EAGLE ROCK - The Los Angeles Fire Department was prevented from using the full capability of its firefighting helicopters, when a hobbyist flying a remote controlled quadcopter ventured into and remained in airspace above a vegetation fire in the 7500 block of North Figueroa Street on July 27, 2016. The non-injury fire was held to one-quarter acre by ground crews, who spared any homes from damage. Los Angeles Police Officers, summoned by the Fire Department, later found the hobby drone abandoned in a nearby residential neighborhood. Police officials are continuing their investigation. © Photo by Rick McClure

LAFD Incident: 072716-0515

Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk

[1]

Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.

Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.

Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.

Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.

[2]

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.

The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.

Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

U.S. Army Soldiers assigned to 1st Squadron, 102nd Cavalry Regiment, 44th Infantry Brigade Combat Team, New Jersey Army National Guard, fire 88mm mortars on a range during a Mortar live fire training exercise as part of the eXportable Combat Training Capability (XCTC) exercise on July 24, 2022 at Ft. Drum, N.Y. More than 2,500 Soldiers are participating in the training event, which enables brigade combat teams to achieve the trained platoon readiness necessary to deploy, fight, and win. (U.S. Army Photo by Pfc. Seth Cohen)

A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).

Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.

It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.

Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.

Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.

In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.

It was classified as a Grade I listed building in 1959.

Grade I Listed Building

Berrington Hall and Adjoining Outbuildings

Listing Text

EYE, MORETON &

SO 56 SW ASHTON CP

7/2 Berrington Hall and

adjoining outbuildings

11.6.59

GV I

Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations

of c1890 - 1900 involved the addition of a tower at the rear of the house,

this was removed in 1968 and the pediment to this face was reinstated. Set

in parkland laid out by Capability Brown. Brick core, faced with sandstone

ashlar with dressings of the same material, hipped Welsh slate roofs.

Rectangular plan main house with central entrance and stairwell, axial

stacks. Main entrance faces south-west, quadrant walls connect the main

block with the three outbuildings which form a courtyard to the rear (these

adjoining walls have been altered and one has been removed). Main house:

two storeys, attics and basements, south-west entrance front: seven bays

with plinth, dentilled cornice, blocking course and balustraded parapet,

steps up to central projecting tetrastyle Ionic portico; frieze is decorated

only to central part by a floral type design which replaces the original one

of putti, ox heads and garlands, pediment has a lunette window. Dormer windows

to attics with glazing bar sash windows, glazing bar sash windows to first

floor with semi-circular heads and decorative glazing to those flanking the

portico. Square-headed glazing bar sash windows to ground floor, the semi-

circular headed basement windows have rusticated surrounds. Central tall

and narrow semi-circular headed doorway with panelled door has keystone

depicting Roman head flanked by narrow side lights with reliefs depicting

urns above. The north-west front is of five bays with a pediment over the

central three bays. The north-east front to the courtyard entrance is of

2:3:2 bays with central pedimented slightly forward break, semi-circular

headed glazing bar sash windows to upper floor, square-headed windows to

ground floor with central three openings set in semi-circular headed surrounds,

right-hand opening now forms a doorway and has a six-panelled door. The out-

buildings enclosing the courtyard are of two storeys. The range to the north-

east is of nine bays with central pedimented archway flanked by pairs of Doric

pilasters, clock face in pediment, string course to flanking bays with 6-pane

square-headed windows to upper floor and semi-circular headed windows with

decorative glazing to ground floor. The ranges enclosing the courtyard to

the north-west and south-east are also of nine bays, each with similar windows

to the upper and lower floors, the central window to each range having a moulded

architrave, semi-circular headed window and doorway openings to ground floors.

To the outer walls of these flanking ranges (ie facing the gardens) are central

niches with coffered semi-domes with ball cresting above. The south-western

ends of both ranges have a blank semi-circular headed arch flanked by oculi.

Interior: the main house retains many of its original features on both main

floors, with decorative surrounds to doorways, decorative plastered ceilings

and marble fireplaces. The entrance hall has trophies in roundels above the

doors and a central circular ceiling panel is carried to the corners on spandrels,

pedimented surround to doorway opposite the entrance; polychrome marble patterned

floor. The Drawing Room retains original elaborate pelmets above the three

windows, marble fireplace with caryatids and griffon frieze. Delicately patterned

ceiling with painted roundels depicting scenes and characters from classical

mythology and with putti and sea horses; entwined roundels to outer border

which flank central theme. The boudoir has an alcove with segmental arch and

a screen of two blue scagliola columns. The Dining Room has a good marble

fireplace with carved panels to the jambs, decorative plastered and painted

ceiling with central painted roundel and swagged and wreathed plastered

surround. Pedimented bookcases to the library with continuous "greekkey"

type frieze. Decorative painted panels to ceiling depicting authors from

Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed

glass domed lantern, opposite the staircase is a coffered archway; staircase

and landings carried on screens of scagliola columns, decorative dolphin

frieze to the entablature. The staircase has bronze lyre-shaped balustrading.

The outbuilding to the north-west formed the laundry and retains many of its

fittings. A tiled dairy has been restored in the south-east range and the

north-east range contains part stabling. (National Trust, 1986, Berrington Hall:

BoE, p 72).

Listing NGR: SO5093063660

This text is from the original listing, and may not necessarily reflect the current setting of the building.

Walking round the path to the entrance to the hall.

Undergraduate students (l-r) Ryan Kallabis and Evan Logoluso attend class in the Stauffer Science Lecture Hall. The hall includes lectern-supported rooms and auditoria with full technological capability. Photo by: Philip Channing.

DPAC & UK Uncut hold ATOS Closing Ceremony - 31.08.2012

As the Grand Finale to a week-long national campaign of protests against French IT company ATOS Origin and its spinoff ATOS Healthcare which carries out the much-criticised Wirk Capability Assessments on behalf of the DWP, which has seen tens of thousands of severely sick and disabled people declared to be "Fit for Work" and thrown off their disability benefits, several hundred activists from DPAC (Disabled People Against Cuts), WinVisible, Disabled Activists' Network, UK Uncut, Right to Work Campaign, Unite the Union, the GMB Union, Occupy London and the National UNion of Students descended on ATOS' London headquarters to carry out what they had billed as the "ATOS Closing Ceremony" - a reference to ATOS' hugely derided sponsorship of the Paralympic Games which is, say the activists, an act of spectatular cynicism by a corporation which is currently contracted by the Cameron government to the tune of £100 million to conduct the much-feared medical assessments without any reference whatsoever to peoples' medical notes of histories.

For two hours the crowd chanted slogans, listened to oral testimonies from people whose lives have been badly affected by ATOS decisions, heard accounts of people driven into such despair by dealing with ATOS that they have comitted suicide, and also heard many accounts of seriously ill people thrown off their benefits by ATOS who have been forced to look for work - having been declared fit for work - and who have died shortly afterwards. The list of people irreperably harmed by ATOS' computer-driven tick-box assessment which cannot possibly take into account the huge range of physical and mental disabilities seems endless.

Following some dogged Freedom of Information requests by two Daily Mirror journalists earlier this year it is now known that an average of 32 sickness or disability benefit claimnants who have been thrown off their benefits by the DWP following an ATOS zero-point rating and placed in the Work-Related Activity Group or who have been put on Jobseeker's Allowance have died shortly afterwards. In many instances relatives of the deceased have claimed that the stress of being treated in such an inhumane way by ATOS contributed to their deaths.

During the protest at Triton Square the 500-strong crowd were entertained by a street theatre performance which saw a fraudulent "ATOS Miracle Cure" booth set up. The "ATOS Reverend" would lay hands on a disabled person and tell them that "by the power of ATOS you are no longer disabled", and sent them through the ATOS Miracle Cure arch, but sadly once through the arch the disabled people realised they had been tricked and they were still, of course, disabled... but worse was to come, as each disabled person was then confronted by an "ATOS Doctor" who stated that because they were now officially no longer disabled and were fit for work they could now be assigned to do their dream jobs, to which end the phoney doctor handed each person a sheet of paper on which was written "100 meter runner", "Bar Tender", "Mountain Climber" and other completely unsuitable job titles.

At around 2:30pm a section of the crowd took off and headed for Westminster where they picketed outside the Department for Work and Pensions, during which an over-agressive action by the police resulted in a disabled man's shoulder being broken as he was knocked off his wheelchair when police shoved protesters into him.

All photos © 2012 Pete Riches

Do not reproduce, alter, re-transmit or reblog my images without my written permission.

Hi-Res, un-watermarked versions of these files are available on application

Media buyers should email me directly or view this story on <a href="http://www.demotix.com/users/pete-riches/profile.

Standard NUJ rates apply.

about.me/peteriches

A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).

Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.

It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.

Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.

Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.

In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.

It was classified as a Grade I listed building in 1959.

Grade I Listed Building

Berrington Hall and Adjoining Outbuildings

Listing Text

EYE, MORETON &

SO 56 SW ASHTON CP

7/2 Berrington Hall and

adjoining outbuildings

11.6.59

GV I

Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations

of c1890 - 1900 involved the addition of a tower at the rear of the house,

this was removed in 1968 and the pediment to this face was reinstated. Set

in parkland laid out by Capability Brown. Brick core, faced with sandstone

ashlar with dressings of the same material, hipped Welsh slate roofs.

Rectangular plan main house with central entrance and stairwell, axial

stacks. Main entrance faces south-west, quadrant walls connect the main

block with the three outbuildings which form a courtyard to the rear (these

adjoining walls have been altered and one has been removed). Main house:

two storeys, attics and basements, south-west entrance front: seven bays

with plinth, dentilled cornice, blocking course and balustraded parapet,

steps up to central projecting tetrastyle Ionic portico; frieze is decorated

only to central part by a floral type design which replaces the original one

of putti, ox heads and garlands, pediment has a lunette window. Dormer windows

to attics with glazing bar sash windows, glazing bar sash windows to first

floor with semi-circular heads and decorative glazing to those flanking the

portico. Square-headed glazing bar sash windows to ground floor, the semi-

circular headed basement windows have rusticated surrounds. Central tall

and narrow semi-circular headed doorway with panelled door has keystone

depicting Roman head flanked by narrow side lights with reliefs depicting

urns above. The north-west front is of five bays with a pediment over the

central three bays. The north-east front to the courtyard entrance is of

2:3:2 bays with central pedimented slightly forward break, semi-circular

headed glazing bar sash windows to upper floor, square-headed windows to

ground floor with central three openings set in semi-circular headed surrounds,

right-hand opening now forms a doorway and has a six-panelled door. The out-

buildings enclosing the courtyard are of two storeys. The range to the north-

east is of nine bays with central pedimented archway flanked by pairs of Doric

pilasters, clock face in pediment, string course to flanking bays with 6-pane

square-headed windows to upper floor and semi-circular headed windows with

decorative glazing to ground floor. The ranges enclosing the courtyard to

the north-west and south-east are also of nine bays, each with similar windows

to the upper and lower floors, the central window to each range having a moulded

architrave, semi-circular headed window and doorway openings to ground floors.

To the outer walls of these flanking ranges (ie facing the gardens) are central

niches with coffered semi-domes with ball cresting above. The south-western

ends of both ranges have a blank semi-circular headed arch flanked by oculi.

Interior: the main house retains many of its original features on both main

floors, with decorative surrounds to doorways, decorative plastered ceilings

and marble fireplaces. The entrance hall has trophies in roundels above the

doors and a central circular ceiling panel is carried to the corners on spandrels,

pedimented surround to doorway opposite the entrance; polychrome marble patterned

floor. The Drawing Room retains original elaborate pelmets above the three

windows, marble fireplace with caryatids and griffon frieze. Delicately patterned

ceiling with painted roundels depicting scenes and characters from classical

mythology and with putti and sea horses; entwined roundels to outer border

which flank central theme. The boudoir has an alcove with segmental arch and

a screen of two blue scagliola columns. The Dining Room has a good marble

fireplace with carved panels to the jambs, decorative plastered and painted

ceiling with central painted roundel and swagged and wreathed plastered

surround. Pedimented bookcases to the library with continuous "greekkey"

type frieze. Decorative painted panels to ceiling depicting authors from

Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed

glass domed lantern, opposite the staircase is a coffered archway; staircase

and landings carried on screens of scagliola columns, decorative dolphin

frieze to the entablature. The staircase has bronze lyre-shaped balustrading.

The outbuilding to the north-west formed the laundry and retains many of its

fittings. A tiled dairy has been restored in the south-east range and the

north-east range contains part stabling. (National Trust, 1986, Berrington Hall:

BoE, p 72).

Listing NGR: SO5093063660

This text is from the original listing, and may not necessarily reflect the current setting of the building.

plant sales near the shop

[1]

Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.

Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.

Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.

Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.

[2]

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.

The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.

Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

MISAWA AIR BASE, Japan (Sept. 7, 2017) - Japan Air Self-Defense Force service members bring a fuel line to a Patriot interceptor missile during a Patriot Advanced Capability-3 deployment training at Misawa Air Base. A Patriot battery has six major components: a power plant, radar set, an engagement control station, launcher stations, the antenna mast group, and the interceptor missiles themselves. The bilateral training and coordination between U.S.-Japan forces increases interoperability, ensuring security and stability in the Indo-Asia-Pacific region. (U.S. Air Force photo by Airman 1st Class Sadie Colbert) 170907-F-MZ237-137

** Interested in following U.S. Pacific Command? Engage and connect with us at www.facebook.com/pacific.command | twitter.com/PacificCommand |

instagram.com/pacificcommand | www.flickr.com/photos/us-pacific-command; | www.youtube.com/user/USPacificCommand | www.pacom.mil/

(i) inspired by a text convo with John Kellden and Seb Paquet

We are it.

We have met the others, those that defray us

happy clients and customers, taxpayers too

We take and we give, to keep our balance

answer up, and work, returning deep trust

We have met the others, some within fear

finding reason to cancel, withdraw from their hurt

some loss is of confidence, more loss is of threat

be real or perceived, ask yet others for help

We have met the others, admiring bright work

or how they encourage, acknowledge our try

we come over our ego, grow courage within us

in the presence of those whose enlightening strikes

We have met the others, and they are us

Those are these, no one else will defray

within are the thankful, paying forward the art

of giving a damn about the future of work

(i) inspired by John Kellden

A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).

Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.

It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.

Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.

Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.

In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.

It was classified as a Grade I listed building in 1959.

Grade I Listed Building

Berrington Hall and Adjoining Outbuildings

Listing Text

EYE, MORETON &

SO 56 SW ASHTON CP

7/2 Berrington Hall and

adjoining outbuildings

11.6.59

GV I

Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations

of c1890 - 1900 involved the addition of a tower at the rear of the house,

this was removed in 1968 and the pediment to this face was reinstated. Set

in parkland laid out by Capability Brown. Brick core, faced with sandstone

ashlar with dressings of the same material, hipped Welsh slate roofs.

Rectangular plan main house with central entrance and stairwell, axial

stacks. Main entrance faces south-west, quadrant walls connect the main

block with the three outbuildings which form a courtyard to the rear (these

adjoining walls have been altered and one has been removed). Main house:

two storeys, attics and basements, south-west entrance front: seven bays

with plinth, dentilled cornice, blocking course and balustraded parapet,

steps up to central projecting tetrastyle Ionic portico; frieze is decorated

only to central part by a floral type design which replaces the original one

of putti, ox heads and garlands, pediment has a lunette window. Dormer windows

to attics with glazing bar sash windows, glazing bar sash windows to first

floor with semi-circular heads and decorative glazing to those flanking the

portico. Square-headed glazing bar sash windows to ground floor, the semi-

circular headed basement windows have rusticated surrounds. Central tall

and narrow semi-circular headed doorway with panelled door has keystone

depicting Roman head flanked by narrow side lights with reliefs depicting

urns above. The north-west front is of five bays with a pediment over the

central three bays. The north-east front to the courtyard entrance is of

2:3:2 bays with central pedimented slightly forward break, semi-circular

headed glazing bar sash windows to upper floor, square-headed windows to

ground floor with central three openings set in semi-circular headed surrounds,

right-hand opening now forms a doorway and has a six-panelled door. The out-

buildings enclosing the courtyard are of two storeys. The range to the north-

east is of nine bays with central pedimented archway flanked by pairs of Doric

pilasters, clock face in pediment, string course to flanking bays with 6-pane

square-headed windows to upper floor and semi-circular headed windows with

decorative glazing to ground floor. The ranges enclosing the courtyard to

the north-west and south-east are also of nine bays, each with similar windows

to the upper and lower floors, the central window to each range having a moulded

architrave, semi-circular headed window and doorway openings to ground floors.

To the outer walls of these flanking ranges (ie facing the gardens) are central

niches with coffered semi-domes with ball cresting above. The south-western

ends of both ranges have a blank semi-circular headed arch flanked by oculi.

Interior: the main house retains many of its original features on both main

floors, with decorative surrounds to doorways, decorative plastered ceilings

and marble fireplaces. The entrance hall has trophies in roundels above the

doors and a central circular ceiling panel is carried to the corners on spandrels,

pedimented surround to doorway opposite the entrance; polychrome marble patterned

floor. The Drawing Room retains original elaborate pelmets above the three

windows, marble fireplace with caryatids and griffon frieze. Delicately patterned

ceiling with painted roundels depicting scenes and characters from classical

mythology and with putti and sea horses; entwined roundels to outer border

which flank central theme. The boudoir has an alcove with segmental arch and

a screen of two blue scagliola columns. The Dining Room has a good marble

fireplace with carved panels to the jambs, decorative plastered and painted

ceiling with central painted roundel and swagged and wreathed plastered

surround. Pedimented bookcases to the library with continuous "greekkey"

type frieze. Decorative painted panels to ceiling depicting authors from

Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed

glass domed lantern, opposite the staircase is a coffered archway; staircase

and landings carried on screens of scagliola columns, decorative dolphin

frieze to the entablature. The staircase has bronze lyre-shaped balustrading.

The outbuilding to the north-west formed the laundry and retains many of its

fittings. A tiled dairy has been restored in the south-east range and the

north-east range contains part stabling. (National Trust, 1986, Berrington Hall:

BoE, p 72).

Listing NGR: SO5093063660

This text is from the original listing, and may not necessarily reflect the current setting of the building.

Stables cafe - this is where we got a traditional cone of ice cream from.

Courtyard towards the hall.

[1]

Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.

Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.

Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.

Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.

[2]

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.

The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.

Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

This magnificent informal landscape garden was laid out in the 18th century by 'Capability' Brown and further developed in the early years of the 20th century by its owner, Arthur G. Soames. The original four lakes form the centrepiece. There are dramatic shows of daffodils and bluebells in spring, and the rhododendrons and azaleas are spectacular in early summer. Autumn brings stunning colours from the many rare trees and shrubs, and winter walks can be enjoyed in this garden for all seasons. Visitors can now also explore South Park, 107 hectares (265 acres) of historic parkland, with stunning views.

Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.

The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.

Location[edit]

Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]

House[edit]

Croome Court South Portico

History[edit]

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]

In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]

The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]

A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]

The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]

During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]

In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]

The house was listed on 11 August 1952; it is currently Grade I listed.[10]

In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]

From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]

The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]

Exterior[edit]

The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]

Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]

A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]

Interior[edit]

The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]

The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]

The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]

To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]

At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery

wikipedia

A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).

Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.

It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.

Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.

Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.

In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.

It was classified as a Grade I listed building in 1959.

Grade I Listed Building

Berrington Hall and Adjoining Outbuildings

Listing Text

EYE, MORETON &

SO 56 SW ASHTON CP

7/2 Berrington Hall and

adjoining outbuildings

11.6.59

GV I

Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations

of c1890 - 1900 involved the addition of a tower at the rear of the house,

this was removed in 1968 and the pediment to this face was reinstated. Set

in parkland laid out by Capability Brown. Brick core, faced with sandstone

ashlar with dressings of the same material, hipped Welsh slate roofs.

Rectangular plan main house with central entrance and stairwell, axial

stacks. Main entrance faces south-west, quadrant walls connect the main

block with the three outbuildings which form a courtyard to the rear (these

adjoining walls have been altered and one has been removed). Main house:

two storeys, attics and basements, south-west entrance front: seven bays

with plinth, dentilled cornice, blocking course and balustraded parapet,

steps up to central projecting tetrastyle Ionic portico; frieze is decorated

only to central part by a floral type design which replaces the original one

of putti, ox heads and garlands, pediment has a lunette window. Dormer windows

to attics with glazing bar sash windows, glazing bar sash windows to first

floor with semi-circular heads and decorative glazing to those flanking the

portico. Square-headed glazing bar sash windows to ground floor, the semi-

circular headed basement windows have rusticated surrounds. Central tall

and narrow semi-circular headed doorway with panelled door has keystone

depicting Roman head flanked by narrow side lights with reliefs depicting

urns above. The north-west front is of five bays with a pediment over the

central three bays. The north-east front to the courtyard entrance is of

2:3:2 bays with central pedimented slightly forward break, semi-circular

headed glazing bar sash windows to upper floor, square-headed windows to

ground floor with central three openings set in semi-circular headed surrounds,

right-hand opening now forms a doorway and has a six-panelled door. The out-

buildings enclosing the courtyard are of two storeys. The range to the north-

east is of nine bays with central pedimented archway flanked by pairs of Doric

pilasters, clock face in pediment, string course to flanking bays with 6-pane

square-headed windows to upper floor and semi-circular headed windows with

decorative glazing to ground floor. The ranges enclosing the courtyard to

the north-west and south-east are also of nine bays, each with similar windows

to the upper and lower floors, the central window to each range having a moulded

architrave, semi-circular headed window and doorway openings to ground floors.

To the outer walls of these flanking ranges (ie facing the gardens) are central

niches with coffered semi-domes with ball cresting above. The south-western

ends of both ranges have a blank semi-circular headed arch flanked by oculi.

Interior: the main house retains many of its original features on both main

floors, with decorative surrounds to doorways, decorative plastered ceilings

and marble fireplaces. The entrance hall has trophies in roundels above the

doors and a central circular ceiling panel is carried to the corners on spandrels,

pedimented surround to doorway opposite the entrance; polychrome marble patterned

floor. The Drawing Room retains original elaborate pelmets above the three

windows, marble fireplace with caryatids and griffon frieze. Delicately patterned

ceiling with painted roundels depicting scenes and characters from classical

mythology and with putti and sea horses; entwined roundels to outer border

which flank central theme. The boudoir has an alcove with segmental arch and

a screen of two blue scagliola columns. The Dining Room has a good marble

fireplace with carved panels to the jambs, decorative plastered and painted

ceiling with central painted roundel and swagged and wreathed plastered

surround. Pedimented bookcases to the library with continuous "greekkey"

type frieze. Decorative painted panels to ceiling depicting authors from

Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed

glass domed lantern, opposite the staircase is a coffered archway; staircase

and landings carried on screens of scagliola columns, decorative dolphin

frieze to the entablature. The staircase has bronze lyre-shaped balustrading.

The outbuilding to the north-west formed the laundry and retains many of its

fittings. A tiled dairy has been restored in the south-east range and the

north-east range contains part stabling. (National Trust, 1986, Berrington Hall:

BoE, p 72).

Listing NGR: SO5093063660

This text is from the original listing, and may not necessarily reflect the current setting of the building.

Walking round the path to the entrance to the hall.

A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).

Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.

It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.

Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.

Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.

In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.

It was classified as a Grade I listed building in 1959.

Grade I Listed Building

Berrington Hall and Adjoining Outbuildings

Listing Text

EYE, MORETON &

SO 56 SW ASHTON CP

7/2 Berrington Hall and

adjoining outbuildings

11.6.59

GV I

Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations

of c1890 - 1900 involved the addition of a tower at the rear of the house,

this was removed in 1968 and the pediment to this face was reinstated. Set

in parkland laid out by Capability Brown. Brick core, faced with sandstone

ashlar with dressings of the same material, hipped Welsh slate roofs.

Rectangular plan main house with central entrance and stairwell, axial

stacks. Main entrance faces south-west, quadrant walls connect the main

block with the three outbuildings which form a courtyard to the rear (these

adjoining walls have been altered and one has been removed). Main house:

two storeys, attics and basements, south-west entrance front: seven bays

with plinth, dentilled cornice, blocking course and balustraded parapet,

steps up to central projecting tetrastyle Ionic portico; frieze is decorated

only to central part by a floral type design which replaces the original one

of putti, ox heads and garlands, pediment has a lunette window. Dormer windows

to attics with glazing bar sash windows, glazing bar sash windows to first

floor with semi-circular heads and decorative glazing to those flanking the

portico. Square-headed glazing bar sash windows to ground floor, the semi-

circular headed basement windows have rusticated surrounds. Central tall

and narrow semi-circular headed doorway with panelled door has keystone

depicting Roman head flanked by narrow side lights with reliefs depicting

urns above. The north-west front is of five bays with a pediment over the

central three bays. The north-east front to the courtyard entrance is of

2:3:2 bays with central pedimented slightly forward break, semi-circular

headed glazing bar sash windows to upper floor, square-headed windows to

ground floor with central three openings set in semi-circular headed surrounds,

right-hand opening now forms a doorway and has a six-panelled door. The out-

buildings enclosing the courtyard are of two storeys. The range to the north-

east is of nine bays with central pedimented archway flanked by pairs of Doric

pilasters, clock face in pediment, string course to flanking bays with 6-pane

square-headed windows to upper floor and semi-circular headed windows with

decorative glazing to ground floor. The ranges enclosing the courtyard to

the north-west and south-east are also of nine bays, each with similar windows

to the upper and lower floors, the central window to each range having a moulded

architrave, semi-circular headed window and doorway openings to ground floors.

To the outer walls of these flanking ranges (ie facing the gardens) are central

niches with coffered semi-domes with ball cresting above. The south-western

ends of both ranges have a blank semi-circular headed arch flanked by oculi.

Interior: the main house retains many of its original features on both main

floors, with decorative surrounds to doorways, decorative plastered ceilings

and marble fireplaces. The entrance hall has trophies in roundels above the

doors and a central circular ceiling panel is carried to the corners on spandrels,

pedimented surround to doorway opposite the entrance; polychrome marble patterned

floor. The Drawing Room retains original elaborate pelmets above the three

windows, marble fireplace with caryatids and griffon frieze. Delicately patterned

ceiling with painted roundels depicting scenes and characters from classical

mythology and with putti and sea horses; entwined roundels to outer border

which flank central theme. The boudoir has an alcove with segmental arch and

a screen of two blue scagliola columns. The Dining Room has a good marble

fireplace with carved panels to the jambs, decorative plastered and painted

ceiling with central painted roundel and swagged and wreathed plastered

surround. Pedimented bookcases to the library with continuous "greekkey"

type frieze. Decorative painted panels to ceiling depicting authors from

Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed

glass domed lantern, opposite the staircase is a coffered archway; staircase

and landings carried on screens of scagliola columns, decorative dolphin

frieze to the entablature. The staircase has bronze lyre-shaped balustrading.

The outbuilding to the north-west formed the laundry and retains many of its

fittings. A tiled dairy has been restored in the south-east range and the

north-east range contains part stabling. (National Trust, 1986, Berrington Hall:

BoE, p 72).

Listing NGR: SO5093063660

This text is from the original listing, and may not necessarily reflect the current setting of the building.

Heading down through the parkland towards the Berrington Pool and back. The path goes through fields. Electric fences keep the sheep away from the visitors.

This was after passing through the first gate.

[1]

Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.

Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.

Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.

Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.

[2]

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.

The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.

Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

Claremont estate

The first house on the Claremont estate was built in 1708 by Sir John Vanbrugh, the Restoration playwright and architect of Blenheim Palace and Castle Howard, for his own use. This "very small box", as he described it, stood on the level ground in front of the present mansion. At the same time, he built the stables and the walled gardens, also probably White Cottage, which is now the Sixth Form Centre of Claremont Fan Court School.

In 1714, he sold the house to the wealthy Whig politician Thomas Pelham-Holles, Earl of Clare, who later became Duke of Newcastle and served twice as Prime Minister. The earl commissioned Vanbrugh to add two great wings to the house and to build a fortress-like turret on an adjoining knoll. From this so-called "prospect-house", or belvedere, he and his guests could admire the views of the Surrey countryside as they took refreshments and played hazard, a popular dice game.

In the clear eighteenth-century air it was apparently possible to see Windsor Castle and St Paul's Cathedral. The Earl of Clare named his country seat Clare-mount, later contracted to Claremont. The two lodges at the Copsem Lane entrance were added at this time.

Landscape garden

Main article: Claremont Landscape Garden

Claremont landscape garden is one of the earliest surviving gardens of its kind of landscape design, the English Landscape Garden — still featuring its original 18th century layout. The extensive landscaped grounds of Claremont represents the work of some of the best known landscape gardeners, Charles Bridgeman, Capability Brown, William Kent (with Thomas Greening) and Sir John Vanbrugh.[2]

Work on the gardens began around 1715 and, by 1727, they were described as "the noblest of any in Europe". Within the grounds, overlooking the lake, is an unusual turfed amphitheatre.

A feature in the grounds is the Belvedere Tower, designed by Vanbrugh for the Duke of Newcastle. The tower is unusual in that, what appear to be windows, are actually bricks painted black and white. It is now owned by Claremont Fan Court School, which is situated alongside the gardens.

In 1949, the landscape garden was donated to the National Trust for stewardship and protection. A restoration programme was launched in 1975 following a significant donation by the Slater Foundation. The garden is Grade I listed on the Register of Historic Parks and Gardens.[3]

Capability Brown's mansion, built for Lord Clive of India

The Duke of Newcastle died in 1768 and, in 1769, his widow sold the estate to Robert Clive, 1st Baron Clive, founder of Britain's Indian Empire. Although the great house was then little more than fifty years old, it was aesthetically and politically out of fashion. Lord Clive decided to demolish the house and commissioned Capability Brown to build the present Palladian mansion on higher and dryer ground. Brown, more accomplished as a landscape designer than an architect, took on his future son-in-law Henry Holland as a junior partner owing to the scale of the project. John Soane (later Sir John Soane) was employed in Holland's office at this time and worked on the project as a draftsman and junior designer.[4] Holland's interiors for Claremont owe much to the contemporary work of Robert Adam.

Lord Clive, by now a rich Nabob, is reputed to have spent over £100,000 on rebuilding the house and the complete remodelling of the celebrated pleasure ground. However, Lord Clive ended up never living at the property, as he died in 1774—the year that the house was completed. The estate then passed through a rapid succession of owners; first being sold "for not more than one third of what the house and alterations had cost"[5] to Robert Monckton-Arundell, 4th Viscount Galway, and then to George Carpenter, 2nd Earl of Tyrconnell, and finally to Charles Ellis, 1st Baron Seaford.[6]

A large map entitled "Claremont Palace", situated in what is called "Clive's room" inside the mansion, shows the mansion and its surrounding grounds; giving a detailed overview of the campus. The map likely dates back to the 1860s, when the mansion was frequently occupied by Queen Victoria (thus it having been christened "palace"). However, the exact date is still unknown. The relief in Claremont's front pediment is of Clive's coat of arms impaled with that of Maskelyne, his wife's family.

ift.tt/1SSurAv

The Walled Garden is certainly the largest example in Leeds and provides a stunning array of plants set in a traditional red brick boundary. Home to five of the eleven National Collections held by Leeds City Council, including Delphinium, Phlox, Aster, Chrysanthemum and Solenostemon, the gardens also present an extensive Rose Garden, originating from around 1923, and is bounded by magnificent Herbaceous Borders, some 800yards in length.

Temple Newsam is one of the great historic estates in England. Set within over 1500 acres of parkland, woodland and farmland landscaped by Capability Brown in the 18th century, it is a magnificent Tudor–Jacobean mansion. Famous as the birthplace of Lord Darnley and home to the Ingram family for over 300 years, the mansion houses rich collections of works of art. The garden is renowned for its Rhododendron and Azalea walk and features the National Plant Collections of Delphinium, Phlox and Aster novi–belgii. Europe's largest working Rare Breeds Farm, with over 400 animals, is set within the original estate Home Farm.

Information from the Temple Newsam website.

www.leeds.gov.uk/templenewsam/

DPAC and TUC Disabled Workers block Tottenham Court Road - London 22.05.2013

Activists from DPAC and disabled workers attending the TUC Disabled Workers Conference blocked Tottenham Court Road in Central London for an hour and a half as they protested loudly against punitive government cuts to disability benefits and services which is impacting disastrously - and already fatally - on our most vulnerable citizens.

**From the DPAC website **

On the day of the success of the High Court ruling ruling against the Work Capability Assessment, activists from Disabled People Against Cuts (DPAC) and disabled workers attending the Trades Union Congress (TUC) Disabled Workers Conference blocked Tottenham Court Road in an unprecedented act of solidarity.

Mandy Hudson, co-chair of the TUC disabled workers committee said: "Trade unionists would like to send a clear message to this government that trade unions, workers and grass roots disabled groups stand together against the onslaught of vicious cuts rained down upon us by the Condems."

--------------------------------------------------------

All photos © 2013 Pete Riches

Do not reproduce, alter, re-transmit or blog my images without my written permission. I remain at all times the copyright owner of this image.

Hi-Res, un-watermarked versions of these files are available on application solely at my discretion

If you want to use any image found in my Flickr Photostream, please Email me directly.

Media buyers and publications can access this story on Demotix

Standard industry rates apply.

about.me/peteriches

DPAC & UK Uncut protest against benefit cuts at DWP - 31.08.2012

Following their earlier joint protest that morning at the Euston headquarters of ATOS Origin - the French IT company which has sponsored the paralympics, despite its role in forcing tens of thousands of severely sick and disabled people off their life-saving benefits after declaring them "Fit for Work" following the seriously flawed Work Capability Assessment stipulated by the Dept. fo0r Work and Pensions (DWP), DPAC and UK Uncut activists descended on the Westminster headquarters of the DWP and protested outside.

Several activists managed to get inside the entrance foyer of the government building, which was the trigger for a short-but-overly-aggressive encounter with a large number of Territorial Support Group police who waded into the disabled and able-bodied protesters to force them away from the front of the building which houses the offices of Secretary for State for Work and Pensions Ian Duncan Smith and Minister for Disabled People Maria Miller.

During the quite unnecessary action against the peaceful protesters - several in wheelchairs - one disabled man was thrown out of his wheelchair to the ground, breaking his shoulder. Another man's motorised wheelchair was broken in the fracas, and one man was arrested.

Some of the protesters managed to speak to Maria Miller, MP, and told her to her facve how much misery and human despair her department's policies of demonisation of the disabled - portraying them publicly as workshy scroungers and benefits cheats, even though Disability Benefit fraud is extremely small, only 0.4% of the overall benefits budget, despite frequent, outrageous lies peddled by the DWP and minister Ian Duncan Smith as it behaves no better than the German government in the years running up to World War II as they turn the public against the very weakest, most vulnerable members of the British population, blaming disabled people for the country's economic misery - cause by corrupt bankers.

All photos © 2012 Pete Riches

Do not reproduce, alter, re-transmit or reblog my images without my written permission.

Hi-Res, un-watermarked versions of these files are available on application

Media buyers should email me directly or view this story on <a href="http://www.demotix.com/users/pete-riches/profile.

Standard NUJ rates apply.

about.me/peteriches

U.S. Army National Guard Soldiers with the 4-118th Combined Arms Battalion, South Carolina National Guard, conduct capability demonstrations for families, employers and future recruits at Fort Jackson in Columbia, South Carolina, July 24, 2021. The Soldiers highlighted live-fire artillery demonstrations on M1A1 Abrams tanks, M2A2 Bradley Fighting Vehicle, and various weapons systems. (U.S. Army National Guard photo by Sgt. 1st Class Kimberly D. Calkins, South Carolina National Guard).

MISSION:

Protects ground forces and critical assets at all echelons from advanced aircraft, cruise missiles, and tactical ballistic missiles.

DESCRIPTION:

The PAC-3 MSE program is an air-defense, guided missile system with long-range, medium- to high-altitude, all-weather capabilities designed to kill Tactical Ballistic Missiles (TBMs), cruise missiles, and advanced aircraft. The combat element of the PATRIOT missile system is the fire unit, which consists of a phased array Radar Set (RS), an Engagement Control Station (ECS), a battery command post, an electric power plant, an antenna mast group, a communications relay group, and Launching Stations (LS) with missiles.

The RS provides the tactical functions of airspace surveillance, target detection, identification, classification, tracking, missile guidance, and engagement support. The ECS provides command and control. The LS provides the platform for the PAC-3 MSE missile, which is sealed in canisters that serve as shipping containers and launch tubes.

The PAC-3 MSE missile uses hit-to-kill technology for greater lethality against TBMs armed with weapons of mass destruction. The PAC-3 MSE represents the next generation PAC-3 missile providing expanded battlespace performance against evolving threats. The PAC-3 MSE improves upon current PAC-3 Cost Reduction Initiative (CRI) missile capability with a higher performance solid rocket motor, modified lethality enhancer, more responsive control surfaces, upgraded guidance software, and insensitive munitions improvements.

The PAC-3 MSE incorporates a logistical flexibility over that of PAC-3 CRI through a modular single canister. The PAC-3 MSE single canisters will be kitted as a two-pack for both the shipping and tactical configuration. Additionally, the PAC-3 MSE single-pack canister design modularity enables field replacement of spent/failed missile(s). There will be no anticipated increase in PATRIOT operations or maintenance personnel as a result of integrating the PAC-3 MSE enhancements into PATRIOT.

PATRIOT’s fast-reaction capability, high firepower, ability to track numerous targets simultaneously, joint interoperability, and ability to operate in a severe electronic countermeasure environment make it the Army’s premier air defense system.

Read more at asc.army.mil/web/portfolio-item/ms-pac-3_mse/

170808-N-KB401-544 ATLANTIC OCEAN (Aug. 8, 2017) Left to right, Royal Navy aircraft carrier HMS Queen Elizabeth (R08), Royal Norwegian Navy frigate Helge Ingstad (F 313), Nimitz-class aircraft carrier USS George H.W. Bush (CVN 77), and guided-missile destroyer US Donald Cook (DDG 75) sail in formation for a photo exercise during exercise Saxon Warrior 2017, Aug.8. Saxon Warrior is a United States and United Kingdom co-hosted carrier strike group exercise that demonstrates interoperability and capability to respond to crises and deter potential threats. (U.S. Navy photo by Mass Communication Specialist 2nd Class Michael B. Zingaro/Released)

DPAC and TUC Disabled Workers block Tottenham Court Road - London 22.05.2013

Activists from DPAC and disabled workers attending the TUC Disabled Workers Conference blocked Tottenham Court Road in Central London for an hour and a half as they protested loudly against punitive government cuts to disability benefits and services which is impacting disastrously - and already fatally - on our most vulnerable citizens.

**From the DPAC website **

On the day of the success of the High Court ruling ruling against the Work Capability Assessment, activists from Disabled People Against Cuts (DPAC) and disabled workers attending the Trades Union Congress (TUC) Disabled Workers Conference blocked Tottenham Court Road in an unprecedented act of solidarity.

Mandy Hudson, co-chair of the TUC disabled workers committee said: "Trade unionists would like to send a clear message to this government that trade unions, workers and grass roots disabled groups stand together against the onslaught of vicious cuts rained down upon us by the Condems."

--------------------------------------------------------

All photos © 2013 Pete Riches

Do not reproduce, alter, re-transmit or blog my images without my written permission. I remain at all times the copyright owner of this image.

Hi-Res, un-watermarked versions of these files are available on application solely at my discretion

If you want to use any image found in my Flickr Photostream, please Email me directly.

Media buyers and publications can access this story on Demotix

Standard industry rates apply.

about.me/peteriches

[1]

Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.

Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.

Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.

Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.

[2]

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.

The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.

Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

[1]

Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.

Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.

Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.

Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.

[2]

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.

The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.

Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

ROME, NY (5/23/17) - Pilots from the NUAIR Alliance test unmanned aircraft systems (UAS) in preparation for an upcoming Technology Capability Level (TCL) flight test demonstration in conjunction with NASA and four other FAA UAS Test Sites taking place June 6, 2017. The test will focus on beyond visual line-of-sight operations in sparsely populated areas.

From the sand dunes of Essaouira to the peaks of the Atlas Mountains, the all-new Range Rover demonstrates its full breadth of capability in Morocco.

From the sand dunes of Essaouira to the peaks of the Atlas Mountains, the all-new Range Rover demonstrates its full breadth of capability in Morocco.

A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).

Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.

It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.

Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.

Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.

In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.

It was classified as a Grade I listed building in 1959.

Grade I Listed Building

Berrington Hall and Adjoining Outbuildings

Listing Text

EYE, MORETON &

SO 56 SW ASHTON CP

7/2 Berrington Hall and

adjoining outbuildings

11.6.59

GV I

Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations

of c1890 - 1900 involved the addition of a tower at the rear of the house,

this was removed in 1968 and the pediment to this face was reinstated. Set

in parkland laid out by Capability Brown. Brick core, faced with sandstone

ashlar with dressings of the same material, hipped Welsh slate roofs.

Rectangular plan main house with central entrance and stairwell, axial

stacks. Main entrance faces south-west, quadrant walls connect the main

block with the three outbuildings which form a courtyard to the rear (these

adjoining walls have been altered and one has been removed). Main house:

two storeys, attics and basements, south-west entrance front: seven bays

with plinth, dentilled cornice, blocking course and balustraded parapet,

steps up to central projecting tetrastyle Ionic portico; frieze is decorated

only to central part by a floral type design which replaces the original one

of putti, ox heads and garlands, pediment has a lunette window. Dormer windows

to attics with glazing bar sash windows, glazing bar sash windows to first

floor with semi-circular heads and decorative glazing to those flanking the

portico. Square-headed glazing bar sash windows to ground floor, the semi-

circular headed basement windows have rusticated surrounds. Central tall

and narrow semi-circular headed doorway with panelled door has keystone

depicting Roman head flanked by narrow side lights with reliefs depicting

urns above. The north-west front is of five bays with a pediment over the

central three bays. The north-east front to the courtyard entrance is of

2:3:2 bays with central pedimented slightly forward break, semi-circular

headed glazing bar sash windows to upper floor, square-headed windows to

ground floor with central three openings set in semi-circular headed surrounds,

right-hand opening now forms a doorway and has a six-panelled door. The out-

buildings enclosing the courtyard are of two storeys. The range to the north-

east is of nine bays with central pedimented archway flanked by pairs of Doric

pilasters, clock face in pediment, string course to flanking bays with 6-pane

square-headed windows to upper floor and semi-circular headed windows with

decorative glazing to ground floor. The ranges enclosing the courtyard to

the north-west and south-east are also of nine bays, each with similar windows

to the upper and lower floors, the central window to each range having a moulded

architrave, semi-circular headed window and doorway openings to ground floors.

To the outer walls of these flanking ranges (ie facing the gardens) are central

niches with coffered semi-domes with ball cresting above. The south-western

ends of both ranges have a blank semi-circular headed arch flanked by oculi.

Interior: the main house retains many of its original features on both main

floors, with decorative surrounds to doorways, decorative plastered ceilings

and marble fireplaces. The entrance hall has trophies in roundels above the

doors and a central circular ceiling panel is carried to the corners on spandrels,

pedimented surround to doorway opposite the entrance; polychrome marble patterned

floor. The Drawing Room retains original elaborate pelmets above the three

windows, marble fireplace with caryatids and griffon frieze. Delicately patterned

ceiling with painted roundels depicting scenes and characters from classical

mythology and with putti and sea horses; entwined roundels to outer border

which flank central theme. The boudoir has an alcove with segmental arch and

a screen of two blue scagliola columns. The Dining Room has a good marble

fireplace with carved panels to the jambs, decorative plastered and painted

ceiling with central painted roundel and swagged and wreathed plastered

surround. Pedimented bookcases to the library with continuous "greekkey"

type frieze. Decorative painted panels to ceiling depicting authors from

Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed

glass domed lantern, opposite the staircase is a coffered archway; staircase

and landings carried on screens of scagliola columns, decorative dolphin

frieze to the entablature. The staircase has bronze lyre-shaped balustrading.

The outbuilding to the north-west formed the laundry and retains many of its

fittings. A tiled dairy has been restored in the south-east range and the

north-east range contains part stabling. (National Trust, 1986, Berrington Hall:

BoE, p 72).

Listing NGR: SO5093063660

This text is from the original listing, and may not necessarily reflect the current setting of the building.

Heading out of the house after a look around into the courtyard.

U.S. Army Pfc. Joshua Perez, with the 173rd Airborne Brigade waits to board transport aircraft at Aviano Air Base, Italy, during the March 24, 2015, Saber Junction 15 deployment readiness exercise. Saber Junction 2015 is a multinational exercise of NATO member and partner nations led by the United States Army Europe. On Tuesday 24 March the first phase of the exercise began with a deployment readiness exercise and an airborne operation into Romania supported by multiple airlift assets, including a Strategic Airlift Capability Heavy Airlift Wing C-17 long-range cargo jet. More at www.eur.army.mil/SaberJunction. (U.S. Air Force photo by Staff Sgt. Evelyn Chavez/Released)

NHA TRANG, Vietnam (May 24, 2018) - Rear Adm. Don Gabrielson, Commander, Task Force 73, and Capt. Chris Sharman, Naval Attaché U.S. Embassy Hanoi, meet with the Vietnamese soldiers and the local community during an engineering capability at Ninh Binh Primary School in support of Pacific Partnership 2018 (PP18). PP18's mission is to work collectively with host and partner nations to enhance regional interoperability and disaster response capabilities, increased stability and security in the region, and foster new and enduring friendships across the Indo-Pacific Region. Pacific Partnership, now in its 13th iteration, is the largest annual multinational humanitarian assistance and disaster relief preparedness mission conducted in the Indo-Pacific. (U.S. Navy photo by Mass Communication Specialist 3rd Class Christopher A. Veloicaza) 180524-N-FV739-442

** Interested in following U.S. Pacific Command? Engage and connect with us at www.facebook.com/pacific.command | twitter.com/PacificCommand |

instagram.com/pacificcommand | www.flickr.com/photos/us-pacific-command; | www.youtube.com/user/USPacificCommand | www.pacom.mil/

A visit to Berrington Hall near Leominster in Herefordshire.The dome was being restored so part of the building was under scaffolding inside and out (including up the main staircase).

Berrington Hall is a country house located about 3 miles (4.8 km) north of Leominster, Herefordshire, England. During the 20th century it was the seat of the Cawley family.

It is a neoclassical country house building that Henry Holland designed in 1778-81 for Thomas Harley. It has a somewhat austere exterior, but the interiors are subtle and delicate. Berrington Hall is home to the Elmar Digby furniture collection, paintings by, amongst others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment. The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy. Berrington has been in the care of the National Trust since 1957 and is, along with its gardens, open to the public.

Berrington features Capability Brown's last landscape design. A notable feature is the ha-ha wall, which was subject to extensive renovation in the late 20th century by local craftsmen. Berrington Pool, a lake and island, is a Site of Special Scientific Interest.

Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall in place of the previous old house. He made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years.

In 1901 the Manchester businessman Frederick Cawley MP, later Baron Cawley, purchased the estate. In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Crawley was allowed to remain in occupation until her death in 1978.

It was classified as a Grade I listed building in 1959.

Grade I Listed Building

Berrington Hall and Adjoining Outbuildings

Listing Text

EYE, MORETON &

SO 56 SW ASHTON CP

7/2 Berrington Hall and

adjoining outbuildings

11.6.59

GV I

Country house. 1778 - 1781 by Henry Holland for Thomas Harley. Alterations

of c1890 - 1900 involved the addition of a tower at the rear of the house,

this was removed in 1968 and the pediment to this face was reinstated. Set

in parkland laid out by Capability Brown. Brick core, faced with sandstone

ashlar with dressings of the same material, hipped Welsh slate roofs.

Rectangular plan main house with central entrance and stairwell, axial

stacks. Main entrance faces south-west, quadrant walls connect the main

block with the three outbuildings which form a courtyard to the rear (these

adjoining walls have been altered and one has been removed). Main house:

two storeys, attics and basements, south-west entrance front: seven bays

with plinth, dentilled cornice, blocking course and balustraded parapet,

steps up to central projecting tetrastyle Ionic portico; frieze is decorated

only to central part by a floral type design which replaces the original one

of putti, ox heads and garlands, pediment has a lunette window. Dormer windows

to attics with glazing bar sash windows, glazing bar sash windows to first

floor with semi-circular heads and decorative glazing to those flanking the

portico. Square-headed glazing bar sash windows to ground floor, the semi-

circular headed basement windows have rusticated surrounds. Central tall

and narrow semi-circular headed doorway with panelled door has keystone

depicting Roman head flanked by narrow side lights with reliefs depicting

urns above. The north-west front is of five bays with a pediment over the

central three bays. The north-east front to the courtyard entrance is of

2:3:2 bays with central pedimented slightly forward break, semi-circular

headed glazing bar sash windows to upper floor, square-headed windows to

ground floor with central three openings set in semi-circular headed surrounds,

right-hand opening now forms a doorway and has a six-panelled door. The out-

buildings enclosing the courtyard are of two storeys. The range to the north-

east is of nine bays with central pedimented archway flanked by pairs of Doric

pilasters, clock face in pediment, string course to flanking bays with 6-pane

square-headed windows to upper floor and semi-circular headed windows with

decorative glazing to ground floor. The ranges enclosing the courtyard to

the north-west and south-east are also of nine bays, each with similar windows

to the upper and lower floors, the central window to each range having a moulded

architrave, semi-circular headed window and doorway openings to ground floors.

To the outer walls of these flanking ranges (ie facing the gardens) are central

niches with coffered semi-domes with ball cresting above. The south-western

ends of both ranges have a blank semi-circular headed arch flanked by oculi.

Interior: the main house retains many of its original features on both main

floors, with decorative surrounds to doorways, decorative plastered ceilings

and marble fireplaces. The entrance hall has trophies in roundels above the

doors and a central circular ceiling panel is carried to the corners on spandrels,

pedimented surround to doorway opposite the entrance; polychrome marble patterned

floor. The Drawing Room retains original elaborate pelmets above the three

windows, marble fireplace with caryatids and griffon frieze. Delicately patterned

ceiling with painted roundels depicting scenes and characters from classical

mythology and with putti and sea horses; entwined roundels to outer border

which flank central theme. The boudoir has an alcove with segmental arch and

a screen of two blue scagliola columns. The Dining Room has a good marble

fireplace with carved panels to the jambs, decorative plastered and painted

ceiling with central painted roundel and swagged and wreathed plastered

surround. Pedimented bookcases to the library with continuous "greekkey"

type frieze. Decorative painted panels to ceiling depicting authors from

Chaucer to Addison. Central staircase hall is lit by delicately iron ribbed

glass domed lantern, opposite the staircase is a coffered archway; staircase

and landings carried on screens of scagliola columns, decorative dolphin

frieze to the entablature. The staircase has bronze lyre-shaped balustrading.

The outbuilding to the north-west formed the laundry and retains many of its

fittings. A tiled dairy has been restored in the south-east range and the

north-east range contains part stabling. (National Trust, 1986, Berrington Hall:

BoE, p 72).

Listing NGR: SO5093063660

This text is from the original listing, and may not necessarily reflect the current setting of the building.

Walking round the path to the entrance to the hall.

Closer look at the F-22 Raptor .....

========================

- The F-22 has a significant capability to attack surface targets. In the air-to-ground configuration the aircraft can carry two 1,000-pound GBU-32 Joint Direct Attack Munitions internally and will use on-board avionics for navigation and weapons delivery support. In the future air-to-ground capability will be enhanced with the addition of an upgraded radar and up to eight small diameter bombs. The Raptor will also carry two AIM-120s and two AIM-9s in the air-to-ground configuration.

- A combination of sensor capability, integrated avionics, situational awareness, and weapons provides first-kill opportunity against threats. The F-22 possesses a sophisticated sensor suite allowing the pilot to track, identify, shoot and kill air-to-air threats before being detected. Significant advances in cockpit design and sensor fusion improve the pilot's situational awareness. In the air-to-air configuration the Raptor carries six AIM-120 AMRAAMs and two AIM-9 Sidewinders.

- The F-22 engines produce more thrust than any current fighter engine. The combination of sleek aerodynamic design and increased thrust allows the F-22 to cruise at supersonic air speeds (greater than 1.5 Mach) without using afterburner -- a characteristic known as super cruise. Super cruise greatly expands the F-22 's operating envelope in both speed and range over current fighters, which must use fuel-consuming afterburner to operate at supersonic speeds.

- The sophisticated F-22 aerodesign, advanced flight controls, thrust vectoring, and high thrust-to-weight ratio provide the capability to outmaneuver all current and projected aircraft. The F-22 design has been extensively tested and refined aerodynamically during the development process.

- The F-22's characteristics provide a synergistic effect ensuring F-22A lethality against all advanced air threats. The combination of stealth, integrated avionics and supercruise drastically shrinks surface-to-air missile engagement envelopes and minimizes enemy capabilities to track and engage the F-22. The combination of reduced observability and supercruise accentuates the advantage of surprise in a tactical environment.

=========================================

General characteristics :-

-----------------------------------

- Primary function: air dominance, multi-role fighter.

- Contractor: Lockheed-Martin, Boeing.

- Power plant: two Pratt & Whitney F119-PW-100 turbofan engines with afterburners and two-dimensional thrust vectoring nozzles.

- Thrust: 35,000-pound class (each engine).

- Wingspan: 44 feet, 6 inches (13.6 meters).

- Length: 62 feet, 1 inch (18.9 meters).

- Height: 16 feet, 8 inches (5.1 meters).

- Weight: 43,340 pounds (19,700 kilograms).

- Maximum takeoff weight: 83,500 pounds (38,000 kilograms).

- Fuel capacity: internal: 18,000 pounds (8,200 kilograms); with 2 external wing fuel tanks: 26,000 pounds (11,900 kilograms).

- Payload: same as armament air-to-air or air-to-ground loadouts; with or without two external wing fuel tanks.

- Speed: mach two class with supercruise capability.

- Range: more than 1,850 miles ferry range with two external wing fuel tanks (1,600 nautical miles).

- Ceiling: above 50,000 feet (15 kilometers).

- Armament: one M61A2 20-millimeter cannon with 480 rounds, internal side weapon bays carriage of two AIM-9 infrared (heat seeking) air-to-air missiles and internal main weapon bays carriage of six AIM-120 radar-guided air-to-air missiles (air-to-air loadout) or two 1,000-pound GBU-32 JDAMs and two AIM-120 radar-guided air-to-air missiles (air-to-ground loadout).

- Crew: one .

- Unit cost: $143 million .

- Initial operating capability: December 2005 .

- Inventory: total force, 183 .

While the F-16A had proven a success, its lack of long-range missile and true all-weather capability hampered it, especially in projected combat against the Warsaw Pact over Central Europe. General Dynamics began work on the upgraded F-16C/D version, with the first Block 25 F-16C flying in June 1984 and entering USAF service that September.

Externally, the only ways to tell apart the F-16C from the F-16A is the slightly enlarged base of the tail and a UHF radio antenna at the base of the tail. The intake is also slightly larger, though later marks of the F-16A also have this feature. Internally, however, the F-16C is a significantly different aircraft. The earlier APG-66 radar was replaced by the APG-68 multimode radar used by the F/A-18, which gave the F-16C the same capability to switch between ground-attack and dogfight mode and vastly improved all-weather capability. Cockpit layout was also changed in response to pilots’ requests, with a larger Heads-Up Display and movement of the radar display to eye level rather than between the pilot’s legs on the F-16A. The F-16C would also have the capability to carry the AIM-120 AMRAAM, though it would not be until 1992 that the missile entered service. Other small upgrades were made throughout the design, including the engine.

The Block 25 initial production was superseded by the Block 30 F-16C in 1987, which gave it better navigation systems, and the capability to carry the either the General Electric F110 or the Pratt and Whitney F100 turbofan. The Block 40/42 “Night Falcon” followed in 1988, equipped with LANTIRN night attack pods, followed by the Block 50/52, which was a dedicated Wild Weasel variant. In USAF service, the latter are semi-officially known as F-16CG and F-16CJ variants.

The F-16C had replaced the F-16A in nearly all overseas USAF units by the First Gulf War in 1991, and as a result, the aircraft was among the first deployed to the theater in August 1990. During the war, the F-16C was used mainly in ground attack and strike sorties, due to delays in the AIM-120, but it performed superbly in this role. USAF F-16s finally scored kills in the F-16C, beginning in 1992, when an Iraqi MiG-23 was shot down over the southern no-fly zone; the victory was also the first with the AMRAAM. Four Serbian G-4 Super Galebs were shot down over Bosnia in 1994. F-16Cs had replaced the F-16A entirely in regular and Reserve USAF service by 1997, and further service was seen over Kosovo, Iraq, Afghanistan, and Libya by 2012. Subsequent upgrades to USAF F-16Cs with GPS allow them to carry advanced precision weapons such as JSOW and JDAM.

Whatever the variant, the F-16 is today the most prolific combat aircraft in existence, with 28 nations operating the type (17 of which operate F-16Cs). Over 4450 have been built, with more in production; the F-16C is also license-produced by Turkey and South Korea. It also forms the basis for the Mitsubishi F-2 fighter for Japan, though the F-2 is significantly different, with a longer nose and larger wing. Though the USAF projects that the F-16C will be replaced by the F-35 beginning in 2020, it will likely remain in service for a very long time.

I don't know if the Thunderbirds intended this to form a heart in the sky, but it's a neat picture. This is actually a few seconds after the team completed a rolling diamond climb, with one of the solo aircraft coming up behind and then racing to meet the diamond at the bottom. It could be deliberate, as the Red Arrows do a heart formation (complete with arrow splitting the heart). This picture was taken at the Wings Over the Falls airshow in Great Falls, MT in July 2017.

Operator: NATO Strategic Airlift Capability

Aircraft: Boeing C-17A Globemaster III

Registration: 03

C/n: 50212/F211/SAC3

Location: Eindhoven Airport (EIN/EHEH)

Date: 6-8-2020

Previously: 08-0003

Temple Newsam is a 15th centuryTudor-Jacobean house in Leeds, famous as the birthplace of Lord Darnley, the ill-fated husband of Mary, Queen of Scots and with grounds landscaped by Capability Brown.

The manor of Newsam was owned by the Knights Templar in the 12th century before the estate passed to the Darcy family, and Thomas, Lord Darcy built the first manor house here in about 1500. One wing of Darcy's original manor survives as the central block of the current house.

Darcy was executed for treason for his part in the Pilgrimage of Grace in 1537and his lands were seized by the crown. Henry VIII gave Newsam to the Countess of Lennox, and her son, Henry, Lord Darnley was born and raised here. After Darnley's murder, Elizabeth I seized the estate, and the house languished in a state of neglect until 1622 when it was purchased by Sir Arthur Ingram. Ingram tore down much of the earlier manor house and built two large new wings to form the basis of the house we see today.

In 1758 Charles, 9th Lord Irwin, married a rich heiress and used her money to transform the interior of Temple Newsam and fill it with a collection of fine art including Old Master works. They hired James Wyatt to build a grand staircase, and Capability Brown to create the landscape garden that surrounds the house.

The house was the home of the Ingram family for over 300 years until 1922 when Lord Halifax sold the park and house to Leeds Corporation for a nominal sum, placing covenants over them to ensure their preservation for the future. The house and estate are now owned by Leeds City Council and open to the public.

[1]

Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.

Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.

Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.

Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.

[2]

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.

The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.

Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

DOE officials including Secretary of Energy Jennifer Granholm broke ground on October 25, 2022, for the Stable Isotope Production and Research Center, a facility that is key to a drive to bring production of enriched stable isotopes back to the United States.The Secretary was accompanied by DOE Under Secretary for Science and Innovation Geraldine Richmond and Office of Science Director Asmeret Asefaw Berhe.

Earlier, Sec. Granholm visited residents and officials with Knoxville’s Community Development Corporation at Western Heights to discuss an energy efficiency project in which ORNL will demonstrate modular overclad panels in eight to 12 single-family attached public housing homes and one commercial building.

Sec. Granholm also met with union workers constructing ORNL’s Translational Research Capability.

DPAC & UK Uncut hold ATOS Closing Ceremony - 31.08.2012

As the Grand Finale to a week-long national campaign of protests against French IT company ATOS Origin and its spinoff ATOS Healthcare which carries out the much-criticised Wirk Capability Assessments on behalf of the DWP, which has seen tens of thousands of severely sick and disabled people declared to be "Fit for Work" and thrown off their disability benefits, several hundred activists from DPAC (Disabled People Against Cuts), WinVisible, Disabled Activists' Network, UK Uncut, Right to Work Campaign, Unite the Union, the GMB Union, Occupy London and the National UNion of Students descended on ATOS' London headquarters to carry out what they had billed as the "ATOS Closing Ceremony" - a reference to ATOS' hugely derided sponsorship of the Paralympic Games which is, say the activists, an act of spectatular cynicism by a corporation which is currently contracted by the Cameron government to the tune of £100 million to conduct the much-feared medical assessments without any reference whatsoever to peoples' medical notes of histories.

For two hours the crowd chanted slogans, listened to oral testimonies from people whose lives have been badly affected by ATOS decisions, heard accounts of people driven into such despair by dealing with ATOS that they have comitted suicide, and also heard many accounts of seriously ill people thrown off their benefits by ATOS who have been forced to look for work - having been declared fit for work - and who have died shortly afterwards. The list of people irreperably harmed by ATOS' computer-driven tick-box assessment which cannot possibly take into account the huge range of physical and mental disabilities seems endless.

Following some dogged Freedom of Information requests by two Daily Mirror journalists earlier this year it is now known that an average of 32 sickness or disability benefit claimnants who have been thrown off their benefits by the DWP following an ATOS zero-point rating and placed in the Work-Related Activity Group or who have been put on Jobseeker's Allowance have died shortly afterwards. In many instances relatives of the deceased have claimed that the stress of being treated in such an inhumane way by ATOS contributed to their deaths.

During the protest at Triton Square the 500-strong crowd were entertained by a street theatre performance which saw a fraudulent "ATOS Miracle Cure" booth set up. The "ATOS Reverend" would lay hands on a disabled person and tell them that "by the power of ATOS you are no longer disabled", and sent them through the ATOS Miracle Cure arch, but sadly once through the arch the disabled people realised they had been tricked and they were still, of course, disabled... but worse was to come, as each disabled person was then confronted by an "ATOS Doctor" who stated that because they were now officially no longer disabled and were fit for work they could now be assigned to do their dream jobs, to which end the phoney doctor handed each person a sheet of paper on which was written "100 meter runner", "Bar Tender", "Mountain Climber" and other completely unsuitable job titles.

At around 2:30pm a section of the crowd took off and headed for Westminster where they picketed outside the Department for Work and Pensions, during which an over-agressive action by the police resulted in a disabled man's shoulder being broken as he was knocked off his wheelchair when police shoved protesters into him.

All photos © 2012 Pete Riches

Do not reproduce, alter, re-transmit or reblog my images without my written permission.

Hi-Res, un-watermarked versions of these files are available on application

Media buyers should email me directly or view this story on <a href="http://www.demotix.com/users/pete-riches/profile.

Standard NUJ rates apply.

about.me/peteriches

The AMISOM Force Commander, Lieutenant General Jim Owoyesigire, speaks to his fellow commanders, as well as commanders in the SNA, during a capability assessment meeting held in Mogadishu, Somalia, on 14 April 2018. AMISOM Photo

[1]

Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.

Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.

Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.

Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.

[2]

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.

The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.

Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

[1]

Broadway Tower was inspired by the famous Capability Brown and completed in 1799 from designs by the renowned architect James Wyatt. It was built for the Earl of Coventry as a folly to his Springhill Estate and dedicated to his wife Peggy.

Legend has it Broadway Tower was used as a signalling tower between Springhill Estate and Croome Court near Worcester, which can be seen from the roof platform.

Many famous people have had association with Broadway Tower, including Sir Thomas Phillips and the pre-Raphaelite artists William Morris, Edward Burne-Jones and Rosetti.

Broadway Tower is open to the public allowing you to travel into the past of this important building and visit the viewing platform constituting the highest point in the Cotswolds at 1089 feet or 331.6 metres altitude.

[2]

Broadway Tower is a folly located on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second highest point of the Cotswolds after Cleeve Hill. Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 55 feet (17 metres) high.

The "Saxon" tower was designed by James Wyatt in 1794 to resemble a mock castle, and built for Lady Coventry in 1799. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered if a beacon on this hill could be seen from her house in Worcester - approximately 22 miles (35 km) away - and sponsored the construction of the folly to find out. The beacon could be seen clearly.

Over the years, the tower was home to the printing press of Sir Thomas Phillips, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s.

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee as well as a gift shop. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

From the inception of the battle, the F/A-22's primary objective will be to establish air superiority through the conduct of counter air operations. The F/A-22 also has an inherent air-to-surface capability. A combination of improved sensor capability, improved situational awareness, and improved weapons provides first-kill opportunity against the threat-unedited-Not part of my personal collection