View allAll Photos Tagged Collision

"TrackMania² Canyon"

-3400x3400 (Nvidia custom resolutions)

-TrackMania² Replay + Map Editor

-ReShade (filmgrain)

Ostmole, Warnemünde Rostock Germany

CAMERA NIKON D7000

EXPOSURE 3

APERTURE 14

ISO 100

LENS NIKKOR 105 mm

added food colouring to the milk and changed some of the colours in photoshop

Another shot inside jubilee Place, Canary Wharf, Docklands, went around with Mark ( code.dude) and we got stopped by the security guards because you need a permit to take photographs here which we did have! I could not believe that floor when we went inside, fabulous place!

 

Glasgow. 18-02-2019

Leica M7; 35mm Summicron; Ilford HP5+; DDX

The moon would almost collide with the Zugspitze

Second attempt at water drop collisions, when the second drop hits the first. Something I am desperate to master but it is very frustrating! Submitting this one to Macro Mondays because it is still my favourite so far :)

 

Macro Mondays: Water play

(more details later, as time permits)

 

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In August 2015, I had the great pleasure of taking a week-long photography workshop in Rockport, Maine under the tutelage of Peter Turnley. Its main theme was street photography, and we made several visits to working-class neighborhoods in several Maine towns where (unbeknownst to me) there are large populations of working-class immigrants from Somalia, Sierra Leone, and various other countries around the world.

 

Most of our “field” exercises were carried out in pairs, threesomes, or foursomes; and in many cases, we were lucky enough to follow along behind Peter Turnley and watch his amazing style and techniques.

 

But in some cases, I ended up alone — including the first afternoon of the workshop, where I drove a few miles up the road from our classroom, to spend the afternoon looking for photo-ops in the small town of Camden, Maine. Meanwhile, my classmates spent their time in such small Maine towns as Rockport, Rockland, and other picturesque spots along the water.

 

I’m slightly acquainted with the town, from several previous visits to attend the “PopTech!” technology conferences in the month of October. So I was able to spend far less time worrying about getting utterly lost in a strange place, and more time focusing on the people — mostly tourists, as it turned out — along the streets.

 

Of the hundreds of photos that I took during that first afternoon, I ended up with about a dozen that I felt were worth sharing with my classmates. This is one of them...

Norita 66 • Noritar 1:2 80mm

Agfa Copex Rapid ACR 50 ISO film in Caffenol CLCN 16.5min @ 20°C

Scanned with Plustek OpticFilm 120 at 2400dpi with Silverfast AI Studio 9

 

Luxembourg

 

Caffenol CLCN

500 ml Filtered Water

5gr Anhydrous Washing Soda

1gr Vitamin C

8gr Instant coffee ("Cora")

10 slow inversions then 3 times every 5 minutes for 16.5 minutes, fixing 60 sec.

Abstract Design which looks a bit like hooks to me.....

 

thanks a lot for looking in.....appreciated.........best bigger.....hope you have a Great Weekend

Have a great week friends and thanks for looking at my work!

when old meets new

A bat just happened to fly past my flash.

CAMERA NIKON D7000

EXPOSURE 3

APERTURE 10

ISO 100

LENS NIKKOR 105 mm

CAMERA NIKON D7000

EXPOSURE 3

APERTURE 13

ISO 100

LENS NIKKOR 105 mm

CAMERA NIKON D7000

EXPOSURE 3

APERTURE 11

ISO 100

LENS NIKKOR 105 mm

Clef de Peau

 

Upgraded to LeLutka EvoX for all the lelutka female skins

 

If you wish a redelivery, please send a note inworld to Marco Nova.

 

In this picture:

 

🔹Left - Clef de Peau.Taylor

includes Eyeshadows, Lipstick, Moles, Eyeliner, Glossy Blush and a shape for Avalon 3.1

 

🔹Right - Clef de Peau.Simona

includes: Eyeliner, Moles and 2shapes for Avalon3.1 and Briannon 3.1

 

All the skins are compatible with Clef de Peau body and Velour.

 

📌@Mainstore

www.flickr.com/photos/marcopol_oh/

   

A two drop collision.

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Using chilled full fat milk as my liquid with a black backdrop and experimenting with a different lighting set up.

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Taken using a Sigma 105mm macro lens, lit with three gelled off camera flash guns.

CAMERA NIKON D7000

EXPOSURE 3

APERTURE 18

ISO 100

LENS NIKKOR 105 mm

CAMERA NIKON D7000

EXPOSURE 5

APERTURE 11

ISO 100

LENS NIKKOR 105 mm

Two oceans colliding (centre right) the Pacific & the Tasman.

A reasonably wide angle shot from the Northernmost point of NZ that takes a unique view of Cape Reinga & it's lighthouse by including (to the left) Cape Maria van Diemen.

Kathy Toth || Toronto Graffiti Archive || Instagram

 

I remember going with someone over to the Wellington Destructor near this spot to check out the building as word online was it was accessible. It wasn't, but we saw Stan who lived in the incinerator and his cats. We walked around and found this old garage under demolition. It was the first active demolition site I checked out with a freshly reassembled shit fish eye, a Zenit 16 that sheared apart at another location the week before.

 

This spot wasn't super interesting, but I'm still a sucker for a building with no roof 17 years later.

first few images processed from tonights session , combined refraction through waterdroplets with collisions.

used the welsh flag as back ground and water in the valve and vessel , no additives

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