View allAll Photos Tagged Clinical
This view shows the ascent to the footbridge spanning a major road in Markyate, Hertfordshire. It is a detailed view and, in its precision, is almost 'clinical'. What I mean by this term is that photography here turns into documentation. I have done other shots of the same object that were more (for lack of a better word) 'personal'. I wonder what you think.
Our discovery of God is, in a way, God’s discovery of us. We cannot go to heaven to find Him because we have no way of knowing where heaven is or what it is. He comes down from heaven and finds us. He looks at us from the depths of His own infinite actuality, which is everywhere, and His seeing us gives us a new being and a new mind in which we also discover Him. We only know him in so far as we are known by Him, and our contemplation of Him is a participation in His contemplation of Himself. We become contemplatives when God discovers himself in us. . . . In order to know and love God as He is, we must have God dwelling in us in a new way, not only in His creative power but in His mercy, not only in His greatness but in His littleness, by which He empties Himself and comes down to us to be empty in our emptiness, and so fill us in His fullness.
-Merton, New Seeds of Contemplation, 40.
a hundred and seventy eight
The Royce chocolate store at Ion Orchard.
I never understood the appeal of the Royce "boutique". I do not understand the appeal of walking into a seemingly cold, clinically decorated chocolate shop and feeling all ready to sample their endorphin releasing morsels.
Give me that warm, rich tones of brown and gold you can find in the scenes of the movie "Chocolat" instead. Complete with a chocolate fountain flowing with gooey goodness.
Clinical Insanity's.
Neurotische Seltsamkeit, herrliche Energien, vermischte Gedanken, zwingende Manien, Gewaltelemente, staubige Leidenschaften, Dunkelheit, destruktives Verhalten,
esprit chaos accumulant des idées maladie dépressive lignes argentées écrasant les lits folie psychose troubles bipolaires sentiments frénétiques,
глубокие быстрые колебания странного оттенка беспокойных симптомов психоза снов, сбивающих с толку видений, невыносимых диких волнений, необъяснимых эмоциональных высот,
complejo nihilista felicidad perversa felicidad interminable actividad astuta laberíntica demonios implacables destrozando temas terapias poesía,
intens leven veranderende ervaringen caleidoscoop vragen briljante patronen krachtige reacties artistieke krachten ritmische prisma's tristimania starende kwellingen,
病的状態再発恐怖狂気喜び贅沢な笑い攻撃設立不穏マッドハウス重度の発作狂気ムード病的壁脳熱風変わりな詩人こんにちは.
Steve.D.Hammond.
Is the zebra nature's bar code? Consider the following 2008 Associated Press release: "A zebra named Barcode has been returned unharmed to its owner after someone placed it in a building on Emory University's Oxford, Ga., campus as a prank." Although zebras might deserve some of the credit, historical accounts trace the bar code back to a Drexel University graduate student, who in 1948 combined a movie sound system and the Morse code to develop the first bar code reader. Today, lasers and integrated circuits have made bar code technology a rapid and accurate approach for identifying and tracking everything from groceries to the parts on the International Space Station. Yet anyone who buys groceries can attest that the technology is not 100% reliable. This issue of Clinical Chemistry contains an article that reminds us that patient misidentifications can result from errors in standard bar code technologies. An accompanying editorial discusses this issue and considers ways to improve the reliability of bar code technologies.
The Südtiroler Platz-Hauptbahnhof station on Line U1 of the Vienna U-Bahn.
Thanks for looking :)
www.markgreenfieldphotography.co.uk
University of Nevada School of Medicine student Casie Schedel, foreground, helps out during a simulated emergency medical scenario during the Clinical Simulation Center's opening, Dec. 2, 2009. Photo by Edgar Antonio Nunez.
Some initial "not so clinical" camera tossing trials with my Samsung-A707 camera-phone. Basically Jana and I just had fun throwing it back and forth to each other in Piazza Dante (Borgo San Lorenzo). Uploaded for the purposes of blogging.
Taken back in Nov. in Italy.
I pass this structure at times. However, with a stormy day Saturday I took a few images of this building. When converted into black and white, the drama came out! Plus kudos to the groundskeepers for giving me leading lines!
Varlens / Auto Mode / CLASSIC NEG
Lightroom Mobile.
www.youtube.com/watch?v=Y6cZhLYpK3M&hd=1 ************************************************************ “Suddenly the full long wail of a ship's horn surged through the open window and flooded the dim room—a cry of boundless, dark, demanding grief; pitch-black and glabrous as a whale's back and burdened with all the passions of the tides, the memory of voyages beyond counting, the joys, the humiliations: the sea was screaming. Full of the glitter and the frenzy of night, the horn thundered in, conveying from the distant offing, from the dead center of the sea, a thirst for the dark nectar in the little room.”
Yukio Mishima
"The Sailor Who Fell from Grace with the Sea "
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Recently I travelled to Melbourne to visit my father who was staying at the Rehabilitation Centre of the Royal Melbourne Hospital (RMH). I am glad to say that after six weeks exactly in his hospital bed, he is now recuperating at home.
But I soon discovered some historical delights on this campus that made for an interesting photographic experience. Over the next week or so I will show you what I found. We'll start with the contemporary hospital where most of the wards date from 2005, when the RMH took over control of the old Mount Royal.
In 2018 the RMH celebrated its 170th anniversary:
www.thermh.org.au/about/about-rmh/our-history-and-archive...