of the principal events took place.

 

In the second section, the Master Mark Mason is particularly instructed in the history of this degree, and the increased obligation he is under to stretch forth his assisting hand to the relief of an indigent and worthy brother.

 

The distinguishing marks and characteristics are also explained and illustrated in this section. In the course of the lecture the following texts of Scripture are recited, viz.:

 

Then follow five quotations taken from Psalms, Matthew, Mark, Luke, and Acts all having to do with the "stone which the builders rejected." In many jurisdictions this has been changed by using quotations which are not so monotonous, since references are made throughout the degree to the same passages.

 

The Charge which follows is identical with that in use to this day; the Parable of the Vineyard occupied an important place; and the Mark Master Song, as now used, was printed in full.

 

The degree of Mark Master in 1797 is that of 1964!

 

THE SCRIPTURE USED IN MARK DEGREE:

 

Quotations from the Scriptures appear very prominently throughout the ritual of the Mark Master degree, beginning with the opening and appearing also in the closing ceremonies.

 

These include extracts from I Peter, Ezekiel, Isaiah, Revelations, Matthew and Proverbs. In a few instances not all of the verse has been used, to enable it to fit into the ritual ceremony. A few changes are necessary so as to be inoffensive to any religious belief.

 

An instance of this appears in the opening ceremonies as taken from I Peter:

 

Wherefore, laying aside all malice, and all guile, and hypocrisies, and envies, and all evil speakings; if so be ye have tasted that the Lord is gracious; to whom coming, as unto a living stone, disallowed indeed of men, but chosen of God, and precious; ye also as lively (changed to "living") stones, be ye built up a spiritual house (change to "are built up, etc.), an holy priesthood, to offer up spiritual sacrifices acceptable to God by Jesus Christ. ("by Jesus Christ" stricken out to make acceptable to Hebrew and Moslem.)

 

Verse 3 is omitted entirely, having no connection with the ritual. Instead of continuing to quote from Peter, the next section jumps over to Isaiah 28:16:

 

Therefore thus saith the Lord God (changed to "Wherefore, also it is contained in the Scripture")

 

Behold, I lay in Zion for a foundation a stone, a tried stone, a precious cornerstone, a sure foundation; he that believeth shall not make haste to pass it over. ("to pass it over" is stricken out in the ritual.)

 

And there are changes made in verse 7 of I Peter, 2:

 

Unto you therefore which believe he is precious (ritual reads "it is an honor") but unto them which be disobedient (ritual says "and even to them which be disobedient,"), the stone which the builders disallowed, the same is made the head of the comer.

 

And jumping to verses 15-17 of the same chapter, we read:

 

For so is the will of God (the ritual says "Brethren, this is the will of God"), that with well doing, ye may put to silence ("may" is left out of the ritual), the ignorance of foolish men: as free, and not using your liberty for a cloke (spelled cloak in ritual), of maliciousness, but as the servants of God. Honour all men. Love the brotherhood. Fear God. Honour the King. (The ritual says: "Honor all men; love the brotherhood; fear God.")

 

The Scripture of the perambulations is taken from Ezekiel 44, verses 1, 2, 3, and 5, and there is no change in the ritual from that of the Scripture. These passages refer to the vision of Ezekiel, to understand which we must refer to Ezekiel 40 v. 2-3:

 

In the visions of God brought he me into the land of Israel, and set me upon a very high mountain ... and he brought me thither, and behold, there was a man whose appearance was like the appearance of brass ... and he stood in the gate (of the City of Jerusalem).

 

The "man" thereupon conducted him about the Temple giving information and instruction to Ezekiel, when, finally,

 

He brought me back the way of the gate of the outward sanctuary which looketh toward the east; and it was shut.

 

Then follows verses 2, 3, and 5, omitting 4, which has no connection.

 

We encounter in the ritual, the following:

 

what you give, give freely, for the Lord loves a cheerful giver.

 

The passage is taken from II Corinthians 9:7:

 

Every man according as he purposeth in his heart, so let him give; not grudgingly, or of necessity: for God loveth a cheerful giver.

 

A passage from Ezekiel is twice used in the ritual (Ezekiel 44:5), where Ezekiel is told to listen carefully to all that has been said; this applies equally to the instruction being given the candidate:

 

Mark well, and behold with thine eyes, and hear with thine ears, all that I say unto thee concerning all the ordinances of the house of the Lord, and all the laws thereof, and mark well the entering in of the house with every going forth of the sanctuary.

 

In the Revelation of St. John the Divine appears a passage of importance to the Mark Master. It is in Revelation 2:17, and refers to the message to the churches:

 

To him that overcometh will I give to eat of the hidden manna, and will give him a white stone, and in the stone a new name written, which no man knoweth saving he hath received it.

 

The white stone with the name written thereon is one of the principal pieces of furniture of a Mark Master lodge and its traditions and symbolism are carefully explained to each candidate. Not only did the "white stone" convey the name, but it was also the stone found necessary in completing the temple. Just so is the name essential for completing the spiritual temple.

 

And finally, we come to the beautiful parable of the vineyard, quoted exactly from Matthew 20:1-16. The quotation follows a conversation between Jesus and Peter, his disciple. The discussion is on the matter of everlasting life and the parable is used to impress upon Peter that whosoever seeks eternal life shall find it whether that search begins in youth, in manhood, or in age when one comes in "at the eleventh hour," "receiving as much as they who have borne the burden of the day."

 

How appropriately it is introduced into the Mark Master degree, only those who receive it, and study it, may know.

 

The closing passage of scripture is taken from Proverbs 3:1, and carries on the story of eternal life by calling attention to those things necessary to attain it.

 

Read it:

 

Forget not God's law; but let thine heart keep his commandments; for length of days, and long life, and peace, shall they add to thee.

 

Let not mercy and truth forsake thee; bind them about thy neck; write them upon the table of thine heart: so shalt thou find favor and good understanding in the sight of God and man.

 

And what a fine theme on which to close a Masonic degree!

 

A MARK MASTER'S WORKING TOOLS:

 

Why were the chisel and mallet chosen as the working tools of a Mark Master? What particular relationship do these tools have with the degree of Mark Master?

 

First, let us see what we are told about these implements:

 

The Mallet morally teaches us to correct irregularities, and to reduce man to a proper level; so that, by quiet deportment, he may, in the school of discipline, learn to be content.

 

What the Mallet is to the workmen, enlightened reason is to the passions; it curbs ambition, depresses envy, moderates anger, and encourages good dispositions; whence arises among good Freemasons, that comely order, Which nothing earthly gives, or can destroy; The soul's calm sunshine, and the heartfelt joy.

 

The Chisel morally demonstrates the advantages of discipline and education. The mind, like the diamond in its original state, is rude and unpolished; but as the effect of the Chisel on the external coat soon presents to view the latent beauties of the diamond, so education discovers the latent virtues of the mind, and draws them forth to range the large field of matter and space, to display the summit of human knowledge, our duty to God and to man.

 

A progressive study of Masonic working tools will show both a practical and a symbolic use of these instruments; this is the teaching of Freemasonry, and how well we absorb this teaching will decide how good a Freemason we are.

 

In the first place, their practical purpose is explained in the Mark Master lecture; but the candidate is not told that with these tools he can communicate with another brother, for it is with these instruments that he makes the Masonic cipher alphabet. It is with these instruments that he can place his individual mark upon each piece of work which he may complete for the building of the temple. And here for the first time he is taught individual responsibility. Heretofore he has been working for the combined interest of the human family; now he is taught that he has an individual responsibility, and that each piece of work which he presents has a distinct personal value; that his work must be square and true and that those who inspect will: through his mark, be able to detect imperfect work, or work presented by imposters.

 

But most important is the thought that each of us must perfect our own lives; that it is in our power to build a substantial structure or an imperfect one. Our lives are like blocks of stone which the sculptor, by striking off bits here and there, may form into a beautiful work of art, the value of which depends solely on the vision of the artist himself. The Chisel and Mallet are his instruments for producing his masterpiece. So, does the Mark Master, using his Chisel and Mallet as spiritual instruments, perfect his character by striking off all those vices and irregularities which mar a life, and reveal a perfect character, the finest gift one can offer to the Great Overseer.

 

In the lodge we are taught the value of each stone that goes into the temple, materially and spiritually. In the chapter we are taught that we are the architects of our own lives and that it is within our power to say whether that life be good or bad.

 

How important to us, as Freemasons, are the teachings of the Chisel and the Mallet which give us an insight into our duties and our possibilities!

 

THE ANTIQUITY OF THE MARK:

 

William J. Hughan, the most famous of the English Masonic historians says of the Mark degree:

 

The antiquity of Mark Masonry cannot be doubted. Operatively considered and even speculatively, it has enjoyed special prominence for centuries; records of the custom being followed by speculative brethren, according to existing records, dating back to 1600, in which year, on the 8th day of June, "Ye principal warden and chief master of maisons, Wm. Schaw, master of work to ye Kingis Maistie", met members of the Lodge of Edinburgh (Now No. 1) at Holyrood House, at which meeting the Laird of Auchinleck was present, and attested the minutes of the assembly by his Mark, as did the operatives, in accordance with the Schaw Statutes of December 28, 1598, which provided "That the day of reassauying (receiving) of said fellow of craft or master be ord'lie buikit and his name and Mark insert in the said buik."

 

Another minute book of the same lodge contains a list of members in 1767, setting out after each name the date on which the member received the degree of R.A. The earliest date given is 1745.

 

Turning to America, we find a reference in a minute book of a lodge in Virginia of the degree being conferred in 1753.

 

Castells in his book "Organization of the Royal Arch Chapter Two Centuries Ago" says, in his opening chapter, that

 

"The question of the fons et origo of our Supreme Degree is a problem; but we claim that we have solved it, for we have shown in previous works that the Royal Arch is only a dilution of Kabbalism."

 

Let us see on what this claim is founded. He admits in his preface that he had only at his disposal "a few scraps of information, which are like the tiny bits of a jigsaw puzzle, most difficult to combine into a pictorial design," but he believes he has put them together in the right order. But do the scraps of information justify the conclusion at which he has arrived?

 

The Kabbala was a secret science of the Jewish Rabbis for the interpretation of the hidden meaning of the scriptures, claimed to be handed down by oral tradition.

 

In his chapter on the Kabbalistic Degrees, the author refers to an ancient work known as the Sepher-ha-Zohar, a book that appeared in Spain in the thirteenth century. The copies of this book (there are two or three still in existence) were in the manuscript of a professional copyist, who apparently had an earlier copy in his possession.

 

The subject matter is undoubtedly considerably older than the 13th century, but probably had been handed down by tradition and reduced to writing only in then comparatively recent times. It professes to be the work of one Simeon bin Jochai who lived in the first century A.D.

 

Speaking of the first word with which we of the R.A. are familiar, Simeon says,

 

"Now come and see the mystery of the Word. There are Three Degrees (in the word) and each Degree, exists by itself, and although the Three constitute One, they are closely united into One, and are inseparable from each other."

 

Simeon was discussing the word, and had explained that there were three ways of writing it:

 

The simple four-lettered word, without points;

The same four letters with certain vowels, taken from another sacred word;

The same with the vowel points of still another sacred word.

From this Castells infers "that the unwritten word of Kabbalism. consisted of three particles, or syllables, each one being capable of standing by itself; and as it had a meaning of its own, it could be considered either singly or separately. The three syllables, however, formed one word, and were actually united and inseparable. This answers exactly to the Word which the R.A. Companions know of."

 

So far we may, perhaps, agree with Castells, but he goes further, and claims that "The statement of the Zohar implies that each part of the Sacred Word was communicated and shared piecemeal by the three who bore sway among the old time companions, and this was done by them as they passed successively from chair to chair, until the climax was reached when the whole Word became known."

 

He submits, therefore, that the passage refers to the Second Word with which we are familiar "which was the Masonic Word" of the seventeenth century.

 

I would like to be able to agree with Castells in this last deduction, but I am afraid he has built too much on very slender premises.

 

Be that as it may, he proves nothing. The first Word (except as to its correct pronunciation) is known to all the world, and has so been known for many centuries, so the possession of it by the R.A. does not indicate that it came from the Kabbalists. As to the second word, Castells' claim that it was possessed by the Kabbalists is entirely without foundation.

 

Further, there is more in our traditions than the knowledge of a word — the tradition as to the finding of what was lost. Even Castells does not suggest that the Kabbalists had a tradition of a loss of something important and its subsequent discovery. If it could be shown that they had, then the conclusion that our Order was a descendant of Kabbalism would be almost irrefutable.

 

Castells says:

 

"the analysis of Kabbalism … leaves no room for doubt … Kabbalism in this country (England) degenerated and gave rise to Freemasonry…. Our views have now been before Masonic students for some years, and if there be any fallacy in them, let those who can disprove them."

 

The fallacy is obvious. He has based his views on insufficient data; the "tiny bits" of his "jigsaw puzzle" are too few and too small to warrant the picture he has built out of them.

 

No, we can trace the Royal Arch back with certainty to a few years before 1744 (say 1740), and the place, England. It is probably very much older, but there we must leave it. Some day, perhaps, some old manuscript may turn up which will give it still greater antiquity, but it is not likely.

After its completion in the early 16th century, Seville Cathedral supplanted Hagia Sophia as the largest cathedral in the world, a title the Byzantine church had held for nearly a thousand years. It is the third-largest church in the world as well as the largest Gothic church. Since the world's two largest churches, the Basilica of the National Shrine of Our Lady of Aparecida and St. Peter's Basilica, are not the seats of bishops Seville Cathedral is still the largest cathedral in the world.

 

Seville Cathedral was the site of the baptism of Infante Juan of Aragon in 1478, only son of the Catholic Monarchs Ferdinand II of Aragon and Isabella I of Castile. Its royal chapel holds the remains of the city's conqueror Ferdinand III of Castile, his son and heir Alfonso the Wise and their descendant king Pedro el Cruel. The funerary monuments for cardinals Juan de Cervantes and Pedro González de Mendoza Quiñones are located among its chapels. Christopher Columbus and his son Diego are also buried in the cathedral.

 

The Cathedral of Saint Mary of the See was registered in 1987 by UNESCO as a World Heritage Site, along with the adjoining Alcázar palace complex and the General Archive of the Indies. en.wikipedia.org/wiki/Seville_Cathedral

Day +1 stem cell transplant. Completion of transplant today. All well as can be. Thanks to all my Flickr friends.

Many trucks arrive and leave the construction site at Nigg Bay for the expansion project of Aberdeen Harbour due for completion 2020.

 

I visited today 7th April 2018 to capture the progress made, as I captured the scene various trucks passed me by as they left the site,

I quickly focussed on this truck and archived the moment to add to the files I already have taken of the site.

  

Newspaper Info

 

Aberdeen Harbour Expansion Project Approval Announced

Commencement of a £350 million project to expand facilities at Aberdeen Harbour, which was recently granted planning consent in the form of Marine Licenses and a Harbour Revision Order by the Scottish Government, was yesterday sanctioned by Aberdeen Harbour Board. The construction contract with its preferred bidder, Dragados UK is due to be formalised at a signing ceremony today (20th December).

 

“We are delighted that, after six years of detailed planning and extensive consultation with our many stakeholders and the regulatory authorities, we are now in a position to approve commencement of construction”, stated Colin Parker, Chief Executive of Aberdeen Harbour Board.

 

Following a detailed engagement process, Aberdeen Harbour Board, in partnership with Dragados UK, a main contractor, will develop facilities over the next three years that will represent a step change in the marine support capabilities in Scotland. These will transform the port’s ability to accommodate the trend for larger vessels we are witnessing across a whole range of industries.

 

The expansion will afford existing customers the opportunity to diversify and expand their interests, whilst attracting new customers and markets to the port, including up-scaled decommissioning activity, a more significant share of the available cruise vessel fleet and larger more cost-effective commercial vessels”.

 

Alistair Mackenzie, Chairman of Aberdeen Harbour Board added, “Aberdeen Harbour has been in existence for almost 900 years. Its longevity can be attributed to its ability to adapt to changing trading requirements and being forward-thinking in delivering new and improved facilities to support its customers, while at the same time attracting new business.

 

This major new chapter in the port’s history continues this approach and underpins the Trust Port ethos of viewing future generations as key stakeholders. We believe that the infrastructure developed in Nigg Bay will encourage and support the continued prosperity of the city and region that the harbour serves and make a significant national economic contribution”.

 

The development, which is a Scottish Government National Planning Framework (3) Project and is scheduled to be completed by 2020, was welcomed by the Minister for Transport and the Islands, Humza Yousaf, who said: “This is excellent news for Aberdeen and the Scottish maritime industry, as the signing of the construction contract means this nationally significant project can now get underway in earnest.

 

The significant investment will bring jobs and business to Aberdeen, supporting the local and national economy. The historic harbour will be transformed to accommodate larger vessels, opening up potential new revenue streams and offering customers world-class marine support facilities.

 

These are exciting times for Aberdeen Harbour. I wish everyone involved in the project every success and I very much look forward to following the expansion as it progresses.”

 

Dragados UK were named as the Board’s preferred bidder in September this year, and the company announced that they plan to commence construction on site in early 2017.

 

The new facilities will include 1,400 metres of new quay, with a water depth of up to 10.5 metres and will create an additional 125,000 square metres of lay-down area. An independent study, commissioned by Scottish Enterprise, estimates that the development will generate an additional £1 billion per annum to the economy by 2035, and will create an additional 7,000 equivalent jobs.

 

Funding arrangements for the project incorporated commercial borrowing from the European Investment Bank, and funding from the Aberdeen City & Region Deal. Support for the project’s feasibility study was also received from Scottish Enterprise and from the 2013 Annual Programme Call of the European Commission’s Trans-European Transport Network (TEN-T) Programme.

 

Jonathan Taylor, Vice President of the European Investment Bank also commented: “Continued investment at Europe’s leading ports is essential to improve infrastructure and to cater for ever-changing shipping needs. The European Investment Bank is pleased to support the transformational Nigg Bay development that will significantly increase quayside space, allow deep-water access for larger vessels and ensure Aberdeen’s continued strong contribution to the Scottish economy.”

16-5-98 Brocklesby Jct

60010 on Scunthorpe - Immingham empty iron ore train

Junction remodelling nearing completion

Showing itself primarily in ancient Gnostic texts, the Ouroboros is any image of a snake, worm, serpent, or dragon biting its own tail. Generally taking on a circular form, the symbol is representative of many broad concepts. Time, life continuity, completion, the repetition of history, the self-sufficiency of nature, and the rebirth of the earth can all be seen within the circular boundaries of the Ouroboros.

 

Societies from throughout history have shaped the Ouroboros to fit their own beliefs and purposes. The image has been seen in ancient Egypt, Japan, India, utilized in Greek alchemic texts, European woodcuts, Native American Indian tribes, and even by the Aztecs. It has, at times, been directly associated to such varying symbols as the Roman god Janus, the Chinese Ying Yang, and the Biblical serpent of the garden of Eden. Even The X-Files' Dana Scully chose the Ouroboros to be tattooed on her back because she felt it represented the progression of her life. It seems that the Ouroboros is a powerful archetypal symbol, a part of our Spiritus Mundi, the collective unconscious which thrives within each and every human being regardless of race or culture.

  

Continuing at the Horn Lake Target for this photo, but we’re jumping forward a bit. Interrupting our August 2023 remodel photoset, this shot takes us to a time after the remodel’s completion, looking at a set of emergency exit doors at the rear of the salesfloor within sporting goods. Ten years ago, a photo of this very spot was my first-ever upload to flickr. (They realigned the dang aisles in the remodel – there’s now an endcap blocking the spot where I was standing back in 2014, so it was impossible to get the exact same angle!)

 

I suppose it’s a cliché in and of itself to say I’m at a loss for words, but truly I am. (This, despite the long description you can clearly see below!) I can’t say I’m surprised it’s been that long, because in a lot of ways, no, it does feel like I’ve been doing this for a long time. On the other hand, in other ways, it’s still crazy for me to think I’ve been at this for so long. Ten years is a very long time! That’s a decade of my life – and I’ve only had two of those, plus some change! When I started this account I was a junior in high school, bored at home over Christmas break. I enjoyed the opportunity to document local retail in the region I grew up in as well as the opportunity to join the community, interact with y’all, and curate a photostream (and a blog!) as a fun hobby during college. Five years of that went by, and now I am a CPA living in the capital area of the state I’ve called home for my entire life. I don’t know what I envisioned for myself post-graduation – nothing concrete, really – but I will say that this was an unexpected location, and it’s crazy to me that flickr, and all of its people, has been there this whole time, throughout everything.

 

I don’t know what to say to you guys. I really don’t think I would have been (or continue to be) as engaged in this hobby if not for all of you – the photos you upload, the blog posts you write, the comments you leave, the images you fave. I wish I could say I had some grand special plan to celebrate ten years, but I really don’t. Heck, as I wrote last week, we’ll be starting 2025 with the remainder of my first-ever photoset not to conclude cleanly at year’s end: no big deal, of course, but internally at least it does seem to speak to the ever-decreasing amount of time I seem to have available to devote to this hobby. And that makes me sad. But, by the same token, I’m still not intending to go anywhere. I do want this to remain fun for me, and I think the crowd I “grew up” with on flickr is mostly experiencing similar pulls in life drawing them away from more regular activity, and that’s okay. I love all the newer folks too, and thoroughly want to continue encouraging people to keep joining the hobby, as it is a ton of fun. Moreover, I like to think it actually does accomplish something important: not just photographing a random store, but documenting an appreciation of design decisions, historical recordkeeping, and so much more than that. And it’s wild to think that my photos may well be an impetus for some people to join the site – I never really anticipated I’d be an inspiration just like many others have been to me!

 

Anyway, to continue what I was saying – in order to keep this fresh and fun and not get burnt out, uploads may keep slowing down, I don’t know. I don’t want them to, but I’ve also learned I don’t want to make any promises, lol. What I do want to do is keep going through my backlog, because I’ve got plenty of neat places to share, and to let you know that I haven’t stopped adding to the backlog, either, even if it is in much less frequency than years past. I have uploaded over 8,630 photos, and written over 150 blog posts. I can’t believe it! And y’all have viewed and read so, so many of those, some of you 100% of them. Thank you for that!!

 

I had a goal to photograph all 29 Kroger stores in Mississippi, and I finally met that goal last week, just shy of this 10-year mark. (I’ve actually photographed 32 out of 29 – Kroger closed a few over the years!) I’m sure you know by now that I love the state I live in and I’m proud to be sharing its retail with you guys. As I said, I’ve got so much more to upload in the future, and while I don’t have anything specifically special planned to celebrate ten years, I am at least happy that my final photos of the Horn Lake Target post-remodel will serve as a bit of a way to mark the occasion. With that store having been the very first one I ever uploaded a photo of, that seems pretty fitting to me, and so too was my thinking behind sharing this particular photo for this anniversary.

 

I did notice that somewhere along the way I must have gotten myself confused, as it looks like that “before” image was uploaded on December 30th, 2014, not the 31st, which is when I thought I joined the site :P Ah well, my annual New Year’s Eve post has become a tradition for me by now, so no sense in changing that up! I’ll see y’all in a few days with some fresh uploads to kick off 2025. Happy New Year everyone, and thanks again for supporting me for 10 years on flickr (and counting)!!

 

(c) 2024 (for about a day or so anyway) then 2025 Retail Retell

These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)

 

Rotterdam - Depot Boijmans Van Beuningen, the world’s first fully accessible art depot, will open its doors in September 2021 at Museumpark in the centre of Rotterdam. With this construction completion, now the museum and the users can start to inhabit the building and fill its spaces with priceless art. Although it will take another year before the real opening, the completion is a special moment . 7,000 lucky persons can make a safe quick visit in 3 days in September 2020.

 

The assignment for MVRDV Architects was to offer a glimpse behind the scenes of the museum world and make the whole art collection accessible to the public. The reflective round volume responds to its surroundings. The Depot features exhibition halls, a rooftop garden, and a restaurant, in addition to an enormous amount of storage space for art and design.

Depot Boijmans Van Beuningen is the first depot in the world that offers access to a complete collection. The dynamics of the depot are different from those of the museum: no exhibitions are held here, but you can - independently or with a guide - browse through 151,000 art objects. You can also take a look at, for example, conservation and restoration.. Surface 15,000 m²

 

MVRDV has completed the bowl-like Depot Boijmans Van Beuningen in Rotterdam's Museumpark, which is covered in mirrored glass and topped by a rooftop forest. The art storage facility, which will open to the public in autumn 2021, has been built to house the art collection of the Museum Boijmans Van Beuningen in one place for the first time since 1935. Depot Boijmans Van Beuningen contains a mix of storage spaces alongside areas for art maintenance, both of which will be made accessible to visitors after the artwork has been moved there. This makes the facility the first publicly accessible art depot in the world, according to MVRDV Architects, and will offer a new type of experience for museum-goers in the Netherlands.

 

The Depot Boijmans Van Beuningen measures 12 metres in height and encompasses 15,000 m2. The budget was € 55,000,000. To help reduce its visual impact, MVRDV clad the depot in 1,664 reflective glass panels so that it blends in with its surroundings in the OMA-designed Museumpark. Its bowl-shape was also developed to minimise its footprint. The rooftop features 75 birch trees. Its reflective facade wears the trappings of whatever surrounds it: people passing by, Museumpark's leafy grounds, the clouds, and Rotterdam's dynamic city skyline. Thanks to this reflection, the building is already fully integrated into its surroundings, despite its not insignificant size.

 

Inside, the building contains several storage spaces alongside studios for the curators and areas for the maintenance of the art. The storage spaces are divided into five different climate zones so that the artefacts can be stored and exhibited according to their specific temperature and humidity requirements, which can vary depending on the materials used to make them. According to MVRDV, the focal point of the depot is its central atrium, which is filled with overlapping staircases and suspended glass display cases that will eventually be filled with art chosen by the museum's curators. This atrium will connect the storage and exhibition spaces to the curators' studios, and offer visitors rare access and insights into how the museum cares and maintains its collection. Once open to the public, the Museum Boijmans Van Beuningen's artwork will be displayed throughout the entire building, including on its rooftop restaurant and sculpture garden. The rooftop forest is covered with 75 tall birch trees and was incorporated by the studio to make up for the lost green space and provide views across the city.

 

MVRDV is an architecture studio based in Rotterdam, which was founded by Winy Maas, Jacob van Rijs and Nathalie de Vries in 1991. The studio won a competition to design the Depot Boijmans Van Beuningen in 2014.

It was developed by the studio with BAM Bouw & Techniek and will be made open to the public after its interiors are completed and the artwork has been moved inside.

 

The new Northwestern Mutual headquarters building (left) nears completion on Milwaukee's Lakefront.

 

johndecember.com/mke

 

Agaete moving astern to her berth at Great Yarmouth, to load scrap metal.

 

Name: Agaete

Vessel type: Cargo vessel

Home port: St. Johns

Flag: Antigua Barbuda

Crew: 6

IMO: 9044932

MMSI: 305783000

Call sign: V2QV9

Length overall: 87.37 m

Beam: 13.02 m

Draught: 4.7 m

Gross tonnage: 2,480 tons

Net tonnage: 1,228 tons

Max deadweight: 3,269 tons

Number of holds: 1

Engine: 1 x MAN B&W 6 L 28/32 H, 6 cylinder

Engine output: 1,985 hp (1,480 kW) at 775 rpm

Speed: 12 knots

Builder: ENVC, Viana do Castelo, Portugal

Yard number: 159

Launch date: 10th. June 1991

Completion: October 1991

 

Previous names:

Swe Bulk until 30th March 2021

Severnaya Dvina until 1st. March 2008

Ingo J until 1st. October 2005

MF Levant until 1st January 1999

Intermodal Levant until 1st. January 1996

Diana J until 1st. December 1993

Queensee until 1st. October 1993

 

AGAETE TOWED TO BELFAST.

On a voyage from Liepaja, Latvia to Belfast, with 7 crew and 690 tons of sugar beet on board, Agaete alerted Belfast Coastguards at 8:10 p.m. on 14th. April 2021 of an electrical problems resulting in an engine failure in position 54 03 25.0N, 005 50 18.0W. The tug Mourne Venture) took the ship in tow to Belfast anchorage. She berthed safely in port at 7 p.m. on 15th. April.

 

Completion of the graduation reply, go to a coffee shop with friends

Copyright © John G. Lidstone, all rights reserved.

You are warned: DO NOT STEAL or RE-POST THIS PHOTO.

It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.

If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.

The same applies to all of my images.

My copyright is also embedded in the image metadata.

iPhone 4 + Dynamic Light, PS Express

The Sunrise over Blackhead sequence to completion..

 

Olympus OM-1 w M.Zuiko 100-400/5-6.3 IS

 

ISO400 f/8.4 261mm +0.3ev

 

Single frame raw developed in DxO PhotoLab 8, Colour graded in Nik 7 Color Efex and finished off back in PhotoLab.

 

Seven Mile Beach, Gerroa, NSW

 

 

completion dated 20.Mai 1424 ; from the Barfüßerkirche in Göttingen ; tempera on oak ; the square panels about 1m square ; most recently restored 1999-2005 ;

these are visible when the a;ltar is opened. The main subject is the life of Jesus.

5 dogs: 1 is carrying off a bone, 2 are in an apparent stabd-off,

About 90% done, just need to do running gear and electronics next and get the missing drivers I need.

Queensferry Crossing, the new bridge connecting Fife and Edinburgh nears completion.

Heres information about central florida broadcast stations

 

Broadcast Tower,WFTT-TV is the Telefutura affiliate for Tampa Bay, owned by Univision and operated by Entravision, owners of WVEA-TV. The station, which broadcasts on UHF channel 50, is based at WVEA's studios on Hillsborough Avenue in Tampa, and transmits from Riverview. WFTT can be seen on cable throughout the Bay Area on Bright House channel 5, and on Comcast in Sarasota County on channel 23.

 

With the completion of the 442.550 repeater in Riverview at 805ft in January, the western pointing antenna on the 442.825 repeater caused a expected overlap that was unnecessary. Since 442.550 now blankets Hillsborough County, we have as of April 11th taken the antenna off the west leg of the Pebbledale tower site at 800ft and moved it to the east leg of the tower. What does mean for users? The tower has a 7 foot wide face, which creates a null that is created behind the antenna. This null used to face a huge portion of Polk County. By moving this antenna to the east, the null is now facing essentially Brandon/Riverview, where 442.550 is now located at 805ft. So far we have gotten incredible results from users in eastern Polk County. Some users in Sebring reporting almost full scale signal, and mobile users with hand helds on 27 at 5 watts can use 442.825 now. None of this was previously possible. So with this move, expect to hear more Polk, Osceola and I-4 corridor area users making it into the network.

 

A nother tower WVEA (channel 62) is Tampa Bay, Florida's first Spanish-language TV station, which had its start in the early-1980s as low-powered W50AC ch.50, which offered programming from the Spanish International Network (SIN), the forerunner of today's Univision. In 1988, to make way for new HSN flagship WBHS (now WFTT-TV), the station relocated to channel 61 and became W61BL. In the mid-1990s, the station was re-called "WVEA-LP". In 2000, WVEA's parent company, Entravision, acquired Sarasota English independent WBSV channel 62, with the intent of moving the transmitter from Venice to the antenna farm at Riverview. WBSV signed on May 3, 1991 as the Sarasota area's own independent station, designed to compete against WWSB and the other stations in the Tampa Bay and nearby Ft. Myers markets. Licensed to Venice, Florida the call letters stood for Bradenton, Sarasota, Venice, the three cities it primarily served. WBSV had a variety of syndicated and local programming, plus infomercials and home shopping programs. early on, they also had its own newscast. But, WBSV was eternally in red ink, and relied more on home shopping and infomercials to keep the station afloat....

 

And then,WTVT, channel 13, is a television station in Tampa, Florida. It is an owned and operated station of the Fox Broadcasting Company, a subsdiary of the News Corporation. WTVT's studios are located in Tampa, and its transmitter is located in Riverview, Florida.

 

Overall the WUSF (89.7 FM) is an NPR-member radio station licensed to Tampa, Florida, USA. The station is currently owned by the University of South Florida. WUSF signed on in 1963, seven years after USF's founding in 1956.

 

WOPX channel 56 is a television station based in Orlando, Florida, USA. An affiliate of the ION Television network, it transmits its analog signal on UHF channel 56 and its digital signal on UHF channel 48, both from a transmitter located near Holopaw. The station signed on the air in 1986.

 

WIWA (1160 AM) is a radio station broadcasting a Spanish language Christian format. Licensed to St. Cloud, Florida, USA, it serves the greater Orlando area. The station is currently owned by Centro De La Familia Cristiana Inc.

 

WAFZ-FM (92.1 FM) is a radio station broadcasting a Regional Mexican format. Licensed to Immokalee, Florida, USA, the station is currently owned by Glades Media Company LLC. WAFZ's programming is also heard on WAFZ AM 1490 in Immokalee.

 

WTVY or WTVY News 4 is a CBS-affiliated television station broadcasting on channel 4 in Dothan, Alabama, owned by Gray Television. The station's signal, originating from a transmitter in Holmes County, Florida, reaches large portions of Alabama, Georgia and Florida. WTVY is also the designated CBS affiliate for the Panama City, Florida market, where Gray also owns that city's NBC affiliate, WJHG-TV. In exchange, WJHG is available in Dothan on cable since Dothan does not have its own NBC affiliate. In fact, WTVY's transmitter is located within the Panama City market. WTVY-DT uses digital subchannels to operate MyNetworkTV affiliate My 4 and CW affiliate Dothan's CW.

 

WJED (91.1 FM) is a radio station broadcasting a Christian radio format. Licensed to Dogwood Lakes Estate, Florida, USA. The station is currently owned by Bethany Bible College.

 

WTVJ, channel 6, is the NBC owned-and-operated television station for South Florida, licensed to Miami. Its analog transmitter is located in Redland. The station's digital transmitter is located near Dolphin Stadium in north Miami-Dade County. Owned by NBC Universal, the station is sister to South Florida's Telemundo owned-and-operated station, WSCV. The two share studios at Peacock Plaza in Miramar.

 

WOIR (1430 AM) is a radio station broadcasting a Spanish News/Talk format. Licensed to Homestead, Florida, USA, the station serves the Miami area. The station is currently owned by Amanecer Christian Network, Inc..

 

WTLH is a Fox television affiliate licensed to Bainbridge, Georgia and serves the Tallahassee, Florida television market. It broadcasts its analog signal on UHF channel 49 and its digital signal on UHF channel 50. The station began operations on November 25, 1989. Its transmitter is located in Metcalf, Georgia. The Station is owned by CP Media, LLC. The station runs a duopoly with WFXU, The CW station in Tallahassee. WTLH programming is also seen on a low-powered, Class-A repeater, WBVJ-LP channel 35 in Valdosta.

 

WTXL-TV is the ABC affiliate station for Tallahassee, Florida, Thomasville, Georgia, and Valdosta, Georgia, broadcasting on channel 27. The station is owned by Calkins Media, Inc., a Pennsylvania-based mass media company that owns several small newspapers in Pennsylvania and two other television stations: WWSB in Sarasota and WAAY-TV in Huntsville, Alabama. It was previously owned by Media Ventures Management, and operated by the Sinclair Broadcast Group pursuant to an outsourcing agreement (See: [1]), the first of its kind in the United States. This agreement merged virtually all of WTXL-TV's operations with that of Sinclair's NBC affiliate WTWC. Denis LeClair, General Manager of WTXL-TV and WBXT-TV at the time, was made General Manager for WTXL, WBXT and WTWC under this agreement. He would be followed by Chris Butterick and then Bob Franklin. Eventually, Kim Urbuteit (who was fired in May, 2007) would be named General Manager of WTXL only as Bob Franklin (now in Mobile, AL) oversaw WTWC. Gary Wordlaw is the current General Manager of WTXL-TV.

 

WFSU is the callsign (or variations thereon) for public radio stations operated by Florida State University in Tallahassee, Florida. WFSU also operates 3 radio stations that serve northern Florida: * WFSU-FM 88.9 FM: Tallahassee-based news/talk/public affairs station carrying several NPR programs and overnight BBC World Service programming. Also heard on these low-powered repeaters: * 97.1 - Carrabelle * 106.1 - Marianna * 96.7 - Apalachicola * 93.7 - Downtown Tallahassee (necessary because the main WFSU transmitter must conform its signal to protect WTSU in Troy, Alabama) * WFSQ-FM 91.5 FM: Tallahassee-based classical music station. Also heard on WFSL-FM 90.7 in Thomasville, Georgia, and on low-powered 92.7 FM in the northeast portion of the city of Tallahassee. * WFSW-FM 89.1 FM: Panama City-based news/talk/public affairs station. Offers many of the same programs as WFSU. Also heard on low-powered 91.1 FM in the Port St. Joe area along the Gulf of Mexico, as well as 94.5 FM in Fort Walton Beach.

 

WESH is the NBC affiliate in Orlando, Florida. It is licensed to Daytona Beach, with studio facilities in Winter Park. It transmits its analog signal on VHF channel 2 and its digital signal on VHF channel 11, when viewed over the air PSIP will display 2.1 for WESH DT and 2.2 for WESH Weather Plus. It is currently owned by Hearst-Argyle Television along with the area's CW affiliate, WKCF. WESH's transmitter is located in Orange City, Florida. The tower is the tallest man-made structure in Florida, at 1,740 feet (530 m). The station also serves as the default NBC affiliate for the Gainesville market, and can be seen on the fringes of the Tampa Bay and Jacksonville markets. WESH was the first station in Orlando to carry an on-site RADAR facility, SuperDoppler 2 as opposed to relying on National Weather Service RADARs. It is installed on top of the tower located at the Winter Park broadcast studio. Today it also promotes a VIPIR 3D RADAR system, taking advantage of the fact that the RADARs at Melbourne, Tampa, Jacksonville and Miami can all reach Orlando, in addition to SuperDoppler 2. The primary news anchors at WESH are Martha Sugalski and Jim Payne....

 

WOMX is a radio station located in the Orlando, Florida area and broadcasts at 105.1. WOMX 105.1 plays the "Best MIX of the 80s, 90s and Today," though the station programming focuses mostly on rock and modern rock music from the 90's and 2000's. Every Friday from 5:00 p.m. to 12:00 a.m., Mix 105.1 presents Friday Night 80's. The "Saturday Night Party MIX" airs every Saturday night from 7 p.m. to midnight. The "Saturday Night Party MIX" replaced the Orlando heritage show "Seventies Saturday Night" in 2005.

 

WOTF-TV Channel 43 is the TeleFutura station serving the Orlando/Daytona Beach/Melbourne, Florida television market. It is owned by Univision and managed by Entravision which owns Univision affiliate WVEN-TV 26 and radio station WNUE 98.1 FM and offers a Spanish language entertainment format featuring movies, dramas, comedy shows, and kids shows. The studios are located in Altamonte Springs which is also shared by WVEN.

 

WOFL, "Fox 35", is the Fox owned-and-operated television station serving the Orlando, Florida metropolitan area. It is licensed to Orlando, with studios located in Lake Mary. It broadcasts its analog signal on UHF channel 35, and its digital signal on UHF channel 22. Its transmitter is located in Bithlo, Florida. Its Digital TV transmitter has a power of 1,000 kW. Its Analog TV transmitter has a power of 2,570 kW. WOFL and sister station WTVT of the bordering Tampa market commonly share reporters and footage, as other station groups do.

 

WFTV channel 9 is a television station based in Orlando, Florida, affiliated with the ABC network. It transmits its analog signal on VHF channel 9 from a transmitter located in Bithlo, Florida, and its digital signal on UHF channel 39 from a transmitter located in Christmas, Florida. It is owned by Cox Enterprises along with independent station WRDQ TV 27. The primary news anchors at WFTV are Bob Opsahl and Martie Salt. They anchored the main afternoon newscasts from 1984 through 1994, when Ms. Salt transferred to WFTS, a TV station in Tampa (where she was known as "Martie Tucker"). She returned to anchor WFTV's news again with Opsahl in 2003. Opsahl is one of the longest-serving (at one station) local news anchors in Florida. Barbara West, a 20 year veteran at WFTV and the station's medical reporter is paired with Opsahl at 5:30. Marla Weech, a former anchor for WFTV, was paired up with Bob Opsahl during most of Salt's absence. Weech currently works for WKMG. Tom Terry is the "Chief Meteorologist". WFTV's Severe Weather Center 9 includes WFTV's own doppler weather radar station located at Joint Venture TV Tower Bithlo. Its radar has features that are...

 

WRBW-TV is the MyNetworkTV owned and operated station serving the Orlando/Daytona Beach/Melbourne, Florida television market. It is owned by the Fox Television Stations Group, along with Fox station WOFL Channel 35. Known on-air as "My65", the station offers sitcoms, cartoons, court shows, and talk/reality shows. Its transmitter is located in Christmas, Florida.

 

WNTF (1580 AM) is a radio station broadcasting a News Talk Information format. Licensed to Bithlo, Florida, USA, it serves the Orlando area. The station is currently owned by Rama Communications, Inc.

 

WBCC is an educational television station serving the Orlando television market. It broadcasts on UHF channel 68, with a digital signal on channel 30. It is one of the Orlando market's PBS member stations. WBCC's digital signal, on channel 30, offers programming from the University of Central Florida (channel 68.2) and BPS-TV from Brevard Public Schools (channel 68.3), in addition to WBCC's standard programming.

 

WRDQ, channel 27, is an independent television station in Orlando, Florida. Its analog transmitter is located in northeastern Osceola County. The station's digital transmitter is located in Christmas. Onwed by Cox Enterprises, WRDQ is sister to ABC affiliate WFTV. The two stations share studios on East South Street in downtown Orlando. WRDQ offers the Retro Television Network on its second digital subchannel. It can also be seen on Bright House digital channel 1028. Syndicated programming on WRDQ includes: South Park, Scrubs, Merv Griffin's Crosswords, Oprah, According to Jim, and George Lopez. The station can be considered an alternate ABC affiliate. As such, it may take on the responsibility of airing ABC programs whenever WFTV may not be able to do so as in a news-related emergency.

 

WXPX is a television station licensed to Bradenton, Florida. Operating on channel 66, it is an ION Television affiliate, owned and operated by ION Media Networks (formerly Paxson Communications), which has owned the station since its founding in 1994. Current programming on WXPX is virtually the same as other ION affiliates -- infomercials throughout the day and during the overnights, plus ION programming in the evenings. WXPX also shows Tampa Bay Lightning hockey, Orlando Magic basketball, some college football and Tampa Bay Rays baseball, though most of these games are in the evenings only, as WXPX tend to reserve non-prime-time hours for infomercials. Rays games air in high definition on WXPX in the 720p format, the same format as FSN Florida, the producers of the games (See: [1]). The only local programming on WXPX is i on Tampa (public affairs) and the aforementioned Rays and Magic games. The station once aired Miccosukee Magazine along with WPXM Miami and WPXP West Palm Beach, but no longer airs the program. (the latter two stations still do, along with WOPX Orlando) WXPX started in 1994 as WFCT, which featured infomercials at all hours under...

 

Wesh News Cast Bay News 9 Cast Weather Channel

Kristina

 

Abernathy

 

Stephanie

 

Abrams

 

Natalie

 

Allen

 

Tetiana

 

Anderson

 

Adam

 

Berg

 

Mike

 

Bettes

 

Vivian

 

Brown

 

Jim

 

Cantore

 

Jennifer

 

Carfagno

 

Kelly

 

Cass

 

Betty

 

Davis

 

Kristin

 

Dodd

 

Jorma

 

Duran

 

Dr Marcus

 

Eriksen

 

Paul

 

Goodloe

 

Ryan

 

Goswick

 

Rich

 

Johnson

 

Bill

 

Keneely

 

Danny

 

Lipford

 

Warren

 

Madden

 

Mark

 

Mancuso

 

Dr Anna

 

Marie

 

Julie

 

Martin

 

Jeff

 

Mielcarz

 

Jarod

 

Miller

 

Nicole

 

Mitchell

 

Samantha

 

Mohr

 

Jeff

 

Morrow

 

Carl

 

Parker

 

Kim

 

Perez

 

Sharon

 

Resultan

 

Kevin

 

Robinson

 

Marshall

 

Seese

 

Mike

 

Seidel

 

Alexandra

 

Steele

 

Heather

 

Tesch

 

Nick

 

Walker

 

Alex

 

Wallace

Dr Steve Lyons

 

Dr Greg Forbes

 

Dr Heidi Cullen

 

Stu Ostro

Aixa Diaz (NEWS ANCHORS

Jen Holloway

Al Ruechel

Leigh Moody

Erica Riggins

Rick Elmhorst

 

(METEOROLOGISTS)

Mike Clay

Juli Marquez

Josh Linker

Diane Kacmarik

Brian McClure

Alan Winfield

 

(NEWS REPORTERS

Jennifer Anderson

Dalia Dangerfield

Laurie Davison

Melissa Eichman

Samantha Hayes

Chuck Johnson

Troy Kinsey

Jason Lanning

Emily Maza

Carol Minn Vacca

Jonathan Petramala

Josh Rojas

Summer Smith

Kathryn Simmons

Melanie Snow

Melissa Sogegian

Anna Tataris

Ferdinand

Zogbaum

 

(EN ESPANOL

Lydia Guzmán

Roy De Jesús

Sandra Pinto

 

Jim Payne

Syan Rhodes

Martha Sugalski

Scott Walker

Eryka Washington

  

Weather:

Jason Brewer

Tony Mainolfi

Malachi Rodgers

Amy Sweezey

 

WESH.com Web Staff:

Jeff Cousins

Managing Editor

Jessica Seeley

   

Washington Reporters:

 

Sally Kidd

Nikole Killion

Laurie Kinney

 

Orlando Sentinel:

Roger Moore

Movie Critic

 

Sports:

 

Pat Clarke

Guy Rawlings

   

Reporters:

Danielle Bellini

Dan Billow

Greg Fox

Bob Kealing

Jeff Lennox

Craig Lucie

Dave McDaniel

Michelle Meredith

Claire Metz

Amanda Ober

Kendra Oestreich

Gail Paschall-Brown

Tim Trudell

Todd Wilson

 

Other Talent:

Jason Chepenik

Financial Analyst

Dr. Todd Husty

Dan McCarthy

Chopper 2 Pilot

Kimberly Williams

Traffic Reporter

Quick one for the fun of it, right near the end of the "Blue hour".

 

F10 25s at 18:03 PM. I should have exposed for about 35s (not 25) but the longer you expose, the more light trails and I had the trails I wanted.

 

Still I think we can see how quickly the blue disappears from the sky. Don't think it's a blue hour in winter. Maybe half an hour.

 

Captured at 50mm. I haven't tested it 'wider' yet. Will get to that sometime soon.

With all lanes now open on the Highway 91 at Nordel Way interchange, the Highway 91/17 Upgrade Project is nearing completion, improving traffic flow and saving drivers time south of the Fraser River.

 

Learn more:

news.gov.bc.ca/releases/2022MOTI0130-001913

LUC was responsible for public realm and landscape design for 500 bed student housing development in the Partick area of Glasgow’s West End. LUC deployed a clear hierarchy to the design proposals creating a series of interconnecting primary and secondary spaces. The primary spaces deployed a distinctive paving pattern that was inspired by the rich textures of wheatfields, a nod to the area’s bread mill heritage.

 

For more information, visit: www.landuse.co.uk

A touch of old hollywood meets modern chic. This home came with extra personality in each space. We had fun creating her vision and the results were nothing short of Glamorous!

This Dam is near the entrance to Glacier Park....about an hours drive. I'm not one for height...so this is not my favorite place to be, but it's so interesting. I'm including a link to one of my past pictures of it....please check it out for information!!! :)

flic.kr/p/wupbnN

 

I believe this Glory Hole feature was the only type in the world....and when the water is high, and they want to release it...this feature draws water out from what looks like a huge pipe. The water comes out at 225,000 gallons per second!!!!!!!!!!! And man I wouldn't want to be near the spout it comes out of!!! :)

 

At 564 feet (172 m) in height, the dam was the third largest and second highest concrete dam in the world at the time of its completion in 1953, with a volume of 3,100,000 cubic yards (2,400,000 m3). The dam's spillway is the highest morning glory structure in the world. The spillway is controlled by a 64-by-12-foot (19.5 by 3.7 m) ring gate. The surface elevation of the reservoir is 3,560 feet (1,085 m) above sea level.

 

There's so much information that you'd have to Google to find out.

Photo captured via Minolta MC Tele Rokkor-X 300mm F/4.5 lens. Spokane Indian Reservation. Selkirk Mountains Range. Okanogan-Colville Xeric Valleys and Foothills section within the Northern Rockies Region. Inland Northwest. Stevens County, Washington. Early November 2019.

 

Exposure Time: 1/20 sec. * ISO Speed: ISO-100 * Aperture: F/5.6 * Bracketing: None * Color Temperature: 4750 K * Film Plug-In: Fuji Provia 100F

Wahrnehmungspsychologie / Perceptual psychology:

Gesetz der guten Gestalt.

Originally dating to around 1320, the building is important because it has most of its original features; successive owners effected relatively few changes to the main structure, after the completion of the quadrangle with a new chapel in the 16th century. Pevsner described it as "the most complete small medieval manor house in the county", and it remains an example that shows how such houses would have looked in the Middle Ages. Unlike most courtyard houses of its type, which have had a range demolished, so that the house looks outward, Nicholas Cooper observes that Ightham Mote wholly surrounds its courtyard and looks inward, into it, offering little information externally.[9] The construction is of "Kentish ragstone and dull red brick,"[10] the buildings of the courtyard having originally been built of timber and subsequently rebuilt in stone.[11]

  

The moat of Ightham Mote

The house has more than 70 rooms, all arranged around a central courtyard, "the confines circumscribed by the moat."[10] The house is surrounded on all sides by a square moat, crossed by three bridges. The earliest surviving evidence is for a house of the early 14th century, with the great hall, to which were attached, at the high, or dais end, the chapel, crypt and two solars. The courtyard was completely enclosed by increments on its restricted moated site, and the battlemented tower was constructed in the 15th century. Very little of the 14th century survives on the exterior behind rebuilding and refacing of the 15th and 16th centuries.

 

The structures include unusual and distinctive elements, such as the porter's squint, a narrow slit in the wall designed to enable a gatekeeper to examine a visitor's credentials before opening the gate. An open loggia with a fifteenth-century gallery above, connects the main accommodations with the gatehouse range. The courtyard contains a large, 19th century dog kennel.[12] The house contains two chapels; the New Chapel, of c.1520, having a barrel roof decorated with Tudor roses. [13] Parts of the interior were remodelled by Richard Norman Shaw.[14] wikipedia

 

16th century-late 19th century

The house remained in the Selby family for nearly 300 years.[3] Sir William was succeeded by his nephew, also Sir William, who is notable for handing over the keys of Berwick-upon-Tweed to James I on his way south to succeed to the throne.[4] He married Dorothy Bonham of West Malling but had no children. The Selbys continued until the mid-19th century when the line faltered with Elizabeth Selby, the widow of a Thomas who disinherited his only son.[5] During her reclusive tenure, Joseph Nash drew the house for his multi-volume illustrated history Mansions of England in the Olden Time, published in the 1840s.[6] The house passed to a cousin, Prideaux John Selby, a distinguished naturalist, sportsman and scientist. On his death in 1867, he left Ightham Mote to a daughter, Mrs Lewis Marianne Bigge. Her second husband, Robert Luard, changed his name to Luard-Selby. Ightham Mote was rented-out in 1887 to American Railroad magnate William Jackson Palmer and his family. For three years Ightham Mote became a centre for the artists and writers of the Aesthetic Movement with visitors including John Singer Sargent, Henry James, and Ellen Terry. When Mrs Bigge died in 1889, the executors of her son Charles Selby-Bigge, a Shropshire land agent, put the house up for sale in July 1889.[6]

 

Late 19th century-21st century

The Mote was purchased by Thomas Colyer-Fergusson.[6] He and his wife brought up their six children at the Mote. In 1890-1891, he carried out much repair and restoration, which allowed the survival of the house after centuries of neglect.[7] Ightham Mote was opened to the public one afternoon a week in the early 20th century.[7]

 

Sir Thomas Colyer-Fergusson's third son, Riversdale, died aged 21 in 1917 in the Third Battle of Ypres, and won a posthumous Victoria Cross. A wooden cross in the New Chapel is in his memory. The oldest brother, Max, was killed at the age of 49 in a bombing raid on an army driving school near Tidworth in 1940 during World War II. One of the three daughters, Mary (called Polly) married Walter Monckton.

 

On Sir Thomas's death in 1951, the property and the baronetcy passed to Max's son, James. The high costs of upkeep and repair of the house led him to sell the house and auction most of the contents. The sale took place in October 1951 and lasted three days. It was suggested that the house be demolished to harvest the lead on the roofs, or that it be divided into flats. Three local men purchased the house: William Durling, John Goodwin and John Baldock. They paid £5,500 for the freehold, in the hope of being able to secure the future of the house.[8]

 

In 1953, Ightham Mote was purchased by Charles Henry Robinson, an American of Portland, Maine, United States. He had known the property when stationed nearby during the Second World War. He lived there for only fourteen weeks a year for tax reasons. He made many urgent repairs, and partly refurnished the house with 17th-century English pieces. In 1965, he announced that he would give Ightham Mote and its contents to the National Trust. He died in 1985 and his ashes were immured just outside the crypt. The National Trust took possession in that year.[8]

 

In 1989, the National Trust began an ambitious conservation project that involved dismantling much of the building and recording its construction methods before rebuilding it. During this process, the effects of centuries of ageing, weathering, and the destructive effect of the deathwatch beetle were highlighted. The project ended in 2004 after revealing numerous examples of structural and ornamental features which had been covered up by later additions.[1]

Bathroom

The Cathedral of Saint Mary of the See (Seville Cathedral), the Catholic cathedral and former mosque is one of the largest churches in the world and the largest Gothic cathedral.

After its completion in the early 16th century, Seville Cathedral supplanted Hagia Sophia as the largest cathedral in the world, a title the Byzantine church had held for a thousand years. The Gothic section has a length of 413 feet, a width of 249 feet) and a central nave height of 118 feet (130 feet at the crossing). The total height of the Giralda tower from the ground to the weathervane is almost 343 feet. The Archbishop's Palace is located on the northeastern side of the cathedral.

 

Seville Cathedral was the site of the baptism of Infante Juan of Aragon in 1478, the only son of the Catholic Monarchs Ferdinand II of Aragon and Isabella I of Castile. Its royal chapel holds the remains of the city's conqueror, Ferdinand III of Castile; his son and heir, Alfonso the Wise; and their descendant, King Peter the Cruel. Christopher Columbus and his son Diego are also buried in the cathedral.

 

The Almohad caliph Abu Yaqub Yusuf ordered the construction of a new grand mosque for the city in 1172 on the south end of the city. The new mosque was dedicated in 1182 but was not completed until 1198. Larger and closer to the city's alcázar, the mosque was designed by architect Ahmad ben Basso as a 371 by 443-foot rectangular building with a surface of more than 160,000 square feet, including a minaret and ablutions courtyard. Its prayer hall consisted of 17 aisles oriented southward, perpendicular to its qibla wall, in the manner of many mosques of Al-Andalus. Shortly after Seville's conquest by Ferdinand III, Yaqub Yusuf's mosque was converted into the city's cathedral. Its orientation was changed, and its spaces partitioned and adorned to suit Christian worship practices. The internal space was gradually divided into chapels by constructing walls in the bays along the northern and southern walls. Almost the entire eastern half of the cathedral was occupied by the royal chapel that would hold the bodies of Ferdinand, his wife and Alfonso the Wise.

 

Seville Cathedral was built to demonstrate the city's wealth, as it had become a major trading center in the years after the Reconquista in 1248. In July 1401, city leaders decided to build a new cathedral to replace the grand mosque that served as the cathedral until then. Work began in 1402 and continued for more than a century. The precise date when construction began is not certain; some sources date it to 1433. Several factors, including royal resistance to the temporary relocation of the royal chapel delayed construction. In 1433, King John II of Castille allowed the temporary transportation of the royal bodies from the old Capilla Real (Royal Chapel), including those of Alfonso X, Beatrice of Swabia, Ferdinand III, Peter the Cruel and María de Padilla to the cathedral's cloister for storage.

 

In the main body of the cathedral, the boxlike choir loft, which fills the central portion of the nave, and the vast Gothic retable of carved scenes from the life of Christ. The builders preserved some elements from the ancient mosque. The mosque's sahn the courtyard for ablutions for the faithful to conduct their ritual cleansing before entering the prayer hall) is known today as the Patio de los Naranjos. It contains a fountain and orange trees.

 

The Giralda, the bell tower of the Cathedral of Seville, reaches 343 feet, and its square base is 44 feet per side. It is the former minaret of the mosque that stood on the site under Muslim rule and was built to resemble the minaret of the Koutoubia Mosque in Marrakech, Morocco. The Giralda was converted into a bell tower for the cathedral after the Reconquista, although the topmost section dates from the Renaissance. Construction began in 1184 under the direction of architect Ben Ahmad Baso. According to Ibn Sahib al-Salah, the works were completed on in March 1198, with the placement of four gilt bronze balls in the top section. After a strong earthquake in 1365, the spheres were missing. In the 16th century, the belfry was added by the architect Hernán Ruiz the Younger, which hides the Almohad lantern. The statue on its top – El Giraldillo – was installed in 1568 to represent the triumph of the Christian faith.

 

Fresh from the workshop after completion of restoration during winter of 2004/2005.

During the completion of a ritual bath, the woman adorns her forehead with a Vermilion for a good health and prosperity for her family and husband.

Completion of the ISO rounds with rebranded Ferrania. I like this film. It's cheap.

 

Minolta SRTMC

Rebranded Ferrania Solaris 400 (Western Family)

completion of my skeletonized pegasus/unicorn girl. she finally has wings!

 

blogged: anastasiahandmade.blogspot.com/2012/01/dolls-are-fun-for-...

Rejoice! The S.H. Figuarts Super Sailor Mars figure not only marks the completion of my Inner Senshi (sort of cheating, but meh.. whatever.. it's a Mars) as well as the first time I've ever actually bought such high end goods from Amazon - good times.

 

Sailor Mars, aka Rei Hino is a Shrine Priestess, and is the third Sailor Senshi to join the group. She's not my favourite (not that I hate any of them per se), but she's definitely got personality and is always at odds with Usagi, something that isn't really played on in the Crystal series.

 

Jupiter FTW all day.

 

Guardian of Love and Passion, Sailor Mars controls the element of Fire, and of all the Inner Senshi, definitely has some of the flashiest techniques. It was these attack effects that are the reason why I opted to go Super for her rather than vanilla.

 

Let's dig in.

 

Super Sailor Mars, like Super Sailor Jupiter, comes with much more than her vanilla incarnation.. so much so I'm going to point form this for you.

 

You get:

 

- the figure

- five total face plates (neutral, chanting, winking, smiling, and attacking)

- 13 extra hands for posing and holding accessories

- one dedicated clasped hand for her Fire Soul attack

- her signature talisman (single and bunch)

- her Crystal Change Rod

- the actual Fire Soul effect

- a Mars Flame Sniper effect (including a dedicated hand)

- a Burning Mandala effect

- the standard Sailor Moon series Figuarts stand

 

Sailor Mars of course comes decked out in her Super upgraded uniform, including the translucent sleeves and bow on her back. She also features a more pliable skirt, something that now that I have two Super Senshi, seems to be a design change for this line, allowing for greater range of motion and better posing. She also has the wonky proportions that plagued the entire line, being too slender and tall, along with a tiny head.

 

Then there are those attack effects. I can see why they included so many.. the don't take that much plastic to make, unlike the Oak Evolution of Super Jupiter. The variety makes for many different display options and I think for that reason alone it's well worth ignoring the vanilla release.

 

Sailor Mars comes with the standard suite of Sailor Moon line articulation - ankles, single jointed knees, hips, waist, mid torso, shoulders with some chest compress and bicep swivel, single jointed elbows, wrists, and head.

 

She also has similar hair to Sailor Venus, in that it's long. As such, there two points of articulation in the hair that allows for it to spread out for scenes where she shows more volume. However, it's sculpted such that it is perpetually at an angle, blowing backs. Great for dynamic looks... not so much for poses where you want her standing still. On the other hand, if they hadn't done that, you wouldn't be able to turn her head (I'm looking at you, Wonder Woman). Furthermore, as you can imagine, the weight of the hair makes standing the figure without support somewhat of a challenge.

 

From a paint perspective, gain, solid by Figuarts and line standards, featuring predominately pearl finish white and red. There's nothing to write home about in a good way - solid work in general, some muddy detailing and paint masking. Decal work is sharp on all applicable spots, which include the face plates and of course the talisman. Printing and forming work on the Burning Mandala are quite nice.

 

Build quality is again what I expect, so hopefully the weaknesses observed in Mercury are a one and done thing. No issues with limb length, strength of joints, or overly rough finishes. The translucent plastics uses for the Fire Soul and Mars Flame Sniper effects are quite nice, with no noticeable bubbles or other blemishes that would not only affect the visual quality, but also, the brittleness of these parts.

 

So yeah.. the Inner Senshi are done. It's definitely a price jump between vanilla and Super, but honestly if it's like an extra $10 - $15, you might as well go Super if you're going to have only one Mars in your collection. If you're insisting on being a purist, I think the vanilla Sailor Mars figure comes with the talisman in terms of effects, as well as the clasped hand for Fire Soul and posing hands.

 

Hopefully soon, I'll find a Pluto and complete it all.

Copyright © John G. Lidstone, all rights reserved.

I hope you enjoy my work and thanks for viewing.

 

NO use of this image is allowed without my express prior permission and subject to compensation/payment.

I do not want my images linked in Facebook groups.

 

It is an offence, under law, if you remove my copyright marking, and/or post this image anywhere else without my express written permission.

If you do, and I find out, you will be reported for copyright infringement action to the host platform and/or group applicable and you will be barred by me from social media platforms I use.

The same applies to all of my images.

My ownership & copyright is also embedded in the image metadata.

   

Heres information about central florida broadcast stations

 

Broadcast Tower,WFTT-TV is the Telefutura affiliate for Tampa Bay, owned by Univision and operated by Entravision, owners of WVEA-TV. The station, which broadcasts on UHF channel 50, is based at WVEA's studios on Hillsborough Avenue in Tampa, and transmits from Riverview. WFTT can be seen on cable throughout the Bay Area on Bright House channel 5, and on Comcast in Sarasota County on channel 23.

 

With the completion of the 442.550 repeater in Riverview at 805ft in January, the western pointing antenna on the 442.825 repeater caused a expected overlap that was unnecessary. Since 442.550 now blankets Hillsborough County, we have as of April 11th taken the antenna off the west leg of the Pebbledale tower site at 800ft and moved it to the east leg of the tower. What does mean for users? The tower has a 7 foot wide face, which creates a null that is created behind the antenna. This null used to face a huge portion of Polk County. By moving this antenna to the east, the null is now facing essentially Brandon/Riverview, where 442.550 is now located at 805ft. So far we have gotten incredible results from users in eastern Polk County. Some users in Sebring reporting almost full scale signal, and mobile users with hand helds on 27 at 5 watts can use 442.825 now. None of this was previously possible. So with this move, expect to hear more Polk, Osceola and I-4 corridor area users making it into the network.

 

A nother tower WVEA (channel 62) is Tampa Bay, Florida's first Spanish-language TV station, which had its start in the early-1980s as low-powered W50AC ch.50, which offered programming from the Spanish International Network (SIN), the forerunner of today's Univision. In 1988, to make way for new HSN flagship WBHS (now WFTT-TV), the station relocated to channel 61 and became W61BL. In the mid-1990s, the station was re-called "WVEA-LP". In 2000, WVEA's parent company, Entravision, acquired Sarasota English independent WBSV channel 62, with the intent of moving the transmitter from Venice to the antenna farm at Riverview. WBSV signed on May 3, 1991 as the Sarasota area's own independent station, designed to compete against WWSB and the other stations in the Tampa Bay and nearby Ft. Myers markets. Licensed to Venice, Florida the call letters stood for Bradenton, Sarasota, Venice, the three cities it primarily served. WBSV had a variety of syndicated and local programming, plus infomercials and home shopping programs. early on, they also had its own newscast. But, WBSV was eternally in red ink, and relied more on home shopping and infomercials to keep the station afloat....

 

And then,WTVT, channel 13, is a television station in Tampa, Florida. It is an owned and operated station of the Fox Broadcasting Company, a subsdiary of the News Corporation. WTVT's studios are located in Tampa, and its transmitter is located in Riverview, Florida.

 

Overall the WUSF (89.7 FM) is an NPR-member radio station licensed to Tampa, Florida, USA. The station is currently owned by the University of South Florida. WUSF signed on in 1963, seven years after USF's founding in 1956.

 

WOPX channel 56 is a television station based in Orlando, Florida, USA. An affiliate of the ION Television network, it transmits its analog signal on UHF channel 56 and its digital signal on UHF channel 48, both from a transmitter located near Holopaw. The station signed on the air in 1986.

 

WIWA (1160 AM) is a radio station broadcasting a Spanish language Christian format. Licensed to St. Cloud, Florida, USA, it serves the greater Orlando area. The station is currently owned by Centro De La Familia Cristiana Inc.

 

WAFZ-FM (92.1 FM) is a radio station broadcasting a Regional Mexican format. Licensed to Immokalee, Florida, USA, the station is currently owned by Glades Media Company LLC. WAFZ's programming is also heard on WAFZ AM 1490 in Immokalee.

 

WTVY or WTVY News 4 is a CBS-affiliated television station broadcasting on channel 4 in Dothan, Alabama, owned by Gray Television. The station's signal, originating from a transmitter in Holmes County, Florida, reaches large portions of Alabama, Georgia and Florida. WTVY is also the designated CBS affiliate for the Panama City, Florida market, where Gray also owns that city's NBC affiliate, WJHG-TV. In exchange, WJHG is available in Dothan on cable since Dothan does not have its own NBC affiliate. In fact, WTVY's transmitter is located within the Panama City market. WTVY-DT uses digital subchannels to operate MyNetworkTV affiliate My 4 and CW affiliate Dothan's CW.

 

WJED (91.1 FM) is a radio station broadcasting a Christian radio format. Licensed to Dogwood Lakes Estate, Florida, USA. The station is currently owned by Bethany Bible College.

 

WTVJ, channel 6, is the NBC owned-and-operated television station for South Florida, licensed to Miami. Its analog transmitter is located in Redland. The station's digital transmitter is located near Dolphin Stadium in north Miami-Dade County. Owned by NBC Universal, the station is sister to South Florida's Telemundo owned-and-operated station, WSCV. The two share studios at Peacock Plaza in Miramar.

 

WOIR (1430 AM) is a radio station broadcasting a Spanish News/Talk format. Licensed to Homestead, Florida, USA, the station serves the Miami area. The station is currently owned by Amanecer Christian Network, Inc..

 

WTLH is a Fox television affiliate licensed to Bainbridge, Georgia and serves the Tallahassee, Florida television market. It broadcasts its analog signal on UHF channel 49 and its digital signal on UHF channel 50. The station began operations on November 25, 1989. Its transmitter is located in Metcalf, Georgia. The Station is owned by CP Media, LLC. The station runs a duopoly with WFXU, The CW station in Tallahassee. WTLH programming is also seen on a low-powered, Class-A repeater, WBVJ-LP channel 35 in Valdosta.

 

WTXL-TV is the ABC affiliate station for Tallahassee, Florida, Thomasville, Georgia, and Valdosta, Georgia, broadcasting on channel 27. The station is owned by Calkins Media, Inc., a Pennsylvania-based mass media company that owns several small newspapers in Pennsylvania and two other television stations: WWSB in Sarasota and WAAY-TV in Huntsville, Alabama. It was previously owned by Media Ventures Management, and operated by the Sinclair Broadcast Group pursuant to an outsourcing agreement (See: [1]), the first of its kind in the United States. This agreement merged virtually all of WTXL-TV's operations with that of Sinclair's NBC affiliate WTWC. Denis LeClair, General Manager of WTXL-TV and WBXT-TV at the time, was made General Manager for WTXL, WBXT and WTWC under this agreement. He would be followed by Chris Butterick and then Bob Franklin. Eventually, Kim Urbuteit (who was fired in May, 2007) would be named General Manager of WTXL only as Bob Franklin (now in Mobile, AL) oversaw WTWC. Gary Wordlaw is the current General Manager of WTXL-TV.

 

WFSU is the callsign (or variations thereon) for public radio stations operated by Florida State University in Tallahassee, Florida. WFSU also operates 3 radio stations that serve northern Florida: * WFSU-FM 88.9 FM: Tallahassee-based news/talk/public affairs station carrying several NPR programs and overnight BBC World Service programming. Also heard on these low-powered repeaters: * 97.1 - Carrabelle * 106.1 - Marianna * 96.7 - Apalachicola * 93.7 - Downtown Tallahassee (necessary because the main WFSU transmitter must conform its signal to protect WTSU in Troy, Alabama) * WFSQ-FM 91.5 FM: Tallahassee-based classical music station. Also heard on WFSL-FM 90.7 in Thomasville, Georgia, and on low-powered 92.7 FM in the northeast portion of the city of Tallahassee. * WFSW-FM 89.1 FM: Panama City-based news/talk/public affairs station. Offers many of the same programs as WFSU. Also heard on low-powered 91.1 FM in the Port St. Joe area along the Gulf of Mexico, as well as 94.5 FM in Fort Walton Beach.

 

WESH is the NBC affiliate in Orlando, Florida. It is licensed to Daytona Beach, with studio facilities in Winter Park. It transmits its analog signal on VHF channel 2 and its digital signal on VHF channel 11, when viewed over the air PSIP will display 2.1 for WESH DT and 2.2 for WESH Weather Plus. It is currently owned by Hearst-Argyle Television along with the area's CW affiliate, WKCF. WESH's transmitter is located in Orange City, Florida. The tower is the tallest man-made structure in Florida, at 1,740 feet (530 m). The station also serves as the default NBC affiliate for the Gainesville market, and can be seen on the fringes of the Tampa Bay and Jacksonville markets. WESH was the first station in Orlando to carry an on-site RADAR facility, SuperDoppler 2 as opposed to relying on National Weather Service RADARs. It is installed on top of the tower located at the Winter Park broadcast studio. Today it also promotes a VIPIR 3D RADAR system, taking advantage of the fact that the RADARs at Melbourne, Tampa, Jacksonville and Miami can all reach Orlando, in addition to SuperDoppler 2. The primary news anchors at WESH are Martha Sugalski and Jim Payne....

 

WOMX is a radio station located in the Orlando, Florida area and broadcasts at 105.1. WOMX 105.1 plays the "Best MIX of the 80s, 90s and Today," though the station programming focuses mostly on rock and modern rock music from the 90's and 2000's. Every Friday from 5:00 p.m. to 12:00 a.m., Mix 105.1 presents Friday Night 80's. The "Saturday Night Party MIX" airs every Saturday night from 7 p.m. to midnight. The "Saturday Night Party MIX" replaced the Orlando heritage show "Seventies Saturday Night" in 2005.

 

WOTF-TV Channel 43 is the TeleFutura station serving the Orlando/Daytona Beach/Melbourne, Florida television market. It is owned by Univision and managed by Entravision which owns Univision affiliate WVEN-TV 26 and radio station WNUE 98.1 FM and offers a Spanish language entertainment format featuring movies, dramas, comedy shows, and kids shows. The studios are located in Altamonte Springs which is also shared by WVEN.

 

WOFL, "Fox 35", is the Fox owned-and-operated television station serving the Orlando, Florida metropolitan area. It is licensed to Orlando, with studios located in Lake Mary. It broadcasts its analog signal on UHF channel 35, and its digital signal on UHF channel 22. Its transmitter is located in Bithlo, Florida. Its Digital TV transmitter has a power of 1,000 kW. Its Analog TV transmitter has a power of 2,570 kW. WOFL and sister station WTVT of the bordering Tampa market commonly share reporters and footage, as other station groups do.

 

WFTV channel 9 is a television station based in Orlando, Florida, affiliated with the ABC network. It transmits its analog signal on VHF channel 9 from a transmitter located in Bithlo, Florida, and its digital signal on UHF channel 39 from a transmitter located in Christmas, Florida. It is owned by Cox Enterprises along with independent station WRDQ TV 27. The primary news anchors at WFTV are Bob Opsahl and Martie Salt. They anchored the main afternoon newscasts from 1984 through 1994, when Ms. Salt transferred to WFTS, a TV station in Tampa (where she was known as "Martie Tucker"). She returned to anchor WFTV's news again with Opsahl in 2003. Opsahl is one of the longest-serving (at one station) local news anchors in Florida. Barbara West, a 20 year veteran at WFTV and the station's medical reporter is paired with Opsahl at 5:30. Marla Weech, a former anchor for WFTV, was paired up with Bob Opsahl during most of Salt's absence. Weech currently works for WKMG. Tom Terry is the "Chief Meteorologist". WFTV's Severe Weather Center 9 includes WFTV's own doppler weather radar station located at Joint Venture TV Tower Bithlo. Its radar has features that are...

 

WRBW-TV is the MyNetworkTV owned and operated station serving the Orlando/Daytona Beach/Melbourne, Florida television market. It is owned by the Fox Television Stations Group, along with Fox station WOFL Channel 35. Known on-air as "My65", the station offers sitcoms, cartoons, court shows, and talk/reality shows. Its transmitter is located in Christmas, Florida.

 

WNTF (1580 AM) is a radio station broadcasting a News Talk Information format. Licensed to Bithlo, Florida, USA, it serves the Orlando area. The station is currently owned by Rama Communications, Inc.

 

WBCC is an educational television station serving the Orlando television market. It broadcasts on UHF channel 68, with a digital signal on channel 30. It is one of the Orlando market's PBS member stations. WBCC's digital signal, on channel 30, offers programming from the University of Central Florida (channel 68.2) and BPS-TV from Brevard Public Schools (channel 68.3), in addition to WBCC's standard programming.

 

WRDQ, channel 27, is an independent television station in Orlando, Florida. Its analog transmitter is located in northeastern Osceola County. The station's digital transmitter is located in Christmas. Onwed by Cox Enterprises, WRDQ is sister to ABC affiliate WFTV. The two stations share studios on East South Street in downtown Orlando. WRDQ offers the Retro Television Network on its second digital subchannel. It can also be seen on Bright House digital channel 1028. Syndicated programming on WRDQ includes: South Park, Scrubs, Merv Griffin's Crosswords, Oprah, According to Jim, and George Lopez. The station can be considered an alternate ABC affiliate. As such, it may take on the responsibility of airing ABC programs whenever WFTV may not be able to do so as in a news-related emergency.

 

WXPX is a television station licensed to Bradenton, Florida. Operating on channel 66, it is an ION Television affiliate, owned and operated by ION Media Networks (formerly Paxson Communications), which has owned the station since its founding in 1994. Current programming on WXPX is virtually the same as other ION affiliates -- infomercials throughout the day and during the overnights, plus ION programming in the evenings. WXPX also shows Tampa Bay Lightning hockey, Orlando Magic basketball, some college football and Tampa Bay Rays baseball, though most of these games are in the evenings only, as WXPX tend to reserve non-prime-time hours for infomercials. Rays games air in high definition on WXPX in the 720p format, the same format as FSN Florida, the producers of the games (See: [1]). The only local programming on WXPX is i on Tampa (public affairs) and the aforementioned Rays and Magic games. The station once aired Miccosukee Magazine along with WPXM Miami and WPXP West Palm Beach, but no longer airs the program. (the latter two stations still do, along with WOPX Orlando) WXPX started in 1994 as WFCT, which featured infomercials at all hours under...

 

Wesh News Cast Bay News 9 Cast Weather Channel

Kristina

 

Abernathy

 

Stephanie

 

Abrams

 

Natalie

 

Allen

 

Tetiana

 

Anderson

 

Adam

 

Berg

 

Mike

 

Bettes

 

Vivian

 

Brown

 

Jim

 

Cantore

 

Jennifer

 

Carfagno

 

Kelly

 

Cass

 

Betty

 

Davis

 

Kristin

 

Dodd

 

Jorma

 

Duran

 

Dr Marcus

 

Eriksen

 

Paul

 

Goodloe

 

Ryan

 

Goswick

 

Rich

 

Johnson

 

Bill

 

Keneely

 

Danny

 

Lipford

 

Warren

 

Madden

 

Mark

 

Mancuso

 

Dr Anna

 

Marie

 

Julie

 

Martin

 

Jeff

 

Mielcarz

 

Jarod

 

Miller

 

Nicole

 

Mitchell

 

Samantha

 

Mohr

 

Jeff

 

Morrow

 

Carl

 

Parker

 

Kim

 

Perez

 

Sharon

 

Resultan

 

Kevin

 

Robinson

 

Marshall

 

Seese

 

Mike

 

Seidel

 

Alexandra

 

Steele

 

Heather

 

Tesch

 

Nick

 

Walker

 

Alex

 

Wallace

Dr Steve Lyons

 

Dr Greg Forbes

 

Dr Heidi Cullen

 

Stu Ostro

Aixa Diaz (NEWS ANCHORS

Jen Holloway

Al Ruechel

Leigh Moody

Erica Riggins

Rick Elmhorst

 

(METEOROLOGISTS)

Mike Clay

Juli Marquez

Josh Linker

Diane Kacmarik

Brian McClure

Alan Winfield

 

(NEWS REPORTERS

Jennifer Anderson

Dalia Dangerfield

Laurie Davison

Melissa Eichman

Samantha Hayes

Chuck Johnson

Troy Kinsey

Jason Lanning

Emily Maza

Carol Minn Vacca

Jonathan Petramala

Josh Rojas

Summer Smith

Kathryn Simmons

Melanie Snow

Melissa Sogegian

Anna Tataris

Ferdinand

Zogbaum

 

(EN ESPANOL

Lydia Guzmán

Roy De Jesús

Sandra Pinto

 

Jim Payne

Syan Rhodes

Martha Sugalski

Scott Walker

Eryka Washington

  

Weather:

Jason Brewer

Tony Mainolfi

Malachi Rodgers

Amy Sweezey

 

WESH.com Web Staff:

Jeff Cousins

Managing Editor

Jessica Seeley

   

Washington Reporters:

 

Sally Kidd

Nikole Killion

Laurie Kinney

 

Orlando Sentinel:

Roger Moore

Movie Critic

 

Sports:

 

Pat Clarke

Guy Rawlings

   

Reporters:

Danielle Bellini

Dan Billow

Greg Fox

Bob Kealing

Jeff Lennox

Craig Lucie

Dave McDaniel

Michelle Meredith

Claire Metz

Amanda Ober

Kendra Oestreich

Gail Paschall-Brown

Tim Trudell

Todd Wilson

 

Other Talent:

Jason Chepenik

Financial Analyst

Dr. Todd Husty

Dan McCarthy

Chopper 2 Pilot

Kimberly Williams

Traffic Reporter

A touch of old hollywood meets modern chic. This home came with extra personality in each space. We had fun creating her vision and the results were nothing short of Glamorous!

Meditation

Second Reconstruction nearing completion.

 

Ground up rebuild for this old timer, extensive chassis repairs, complete with winches front and back. Will be available for sale late 2021 or early 2022.

 

The engine in this car is the original 2 litre IOE unit and is in remarkably good condition.

 

The belt drive on the back is for driving auxiliary machinery.

  

The 1954 model year brought major changes. The 80-inch (2.03 m) wheelbase model was replaced by an 86-inch (2.18 m) wheelbase model, and a 107-inch (2.72 m) wheelbase "pick up" version was introduced. The extra wheelbase was added behind the cab area to provide additional load space. In mid-1954 the "spread bore" petrol engine was introduced (from engines 5710xxxx), allowing better cooling between the cylinders. This had been introduced in the Rover car the year before.

 

The engine was modified again in 1955 (from engine 1706xxxxx), sometimes known as the 'later' spread bore.

Completion in HDR

Unique Urban Pet Portraits of Cats and Dogs by Acamonchi

 

Bring out the personality of a beloved pet with a custom urban pet portrait by Acamonchi. These unique commissions on wood panel start as low as $250. Add some awesome pet art to your home or make it a gift to a friend!

 

Email me at acamonchi.hq@gmail.com and include a picture of the pet to get started.

 

Quality and professionalism, serious inquiries only. Portraits take about one week to complete, require 50% upfront and 50% upon completion.

 

Satisfied customers in San Diego, Los Angeles, Portland, Texas, New York, Canada and Mexico!

 

acamonchi-art.com | instagram acamonchi

 

12 x 12” x $250

18 x 18” x $450

24 x 24” x $850

 

Other sizes available, feel free to ask.

(Shipping not included)

  

Perfect for the holidays or any day!