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GRAJAL DE CAMPOS (León) IGLESIA DE SAN MIGUEL (Siglos XVI-XVII) Inició su construcción en 1536. Destaca la nave central de 43 mts y 20 mts de ancho. La esbelta torre de ladrillo de 30 mts "CON CINCO ESQUINAS Y LE FALTA UNA PARA TENER CUATRO".
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You want him Fred? No Bill, you can take this one. Come on guys, just let me pass. Its been a long trip and I just want to go home!
This image was taken at Brooks Camp in Alaska. In July, you can see thousands of Salmon make the journey to the place they were born. Many make it, but the are many that travels thousands of miles and end up in the jaws of a huge grizzly!
Large is best:
CAMP EYE
In her essay, Susan Sontag observed that “Camp taste has an affinity for certain arts rather than others,” citing fashion as one of those arts. Yet Sontag offers only two examples: “women’s clothes of the twenties” and “a woman walking around in a dress made of three million feathers.” More critical to appreciating fashion as a key expression of the camp sensibility is Sontag’s analysis of its formal characteristics: irony, humor, parody, pastiche, naïveté, duplicity, ambiguity, artificiality, theatricality, extravagance, exaggeration, and aestheticism. All of these characteristics—either singly or jointly—are apparent in the fashions shown here.
While the first section of the exhibition functions as a series of “whispering” galleries, as befits camp’s clandestine status before its “outing,” the second presents an “echo chamber.” Although Sontag’s voice can be heard the loudest, she is joined by other voices of camp criticism that come afterward, including those of Mark Booth, Fabio Cleto, Philip Core, and Karl Keller—their assertions bouncing off one another as was well as off fashions.
The designs are organized under eighteen statements that communicate key aspects of the camp sensibility. Within these groupings, each ensemble is accompanied by a comment that speaks to the complicated and multi-faceted nature of camp. While experienced as a cacophony, these remarks, which are spoken aloud by designers in the exhibition, together point to the essential spirit of the camp sensibility: its all-inclusive, all embracing magnanimity.
(Hats and headdresses by Stephen Jones)
From the wall display: The Metropolitan Museum of Art, New York, NY
www.metmuseum.org/exhibitions/listings/2019/camp-notes-on....
Roy G. Biv
And putting out the bins....
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Camp Branch Falls
Near Franklin, North Carolina
Waterfall GPS:35.16786, - 83.54169
Trailhead GPS:35.16512, - 83.54065
A beautiful sunset at 6th Grade Camp this year on Orcas Island. A huge contrast to the heavy rains we experienced last year.
See the behind the scenes timelapse for this shot here: www.marklobo.com.au/news/2011/05/05/phoot-camp-2011-marfa...
One of the biggest highlights of last year was no doubt the opportunity to head over to Los Angeles to meet and hang out with some inspiring, creative minds at Phootcamp. This year, I'm doing it all again in Marfa, Texas! As part of the application process, we had to shoot a self portrait (see last year's here). The portrait was inspired by everything I learned at last year's camp and included a few recurring themes from other people's photos! The shirt I'm wearing is inspired by this "Nate Bolt!" shirt by Steph Goralnick. The portrait has also been featured along with the many other talented Phoot Camp attendees here on Pictory, an always beautiful and inspiring website created by Phootcamp founder, Laura Miner. I can't wait to meet all the new faces and really dig deep into getting creative with such an awesome bunch of people!
A small camp for anticitizens inside the ruins of an abandoned industrial building. Even in the darkest of times, temporary peace has found this couple. Happy holidays, everyone.
Nothing special here, took this oppertunity to show off the new Rebel figs. Next picture will showcase my AR2 concept.
*Pallet design by Reel_7
Cincinnati, OH. October 5, 2019. Shot on a Nikon F6 and Kodak Ektar 100. Developed and scanned by The Darkroom.
Wild camp near Chapel Ford in the East Okement Valley on Dartmoor. The shelter is a 3mx3m lightweight tarp supported on a pair of walking poles, and is used with a 2mx2m lightweight groundsheet.
Hammock camping might be the best way to camp ever. you have a awesome view all night long and when the sun comes up as well.
Plaques on the Piermont pier commemorating the nearby WWII embarkation post of Camp Shanks. During the war the pier was used to load troop ships.
Was a great weekend last weekend out in Chiba camping with my brother and his family. Very cool in the evening too which is most unusual for this time of year (then again, its been a cool Summer).
5xp HDR rendered photo taken handheld at dusk as my bro (on the left), and us (on the right) prepare Dinner.
Chiba, Japan.
Kathy Toth || Toronto Graffiti Archive || Instagram
Camp Bison II Burwash Industrial Farm || Burwash Correctional Centre
The community was built to house the staff working at the Burwash Industrial Farm (also referred to as the Burwash Correctional Centre), a provincial jail that housed anywhere from 180 to 820 inmates during its history. The prison opened in 1914 and shuttered in 1975, after it was deemed to be too costly to run despite it being a self-sufficient institution.
Prior to the construction of Highway 69, Burwash was an isolated location in the Wanapitei River valley, accessible only from a nearby station on the Canadian Northern Railway (today's Canadian National Railway). At its peak, the correctional facility owned 35,000 acres (14,164 ha) and leased an additional 100,000 acres (40,469 ha) of land, and was the fourth-largest employer in the Sudbury area. Following the construction of Highway 69, the facility became less isolated and signs were posted on the highway advising motorists not to pick up hitchhikers in the area due to the possibility of convict escapes.
Because the prison's geographic isolation meant that employees could not simply commute from Sudbury or Killarney on a daily basis, a townsite was required for the guards and support staff that worked at the prison farm and the community, built by inmate labor, housed anywhere up to about 1,000 residents. It boasted a public school, which went from kindergarten through grade 10 at one point, a church, a post office, a barber shop, a tailor shop, and a shoe repair shop. There was also a grocery store that sold bread made by the inmates, meat from the farm, and vegetables produced by the inmates, as well as other grocery items that were brought in from Sudbury. Milk was delivered to the door by horse and wagon and the garbage was picked up by a different horse and wagon. There was a complete working sawmill, which milled the trees cut down by inmates. The village was built from lumber and all of the provincial parks were provided with picnic tables made there as well. Burwash was considered to be almost self-sufficient, with the inmates working at various trades and receiving an education.
One of the few successful escapes from the prison took place on May 17, 1966, when convicted murderer Wayne Ford and two other prisoners escaped into the bush, walking for 16 miles before stealing a car and making it to Toronto. All three were eventually recaptured and transferred to maximum security institutions.