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U.S. Army photos by Cpl. Han, Jae Ho
Exercise tests emergency response capability
By Cpl. Han, Jae-ho
CAMP HUMPHREYS — Flames dance from a crashed helicopter as casualties cry for help, while rescuers and medical personnel speed to the scene to give aid.
This fictional scenario was part of the annual Full Scale Exercise, held here June 20-22.
The exercise served to evaluate emergency response abilities on post.
Notional incidents included an aircraft crash, a shooter at the commissary and a hostage at the Super Gym.
“This is an annual exercise required by the Department of Defense. Planning for this exercise began six months prior,” said Peter Park, installation emergency manger at the Directorate of Planning, Training, Mobilization and Security. Park served as exercise coordinator.
As part of the exercise, garrison tenant units and city agencies provided support and responded to various scenarios. Units involved included the 2nd Combat Aviation Brigade, 3-2 General Support Aviation Battalion, the Directorate of Emergency Services and Pyeongtaek city emergency services.
“This exercise was very realistic and it required patience from everyone involved, including dependents and civilians,” Park said. “This year’s exercise was very successful and defined our capability. It was an upgrade from last year and critical capabilities of the garrison were evaluated. I want to thank Douglas Fraser, the Antiterrorist Officer and co-lead planner for this exercise, for his support as well.”
Murai Urban Training Facility to Hone the SAF's Networked Urban Operations Capability.
Minister for Defence Teo Chee Hean launched the Murai Urban Training Facility (MUTF) and witnessed about 500 soldiers securing an objective in an urban operations exercise this afternoon. The exercise involved seven-man tactical sections which were equipped with the Advanced Combat Man System (ACMS).
The introduction of the ACMS is part of the 3rd Generation SAF's move to progressively provide tactical units with network capabilities. With the section commanders and team leaders equipped with the ACMS, the entire section becomes part of a larger network that is able to tap on the wider resources of the battalion and call for more responsive and precise fire support. These sections function not only as fighting units but also as ground sensors, tracking the positions of friendly and hostile forces and feeding images back to the command headquarters for enhanced command and control of the battlefield. With the ACMS, the section's situational awareness, lethality and survivability are enhanced.
Located within the existing Lim Chu Kang training area, the MUTF allows the SAF to conduct urban operations training in a realistic environment. It is built to resemble a typical town and offers a range of training scenarios from tactical engagements to combined arms manoeuvres, Other than buildings, the MUTF also has ancillary features like bus stops, traffic lights and overhead bridges. The facility will be equipped with tools that help simulate varying operational environments as well as a video monitoring and recording system to facilitate effective learning.
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
This has been a turning point in the history of the Headquarters Multinational Corps Northeast (HQ MNC NE). With the successful completion of the exercise „Brilliant Capability 2016”, the Corps – Custodian of Regional Security – has become operationally capable to assume command of the Very High Readiness Joint Task Force, also referred to as the “spearhead force”. I strongly believe that our team effort will provide tremendous value to NATO. – said Lieutenant General Manfred Hofmann, the Corps Commander, on the occasion of the Distinguished Visitors Day, which took place in Szczecin, 2nd June.
Undergraduate students (l-r) Ryan Kallabis, Kristine Co and Evan Logoluso attend class in the Stauffer Science Lecture Hall. The hall includes lectern-supported rooms and auditoria with full technological capability. Photo by: Philip Channing.
A Capability Set is an entire package of network components, associated equipment, and software that provides an integrated network capability from the static Tactical Operations Center (TOC) to the dismounted Soldier. Capability Set 13 (CS 13) is the first fully-integrated suite of network components fielded out of the Army's new Agile Process. CS 13 delivers an unprecedented integrated network solution capable of supporting mission command requirements for the full range of Army operations, and an integrated voice and data capability throughout the entire Brigade Combat Team formation.
CS 13 addresses 11 critical Operational Need Statements, giving commanders and Soldiers vastly increased abilities to communicate and share information. Enhancements include Mission Command on the Move, allowing leaders access to network capabilities found in TOCs while mounted in vehicles, and delivering the network to Soldiers at the squad level. CS13 is under System of Systems Integration.
Read more on page 54 of the 2013 U.S. Army Weapon Systems Handbook: armyalt.va.newsmemory.com/wsh.php .
A late April 2019 visit to Croome in Worcestershire, the estate is now run by the National Trust. Croome Park is quite big, and you can walk around the grounds and see the various landmarks there.
The Walled Garden at Croome Court. This garden is private, and it costs £5 per person to enter. You can get drinks and cakes, here, but you can donate some money when you get them.
There was outdoor sculpture trails around the walled garden to see. It changes every 3 months.
The first garden at Croome was developed in the late 17th century by Ann Somerset, the wife of Thomas Coventry, 2nd Earl of Coventry, along with William Shenstone. A kitchen garden was laid out in the early 18th century, at a time when Gilbert Coventry, 4th Earl of Coventry was making large changes to the house and garden, which subsequently became the walled garden.
The earliest plan for a walled garden dates from about 1750, when George William Coventry, the heir of the 5th Earl at the time, changed the shape of the walls from square to the rhomboid shape that exists today, mentored by Sanderson Miller. This created a garden of over 7 acres (2.8 ha), which may have made it the largest 18th-century walled garden in Europe. The increase in size allowed the garden to encompass a classical greenhouse on the eastern side of the garden. The walls of the garden were under construction at the time, probably replacing hedges. The date that the walls were finished is uncertain, but there is evidence that they must have been completed by 1752.
Unlike the mansion and the park, the walled garden was largely unchanged by Capability Brown, but it did receive new hot houses to house melons, pineapples, peaches, and vines, and in 1766 a stone-curbed circular pool was created, with a sundial designed by Adam.
In about 1806 a 13 feet (4.0 m)-high free-standing east-west hot wall was built, slightly off-centre, serviced by five furnaces. It is historically significant as it is one of the first such structures ever built.
Almost the entire 18th century records of the garden survive; together with the garden they are a nationally important part of garden history, and the history of Worcestershire. The garden and its glass houses were mentioned in Gardening World in 1887.
During the 20th century the garden was abandoned and fell into disrepair. They were purchased by Chris and Karen Cronin, who started restoring them in Summer 2000, including restoring many buildings and the greenhouses. They opened to the public for the first time in August 2014. They are privately operated, not being part of the National Trust.
Flowers seen in the Walled Gardens.
Temple Newsam is a 15th centuryTudor-Jacobean house in Leeds, famous as the birthplace of Lord Darnley, the ill-fated husband of Mary, Queen of Scots and with grounds landscaped by Capability Brown.
The manor of Newsam was owned by the Knights Templar in the 12th century before the estate passed to the Darcy family, and Thomas, Lord Darcy built the first manor house here in about 1500. One wing of Darcy's original manor survives as the central block of the current house.
Darcy was executed for treason for his part in the Pilgrimage of Grace in 1537and his lands were seized by the crown. Henry VIII gave Newsam to the Countess of Lennox, and her son, Henry, Lord Darnley was born and raised here. After Darnley's murder, Elizabeth I seized the estate, and the house languished in a state of neglect until 1622 when it was purchased by Sir Arthur Ingram. Ingram tore down much of the earlier manor house and built two large new wings to form the basis of the house we see today.
In 1758 Charles, 9th Lord Irwin, married a rich heiress and used her money to transform the interior of Temple Newsam and fill it with a collection of fine art including Old Master works. They hired James Wyatt to build a grand staircase, and Capability Brown to create the landscape garden that surrounds the house.
The house was the home of the Ingram family for over 300 years until 1922 when Lord Halifax sold the park and house to Leeds Corporation for a nominal sum, placing covenants over them to ensure their preservation for the future. The house and estate are now owned by Leeds City Council and open to the public.
Remarks by NATO Secretary General Jens Stoltenberg at the ceremony marking the initial operational capability of the new Multinational Multi-Role Tanker Transport aircraft fleet
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
DPAC & UK Uncut protest against benefit cuts at DWP - 31.08.2012
Following their earlier joint protest that morning at the Euston headquarters of ATOS Origin - the French IT company which has sponsored the paralympics, despite its role in forcing tens of thousands of severely sick and disabled people off their life-saving benefits after declaring them "Fit for Work" following the seriously flawed Work Capability Assessment stipulated by the Dept. fo0r Work and Pensions (DWP), DPAC and UK Uncut activists descended on the Westminster headquarters of the DWP and protested outside.
Several activists managed to get inside the entrance foyer of the government building, which was the trigger for a short-but-overly-aggressive encounter with a large number of Territorial Support Group police who waded into the disabled and able-bodied protesters to force them away from the front of the building which houses the offices of Secretary for State for Work and Pensions Ian Duncan Smith and Minister for Disabled People Maria Miller.
During the quite unnecessary action against the peaceful protesters - several in wheelchairs - one disabled man was thrown out of his wheelchair to the ground, breaking his shoulder. Another man's motorised wheelchair was broken in the fracas, and one man was arrested.
Some of the protesters managed to speak to Maria Miller, MP, and told her to her facve how much misery and human despair her department's policies of demonisation of the disabled - portraying them publicly as workshy scroungers and benefits cheats, even though Disability Benefit fraud is extremely small, only 0.4% of the overall benefits budget, despite frequent, outrageous lies peddled by the DWP and minister Ian Duncan Smith as it behaves no better than the German government in the years running up to World War II as they turn the public against the very weakest, most vulnerable members of the British population, blaming disabled people for the country's economic misery - cause by corrupt bankers.
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From the sand dunes of Essaouira to the peaks of the Atlas Mountains, the all-new Range Rover demonstrates its full breadth of capability in Morocco.
A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).
Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.
It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.
Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.
Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.
In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.
It was classified as a Grade I listed building in 1959.
Grade I Listed Building
Berrington Hall and Adjoining Outbuildings
Listing Text
EYE, MORETON &
SO 56 SW ASHTON CP
7/2 Berrington Hall and
adjoining outbuildings
11.6.59
GV I
Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations
of c1890 - 1900 involved the addition of a tower at the rear of the house,
this was removed in 1968 and the pediment to this face was reinstated. Set
in parkland laid out by Capability Brown. Brick core, faced with sandstone
ashlar with dressings of the same material, hipped Welsh slate roofs.
Rectangular plan main house with central entrance and stairwell, axial
stacks. Main entrance faces south-west, quadrant walls connect the main
block with the three outbuildings which form a courtyard to the rear (these
adjoining walls have been altered and one has been removed). Main house:
two storeys, attics and basements, south-west entrance front: seven bays
with plinth, dentilled cornice, blocking course and balustraded parapet,
steps up to central projecting tetrastyle Ionic portico; frieze is decorated
only to central part by a floral type design which replaces the original one
of putti, ox heads and garlands, pediment has a lunette window. Dormer windows
to attics with glazing bar sash windows, glazing bar sash windows to first
floor with semi-circular heads and decorative glazing to those flanking the
portico. Square-headed glazing bar sash windows to ground floor, the semi-
circular headed basement windows have rusticated surrounds. Central tall
and narrow semi-circular headed doorway with panelled door has keystone
depicting Roman head flanked by narrow side lights with reliefs depicting
urns above. The north-west front is of five bays with a pediment over the
central three bays. The north-east front to the courtyard entrance is of
2:3:2 bays with central pedimented slightly forward break, semi-circular
headed glazing bar sash windows to upper floor, square-headed windows to
ground floor with central three openings set in semi-circular headed surrounds,
right-hand opening now forms a doorway and has a six-panelled door. The out-
buildings enclosing the courtyard are of two storeys. The range to the north-
east is of nine bays with central pedimented archway flanked by pairs of Doric
pilasters, clock face in pediment, string course to flanking bays with 6-pane
square-headed windows to upper floor and semi-circular headed windows with
decorative glazing to ground floor. The ranges enclosing the courtyard to
the north-west and south-east are also of nine bays, each with similar windows
to the upper and lower floors, the central window to each range having a moulded
architrave, semi-circular headed window and doorway openings to ground floors.
To the outer walls of these flanking ranges (ie facing the gardens) are central
niches with coffered semi-domes with ball cresting above. The south-western
ends of both ranges have a blank semi-circular headed arch flanked by oculi.
Interior: the main house retains many of its original features on both main
floors, with decorative surrounds to doorways, decorative plastered ceilings
and marble fireplaces. The entrance hall has trophies in roundels above the
doors and a central circular ceiling panel is carried to the corners on spandrels,
pedimented surround to doorway opposite the entrance; polychrome marble patterned
floor. The Drawing Room retains original elaborate pelmets above the three
windows, marble fireplace with caryatids and griffon frieze. Delicately patterned
ceiling with painted roundels depicting scenes and characters from classical
mythology and with putti and sea horses; entwined roundels to outer border
which flank central theme. The boudoir has an alcove with segmental arch and
a screen of two blue scagliola columns. The Dining Room has a good marble
fireplace with carved panels to the jambs, decorative plastered and painted
ceiling with central painted roundel and swagged and wreathed plastered
surround. Pedimented bookcases to the library with continuous "greekkey"
type frieze. Decorative painted panels to ceiling depicting authors from
Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed
glass domed lantern, opposite the staircase is a coffered archway; staircase
and landings carried on screens of scagliola columns, decorative dolphin
frieze to the entablature. The staircase has bronze lyre-shaped balustrading.
The outbuilding to the north-west formed the laundry and retains many of its
fittings. A tiled dairy has been restored in the south-east range and the
north-east range contains part stabling. (National Trust, 1986, Berrington Hall:
BoE, p 72).
Listing NGR: SO5093063660
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Views from the courtyard.
Croome was 'Capability' Brown's first major commission - he designed the house and the landscape park. He also removed the Church of St Mary Magdalene which already stood on this site and replaced it with a church of his own design.
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.
The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.
Location[edit]
Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]
House[edit]
Croome Court South Portico
History[edit]
The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]
In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]
The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]
A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]
The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]
During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]
In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]
The house was listed on 11 August 1952; it is currently Grade I listed.[10]
In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]
From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]
The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]
Exterior[edit]
The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]
Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]
A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]
Interior[edit]
The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]
The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]
The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]
To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]
At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery
wikipedia
DPAC and TUC Disabled Workers block Tottenham Court Road - London 22.05.2013
Activists from DPAC and disabled workers attending the TUC Disabled Workers Conference blocked Tottenham Court Road in Central London for an hour and a half as they protested loudly against punitive government cuts to disability benefits and services which is impacting disastrously - and already fatally - on our most vulnerable citizens.
**From the DPAC website **
On the day of the success of the High Court ruling ruling against the Work Capability Assessment, activists from Disabled People Against Cuts (DPAC) and disabled workers attending the Trades Union Congress (TUC) Disabled Workers Conference blocked Tottenham Court Road in an unprecedented act of solidarity.
This Government has repeatedly used the language of division, trying to divide workers and claimants, public and private sectors workers, non-disabled and disabled people. Today we strike back as one, united voice.
The Cuts imposed by the ConDem Government under the cloak of ‘Austerity’ impact on disabled people in every area of life. The scrapping of Disability Living Allowance (DLA) and the Independent Living Fund (ILF) will tens of thousands of disabled workers, and will force many of them out of their jobs. Hundreds of thousands of disabled people both receive and deliver public services as workers in Public Service Departments, Local Authorities and the Voluntary Sector. ILF and DLA play critical roles in maintaining people in these jobs. The 1% uplift limit on Benefits, Universal Credit and the Bedroom Tax will impact on many disabled people both in and out of work.
The removal of many of our basic rights affect not just disabled people, but all of us. For example, the removal of Legal Aid for medical negligence claims comes at the same time as every single contract within the Health Service is open to tender by private companies. This has serious and significant implications for each and every one of us who make up the 99%.
But not everyone is being hit by austerity. While multi-nationals like Atos and Capita make fortunes, tax avoidance and evasion to the tune of tens of billions goes uncollected. The wealthiest 1000 UK residents increased their wealth by some 35 billion last year while disabled people and the poorest members of society were pushed into poverty and despair as the targets of brutal cuts.
Disabled activists have led the fightback against this Government since the beginning, and today disabled activists and workers lead the way again in the first joint, co-ordinated direct action by campaigners and unions on the streets of the U.K.
Shabnam O Saughnessy from DPAC said: "We are delighted to be joined on the streets today by our union comrades. This represents the first steps towards uniting resistance from communities and workplaces. It dispels the myth of disabled people as scroungers and workshy. We are not some separate group of others, we are your friends and neighbours, we work alongside you. Many millions of disabled people are being affected by cuts, and today is about getting our voices heard."
Mandy Hudson, co-chair of the TUC disabled workers committee said: "Trade unionists would like to send a clear message to this government that trade unions, workers and grass roots disabled groups stand together against the onslaught of vicious cuts rained down upon us by the Condems."
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From the sand dunes of Essaouira to the peaks of the Atlas Mountains, the all-new Range Rover demonstrates its full breadth of capability in Morocco.
From the sand dunes of Essaouira to the peaks of the Atlas Mountains, the all-new Range Rover demonstrates its full breadth of capability in Morocco.
English Landscape courtesy of Capability Brown.
The original church at Croome Court was demolished by the 6th Earl of Coventry when he decided to replace his adjacent Jacobean house in the 1750s. His new house and park were designed and laid out by Capability Brown as was the church, set on a low hill nearby in Croome Park as an ‘eye catcher’. The interiors of both house and church are attributed to Robert Adam and were completed in 1763. The new church is of the early gothic revival period. The chancel is really a mausoleum to the Coventry family. Monuments to earlier members of the family were brought from the old church.
Other monuments to the 'less noble' members of the Coventry family can be found here in the church at Elmley Castle
From the sand dunes of Essaouira to the peaks of the Atlas Mountains, the all-new Range Rover demonstrates its full breadth of capability in Morocco.
A walk around Minterne Gardens in Dorset.
The garden walk is about 1 mile in a horseshoe shape.
You can take different paths on the last leg of the walk, we went on the upper path.
Horses in coats in nearby field.
Information below from leaflet from Minterne Gardens:
The Minterne Valley, landscapped in the manner of Capability Brown in the 18th century, has been the home of the Churchill and Digby families for 350 years. The gardens are laid out in a horseshoe below Minterne House, with a chain of small lakes, waterfalls and streams. They contain an important collection of Himalayan Rhodocdendrons and Azaleas, with Spring bulbs, Cherries, Maples and many fine and rare trees; the garden is noted for its Autumn colouring.
Of particular note are the large plants of Magnolia Campbellii which flower in March and April, together with a profusion of spring bulbs. Many flowering cherries were brought from Japan in 1920 and the Pieris Forrestii with their brilliant scarlet shoots, originally came from Wakehurst. A very fine collection of Davidia Involucrata (the pocket handkerchief tree) produce striking bracts in late May and early June, when the streams are lined with primulas, astilbes and other water plants.
A Strategic Airlift Capability/Heavy Airlift Wing Boeing C-17A Globemaster III parked on the apron of Eindhoven Air Base
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
Disabled activists hold '10,000 Cuts and Counting' memorial outside Parliament - London 27.09.2013
Disability rights activists from DPAC and WOW Petition held a memorial for the more than 10,000 disabled and sick people who died shortly after or during their Work Capability Assessments at the hands of controversial French IT company ATOS, at the behest of the Department for Work and Pensions. The event was led by the Dean of St Pauls Cathedral, Dr David Ison, and human rights campaigner Mohammed Ansar, and took place in front of a carpet of white flowers laid on Parliament Square to represent the tragic victims of the Coalition government's ideological brutality and unutterable cruelty towards the sick, the disabled and the dying.
The various speakers included Michael Meacher MP, John McDonnell MP, Jeremy Corbyn MP, Ellen Clifford (Inclusion London), Paula Peters (DPAC), Clare Glasman (WinVisible), Ian Jones (WOW Petition), Wayne Beckman (WOW Petition), Ian Chamberlain (WOW Petition), Dr Louise Irvine, Michael Horne and Dickie Upton.
All photos © Pete Riches
Do not reproduce, alter or reblog or retransmit my images without my permission.
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From the sand dunes of Essaouira to the peaks of the Atlas Mountains, the all-new Range Rover demonstrates its full breadth of capability in Morocco.
Views of the grounds to Blenheim Palace in Autumn 2012
Blenheim is noted for its grounds, created around 1770 after the palace was built by Capability Brown. A particular feature is the lake, which was achieved by flooding what were originally wet meadows, also by taking in a former mill pond. The Island was created at the same time. The original Woodstock manor overlooks the lake; this is where the future Queen Elizabeth was imprisoned by Queen Mary. The island is called 'Queen Elizabeth Island' but in fact it was not there (neither was the lake) at the time when Queen Elizabeth was imprisoned. The Manor was demolished when the Palace was constructed, and its rubble went into the Grand Bridge.
The Palace and its grounds are a UNESCO World heritage site.
A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).
Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.
It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.
Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.
Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.
In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.
It was classified as a Grade I listed building in 1959.
Grade I Listed Building
Berrington Hall and Adjoining Outbuildings
Listing Text
EYE, MORETON &
SO 56 SW ASHTON CP
7/2 Berrington Hall and
adjoining outbuildings
11.6.59
GV I
Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations
of c1890 - 1900 involved the addition of a tower at the rear of the house,
this was removed in 1968 and the pediment to this face was reinstated. Set
in parkland laid out by Capability Brown. Brick core, faced with sandstone
ashlar with dressings of the same material, hipped Welsh slate roofs.
Rectangular plan main house with central entrance and stairwell, axial
stacks. Main entrance faces south-west, quadrant walls connect the main
block with the three outbuildings which form a courtyard to the rear (these
adjoining walls have been altered and one has been removed). Main house:
two storeys, attics and basements, south-west entrance front: seven bays
with plinth, dentilled cornice, blocking course and balustraded parapet,
steps up to central projecting tetrastyle Ionic portico; frieze is decorated
only to central part by a floral type design which replaces the original one
of putti, ox heads and garlands, pediment has a lunette window. Dormer windows
to attics with glazing bar sash windows, glazing bar sash windows to first
floor with semi-circular heads and decorative glazing to those flanking the
portico. Square-headed glazing bar sash windows to ground floor, the semi-
circular headed basement windows have rusticated surrounds. Central tall
and narrow semi-circular headed doorway with panelled door has keystone
depicting Roman head flanked by narrow side lights with reliefs depicting
urns above. The north-west front is of five bays with a pediment over the
central three bays. The north-east front to the courtyard entrance is of
2:3:2 bays with central pedimented slightly forward break, semi-circular
headed glazing bar sash windows to upper floor, square-headed windows to
ground floor with central three openings set in semi-circular headed surrounds,
right-hand opening now forms a doorway and has a six-panelled door. The out-
buildings enclosing the courtyard are of two storeys. The range to the north-
east is of nine bays with central pedimented archway flanked by pairs of Doric
pilasters, clock face in pediment, string course to flanking bays with 6-pane
square-headed windows to upper floor and semi-circular headed windows with
decorative glazing to ground floor. The ranges enclosing the courtyard to
the north-west and south-east are also of nine bays, each with similar windows
to the upper and lower floors, the central window to each range having a moulded
architrave, semi-circular headed window and doorway openings to ground floors.
To the outer walls of these flanking ranges (ie facing the gardens) are central
niches with coffered semi-domes with ball cresting above. The south-western
ends of both ranges have a blank semi-circular headed arch flanked by oculi.
Interior: the main house retains many of its original features on both main
floors, with decorative surrounds to doorways, decorative plastered ceilings
and marble fireplaces. The entrance hall has trophies in roundels above the
doors and a central circular ceiling panel is carried to the corners on spandrels,
pedimented surround to doorway opposite the entrance; polychrome marble patterned
floor. The Drawing Room retains original elaborate pelmets above the three
windows, marble fireplace with caryatids and griffon frieze. Delicately patterned
ceiling with painted roundels depicting scenes and characters from classical
mythology and with putti and sea horses; entwined roundels to outer border
which flank central theme. The boudoir has an alcove with segmental arch and
a screen of two blue scagliola columns. The Dining Room has a good marble
fireplace with carved panels to the jambs, decorative plastered and painted
ceiling with central painted roundel and swagged and wreathed plastered
surround. Pedimented bookcases to the library with continuous "greekkey"
type frieze. Decorative painted panels to ceiling depicting authors from
Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed
glass domed lantern, opposite the staircase is a coffered archway; staircase
and landings carried on screens of scagliola columns, decorative dolphin
frieze to the entablature. The staircase has bronze lyre-shaped balustrading.
The outbuilding to the north-west formed the laundry and retains many of its
fittings. A tiled dairy has been restored in the south-east range and the
north-east range contains part stabling. (National Trust, 1986, Berrington Hall:
BoE, p 72).
Listing NGR: SO5093063660
This text is from the original listing, and may not necessarily reflect the current setting of the building.
plant sales near the shop
Leominster (pronounced 'Lemster') is an historic market town which dates back to the 7th century.
Berrington Hall
A neo-classical mansion built to a design by Henry Holland, set in superb gardens by Capability Brown.
The exterior is restrained classical design, the interiors are stunningly ornate, with painted ceilings and an exceptionally fine entry staircase.
The House
Built in 1778-81 for Thomas Harley, son of the 3rd Earl of Oxford, Berrington Hall is one of the few masterpieces of the architect Henry Holland to survive intact. The interiors are characteristic of Holland’s refined Louis XVI manner and the house is set amidst a park with an artificial 14-acre lake laid out by the landscape designer ‘Capability Brown’ who was also Holland’s business partner and father-in-law.
Thomas Harley made a fortune supplying the British army with clothing and when he decided he needed a new house to showcase his family's prestige and wealth, he called on landscape gardener Capability Brown. It was Brown who chose the location for Berrington Hall, selecting a site that gave sweeping views to the Black Mountains of Wales. While Brown busied himself with creating the parkland and semi-natural landscapes, for which he was famous, the task of building the house itself fell to Brown's son in law, the architect Henry Holland.
Holland began work in 1778 and the house was completed in 1783. He drew upon the popular neo-classical style to create a house with two very different characters. The exterior is plain, sparingly adorned and formal whilst the interior is a riot of lavish colour and ornate decoration.
The interior decoration is unrestrained, with wonderful painted ceilings, ornate plasterwork, and a high dome shedding light onto a spectacular entry staircase. The elegant Georgian theme is augmented by fine furniture most of it French.
Lord Admiral Lord George Rodney was a family friend and visited Berrington Hall frequently. The dining room is hung with huge paintings by Luny depicting Rodney's famous sea battles.
There is also a fascinating glimpse of life 'below stairs', with the Laundry, Butler's Pantry, and Dairy being the highlights.
www.nationaltrust.org.uk/berrington-hall/features/the-man...
The Dining Room
The Battle of The Saintes (Detail)
by Thomas Luny
1782
Admiral Lord Rodney's ship, the Formidable, can be seen breaking through the centre of the French line, closing in and raking the enemy's vessels with its broadsides. This was a revolutionary manoeuvre that disregarded the traditional confrontation between two rows of warships.
The naval engagement was won on the 12th April 1782.
NB
Notice that on the stern of the ship to the right, and the ship on its port bow, corrections have been made but were poorly executed.
Eduardo Garcia, engineer, U.S. Army Space and Missile Defense Command Space and Missile Defense Center of Excellence, retires at the command's Redstone Arsenal, Alabama, headquarters, after almost 40 years of federal civilian service. Col. Douglas Waddingham, director, U.S. Army Training and Doctrine Command Capability Manager for Space and Missile Defense, officiated the ceremony. (U.S. Army photo by Carrie David Campbell)
Click here to learn more about Camp Humphreys
U.S. Army photos by Douglas Fraser
Exercise tests emergency response capability
By Cpl. Han, Jae-ho
CAMP HUMPHREYS — Flames dance from a crashed helicopter as casualties cry for help, while rescuers and medical personnel speed to the scene to give aid.
This fictional scenario was part of the annual Full Scale Exercise, held here June 20-22.
The exercise served to evaluate emergency response abilities on post.
Notional incidents included an aircraft crash, a shooter at the commissary and a hostage at the Super Gym.
“This is an annual exercise required by the Department of Defense. Planning for this exercise began six months prior,” said Peter Park, installation emergency manger at the Directorate of Planning, Training, Mobilization and Security. Park served as exercise coordinator.
As part of the exercise, garrison tenant units and city agencies provided support and responded to various scenarios. Units involved included the 2nd Combat Aviation Brigade, 3-2 General Support Aviation Battalion, the Directorate of Emergency Services and Pyeongtaek city emergency services.
“This exercise was very realistic and it required patience from everyone involved, including dependents and civilians,” Park said. “This year’s exercise was very successful and defined our capability. It was an upgrade from last year and critical capabilities of the garrison were evaluated. I want to thank Douglas Fraser, the Antiterrorist Officer and co-lead planner for this exercise, for his support as well.”
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
DPAC & UK Uncut hold ATOS Closing Ceremony - 31.08.2012
As the Grand Finale to a week-long national campaign of protests against French IT company ATOS Origin and its spinoff ATOS Healthcare which carries out the much-criticised Wirk Capability Assessments on behalf of the DWP, which has seen tens of thousands of severely sick and disabled people declared to be "Fit for Work" and thrown off their disability benefits, several hundred activists from DPAC (Disabled People Against Cuts), WinVisible, Disabled Activists' Network, UK Uncut, Right to Work Campaign, Unite the Union, the GMB Union, Occupy London and the National UNion of Students descended on ATOS' London headquarters to carry out what they had billed as the "ATOS Closing Ceremony" - a reference to ATOS' hugely derided sponsorship of the Paralympic Games which is, say the activists, an act of spectatular cynicism by a corporation which is currently contracted by the Cameron government to the tune of £100 million to conduct the much-feared medical assessments without any reference whatsoever to peoples' medical notes of histories.
For two hours the crowd chanted slogans, listened to oral testimonies from people whose lives have been badly affected by ATOS decisions, heard accounts of people driven into such despair by dealing with ATOS that they have comitted suicide, and also heard many accounts of seriously ill people thrown off their benefits by ATOS who have been forced to look for work - having been declared fit for work - and who have died shortly afterwards. The list of people irreperably harmed by ATOS' computer-driven tick-box assessment which cannot possibly take into account the huge range of physical and mental disabilities seems endless.
Following some dogged Freedom of Information requests by two Daily Mirror journalists earlier this year it is now known that an average of 32 sickness or disability benefit claimnants who have been thrown off their benefits by the DWP following an ATOS zero-point rating and placed in the Work-Related Activity Group or who have been put on Jobseeker's Allowance have died shortly afterwards. In many instances relatives of the deceased have claimed that the stress of being treated in such an inhumane way by ATOS contributed to their deaths.
During the protest at Triton Square the 500-strong crowd were entertained by a street theatre performance which saw a fraudulent "ATOS Miracle Cure" booth set up. The "ATOS Reverend" would lay hands on a disabled person and tell them that "by the power of ATOS you are no longer disabled", and sent them through the ATOS Miracle Cure arch, but sadly once through the arch the disabled people realised they had been tricked and they were still, of course, disabled... but worse was to come, as each disabled person was then confronted by an "ATOS Doctor" who stated that because they were now officially no longer disabled and were fit for work they could now be assigned to do their dream jobs, to which end the phoney doctor handed each person a sheet of paper on which was written "100 meter runner", "Bar Tender", "Mountain Climber" and other completely unsuitable job titles.
At around 2:30pm a section of the crowd took off and headed for Westminster where they picketed outside the Department for Work and Pensions, during which an over-agressive action by the police resulted in a disabled man's shoulder being broken as he was knocked off his wheelchair when police shoved protesters into him.
All photos © 2012 Pete Riches
Do not reproduce, alter, re-transmit or reblog my images without my written permission.
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A Joint Capability Demonstration is held during Exercise TRIDENT JUNCTURE 2018 in Trondheim, Norway, on October 30, 2018.
Trident Juncture 2018 is NATO’s largest exercise in many years, bringing together around 50,000 personnel from all 29 Allies, plus partners Finland and Sweden. Around 65 vessels, 250 aircraft and 10,000 vehicles will participate.
Photo: Sgt Marc-André Gaudreault, JFC Brunssum Imagery
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
Stowe Landscape Gardens, Buckinghamshire, designed by Capability Brown. Pentax 67II, 75mm lens, polariser, 81 warm up and tripod. Velvia 100 film.
Scanned from a 120 film slide
Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.
The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.
Location[edit]
Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]
House[edit]
Croome Court South Portico
History[edit]
The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]
In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]
The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]
A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]
The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]
During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]
In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]
The house was listed on 11 August 1952; it is currently Grade I listed.[10]
In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]
From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]
The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]
Exterior[edit]
The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]
Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]
A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]
Interior[edit]
The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]
The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]
The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]
To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]
At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery
wikipedia
Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.
The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.
Location[edit]
Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]
House[edit]
Croome Court South Portico
History[edit]
The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]
In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]
The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]
A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]
The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]
During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]
In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]
The house was listed on 11 August 1952; it is currently Grade I listed.[10]
In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]
From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]
The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]
Exterior[edit]
The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]
Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]
A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]
Interior[edit]
The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]
The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]
The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]
To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]
At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery
wikipedia
DPAC & UK Uncut hold ATOS Closing Ceremony - 31.08.2012
As the Grand Finale to a week-long national campaign of protests against French IT company ATOS Origin and its spinoff ATOS Healthcare which carries out the much-criticised Wirk Capability Assessments on behalf of the DWP, which has seen tens of thousands of severely sick and disabled people declared to be "Fit for Work" and thrown off their disability benefits, several hundred activists from DPAC (Disabled People Against Cuts), WinVisible, Disabled Activists' Network, UK Uncut, Right to Work Campaign, Unite the Union, the GMB Union, Occupy London and the National UNion of Students descended on ATOS' London headquarters to carry out what they had billed as the "ATOS Closing Ceremony" - a reference to ATOS' hugely derided sponsorship of the Paralympic Games which is, say the activists, an act of spectatular cynicism by a corporation which is currently contracted by the Cameron government to the tune of £100 million to conduct the much-feared medical assessments without any reference whatsoever to peoples' medical notes of histories.
For two hours the crowd chanted slogans, listened to oral testimonies from people whose lives have been badly affected by ATOS decisions, heard accounts of people driven into such despair by dealing with ATOS that they have comitted suicide, and also heard many accounts of seriously ill people thrown off their benefits by ATOS who have been forced to look for work - having been declared fit for work - and who have died shortly afterwards. The list of people irreperably harmed by ATOS' computer-driven tick-box assessment which cannot possibly take into account the huge range of physical and mental disabilities seems endless.
Following some dogged Freedom of Information requests by two Daily Mirror journalists earlier this year it is now known that an average of 32 sickness or disability benefit claimnants who have been thrown off their benefits by the DWP following an ATOS zero-point rating and placed in the Work-Related Activity Group or who have been put on Jobseeker's Allowance have died shortly afterwards. In many instances relatives of the deceased have claimed that the stress of being treated in such an inhumane way by ATOS contributed to their deaths.
During the protest at Triton Square the 500-strong crowd were entertained by a street theatre performance which saw a fraudulent "ATOS Miracle Cure" booth set up. The "ATOS Reverend" would lay hands on a disabled person and tell them that "by the power of ATOS you are no longer disabled", and sent them through the ATOS Miracle Cure arch, but sadly once through the arch the disabled people realised they had been tricked and they were still, of course, disabled... but worse was to come, as each disabled person was then confronted by an "ATOS Doctor" who stated that because they were now officially no longer disabled and were fit for work they could now be assigned to do their dream jobs, to which end the phoney doctor handed each person a sheet of paper on which was written "100 meter runner", "Bar Tender", "Mountain Climber" and other completely unsuitable job titles.
At around 2:30pm a section of the crowd took off and headed for Westminster where they picketed outside the Department for Work and Pensions, during which an over-agressive action by the police resulted in a disabled man's shoulder being broken as he was knocked off his wheelchair when police shoved protesters into him.
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A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).
Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.
It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.
Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.
Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.
In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.
It was classified as a Grade I listed building in 1959.
Grade I Listed Building
Berrington Hall and Adjoining Outbuildings
Listing Text
EYE, MORETON &
SO 56 SW ASHTON CP
7/2 Berrington Hall and
adjoining outbuildings
11.6.59
GV I
Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations
of c1890 - 1900 involved the addition of a tower at the rear of the house,
this was removed in 1968 and the pediment to this face was reinstated. Set
in parkland laid out by Capability Brown. Brick core, faced with sandstone
ashlar with dressings of the same material, hipped Welsh slate roofs.
Rectangular plan main house with central entrance and stairwell, axial
stacks. Main entrance faces south-west, quadrant walls connect the main
block with the three outbuildings which form a courtyard to the rear (these
adjoining walls have been altered and one has been removed). Main house:
two storeys, attics and basements, south-west entrance front: seven bays
with plinth, dentilled cornice, blocking course and balustraded parapet,
steps up to central projecting tetrastyle Ionic portico; frieze is decorated
only to central part by a floral type design which replaces the original one
of putti, ox heads and garlands, pediment has a lunette window. Dormer windows
to attics with glazing bar sash windows, glazing bar sash windows to first
floor with semi-circular heads and decorative glazing to those flanking the
portico. Square-headed glazing bar sash windows to ground floor, the semi-
circular headed basement windows have rusticated surrounds. Central tall
and narrow semi-circular headed doorway with panelled door has keystone
depicting Roman head flanked by narrow side lights with reliefs depicting
urns above. The north-west front is of five bays with a pediment over the
central three bays. The north-east front to the courtyard entrance is of
2:3:2 bays with central pedimented slightly forward break, semi-circular
headed glazing bar sash windows to upper floor, square-headed windows to
ground floor with central three openings set in semi-circular headed surrounds,
right-hand opening now forms a doorway and has a six-panelled door. The out-
buildings enclosing the courtyard are of two storeys. The range to the north-
east is of nine bays with central pedimented archway flanked by pairs of Doric
pilasters, clock face in pediment, string course to flanking bays with 6-pane
square-headed windows to upper floor and semi-circular headed windows with
decorative glazing to ground floor. The ranges enclosing the courtyard to
the north-west and south-east are also of nine bays, each with similar windows
to the upper and lower floors, the central window to each range having a moulded
architrave, semi-circular headed window and doorway openings to ground floors.
To the outer walls of these flanking ranges (ie facing the gardens) are central
niches with coffered semi-domes with ball cresting above. The south-western
ends of both ranges have a blank semi-circular headed arch flanked by oculi.
Interior: the main house retains many of its original features on both main
floors, with decorative surrounds to doorways, decorative plastered ceilings
and marble fireplaces. The entrance hall has trophies in roundels above the
doors and a central circular ceiling panel is carried to the corners on spandrels,
pedimented surround to doorway opposite the entrance; polychrome marble patterned
floor. The Drawing Room retains original elaborate pelmets above the three
windows, marble fireplace with caryatids and griffon frieze. Delicately patterned
ceiling with painted roundels depicting scenes and characters from classical
mythology and with putti and sea horses; entwined roundels to outer border
which flank central theme. The boudoir has an alcove with segmental arch and
a screen of two blue scagliola columns. The Dining Room has a good marble
fireplace with carved panels to the jambs, decorative plastered and painted
ceiling with central painted roundel and swagged and wreathed plastered
surround. Pedimented bookcases to the library with continuous "greekkey"
type frieze. Decorative painted panels to ceiling depicting authors from
Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed
glass domed lantern, opposite the staircase is a coffered archway; staircase
and landings carried on screens of scagliola columns, decorative dolphin
frieze to the entablature. The staircase has bronze lyre-shaped balustrading.
The outbuilding to the north-west formed the laundry and retains many of its
fittings. A tiled dairy has been restored in the south-east range and the
north-east range contains part stabling. (National Trust, 1986, Berrington Hall:
BoE, p 72).
Listing NGR: SO5093063660
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Heading out of the house after a look around into the courtyard.
A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).
Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.
It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.
Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.
Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.
In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.
It was classified as a Grade I listed building in 1959.
Grade I Listed Building
Berrington Hall and Adjoining Outbuildings
Listing Text
EYE, MORETON &
SO 56 SW ASHTON CP
7/2 Berrington Hall and
adjoining outbuildings
11.6.59
GV I
Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations
of c1890 - 1900 involved the addition of a tower at the rear of the house,
this was removed in 1968 and the pediment to this face was reinstated. Set
in parkland laid out by Capability Brown. Brick core, faced with sandstone
ashlar with dressings of the same material, hipped Welsh slate roofs.
Rectangular plan main house with central entrance and stairwell, axial
stacks. Main entrance faces south-west, quadrant walls connect the main
block with the three outbuildings which form a courtyard to the rear (these
adjoining walls have been altered and one has been removed). Main house:
two storeys, attics and basements, south-west entrance front: seven bays
with plinth, dentilled cornice, blocking course and balustraded parapet,
steps up to central projecting tetrastyle Ionic portico; frieze is decorated
only to central part by a floral type design which replaces the original one
of putti, ox heads and garlands, pediment has a lunette window. Dormer windows
to attics with glazing bar sash windows, glazing bar sash windows to first
floor with semi-circular heads and decorative glazing to those flanking the
portico. Square-headed glazing bar sash windows to ground floor, the semi-
circular headed basement windows have rusticated surrounds. Central tall
and narrow semi-circular headed doorway with panelled door has keystone
depicting Roman head flanked by narrow side lights with reliefs depicting
urns above. The north-west front is of five bays with a pediment over the
central three bays. The north-east front to the courtyard entrance is of
2:3:2 bays with central pedimented slightly forward break, semi-circular
headed glazing bar sash windows to upper floor, square-headed windows to
ground floor with central three openings set in semi-circular headed surrounds,
right-hand opening now forms a doorway and has a six-panelled door. The out-
buildings enclosing the courtyard are of two storeys. The range to the north-
east is of nine bays with central pedimented archway flanked by pairs of Doric
pilasters, clock face in pediment, string course to flanking bays with 6-pane
square-headed windows to upper floor and semi-circular headed windows with
decorative glazing to ground floor. The ranges enclosing the courtyard to
the north-west and south-east are also of nine bays, each with similar windows
to the upper and lower floors, the central window to each range having a moulded
architrave, semi-circular headed window and doorway openings to ground floors.
To the outer walls of these flanking ranges (ie facing the gardens) are central
niches with coffered semi-domes with ball cresting above. The south-western
ends of both ranges have a blank semi-circular headed arch flanked by oculi.
Interior: the main house retains many of its original features on both main
floors, with decorative surrounds to doorways, decorative plastered ceilings
and marble fireplaces. The entrance hall has trophies in roundels above the
doors and a central circular ceiling panel is carried to the corners on spandrels,
pedimented surround to doorway opposite the entrance; polychrome marble patterned
floor. The Drawing Room retains original elaborate pelmets above the three
windows, marble fireplace with caryatids and griffon frieze. Delicately patterned
ceiling with painted roundels depicting scenes and characters from classical
mythology and with putti and sea horses; entwined roundels to outer border
which flank central theme. The boudoir has an alcove with segmental arch and
a screen of two blue scagliola columns. The Dining Room has a good marble
fireplace with carved panels to the jambs, decorative plastered and painted
ceiling with central painted roundel and swagged and wreathed plastered
surround. Pedimented bookcases to the library with continuous "greekkey"
type frieze. Decorative painted panels to ceiling depicting authors from
Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed
glass domed lantern, opposite the staircase is a coffered archway; staircase
and landings carried on screens of scagliola columns, decorative dolphin
frieze to the entablature. The staircase has bronze lyre-shaped balustrading.
The outbuilding to the north-west formed the laundry and retains many of its
fittings. A tiled dairy has been restored in the south-east range and the
north-east range contains part stabling. (National Trust, 1986, Berrington Hall:
BoE, p 72).
Listing NGR: SO5093063660
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Heading out of the house after a look around into the courtyard.
Croome Court house was designed partly by Robert Adam, and the grounds were the first commission for Capability Brown. It has commanding views over the Malverns. In WW2 it was the site of RAF Defford - a top secret airbase where RADAR and automated control and landing systems were developed and honed. Great history. Great place to visit.
A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).
Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.
It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.
Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.
Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.
In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.
It was classified as a Grade I listed building in 1959.
Grade I Listed Building
Berrington Hall and Adjoining Outbuildings
Listing Text
EYE, MORETON &
SO 56 SW ASHTON CP
7/2 Berrington Hall and
adjoining outbuildings
11.6.59
GV I
Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations
of c1890 - 1900 involved the addition of a tower at the rear of the house,
this was removed in 1968 and the pediment to this face was reinstated. Set
in parkland laid out by Capability Brown. Brick core, faced with sandstone
ashlar with dressings of the same material, hipped Welsh slate roofs.
Rectangular plan main house with central entrance and stairwell, axial
stacks. Main entrance faces south-west, quadrant walls connect the main
block with the three outbuildings which form a courtyard to the rear (these
adjoining walls have been altered and one has been removed). Main house:
two storeys, attics and basements, south-west entrance front: seven bays
with plinth, dentilled cornice, blocking course and balustraded parapet,
steps up to central projecting tetrastyle Ionic portico; frieze is decorated
only to central part by a floral type design which replaces the original one
of putti, ox heads and garlands, pediment has a lunette window. Dormer windows
to attics with glazing bar sash windows, glazing bar sash windows to first
floor with semi-circular heads and decorative glazing to those flanking the
portico. Square-headed glazing bar sash windows to ground floor, the semi-
circular headed basement windows have rusticated surrounds. Central tall
and narrow semi-circular headed doorway with panelled door has keystone
depicting Roman head flanked by narrow side lights with reliefs depicting
urns above. The north-west front is of five bays with a pediment over the
central three bays. The north-east front to the courtyard entrance is of
2:3:2 bays with central pedimented slightly forward break, semi-circular
headed glazing bar sash windows to upper floor, square-headed windows to
ground floor with central three openings set in semi-circular headed surrounds,
right-hand opening now forms a doorway and has a six-panelled door. The out-
buildings enclosing the courtyard are of two storeys. The range to the north-
east is of nine bays with central pedimented archway flanked by pairs of Doric
pilasters, clock face in pediment, string course to flanking bays with 6-pane
square-headed windows to upper floor and semi-circular headed windows with
decorative glazing to ground floor. The ranges enclosing the courtyard to
the north-west and south-east are also of nine bays, each with similar windows
to the upper and lower floors, the central window to each range having a moulded
architrave, semi-circular headed window and doorway openings to ground floors.
To the outer walls of these flanking ranges (ie facing the gardens) are central
niches with coffered semi-domes with ball cresting above. The south-western
ends of both ranges have a blank semi-circular headed arch flanked by oculi.
Interior: the main house retains many of its original features on both main
floors, with decorative surrounds to doorways, decorative plastered ceilings
and marble fireplaces. The entrance hall has trophies in roundels above the
doors and a central circular ceiling panel is carried to the corners on spandrels,
pedimented surround to doorway opposite the entrance; polychrome marble patterned
floor. The Drawing Room retains original elaborate pelmets above the three
windows, marble fireplace with caryatids and griffon frieze. Delicately patterned
ceiling with painted roundels depicting scenes and characters from classical
mythology and with putti and sea horses; entwined roundels to outer border
which flank central theme. The boudoir has an alcove with segmental arch and
a screen of two blue scagliola columns. The Dining Room has a good marble
fireplace with carved panels to the jambs, decorative plastered and painted
ceiling with central painted roundel and swagged and wreathed plastered
surround. Pedimented bookcases to the library with continuous "greekkey"
type frieze. Decorative painted panels to ceiling depicting authors from
Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed
glass domed lantern, opposite the staircase is a coffered archway; staircase
and landings carried on screens of scagliola columns, decorative dolphin
frieze to the entablature. The staircase has bronze lyre-shaped balustrading.
The outbuilding to the north-west formed the laundry and retains many of its
fittings. A tiled dairy has been restored in the south-east range and the
north-east range contains part stabling. (National Trust, 1986, Berrington Hall:
BoE, p 72).
Listing NGR: SO5093063660
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Entrance to the courtyard.
A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).
Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.
It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.
Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.
Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.
In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.
It was classified as a Grade I listed building in 1959.
Grade I Listed Building
Berrington Hall and Adjoining Outbuildings
Listing Text
EYE, MORETON &
SO 56 SW ASHTON CP
7/2 Berrington Hall and
adjoining outbuildings
11.6.59
GV I
Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations
of c1890 - 1900 involved the addition of a tower at the rear of the house,
this was removed in 1968 and the pediment to this face was reinstated. Set
in parkland laid out by Capability Brown. Brick core, faced with sandstone
ashlar with dressings of the same material, hipped Welsh slate roofs.
Rectangular plan main house with central entrance and stairwell, axial
stacks. Main entrance faces south-west, quadrant walls connect the main
block with the three outbuildings which form a courtyard to the rear (these
adjoining walls have been altered and one has been removed). Main house:
two storeys, attics and basements, south-west entrance front: seven bays
with plinth, dentilled cornice, blocking course and balustraded parapet,
steps up to central projecting tetrastyle Ionic portico; frieze is decorated
only to central part by a floral type design which replaces the original one
of putti, ox heads and garlands, pediment has a lunette window. Dormer windows
to attics with glazing bar sash windows, glazing bar sash windows to first
floor with semi-circular heads and decorative glazing to those flanking the
portico. Square-headed glazing bar sash windows to ground floor, the semi-
circular headed basement windows have rusticated surrounds. Central tall
and narrow semi-circular headed doorway with panelled door has keystone
depicting Roman head flanked by narrow side lights with reliefs depicting
urns above. The north-west front is of five bays with a pediment over the
central three bays. The north-east front to the courtyard entrance is of
2:3:2 bays with central pedimented slightly forward break, semi-circular
headed glazing bar sash windows to upper floor, square-headed windows to
ground floor with central three openings set in semi-circular headed surrounds,
right-hand opening now forms a doorway and has a six-panelled door. The out-
buildings enclosing the courtyard are of two storeys. The range to the north-
east is of nine bays with central pedimented archway flanked by pairs of Doric
pilasters, clock face in pediment, string course to flanking bays with 6-pane
square-headed windows to upper floor and semi-circular headed windows with
decorative glazing to ground floor. The ranges enclosing the courtyard to
the north-west and south-east are also of nine bays, each with similar windows
to the upper and lower floors, the central window to each range having a moulded
architrave, semi-circular headed window and doorway openings to ground floors.
To the outer walls of these flanking ranges (ie facing the gardens) are central
niches with coffered semi-domes with ball cresting above. The south-western
ends of both ranges have a blank semi-circular headed arch flanked by oculi.
Interior: the main house retains many of its original features on both main
floors, with decorative surrounds to doorways, decorative plastered ceilings
and marble fireplaces. The entrance hall has trophies in roundels above the
doors and a central circular ceiling panel is carried to the corners on spandrels,
pedimented surround to doorway opposite the entrance; polychrome marble patterned
floor. The Drawing Room retains original elaborate pelmets above the three
windows, marble fireplace with caryatids and griffon frieze. Delicately patterned
ceiling with painted roundels depicting scenes and characters from classical
mythology and with putti and sea horses; entwined roundels to outer border
which flank central theme. The boudoir has an alcove with segmental arch and
a screen of two blue scagliola columns. The Dining Room has a good marble
fireplace with carved panels to the jambs, decorative plastered and painted
ceiling with central painted roundel and swagged and wreathed plastered
surround. Pedimented bookcases to the library with continuous "greekkey"
type frieze. Decorative painted panels to ceiling depicting authors from
Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed
glass domed lantern, opposite the staircase is a coffered archway; staircase
and landings carried on screens of scagliola columns, decorative dolphin
frieze to the entablature. The staircase has bronze lyre-shaped balustrading.
The outbuilding to the north-west formed the laundry and retains many of its
fittings. A tiled dairy has been restored in the south-east range and the
north-east range contains part stabling. (National Trust, 1986, Berrington Hall:
BoE, p 72).
Listing NGR: SO5093063660
This text is from the original listing, and may not necessarily reflect the current setting of the building.
These courtyard views from inside of the hall.
From rooms on the ground floor.
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
[1]
Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.
Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.
Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.
Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.
[2]
Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.
The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.
Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.
Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.