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അന്യമായി പോകുന്ന കാഴ്ചകള്‍ ....പഴയ കാലത്തിന്റെ ഓര്‍മ്മയ്ക്കായി ഇതാ ഈ ചിത്രം ...നൂല്‍ നൂറ്റു താര് ചുറ്റി പാവ് നെയ്ത്ത് തുണി ഉണ്ടാക്കുന്ന കാഴ്ച ഇനി ഓര്‍മകളില്‍ മാത്രം ....

Newport: Towards City Spires 2010.

 

This photo led to a comment - see below - on the City Spires project for Newport (completion is planned for 2010).

 

See notes below for compartative skyscraper proposals in Cardiff and Swansea, plus a historical glance back to Llandaff Cathedral (1867) and Cardiff Castle (1869) and Cardiff City Hall (1905) tower schemes.

 

The tower is of course an outstanding architectural type, a signifier of temporal power and authority.

 

A historical reflection, therefore.

 

In the case of nineteenth century Industrial South Wales, we see the passage of power and authority from the ecclesiastical (- Llandaff Cathederal restoration), to the secular and industrial capitalist (- even if dressed in historicist garb: Bute's Cardiff Castle restoration scheme and Clock Tower, a patron-architect partnership in the Renaissance tradition; Bute is held by architectural historian Mark Girouard to be the single most important secular patron of architecture in British history; Bute's wealth coming from the land assets and industrial enterprise of the Bute estate), to the civic (Cardiff City Hall Clock Tower, symbolising the triumph of the municipal sphere; Cardiff Civic Centre was the UK's first planned civic centre -- typically "American Wales", its inspiration can be traced back to the 1893 Chicago Exposition, hence the Beaux Arts flavour). (-Note, cf also "Pallas Athena"; a riposte to Bute's indulgent Clock Tower).

 

In the C21st, we see "post-industrial" urban redevelopment strategies and their "post-modern" architectural monuments placing a new emphasis on height as a sign of desire, prestige and power.

 

A new matrix of property investment, spectacle, and desire. The market. The shift from social polity to consumption and "lifestyle".

  

New research suggests that ’likes’ and clicking links online are not enough to ensure long-term sales. Brands need to get people typing comments and more involved with content if they are to turn them into actual customers.The consumers who most actively use branded social media content are the ones most likely to maintain a relationship with those brands in future, claims new research for Marketing Week.

 

Seventy-eight per cent of people visiting and interacting with a brand’s Facebook page are likely to continue the relationship by visiting its website or considering it for purchase. Just thirty-four per cent of the people who say they are unlikely to interact with a brand’s social media presence on Facebook are likely to do the same.With the role of social media under question, Starcom MediaVest Group’s strategic development director Jim Kite explains: “The deeper the interaction with social media, the greater the likelihood of moving the consumer from enquiry to brand preference.”

 

The research draws on a study using a representative sample of 6,000 regular Facebook, YouTube and Twitter users in June. They were asked to spend several minutes interacting with content on brands’ Facebook and YouTube pages in product categories where they had already registered an interest. Respondents were asked to participate in activities requiring a range of involvement, from watching videos, posting comments, playing games and following brands on Twitter or tweeting about them.

 

The study claims that it is not just being aware of brands on social media platforms that leads people to continue that relationship or buy goods. It is the level of interaction or “doing something” with branded content that has a bearing.

 

To read the full article visit Marketing Week.

made all illustrator.

Comments and suggestions welcome.

Commenti e critiche sempre graditi

Comments always appreciated and welcomed!

Thanks to EVERYBODY to COMMENTS and VISITS in my photos!!!

 

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Edinburgh - Scotland - United Kingdom

 

The Hare Krishna mantra, also referred to reverentially as the Maha Mantra ("Great Mantra"), is a sixteen-word Vaishnava mantra which first appears in the Kali-Santarana Upanishad, and which from the 16th century rises to importance in the Bhakti movement following the teachings of Chaitanya Mahaprabhu. According to Gaudiya Vaishnava theology, this higher consciousness takes the form of pure love of God (Krishna). Since the 1960s, the mantra has been made well known outside of India by A. C. Bhaktivedanta Swami Prabhupada and his International Society for Krishna Consciousness. The Hare Krishna mantra is composed of Sanskrit names in the vocative case: Hare, Krishna, and Rama. It is an anustubh poetry stanza:

 

Hare Krishna Hare Krishna

 

Krishna Krishna Hare Hare

 

Hare Rama Hare Rama

 

Rama Rama Hare Hare (wikipedia)

venez je vous fais une photo

ce sera FLOU deVant DeRRière

de ParTout

Comments appreciated,

 

Leica Fotografie International Master Shot

 

see gallery.lfi-online.com/gallery/displayimage.php?album=las...

I’m sure it’s a tight squeeze

& notitas tambien ia *·*

Comments are very much appreciated!!

 

My first EVER Boudoir session!

 

(c) & Photos: Erin Leppo 2011

 

To view MORE!....

 

follow and friend etc...

www.facebook.com/ErinLeppoPhotography

 

comments and critics are welcome!

Vedi foto "VERGOGNA!" per una descrizione dello scempio. Scattata a Como con Panasonic FS5

One of Ontario's (canada) finest

comment and rate :D

Please feel free to comment, it would help me to improve my job!!!

 

La Ville de Paris a confié cette année à la société Fêtes et Feux, la conception du feu d'artifice du 14 juillet dédiée au disco. Une soirée exceptionnelle à laquelle la fièvre promet de s'inviter avec un feu d'artifice aux couleurs fluo explosives, des lumières éblouissantes et l'installation d'une boule à facettes géante de 7,5m « la maîtresse de la Tour Eiffel » et 1 200 miroirs, créée par l'artiste Michel de Broin !

C'est Jean-Eric Ougier, de la société Fêtes et Feux, grand Maître Artificier reconnu, qui assure la création artistique de ce spectacle. L'artiste compte à son palmarès déjà deux éditions du 14 juillet à Paris mais aussi la direction artistique du Grand Feu de Saint Cloud, celle des Nuits de Feu de Chantilly et de nombreuses autres références en France comme à l'étranger.

 

The City of Paris has given this year to the company and holiday lights, the design of the fireworks of July 14 dedicated to disco. An exceptional evening that promises to fever invite with a fireworks explosive neon colors, dazzling lights and installing a giant mirror ball of 7.5 m "the mistress of the Eiffel Tower" and 1200 mirrors, created by artist Michel de Broin!

It was Jean-Eric Ougier, society and holiday lights, great Master Artificer recognized, which ensures the artistic creation of this show. The artist has to his name already two editions of July 14 in Paris but also the artistic director of the Great Fire of Saint Cloud, that of Chantilly Nights of Fire and many other references in France and abroad.

Comment !

To be continued....

  

13 Likes on Instagram

 

4 Comments on Instagram:

 

baif: @anasdtown you must take me around so that we can find all these defenders

 

anas_in_doha: @baif needs lots of walking

 

baif: @anasdtown we will do it in the fall then. I imagine its starting to get warm

 

anas_in_doha: @ baif You are welcome, any season.

  

comment if u take thanks :)

Comments and critics are welcome

Photo: © all rights reserved by Ervanofoto (Günther) Thanks for viewing and comments.

Click for a better view with B l a c k M a g i c, or Press L to view in Lightbox.

See where this picture was taken. [?]

 

Info: Nederlands & Deutsch.

 

Nadat de Martinskirche op 22 oktober 1943 door een bombardement bijna volledig vernield werd en afbrandde, werd ze 1954-1958 terug opgebouwd in een sterk gewijzigde vorm. Zo ontstond de huidige driebeukige hallenkerk. Het koorgedeelte werd van het middenschip gescheiden door een glazen doksaal, en doet nu dienst als kleine parochiekerk.

Beide kerkgedeelten kregen een nieuw orgel. De Fa. Hammer uit Hannover bouwde het kleine koororgel met 10 registers op één manuaal. Voor het grote orgel tekende de Orgelbauwerkstatt Werner Bosch uit Kassel.

 

Nachdem die Martinkirche 22 oktober 1943 durch Fliegerbomben schwer zerstört wurde und bis auf die Grundmauern abbrannte, wurde sie reconstruiert 1954-1958. Der Form veränderte dabei sehr stark, in eine dreischiffige Hallenkirche.

Einen verglasten Lettner trennt die Kirche. So enstand im Chorraum eine kleine Gemeindekirche und im Mittelschiff die Großkirche.

Beide Raume erhielten ein neues Orgel. Die Fa. Hammer aus Hannover erbaute dass kleine Chororgel mit 10 Register auf ein Manual.

Die Orgelbauwerkstatt Werner Bosch aus Kassel erbaute dass Grosse Orgel.

  

Extra links:

www.kassel.de/kultur/sehenswuerdigkeiten/sehenswuerdigkei...

nl.wikipedia.org/wiki/Martinuskerk_(Kassel)

de.wikipedia.org/wiki/Martinskirche_(Kassel)

regiowiki.hna.de/Martinskirche

www.ekkw.de/kassel-mitte/martinskirche.php

meinhardo.wordpress.com/2008/01/16/auf-den-orgelspuren-vo...

www.emil-hammer.de/index.html

 

DSC_1599_6543

 

+1 in comments, SOOC.

As I was walking alongside the pond, I noticed something that I thought was a tree in the ice. Turns out, it is just melted ice in the shape of a tree. Mind blowing.

Cambodia. Proper use of toilet instructions at Phnom Penh airport.

Comments and feedback welcome.

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