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The new name for the Mugen CR-Z!!!
Also at the Coventry Car DAy was a Countach, Ferrari California, Lamborghini Gallardo Spyder, old Rollers and Jags, Merc SLS AMG, Ferrari 330 P4 Replica, Honda NSX, Bentley Flying Spur, Ford Evos and new Peugeot 208!!!
Agfa Optima Sensor compact 35mm camera. Film loads into chamber on left indicated by four arrows, which is light tight to protect the film if the camera back is accidentally opened.
Specifications:-
Type: 35mm compact camera
Size: 104 mm x 68 mm x 54 mm (W x H x D)
Image Format: 24 x 36 mm (W x H)
Lens: Agfa Solitar, 40 mm f/2.8
Diaphragm: Automatic f/2.8 to f/22
Focusing: Manual scale pictograms on top of the focus ring/ meter/feet scale on bottom, focusing 3ft/1.09m - infinity
Shutter Speeds: 1/500 second - 15 seconds
Viewfinder: Large direct finder with parallax marks for near focus
Film Loading: Manual
Film Transport: Manual single stroke lever, also used to rewind film when the 'R' button is depressed and turned
Film Speeds: 25 ASA/15 DIN to 500 ASA/28 DIN, selected on a ring around the lens
Flash Contact: Hot shoe, aperture selected manually with flash
Cable Release Socket: On left hand side of the camera body
Tripod Socket: 1/4 in. on right hand side which doubles as camera strap attachment
Battery: 3 V625U batteries, located by opening the camera back
Carena Micro Compact 35mm viewfinder camera. Made in Japan by Petri, 1979. Carena was the house brand for Swiss retailer Interdiscount and before that, Porst of Germany.
The Petri Micro Compact was itself a cheaper version of the Color 35E, which was in turn a cheapened Color 35. Weren't the 70's great?
Jean Francois Racine of Garneau-Quebecor Cycling Team. Les Mardis Cyclistes de Lachine présenté par Jean Coutu, Montreal. August 12th, 2014.
Producto:
VITIS® medio compact
Descripción del producto:
El cepillo VITIS® medio compact, de tamaño reducido, cabezal pequeño y filamentos de dureza media, permite reducir la placa bacteriana (biofilm oral) de manera eficaz.
Propiedades del producto:
- El cabezal pequeño del cepillo VITIS® medio compact permite llegar a zonas de difícil acceso de la cavidad bucal.
- Los filamentos son de dureza media y con perfil ondulado, que sigue el contorno de las encías y facilita el acceso a los espacios interproximales.
- El cuello es maleable y flexible y el mango anatómico con estrías antideslizantes.
- El mango es anatómico y de tamaño reducido para facilitar su uso y movilidad día tras día fuera de casa.
- Incorpora un capuchón que protege los filamentos y mantiene el cabezal en condiciones óptimas.
- Su uso está indicado para el cepillado diario fuera de casa.
Modo de empleo:
Cepillar los dientes un mínimo de 2 veces al día o después de cada comida.
Presentación:
Disponible en color transparente, azul, rojo, y rosa.
Consulte en nuestra página web más información sobre VITIS® medio compact:
Unusual to see these short ones, but the LWB ones seemed popular with carper fitters and tradesmen who needed a decent loadbay length (saw a tidy M-reg example in such a capacity just this morning).
Another capacious Toyota in the background...
Producto:
VITIS® suave compact
Descripción del producto:
El cepillo VITIS® suave compact, de tamaño reducido, cabezal pequeño y filamentos suaves, permite reducir la placa bacteriana (biofilm oral) de manera eficaz.
Propiedades del producto:
- El cabezal pequeño del cepillo VITIS® suave compact permite llegar a zonas de difícil acceso de la cavidad bucal.
- Los filamentos son de dureza suave y con perfil ondulado, que sigue el contorno de las encías y facilita el acceso a los espacios interproximales.
- El cuello es maleable y flexible y el mango anatómico con estrías antideslizantes.
- El mango es anatómico y de tamaño reducido para facilitar su uso y movilidad día tras día fuera de casa.
- Incorpora un capuchón que protege los filamentos y mantiene el cabezal en condiciones óptimas.
- Su uso está indicado para el cepillado diario fuera de casa.
Modo de empleo:
Cepillar los dientes un mínimo de 2 veces al día o después de cada comida.
Presentación:
Disponible en color transparente, azul, rojo, y rosa.
Consulte en nuestra página web más información sobre VITIS® suave compact:
Not easy to get into the garbage room. But they finally let me in (and forgot about me). Here is a shot of the dumpster the chute goes to. Thankfully when I got the the chute was clogged so I was somewhat relieved to think I could find the bag. This shot shots the ram cramming garbage into this dumpster. I never really looked at dumpster compactors but I now know why garbage is almost always loose. By the ram is a “blade” to bread down bulky trash. The blade also slits almost every garbage bag and makes it easy to squeeze the air out. This is loosely compacted garbage. I search the dumpster do the bag and since it’s not too compacted, I could search it. I try to figure out the issue so I can start getting the bags to drop.
Part of the problem is the cycle time. This compactor cycles in 16 seconds. Within 30 seconds the bag is always being rammed mercilessly into the trash. The bag fell onto the blade and was destroyed. But here it is being compacted.
Little abstract self portrait for todays 365. I was getting a bit annoyed with a skipping CD that I was playing tonight. Cleaned it a few times and while looking to see if I could see any scratches or marks I thought I would shoot the reflection of my eyes in the disc.
I held the little Lume Cube in my left hand pointed toward the disc and the mobile(s6) in my other pointed at the disc resting on the table. Got lucky with the reflection as it took 3 shots to capture.
Edited on mobile. Cropped, glow and structure added, then perspective warp and retro texture added in Snapseed app.
Agfa Optima Sensor compact 35mm camera
Specifications:-
Type: 35mm compact camera
Size: 104 mm x 68 mm x 54 mm (W x H x D)
Image Format: 24 x 36 mm (W x H)
Lens: Agfa Solitar, 40 mm f/2.8
Diaphragm: Automatic f/2.8 to f/22
Focusing: Manual scale pictograms on top of the focus ring/ meter/feet scale on bottom, focusing 3ft/1.09m - infinity
Shutter Speeds: 1/500 second - 15 seconds
Viewfinder: Large direct finder with parallax marks for near focus
Film Loading: Manual
Film Transport: Manual single stroke lever, also used to rewind film when the 'R' button is depressed and turned
Film Speeds: 25 ASA/15 DIN to 500 ASA/28 DIN, selected on a ring around the lens
Flash Contact: Hot shoe, aperture selected manually with flash
Cable Release Socket: On left hand side of the camera body
Tripod Socket: 1/4 in. on right hand side which doubles as camera strap attachment
Battery: 3 V625U batteries, located by opening the camera back
Compact is a neat little studs up font. Basic, but gets the job done. Perfect for signing mosaics.
Try writing with the font or check the details on Swooshable.
The BMW Compact was a small family car which was basically a truncated hatchback version of the BMW E36 platform.
The car was available in 316i, 316g (compressed natural gas), 318ti and 318tds (diesel). The title Ti(Touring International) is unique to the Compact range and is used on the more powerful versions, harking back to the BMW New Class Tii models of the sixties and seventies.
From front bumper to A pillar, the Compact is identical to the BMW 3 Series (E36) sedan, sharing the front fenders, bumpers, lights, windshield, wing mirrors, and the hood. As with the entire E36 range, the E36/5 also shares an idential wheelbase. Similarities with the E36 sedan/coupe range end here; from the A pillar rearwards, the E36/5 is unique from others in the E36 range featuring unique framed doors, windows, roof, trunk pan, taillights, and suspension.
The BMW E36/5 Compact shares its suspension with the BMW Z3 and M Coupe/Roadster. The front employed the E36's standard MacPherson strut design. However the and rear suspension used a semi trailing arm from the previous model BMW 3 Series (E30) which allowed for more a lower trunk floor height, fold down rear seats, and an exterior undermounted compact spare tire.
The inherent design of the trailing arm suspension was that it favoured oversteer. It is the rarest and most sought after of the E36 318 lineup by enthusiasts, being the lightest, fastest, best handling and least expensive.
Apart from a simple one piece dashboard, the E36 Compact shared the same seats and trim as the full-sized 3-series. During 1993/4, BMW built several prototype 5-door compacts, which looked outwardly even more similar to the saloon right back to the C-pillar. However, following the initially disappointing sales response to the Compact (in comparison to the Saloon & Coupe models) BMW decided not to offer a 5-door variant. The prototypes were stripped and the bodyshells disposed of.
The E36 Compact was very popular in its home market in Europe, which prompted BMW to market the car to North America for the 1995 model year. The E36 Compact's front-engine, rear-wheel drive layout was unique for the segment, giving it no direct competitors in North America.
Espejos personalizados ideales para regalar en despedida de soltera, son súper útiles y tmb es una manera de recordar la fecha del Gran día!!
Artist: Richie Cole
Audio CD (2018)
Label: Richie Cole Presents
Catalog No.: RCP 2006
Format: Compact disc
Number of Discs: 1
▶ Front cover: here.
▶ Inside flap, left: here.
▶ Inside flap, right: here.
**************
1. Del Sasser 4:19
2. Dat Dere 4:27
3. The Stars Fell on Alabama 5:03
4. Matchmaker, Matchmaker 3:31
5. Jeannine 5:53
6. Jive Samba 6:38
7. Bell of the Ball 4:16
8. Sack O'Woe 5:28
9. Mercy, Mercy, Mercy 3:27
10. Save Your Love for Me [Portuguese] 5.00
Vocal: Kenia
11. Toy 3:37
12. Azule Serape 3:34
13. Unit 7 4:53
14. Save Your Love for Me [English] 5:00
Vocal: Kenia
***************
☞ Musicians
Alto saxophone: Richie Cole
Trombone: Reggie Watkins
Guitar: Eric Susoeff
Piano: Kevin Moore
Bass: Mark Perna
Drums: Vince Taglieri (except track 8)
Trumpet: J.D. Chaisson
Tenor saxophone: Rick Matt
Producer: Mark Perna
Arrangements: Richie Cole (except 10,14, by Eric Susoef)
☞ "Special Guests"
Drums: Roger Humphries (track 8)
Alto saxophone: Kenny Blake (track 13)
Alto saxophone: Tony Campbell (track 12)
Vocals: Kenia (tracks 10,14)
***************
“Richie Cole has always had his own personal sound along with a mastery of the bebop vocabulary. While Charlie Parker and Phil Woods were important early inspirations, it is a bit surprising to find out that Cannonball Adderly is his favorite alto-saxophonist: 'His playing was always joyful and made everyone smile. I first met Cannonball when I was going to Berklee and he was always very encouraging and nice to me. For this tribute, I played his music my own way with my own arrangements. I never tried to copy him.'
Cannonball Adderly (1922-75), one of the most beloved figures in jazz history, had an exuberant sound that contrasted with the much more somber tomes of most of his contemporaries. He told a story in his solos, enjoyed educating his audiences, and led a very popular quintet for fifteen years.
On Cannonball, Cole is the main soloist, trombonist Reggie Watkins (who sometimes recalls J. J. Johnson) acquits himself quite well, the rhythm section of guitarist Eric Susoeff, pianist Kevin Moore, bassist Mark Perna (who has been Richie's record producer for the past few years), and drummer Vince Taglieri is supportive and perfect for the material, and there are a few notable guests.
'Stars Fell on Alabama' was given a classic treatment by Adderly in 1959. 'This is the song that Richie most wanted to play,' remembers Mark Perna, 'and he sure came up with an exceptional solo.' My other favorite on the the CD,' says Richie, 'is 'Matchmaker, Matchmaker' which Cannonball did on his Fiddler on the Roof record.' The new version alternates between 3/4 and 4/4 time and has an allusion to John Coltrane's 'Moment's Notice.'
'Jeannine' has been in Richie's repertoire for decades and he stretches out in exciting fashion. Other highlights include 'Del Sasser' (which has an exciting shout chorus written by the altoist), Bobby Timmons' soulful 'Dat Dere,' the catchy 'Jive Samba,' a driving version fo Cannonball's 'Sack of Woe,' with an appearance by the great drummer Roger Humphries (a former member of Horace Silver's band) who shines during his two-chorus solo, Clifford Jordan's 'Toy' (on which Richie plays Cannonball's original solo), 'Azule Serape' (a worthy obscurity by Victor Feldman), and the exciting 'Unit 7.' The latter has an excellent alto solo from veteran Kenny Blake.
Richie contributed 'Bell of the Ball' (named after Cannonball's horn), an original that one could imagine Adderly playing. Kenia [Arias] sings 'Save Your Love for Me' (arranged by guitarist Susoeff) in both Portuguese and English versions; the latter is offered as the bonus track. One of the most innovative performances is 'Mercy, Mercy, Mercy' which, for possibly the first time ever, is reinvented as a swinger.
For Richie Cole, whose career has been enjoying a renaissance ever since his move to Carnegie (six miles outside of Pittsburgh) five years ago, Cannonball follows the success of his two previous CDs Plays Ballads & Love Songs and Latin Lover. Of Cannonball, he says, 'I'm walking in the footsteps of giants.' He is also leaving some giant footprints of his own.”
— Scott Yanow
Jazz journalist/historian/author
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▶ Photo by Yours For Good Fermentables.com.
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▶ For a larger image, type 'L' (without the quotation marks).
▶ Camera: Olympus Pen E-PL1.
---> Lens: Canon 50mm ƒ/1.4 FD
---> Focal length: 50 mm (100 mm full-frame equivalent)
---> FotoDiox adaptor
---> Aperture: ƒ/5.6
---> Shutter speed: 0.8
---> ISO: 200
---> no flash
▶ Commercial use requires explicit permission, as per Creative Commons.