View allAll Photos Tagged Comment
Early morning sunrise at first light on the foothills of the Colorado Rocky Mountains front range view. Boulder County, Colorado. Lookout and 95th Street.
Thanks for your comments and visits.
Buy Fine art striking Boulder County Colorado nature landscape photography prints, posters, greeting cards and stock images for licensing. East Coast Gallery: www.TheLightningMan.com West Coast Gallery: www.BoInsogna.com Questions? Direct: 303-834-2524 Toll Free: 1-888-682-0122
To animate view the first comment, below, or view original size (1000 x 1000).
Details and History
The Salina, KS public library conserves several hundred stereo images, many of which were generated for local consumption. Much of the collection has been photographed and uploaded to the internet archive under a creative commons 1.0 license. This Lovejoy & Foster (88 State St., Chicago, Ill.) image, titled "Youthful Dignity", likely dates to the 1870s.
Quick Links to related animated stereo images:
Browse the 19th century or by decade: 1850s, 1860s, 1870s, 1880s, 1890s.
Browse the 20th century or by decade: 1900s, 1910s, 1920s, 1930s, 1940s.
Copyright Advisory
This item is indicated as being in the public domain on its internet archive page:
www.archive.org/details/StereoscopicViewsInTheSalinaPubli... .
Options in the upper left corner of that page access bibliographic notes (select "rich text format") or images (select "all files: HTTP")
Technical trivia
Image manipulations and animated gif generation with StereoPhotoMaker, a freeware program by Masuji Suto & David Sykes.
Posted By Katelyn Nacon (Enid) - Who do you ship?
#Repost taggedshow with repostapp
・・・
Comment below. #taggedshow t.co/sfxmP5Y5YR #TWD #TheWalkingDead #KatelynNacon #Enid July 19, 2016 at 04:31PM
Source: walkingdead.affiliatebrowser.com/who-do-you-ship-repost-t...
Comments always appreciated, as long as you keep it clean - I love to hear your feedback! xx
Saturday night was an indie night at Humber social.
We went out for an amazing breakfast at Piccolo restaurant, outstanding quality.
On the evening we went for a drink in the Scale and Feather, then a delicious meal at Hitchcock's vegetarian restaurant with my dear friend Andrew, followed by the indie night at social. A cracking evening!
Thank you for all views and comments. They are always very much appreciated!
Quince Blossoms, 1878, oil on canvas, Virginia Museum of Fine Arts, Richmond, Virginia. The painting shows quince blossoms in a large Italian earthenware pot next to a Japanese fan with goldfish. Also shown are two Chinese bowls. The textile is Near Eastern. This combination of multi-cultural elements is characteristic of the decorative effects employed by follows of the aesthetic movement where the art was to have no purpose except Art for Art’s Sake.
Charles Caryl Coleman (1840-1928) was an expatriate American artist who called the island of Capri his home for close to 60 years. He was born in Buffalo, and studied art there and in Paris under Thomas Couture between 1859 and 1862. He returned to the United States, serving in the 100th Regiment of the New York Volunteers in the Civil War; shot in the jaw, he was discharged in 1863. By 1866 he was in Rome; in 1870 he converted a former convent into his villa (Villa Narcissus), which became a center for other expatriates and followers of the aesthetic movement. “In 1910, in the latter part of his life, Coleman fell ill and was not expected to live; yet, he did and carried on for almost another two decades, playing the role of the eccentric artist, presenting himself in outlandish dress to house-guests, throwing parties and generally having a good time right to the end. He is buried on Capri.” [ ac-support.europe.umuc.edu/~jmatthew/naples/coleman.html ]
He did close to 300 paintings in a variety of styles and a variety of genre covering portraits, still lifes, landscapes, and works depicting classical architectural elements. His landscapes featured the scenery around the Bay of Naples, including a series on the eruption of Mt. Vesuvius, The still lifes depicted decorative elements, an amalgam of items from numerous cultures, often with a touch of the exotic and Oriental. He crafted art frames and the one used for his friend Elihu Vedder’s “Cup of Death” is attributed to him [see www.flickr.com/photos/universalpops/6816949790/ ]. He also did the frame for this image, Quince Blossoms, but I foolishly neglected to include it in the photo. Coleman did some murals for the 1893 World's Columbian Exposition and some designs for the Church of St. Ignatius Loyola in New York for Tiffany Glass and Decorating Company.
19 images are at www.the-athenaeum.org/art/list.php?m=a&s=du&aid=430
12 images are at commons.wikimedia.org/wiki/Category:Charles_Caryl_Coleman
Some sources:
en.wikipedia.org/wiki/Charles_Caryl_Coleman
ac-support.europe.umuc.edu/~jmatthew/naples/coleman.html
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. If you use this image on your web site, you need to provide a link to this photo.
PLEASE
• Do not post animated gifs or pictures in your comments. Especially the "awards". These will simply be deleted and the poster blocked. Unless it's an interesting other picture, for comparison or reference.
• No invitations to groups where one must comment and/or invite and/or give award and no group icon without any comment. These will simply be deleted and the poster blocked.
Nothing personal here, I simply don't see the usefulness of such actions. On the other hand I encourage you to critic my work as I believe that is the best way to improve my photography. Thank you!
POR FAVOR
-No pongas gifs animados, logos o premios (awards) en tu comentario. A no ser que la imagen que incluyas esté para compararla con la mía o para ilustrar un punto de vista borraré esos comentarios y bloquearé al que lo pone.
-No me envíes invitaciones a grupos donde exista la obligación de comentar o premiar fotos, ni a aquellos donde existe un comentario preformateado con el logo del grupo. Borraré esos comentarios y bloquearé al que lo pone.
Nada personal, es solo que no le veo el sentido a ese tipo de comportamientos. A cambio te animo a que me critiques sin piedad, pero con respeto, mi trabajo, porque solo así puedo seguir avanzando como fotógrafo. Gracias!
I want to thank everyone for your encouraging comments and faves on my work. Thank you all for stopping by! Each of you is greatly appreciated.
The following happened in Hamilton County, Texas. After the Civil War, Texas was still plagued by Indians; however, with cattle roaming free on the range, many were willing to take their chances with the Comanches. Men began to flock to the area, seeing fortunes to be made by rounding up beef and driving them north.
It was perhaps this very thing that was at least indirectly responsible for the success of one of the most frightening Indian attacks in the history of Hamilton County, Texas.
The day was Thursday, July 9, 1867, the time 2:00 P.M….just another school day for the children who attended what was called a border school on the Comanche/Hamilton County line.
The schoolhouse was a one-room log house, the logs unchinked with the spaces between them left open so that a least some breeze might find its way through the spaces.
It was an easy matter for someone to look inside the building from the outside…or shoot inside for that matter. There was also one very small window cut into the north side of the building.
On this hot afternoon the young daughter of Alex Powers walked to the door of the schoolhouse which faced south; as she stood there, she saw a party of men on horseback riding rapidly toward the school. She called to her teacher, Miss Ann Whitney, that she could see Indians riding toward them.
Miss Whitney, who believed that the men were rounding up range cattle, told the girl to return to her seat. The Powers girl took one more look out the door, and crying out that it was indeed Indians bearing down upon them, grabbed her little brother and the two of them went out the back window.
Miss Whitney then ran to the door and seeing Comanches racing toward the schoolhouse, she quickly shut the door and began to help the children escape out the back window. Soon painted red skins were looking in through the spaces between the logs, and Ann Whitney could read her future in their faces.
It is thought that the leader of the group had at least some white blood in him, but this may have been an assumption since he knew some broken English. He said to the teacher, “Damn you, we’ve got you!”
According to a student who had hidden under the schoolhouse, Miss Whitney began to pace the front of the room, begging the Indians to kill her and let the children go. The leader then held up three fingers and the Indians began to shoot through the cracks, riddling her with arrows.
At this time there were still three children inside with the teacher: Mary Jane Manning and two small sons and a daughter of James Kuykendall (Coo Ken Doll).
The Manning girl refused to let go of her teacher’s skirts as Miss Whitney paced up and down the room bleeding profusely and pleading for the lives of the children. When the Indians began to break through the schoolhouse door, the teacher helped the two girls through the back window. However, the little Kuykendall girl was shot in the back as the Comanches managed to get into the schoolhouse.
This left Ann Whitney and the two small Kuykendall boys in the room; as the Indians gained entrance to the school the brave Miss Ann Whitney fell dead, leaving two little boys alone with the savage Comanches.
For reasons no one understands only John Kuykendall was kidnapped by the savages. One Indian found some of the children hiding under the floor of the building and pulled out a little girl named Olivia Barbee, intending to steal her. However, one of the other Comanches called out to him and while his attention was diverted, the girl escaped into the woods. It would be many months (Some accounts say two years.) before young John Kuykendall was rescued.
Both Comanche and Hamilton Counties lay claim to this brave schoolteacher. Miss Whitney taught for several years in Comanche County where the rest of her family lived. I assume that she was in Hamilton County only to teach this summer session; however, I could easily be wrong about that.
The marker on the Ann Whitney Elementary School in Hamilton, Texas reads: “…Pioneer schoolteacher of Hamilton and Comanche Counties…”
Greenpeace activists hold a banner in front of the Virginia State Captiol in Richmond, Va., Feb. 27, 2016, reading “Gov. McAuliffe: Say No To Offshore Drilling.” Greenpeace is supporting citizens of the Commonwealth and other Atlantic Coastal communities who have officially opposed offshore oil development in the Atlantic Ocean. (Photo by Julia Rendleman/Greenpeace)
A cropped version of this photo once featured in the Guess Where UK Group. Hence the comments. The original posting is here.
This landmark Grade I listed building on the South Circular Road was designed by James Wild and Owen Jones. Its modern appearance belies its age – it was completed in 1841! The building's style stands in sharp contrast to the classical style of the early 19th century and the English Gothic revival popular later in that century. In fact it's thought that, after architects had exhausted those two styles, they turned for inspiration to a simpler style most notably exemplified by Christ Church, Streatham.
There are (at least) two other unusual things about the church. The first is the prominent Star of David above the entrance. Nobody knows why it's there but, apparently, the symbol was not so strongly associated with the Jewish faith at the time the church was built. The second novel aspect is the incorporation of bricks of contrasting colours. This feature was down to Owen and was widely used later in the 19th century in more ornate buildings by architects such as Alfred Waterhouse and George Gilbert Scott.
It was Wild who was was chiefly responsible for the structure of the church. He had travelled widely in Europe during his formative period and had seen many examples of Romanesque, Byzantine and Islamic architecture, including the Alhambra Palace in Granada, Spain. He must surely also have visited the Basilica of St Zeno in Verona – see the first comment below.
For more about the church, visit its website at www.christchurchstreatham.org.uk and the Southwark Diocese website at www.southwark.anglican.org/thebridge/0009/page02.htm. Note the rounded apse – more associated in my mind with Roman Catholic churches. Father Steven Tricklebank replaced Father Chris Ivory as parish priest about ten years ago and (as at August 2012) is still in post.
There's more about Wild and Jones in Empire building: Orientalism and Victorian Architecture by Mark Crinson starting at page 97.
Robert Cutts
Comprendre comment fonctionnent les pigments de la peau, le cerveau, découvrir les médicaments de demain, mais aussi des drones, et rencontrer ceux qui ont eu l’idée de réinventer la consigne de tri version 2.0… c’était lors des Portes Ouvertes de l’incubateur inter-universitaire Impulse, le 20 novembre. Une journée placée sous le signe des sciences et des entreprises innovantes qui valorisent la recherche académique des grands laboratoires français, tels que l’INSERM, le CEA, le CNRS, les Universités et bien d’autres. Avec cette journée « Sciences et création d’entreprises », le grand public était invité à appréhender l’innovation sous toutes ses formes, et parmi eux, des scolaires, étudiants, doctorants. Au programme de cette septième édition : 20 innovateurs venus présenter leurs produits, prototypes et innovations « en vrai », depuis le robot d’aide à la personne d’Axyn Robotique au « Simeox » de l’entreprise Physio-Assist, destiné à aider les patients atteints de pathologies broncho-respiratoires de type mucoviscidose. Parmi les exposants, on a ainsi pu retrouver aussi Soacsy, avec son système embarqué de caractérisation des fonds sous-marins, une technologie issue du laboratoire d'Acoustique Sismique de la direction de la technologie marine de l'IFREMER (centre de Brest), précieuse pour les eaux de notre Méditerranée. First Light Imaging, était également présente pour présenter OCAM², la caméra en lumière faible la plus rapide au monde, dont la technologie, issue des Laboratoires d’Astrophysique de Marseille, de Grenoble et l’Observatoire de Haute Provence a été reconnue par la NASA. L’agence américaine a en effet associé First Light aux développements du futur télescope spatial WFIRST… télescope s’annonçant comme la prochaine grande mission d’observation de l’univers puisqu’il s’agit du successeur direct du télescope Hubble ! Terradona et son conteneur intelligent, montrait également comment réinventer la consigne avec un système de tri de déchets 2.0 où chaque « bon geste » de tri permet de cumuler des points à transformer en bons d’achat auprès de magasins partenaires.
Au cœur de cette foison d’innovation, l’incubateur Impulse, né il y a maintenant 14 ans à l’initiative des Universités d’Aix-Marseille et d’Avignon, rejointes par l’Ecole Centrale Marseille, le CEA, le CNRS, l’IRD, l’ONERA et l’Ecole Nationale Supérieure des Mines de Saint-Etienne. Incubateur « territorial et généraliste », son objet est d’accompagner et financer des projets de création d’entreprises innovantes valorisant les travaux de la recherche publique. Les projets accompagnés et financés valorisent tous les domaines scientifiques : sciences de la vie – biotechnologies, santé, alimentation, nutrition etc. ; sciences et technologies de l’information et de la communication – numérique, microélectronique, logiciels etc. ; sciences pour l’ingénieur – mécanique, risques et sécurité, optique, photonique etc. ; environnement – énergies, écoconception etc. ; sciences humaines et sociales – cognition, industries culturelles etc. ; mobilité (transports intelligents et à la demande, logistique etc.).
Depuis 2000, l’incubateur IMPULSE est un véritable outil d’accompagnement, de financement et de pré-amorçage, convertissant 80% de projets en entreprises. A fin 2014, sur 142 projets accompagnés, il est à l’origine de la création de près de 115 entreprises générant environ 620 emplois directs et 1700 emplois indirects. Avec 163 millions d’euros de fonds privés cumulés sur les entreprises accompagnées, il démontre l’attractivité de ces startups innovantes sur son territoire (départements 13, 84, 04 et 05). Soutenu par l’Etat, l’Union Européenne, la Région PACA, les départements des Bouches-du-Rhône et du Vaucluse, la Ville de Marseille, Marseille Provence Métropole et la Communauté du Pays d’Aix, Impulse est un incubateur généraliste et participe à la création de valeur sur le territoire de l’Académie d’Aix-Marseille et d’Avignon.
This was in the Ripley's Believe It Or Not Museum in Gatlinburg, TN.
Created by PA artist Bill Secunda, this life size Kodiak grizzly bear is made from over 90,000 common hardware store nails - with a combined total wieht of more than 3,000 pounds! Bill is both a professional welder and a lover of nature who has displayed his sculptures in art festivals around the entire country. In adition to this girzzy bear, he has made numerous other nail art creatures, including full size elk, bison, gorillas, horses and moose.
Close up in comments!
Tweet graphic available for download at dryicons.com/free-graphics/preview/tweet/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.