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Trader Horn (MGM, 1931). Edwina Booth Stills, Lobby Cards, Posters, Press Releases and Historical Info.

 

Starring Harry Carey, Edwina Booth, Duncan Renaldo, Mutia Omoolu, Olive Golden. Directed by W.S. Van Dyke.

This production was an amazing undertaking in 1931. American filmmaking with sound and location shooting was unheard of and with the country still feeling the effects of the depression also quite a gamble. This is a fascinating tale of a real life adventure with a dose of Hollywood shenanigans thrown in.

The movie tells of the adventures of real-life trader and adventurer Alfred Aloysius "Trader" Horn on safari in Africa. The fictional part includes the discovery of a white blonde jungle queen, the lost daughter of a missionary, played by Miss Booth. The realistic part includes a scene in which Carey as Horn swings on a vine across a river filled with genuine crocodiles, one of which comes very close to taking his leg off.

The following review is by an anonymous writer.......I note a number of misconceptions about this great old flick, or maybe some viewers are missing a few things. Sure, Harry Carey refers to some of the tribes-people herein as savages. But, look, on a daily basis they will kill you, cook you, shrink your head, and eat what's left. If that isn't savage, I'd like to know what is. The tribes-people pictured here aren't the Dead End Kids waiting for a weekly visit from their case worker. Yes, Carey refers to his man Friday as a black so-and-so, but the so-and-so comes off looking highly noble in the script, and Carey pays him due tribute. As for Carey playing the part of a hardened Congo guide, he does a mighty fine job of rendering a realistic character, just as would John Wayne, Charleton Heston, or Clint Eastwood. In the War on Poverty days I could see some misguided soul casting Anthony Perkins in the role, but it seems to me Mr. Carey does a superb job. Another reviewer remarked Carey falls in love with the rescued captive; I disagree. Carey had pledged to protect her and return her to civilization. One person from whom he tries to protect her is the naive, erotically smitten Duncan Renaldo ("Peru"), whose character is the opposite of Trader Horn's. Trader Horn knows what's out there and what to watch for; Peru is a total newbie whose missteps could get everyone killed and cooked, including himself. I think this film's characters, story, and production handily outdo any jungle flick made since then. Kinda scary, too. So scary, in fact, and so real, I wouldn't recommend it for the kiddies. Revisionist historians stay clear; in 1931, this is really what Darkest Africa was like.

Summary:

Deep in the heart of Africa, famous hunter, explorer Aloysius Horn, known as Trader Horn due to his bartering skills, tells Peru, the son of his best friend, that he was the first white man to set eyes on the river on which they are sailing. When their boat approaches a small African village that is bustling with activity, the natives welcome the visitors, and Trader asks to be taken to the chief. Though Trader warns Peru of the savage nature of the natives, Peru is nevertheless shocked when he sees a human skeleton displayed on a public cross. The white men's visit is soon interrupted by the ominous sound of a distant drum beat, known as "ju-ju," which the Africans, as well as Trader, know signals the impending attack of the brutal Masai warriors. Trader explains to Peru that when the Masai and the Kukua tribes get together, "the devil is certainly involved," and suggests that they move on. That night, the men, with their African guide, Renchero, set up camp, but they are awakened by the unexpected arrival of the white missionary woman, Edith Trent. Edith, a friend of Trader, whom Trader calls the bravest woman in all of Africa, informs him that she intends to go above the Opanga Falls and into Isorgi country in order to find her missing daughter Nina, who is believed to be living among the Isorgi. Trader warns Edith of the dangers of traveling during ju-ju and offers to accompany her, but she refuses, claiming that the presence of a male with guns will only startle the warriors into violence. Edith consents, however, to allow Trader and his companions to follow her at a distance, on the condition that he continue her search if something should happen to her. Not long after the expedition begins, Trader and Peru discover Edith's body by the river. They proceed to bury it under rocks and mark it for witch doctors, who will later dig it up and make charms out of it. As they promised Edith, Trader and Peru take up her search for Nina, and on the trail find themselves in the company of giraffes, leopards, ostriches, warthogs, zebras and other creatures. After Trader and Peru finally locate Nina, they soon realize that she is the sadistic white goddess of the village in which she lives, and that she plans to sacrifice her new visitors by tying them to crosses and burning them. At the last minute, though, Nina has a change of heart, orders their release, and plans an escape with them from the bushmen, who have turned on her. The goddess escorts the men across the lake, and they brave the perils in their path, including a lion attack. During the course of their journey, Peru and Nina fall in love, and when they kiss, Trader insists that he separate from them for the remainder of the trip. The sound of the enemy tribe's approach sends them scattering, Peru with Nina, and Trader with Renchero. The next morning, Trader discovers that Renchero has sacrificed his life in order to protect him and mourns the loss of his friend. Meanwhile, Peru and Nina are shown to safety by a tribe of pygmies, and they are eventually reunited with Trader. Peru tells Trader that he is taking Nina back to civilization to educate her, and as they sail off, Trader sees an image of Renchero in the clouds on the horizon.

 

The following onscreen acknowledgment appears in the film's titles: "M-G-M acknowledges Governors and governmental officials of the Territory of Tanganyika, the Protectorate of Uganda, the Colony of Kenya, the Anglo-Egyptian Sudan, [and] the Belgian Congo, whose courtesy and cooperation made this picture possible...and the director offers his thanks for the courageous and efficient services of the White Hunters, Maj. W. V. D. Dickinson, A. S. Waller, Esq., J. H. Barnes, Esq., [and] H. R. Stanton, Esq., who were chiefly responsible for the expedition's ability to traverse 14,000 miles of African velt and jungle."

According to a FD news item, following its publication, Trader Horn became one of the best-selling books of its time. The film was the first non-documentary film to be shot almost entirely on location in Africa. A Jan 1930 AC article notes that the film was nearly half completed when the studio informed the crew in Africa that Hollywood was sending a sound crew to meet them. They were told that "the world was demanding its pictures all-talking." According to an Apr 1931 Photo article, M-G-M secretly sent a second unit to Tecate, Mexico, away from American laws that secured the ethical treatment of animals, to film scenes of animals fighting with each other, which they were unable to capture on film in Africa. In Mexico, lions were reportedly starved for several days in order to ensure immediate and particularly vicious attacks on hyenas, monkeys and deer.

Modern sources relate the following information about the film: Tim McCoy was originally chosen to play the title role; Thelma Todd was tested for the part of "Nina" and M-G-M production head Irving Thalberg reportedly considered Jeanette MacDonald for the part. During the filming of a scene in which white hunter Major W. V. D. Dickinson and director W. S. Van Dyke doubled for the leading men, a charging rhino nearly killed Dickinson, who incorrectly thought that the director was in distress and jumped into the rhino's path to protect him. During production, Van Dyke and many of his crew contracted malaria and were treated with quinine. Despite the British authorities' insistence that no one travel to the Murchison Falls, a known sleeping-sickness area, the director took his crew there for filming. The production was marred by at least two fatal disasters. In the first instance, a native crew member fell into a river and was eaten by a crocodile; in the other incident, which was captured on film, a native boy was struck by a charging rhino. Misfortunes of lesser consequence on the African location included flash floods, sunstroke, swarming locusts and tsetse-fly and ant attacks. Despite months of sound filming, almost all of the dialogue sequences in the film were re-shot on M-G-M's Culver City backlot after the troupe returned from Africa because of the poor quality of the location footage. As the script called for speaking scenes involving African natives Mutia Omoolu and Riano Tindama, they were brought back to Hollywood for additional shooting. With all the production activity in Culver City, rumors began circulating in Hollywood that the entire production was filmed on the M-G-M lot and that the African expedition did not take place. For this reason, the studio decided to scrap the backlot footage of Marjorie Rambeau, who had replaced Olive Golden as "Edith Trent." Modern sources add the following credits: Red Golden, Asst dir ; Josephine Chippo, Script clerk ; John McClain, Press agent and Miss Gordon, Hairdresser . Although modern sources indicate that the film was originally released with a short introduction in which director Cecil B. DeMille discusses the film's authenticity with author Alfred Aloysius Horn, and that the three-minute introduction was deleted from the negative in 1936, when the picture was re-issued, neither the viewed print nor the cutting continuity contain the introduction. The final production cost was pegged at $3,000,000.

Leading actor Harry Carey was married to actress Olive Golden. According to modern sources, following publicized rumors of an affair between stars Duncan Renaldo and Edwina Booth (formerly Josephine Woodruff) during production, Renaldo's wife, Suzette, filed for divorce and later filed a $50,000 lawsuit against Booth for "alienation of affection." On 17 Jan 1931, Duncan Renaldo was arrested on charges that he entered the United States illegally and was later sentenced to two years in federal prison. After serving less than two years, Renaldo received a pardon from President Franklin Delano Roosevelt in 1936, after which he left the country, re-entered legally and became a U. S. citizen. Booth contracted a rare tropical disease while filming in Africa that affected her nervous system and reportedly forced her to remain confined to a darkened room for the better part of six years.

Trader Horn was nominated for an Academy Award for Best Picture of the 1930-31 season, and director W. S. Van Dyke was awarded the Red Cross Medal by the Japanese government for his outstanding achievement in direction.

 

Henry McNeal Turner was an organizer of the African Methodist Episcopal Church during Reconstruction. At first he counseled cooperation with the regions whites, but eventually he became disaffected by the racism he encountered, which included the ousting of blacks from the state house and disenfranchisement of blacks (loss of their right to vote). In time he favored resettlement in Africa. But some whom he helped to send there returned disillusioned and criticized him. He died somewhat ostracized by both the white and black communities.

 

Here is what the New Georgia Encyclopedia has to say about him:

www.newgeorgiaencyclopedia.com/nge/Article.jsp?id=h-632&a...

 

Henry McNeal Turner (1834-1915)

 

One of the most influential African American leaders in late-nineteenth-century Georgia, Henry McNeal Turner was a pioneering church organizer and missionary for the African Methodist Episcopal Church (AME) in Georgia, later rising to the rank of bishop. Turner was also an active politician and Reconstruction-era state legislator from Macon. Later in life, he became an outspoken advocate of back-to-Africa emigration.

 

Turner was born in 1834 in Newberry Courthouse, South Carolina, to Sarah Greer and Hardy Turner. Turner was never a slave. His paternal grandmother was a white plantation owner. His maternal grandfather, David Greer, arrived in North America aboard a slave ship but, according to family legend, was found to have a tattoo with the Mandingo coat of arms, signifying his royal status. The South Carolinians decided not to sell Greer into slavery and sent him to live with a Quaker family.

 

Against great odds, Turner managed to receive an education. An Abbeville, South Carolina, law firm employed him at age fifteen to do janitorial tasks, and the firm's lawyers, appreciating his high intelligence, helped provide him with a well-rounded education. About a year earlier, Turner had been converted during a Methodist revival and decided he would one day become a preacher. After receiving his preacher's license in 1853, he traveled throughout the South as an itinerant evangelist, going as far as New Orleans, Louisiana. Much of his time was spent in Georgia, where he preached at revivals in Macon, Athens, and Atlanta. In 1856 he married Eliza Peacher, the daughter of a wealthy African American house builder in Columbia, South Carolina. They had fourteen children, only four of whom survived into adulthood.

 

In 1858 he and his family journeyed north to St. Louis, Missouri, where he was accepted as a preacher in the African Methodist Episcopal Church. Turner feared southern legislation threatening enslavement of free African Americans. For the next five years, he filled pastorates in Baltimore, Maryland, and in Washington, D.C., and witnessed the outbreak of the Civil War (1861-65). During his time in Washington, he befriended Charles Sumner, Thaddeus Stevens, and other powerful Republican legislators. In 1863 Turner was instrumental in organizing the First Regiment of U.S. Colored Troops in his own churchyard and was mustered into service as an army chaplain for that regiment. He and his regiment were involved in numerous battles in the Virginia theater.

 

At the war's end, U.S. president Andrew Johnson reassigned Turner to a black regiment in Atlanta, but Turner resigned when he realized it already had a chaplain. He spent much of the next three years traveling throughout Georgia, helping to organize the African Methodist Episcopal Church in what was virgin, but not always friendly, territory. African Americans flocked to the new denomination, but the lack of such essentials as trained pastors and adequate meeting space challenged Turner.

 

In 1867, after Congress passed the Reconstruction Acts, Turner switched his energies to the political sphere. He helped organize Georgia's Republican Party. He served in the state's constitutional convention and then was elected to the Georgia House of Representatives, representing Macon. In 1868, when the vast majority of white legislators decided to expel their African American peers on the grounds that officeholding was a privilege denied those from a servile background, Turner delivered an eloquent speech from the floor. Unfortunately, it did little to sway his fellow legislators. Soon afterward Turner received threats from the Ku Klux Klan.

 

In 1869 he was appointed postmaster of Macon by U.S. president Ulysses S. Grant but was forced to resign a few weeks later under fire from allegations that he consorted with prostitutes and had passed defective currency. At the behest of the U.S. Congress, he did reclaim his legislative seat in 1870, but he was denied reelection in a fraud-filled contest a few months later. Turner moved to Savannah, where he worked at the Custom House and served as a pastor of the prestigious St. Philip's AME Church. In 1876 he was elected manager of the publishing house of the church. Four years later, in a hard-fought and controversial contest, he won election as the twelfth bishop of the AME Church.

 

Turner was an extremely vigorous and successful bishop. In 1885 he became the first AME bishop to ordain a woman, Sarah Ann Hughes, to the office of deacon. He wrote The Genius and Theory of Methodist Polity (1885), a learned guide to Methodist policies and practices. He twice entered the political ranks in support of prohibition referenda in Atlanta. After his wife, Eliza, died in 1889, Turner eventually married three more times: Martha Elizabeth DeWitt in 1893; Harriet A. Wayman in 1900; and Laura Pearl Lemon in 1907. Between 1891 and 1898, Turner traveled four times to Africa. He was instrumental in promoting the annual conferences in Liberia and Sierra Leone and in attaining a merger with the Ethiopian Church in South Africa. Turner also sought to promote the growth of the AME Church in Latin America, sending missionaries to Cuba and Mexico.

 

With the support of white businessmen from Alabama, Turner helped organize the International Migration Society to promote the return of African Americans to Africa. To further the emigrationist cause, he established his own newspapers: The Voice of Missions (editor, 1893-1900) and later The Voice of the People (editor, 1901-4). Two ships with a total of 500 or more emigrants sailed to Liberia in 1895 and 1896, but a number returned, complaining about disease and the country's poor economic prospects. Turner remained an advocate of back-to-Africa programs but was unable to make further headway against the negative reactions of returned emigrants. In his later years he felt increasingly estranged from the South.

 

Turner died on May 8, 1915, in Windsor, Canada, while traveling on church business. He is buried in Atlanta. A portrait of Turner hangs in the state capitol.

  

Here is the wikipedia entry on him:

en.wikipedia.org/wiki/Henry_McNeal_Turner

 

Henry McNeal Turner (February 1, 1834 – May 8, 1915) was a minister, politician, and the first southern bishop of the African Methodist Episcopal Church; he was a pioneer in Georgia in organizing new congregations of the independent black denomination after the American Civil War. Born free in South Carolina, Turner learned to read and write and became a Methodist preacher. He joined the AME Church in St. Louis, Missouri in 1858, where he became a minister; later he had pastorates in Baltimore, Maryland and Washington, DC.

 

In 1863 during the American Civil War, Turner was appointed as the first black chaplain in the United States Colored Troops. Afterward, he was appointed to the Freedman's Bureau in Georgia. He settled in Macon and was elected to the state legislature in 1868 during Reconstruction. He planted many AME churches in Georgia after the war. In 1880 he was elected as the first southern bishop of the AME Church after a fierce battle within the denomination. Angered by the Democrats' regaining power and instituting Jim Crow laws in the late nineteenth century South, Turner began to support black nationalism and emigration of blacks to Africa. He was the chief figure to do so in the late nineteenth century; the movement grew after World War I.

 

Biography

 

Turner was born free in Newberry, South Carolina to Sarah Greer and Hardy Turner, both of African and European ancestry. Some sources say he was born in Abbeville, South Carolina. His father's parents were a white mother, who was a plantation owner, and a black father; according to partus sequitur ventrem, her children were free, as she was. According to family tradition, his maternal grandfather, renamed David Greer, was imported as a slave to South Carolina from Africa. Traders noticed he had royal Mandingo marks and did not sell him into slavery; Greer worked for a Quaker family and married a free woman of color. Turner grew up with his mother and maternal grandmother.

 

South Carolina law at the time of Turner's birth prohibited teaching blacks to read and write. As a youth, he worked as a custodian for a law firm, where his intelligence was noted by sympathetic whites; they taught him to read and write.

 

Career

 

At the age of 14, Turner was inspired by a Methodist revival and swore to become a pastor. He received his preacher's license at the age of 19 from the Methodist Church South in 1853. He traveled through the South for a few years as an evangelist and exhorter.

 

In 1858 he moved with his family to Saint Louis, Missouri. The demand for slaves in the South made him fear that members of his family might be kidnapped and sold into slavery, as has been documented for hundreds of free blacks. The Fugitive Slave Law of 1850 seemed to increase the boldness of slave traders and people they hired as slavecatchers. In St. Louis, he became ordained as a minister in the African Methodist Episcopal Church (AME) and studied the classics, Hebrew and divinity at Trinity College.

 

He also served in pastorates in Baltimore, Maryland and Washington, DC, where he met influential Republicans.

 

Marriage and family

 

In 1856, Turner married Eliza Peacher, daughter of a wealthy black contractor in Columbia, South Carolina. They had 14 children, four of whom lived to adulthood. After her death in 1889, Turner married Martha Elizabeth DeWitt in 1893; Harriet A. Wayman in 1900; and Laura Pearl Lemon in 1907. He outlived three of his four wives.

 

Civil War

 

During the American Civil War, Turner organized one of the first regiments of black troops (Company B of the First United States Colored Troops), and was appointed as chaplain to it. He was the first of the 14 black chaplains to be appointed during the war.

 

After the war, he was appointed by President Andrew Johnson to work with the Freedman's Bureau in Georgia during Reconstruction. White clergy from the North also led some Freedmen's Bureau operations.

 

Political influence

 

Following the Civil War, Turner became politically active with the Republican Party, whose officials had led the war effort and, under Abraham Lincoln, emancipated the slaves throughout the Confederacy. He helped found the Republican Party of Georgia. Turner ran for political office from Macon and was elected to the Georgia Legislature in 1868. At the time, the Democratic Party (United States) still controlled the legislature and refused to seat Turner and 26 other newly elected black legislators, all Republicans. After the federal government protested, the Democrats allowed Turner and his fellow legislators to take their seats during the second session.

 

In 1869, he was appointed by the Republican administration as postmaster of Macon, which was a political plum. Turner was dismayed after the Democrats regained power in the state and throughout the South by the late 1870s. He had seen the rise in violence at the polls, which repressed black voting. In 1883, the United States Supreme Court ruled that the Civil Rights Act of 1875, forbidding racial discrimination in hotels, trains, and other public places, was unconstitutional. Turner was incensed:

 

"The world has never witnessed such barbarous laws entailed upon a free people as have grown out of the decision of the United States Supreme Court, issued October 15, 1883. For that decision alone authorized and now sustains all the unjust discriminations, proscriptions and robberies perpetrated by public carriers upon millions of the nation's most loyal defenders. It fathers all the 'Jim-Crow cars' into which colored people are huddled and compelled to pay as much as the whites, who are given the finest accommodations. It has made the ballot of the black man a parody, his citizenship a nullity and his freedom a burlesque. It has engendered the bitterest feeling between the whites and blacks, and resulted in the deaths of thousands, who would have been living and enjoying life today."

 

In the late nineteenth century, he witnessed state legislatures in Georgia and across the South passing measures to disfranchise blacks. He became a proponent of black nationalism and supported emigration of American blacks to Africa.He thought it was the only way they could make free and independent lives for themselves. When he traveled to Africa, he was struck by the differences in the attitude of Africans who ruled themselves and had never known the degradation of slavery.

 

He founded the International Migration Society, supported by his own newspapers: The Voice of Missions (he served as editor, 1893-1900) and later The Voice of the People (editor, 1901-4). He organized two ships with a total of 500 or more emigrants, who traveled to Liberia in 1895 and 1896. This was established as an American colony by the American Colonization Society before the Civil War, and settled by free American blacks, who tended to push aside the native African peoples. Disliking the lack of economic opportunity, cultural shock and disease, some of the migrants returned to the United States. After that, Turner did not organize another expedition.

 

Church leadership

 

As a correspondent for The Christian Reporter, the weekly newspaper of the AME Church, he wrote extensively about the Civil War. Later he wrote about the condition of his parishioners in Georgia.

 

When Turner joined the AME Church in 1858, its members lived mostly in the Northern and border states; total members numbered 20,000. His biographer Stephen W. Angell described Turner as "one of the most skillful denominational builders in American history." After the Civil War, he founded many AME congregations in Georgia as part of a missionary effort by the church in the South. It gained more than 250,000 new adherents throughout the South by 1877, and by 1896 had a total of more than 452,000 members nationally.

 

In 1880, Turner was elected as the first bishop from the South in the AME Church, after a hard battle within the denomination. Although one of the last bishops to have struggled up from poverty and a self-made man, he was the first AME Bishop to ordain a woman to the order of Deacon. He discontinued the controversial practice because of threats and discontent among the congregations. During and after the 1880s, Turner supported prohibition and women's suffrage movements. He also served for twelve years as chancellor of Morris Brown College (now Morris Brown University), a historically black college affiliated with the AME Church in Atlanta.

 

During the 1890s, Turner went four times to Liberia and Sierra Leone, United States and British colonies respectively. As bishop, he organized four annual AME conferences in Africa to introduce more American blacks to the continent and organize missions in the colonies.He also worked to establish the AME Church in South Africa, where he negotiated a merger with the Ethiopian Church. Due to his efforts, African students from South Africa began coming to the United States to attend Wilberforce University in Ohio, which the AME church had operated since 1863. His efforts to combine missionary work with encouraging emigration to Africa were divisive in the AME Church.

 

Turner crossed denominational lines in the United States, building connections with black Baptists, for instance.[4] He was known as a fiery orator. He notably preached that God was black, scandalizing some but appealing to his colleagues at the first Black Baptist Convention when he said:

 

"We have as much right biblically and otherwise to believe that God is a Negroe, as you buckra or white people have to believe that God is a fine looking, symmetrical and ornamented white man. For the bulk of you and all the fool Negroes of the country believe that God is white-skinned, blue eyed, straight-haired, projected nosed, compressed lipped and finely robed white gentleman, sitting upon a throne somewhere in the heavens. Every race of people who have attempted to describe their God by words, or by paintings, or by carvings, or any other form or figure, have conveyed the idea that the God who made them and shaped their destinies was symbolized in themselves, and why should not the Negroe believe that he resembles God." -- Voice of Missions, February 1898

 

He died while visiting Windsor, Ontario in 1915. Turner was buried in Atlanta. After his death, W.E.B. Du Bois wrote in The Crisis magazine about him:

  

"Turner was the last of his clan, mighty men mentally and physically, men who started at the bottom and hammered their way to the top by sheer brute strength, they were the spiritual progeny of African chieftains, and they built the African church in America."

 

מסוק ה"פתן" באימון משותף עם יחידת מגלן

צילום: גיא אשש

An Apache helicopter cooperating with the "Maglan" Unit

Photography: Gui Ashash

Antonio Guterres, Secretary-General, United Nations, New York and Klaus Schwab, Founder and Executive Chairman, World Economic Forum during the Session "Cooperation for Peace: A New Vision for the United Nations " at the World Economic Forum in Davos, January 19, 2017. Copyright by World Economic Forum / Valeriano Di Domenico.

 

mounting of the rails

This picture shows both Federal and local governments working together.

cooperation with JPTR

light by JPTR

Cooperating with other Companies

  

The Minister of Foreign Affairs of North Macedonia and Chairperson-in-Office of the Organisation for Security and Cooperation in Europe, Bujar Osmani attends a meeting of the North Atlantic Council chaired by NATO Deputy Secretary General Mircea Geoană

IAEA Director General Yukiya Amano visited the Romanian exhibits on display at the International Conference on the IAEA Technical Cooperation Programme: Sixty Years and Beyond - Contributing to Development. Vienna, Austria 31 May 2017

 

Photo Credit: Dean Calma / IAEA

cooperation with hannarohn.at

Taking the notes

Daylight Tour - from Den Bosch to Brussels

 

Wednesday, October 26, 2016 Living Daylights Foundation, in cooperation with the Netherlands VELUX Daylight Tour for architects. The 25 participants were led in a comfortable bus from early morning until late at night along seven daylight buildings. A unique opportunity to compare daylight in architecture and deepen with professionals.

 

Den Bosch - The County Hall kicks off with a tour focused on the design choices of architect Maaskant in 1971 and KAAN in 2012. The location was slated as too crude and outdated. The renovation of KAAN imposes the timeless quality in particular the structure and light exposure.

 

Tilburg - The Wood Shed shows the heart of a future piece bustling downtown, which was abandoned until recently and void. Thomas Bedaux - architect of Bedaux de Brouwer - persuaded the owner to open whenever possible the densely built shed. Interventions such as the 55m long roof light make a surprising building that allows even get listed status.

 

Breda - The new railway terminal complex, designed by Koen van Velsen, is a surprise for the participants. A surprise because it was not on the program, but also surprising as building structure and the role of the light thereby. Unlike the mostly transparent caps Breda Central Station is an enclosed space where light is focused deployed. It provides a lot of discussion about the relatively dark hall during the day versus the hall more pleasant when the sun has set.

 

Antwerp - Along the well known MAS by Neutelings Riedijk the bus circles closer to the extreme Harbor House by Zaha Hadid Architects. An aqueous bright sun makes the building even move after the bus has stopped driving. The building is impressive and raises many questions. Daylight seems to have determined the shape and façade systems. The subsequent tour of art center DeSingel with the expansion of Stephane Beel exudes tranquility, providing an enormous contrast.

 

Sint-Niklaas - Crematorium Heimolen was designed by Claus & Kaan Architects. The two white buildings are crisp and totally different. The entrance building accommodates and protects spacious, while the technical building in the distance is the abstract termination of the broad avenue through the cemeteries. The autumn gives trees and shrubs bright colors. For many, the highlight of the day.

 

Brussels - The RenovActive House brings back the participants to social housing. A common type of house built in 1920 was renovated by VELUX and ONO architecture to modern social housing with quality and future. Architect Lindekens points out many details that make the house comfortable, healthy and energy efficient. Daylight and natural ventilation play there - in addition to insulation and equipment - a leading role. The house is an example of how the rest of the neighbourhood will be renovated.

foto from: www.flickr.com/photos/7455207@N05/2523993759/sizes/o/

thank you frau TJUNG

 

I designed and made it for Universedoll. It will be released to the forigen market in the near future.

Max & Admiral Jack sharing a spot for a Sunday morning nap. : )

Photo by Zuzana Šutková for Magazine TWDT nr.2/2014

www.theweddingdreamteam.sk/magazin/

Produkcia Dušana TWDT, The Wedding Dream Team

Styling DM TWDT

Svadobné a spoločenské šaty DM TWDT & svadobný salón Elegant Sophia

Makeup&Hair Bianka Prochádzková

Kvety Rita TWDT

sometimes nature and humans cooperate and something beautiful occurs

Rome Cavalieri, Waldorf Astoria Hotels & Resorts

Via Alberto Cadlolo 101

00136 Rome, Italy

 

*** In the Beginning ***

 

In 1954 Fred Joyce, the publicity Director for Hilton Hotels Corporation, issued the following press release:

 

"The Societa Generale Immobiliare (Real Estate), in cooperation with Hilton Hotels International have formed the company to be known as Italo American Nuovo Alberghi (New Hotel) which will have an eventual capitalizaiton of some $3 million. The hotel will be known as the Albergo dei Cavalieri Hilton and will cost approximately $7 million. Emilio Pifferi, a famous Italian architect is presently consulting in Rome with John W. Houser, executive vice president of Hilton Hotels International regarding the design and planning for the new hotel. It is expected that Rome's municipal government will build a new expressway from the heart of the city to the hotel."

 

Houser was a former Marine intelligence officer who became a director at Hilton Hotels International. Houser had negotiated with the pro-Batista Cuban faction for the casino in the Havana Hilton which opened in 1958 and nationalized in 1960.

 

The hotel would be owned by the Rome real estate Sociata General Immobiliare (The General Company of Real Estate). At that time the Vatican was the largest shareholder in Sociata General Immobiliare. The proposed name of the hotel was Albergo Dei Cavalieri Hilton (The hotel of knights Hilton). Societa General Immobiliare is known to have the Vatican among its stockholders. It has also built the Watergate Complex in Washington, D.C. The name Cavalieri pays tribute to the riders or knights who for centuries rode the path known as Via Francigene from Canterbury in England through France and on to Rome. Travellers used to rest on the hill of Monte Mario.

 

Conrad Hilton made a trip in 1955 to work with Italian concerns for the construction of the hotel. Hilton's plans were fought by the Left-wing parties in the Rome Municipal Council. The Communists (as Left-wingers were known then) contended the proposed Hilton Hotel was ugly and would ruin the sky line of Monte Mario. A proposal for a smaller, lower hotel was finally approved in 1959. Opposition to the hotel, led by Antonio Cederna, one of the founders of Italian Nostra, began immediately referring to the hotel site as a "wound" in the green of Monte Mario. The site of the hotel was expected to be a public green such as on the Janiculum Hill, the second tallest hill in Rome with Monte Mario the tallest. The Italian Nostra organisation was founded in 1955 with the specific aim of opposing the projected demolition of part of the city’s historic centre. The hotel is located in the residential area of Monte Mario, Rome’s highest hill. The Rome Cavalieri is 3 km from the Vatican and 5 km from the historic city centre and is nestled in a 15-acre private Mediterranean park, overlooking the Eternal City.

 

On September 13, 1960 Conrad Hilton watched as the cornerstone of a six-story hotel bearing his name was laid on Monte Mario. Designed by Ugo Luccichenti (1898 - 1976), Emilio Pifferi and Alberto Ressa the hotel was under construction from 1960 -1963.

 

*** Cavalieri Hilton Hotel opened in June 1963 ***

 

The hotel has 400 rooms and suites and sits high atop Monte Mario northwest of Rome. It has a panoramic view of almost the entire city. The italian architectural team of Ugo Luccichenti, Emillio Pisseri and Alberto Rossa designed the 8 story hotel. An opposing planner and architect, Italo Insolera, was quoted "the hotel was even worse in reality than one would expect." Others say the hotel belongs in Miami Beach. In the hotel lobby's atrium, the spiral fountain was designed by Franco Albini (1905/77) and Franca Helg (1920/89).

 

When opened in 1963 the building was an admirable example of modular architecture, resulting in a style which is both clean-lined and functional. The hotel resembled a Mediterranean vacation village, including olympic size swimming pool, tennis courts and a 7 acre park filled with pines, cyprus, olive pal and lemon trees. The hotel's original restaurants were the roof terrace restaurant night club La Pergolia with a cosmopolitan cuisine with specialties from around the world. At the garden level is a night club/restaurant known as L'Ellisse with French cuisine. La Belle Arti specialized in Italian food. The coffee shop (note the lower case) served Italian and American food with prices from $1.25 to $2.25. The coffee shop had an American style soda fountain and two pizza ovens. The hotel's massive ballroom, Salone dei Cavalieri, could seat 1,600. The hotels opening rates were $10.50 for a single to $74.00 for a two room suite. There was a 18% service charge and a 3% government tax. The ballroom was the largest space without column support at that time in Italy. Italians called it the most beautiful hotel in Rome "l'albergo più bello di Roma".

 

In 2001 the Rome Cavalieri Hilton, started a four-year, $45-million renovation designed to enhance the guest experience across all touchpoints of the resort. Each of the 370 guestrooms were modernized and refurbished, welcoming travelers with opulent new amenities and a higher level of convenience and connectivity. Also new is a collection of 25 individually designed and decorated suites. The property received extensive landscaping attention, the lobby received a face-lift, new fitness offerings were added and meeting space upgraded.

 

The Rome Cavalieri Hilton lobby received new reception and concierge desks by Italian architect Gaetano Castelli which feature surfaces made of Sodalite, a rare Brazilian semi-precious stone dramatically shaded in blue, gray and green. This stone is believed to facilitate communication between people, stimulate creativity and soothe and relax the soul. Antique multi-chrome marble panels, originally decorative features of an aristocratic southern Italian palazzo, adorn the center of each desk, encased at the sides by contemporary curved blue crystal. Also displayed in the lobby are some rare Old Master paintings, furniture, tapestries and artifacts dating from the 17th and 18th centuries.

 

In 2002 the Rome Cavalieri Hilton had 372 rooms. A standard double was US $474, Continental breakfast is US $29. The use of the fitness center was US $28; a massage, US $80. Dinner at La Pergola for two with wine, about US $320.

 

In 2008 the hotel was rebranded from "just a Hilton" to Rome Cavalieri, Waldorf Astoria Hotels & Resorts. Guestrooms were refurbished in 2011. The Imperial La Pergola is Rome’s only 3 star Michelin rooftop restaurant.

 

*** Hotel Art Collection ***

 

The Rome Cavalieri possibly has the world’s most prestigious art collection housed within a hotel worldwide. Among the over one thousand works of art kept in the hotel:

 

Paintings

"Ulysses discovering Achilles among the daughters of Nicomedes" by G.B. Tiepolo (1696/1770)

"Judgement of Paris" by Giuseppe Bazzani (1690/1769)

"Landscape with Hermit" by Alessandro Magnasco (1667/1749)

"Flora" by Carlo Cignani (1628/1719) a pupil of Francesco Albani

"Arrival of the Bucintoro in St. Mark's Square" by Josef Heintz the Younger (about 1600/78)

"Country landscape with bridge" by Giuseppe Zaïs (1709/84) artist from Belluno who died in poverty, exponent of the Arcadian school

"Dollar Sign" by Andy Warhol (1928/87)

 

Sculptures

Bronze statue "Boy with Dog" by Bertel Thorvaldsen (1770/1844)

Marble sculpture "The Kiss" by Antonio Tantardini (1829/79)

 

*** General Managers ***

 

Franz Schutzman (1915-2001) was the opening general manager. He served from 1962-1964. Prior to the Rome Cavalieri Hilton he was the Manager Raffles Hotel, Singapore, 1950-1959 and general manager Nile Hotel, Cairo, 1960-1961. From Rome Schutzman went on to general manager Hyatt Regency Toronto, Ontario, 1971-1974. Vice president, general manager United Nations Plaza Hotel, New York City, 1974-1976 and general manager The Manila Hotel, 1976-1987.

 

It is said Franz Schutzman concocted the popular cocktail, the Singapore Sling, while at the Raffles Hotel. Paul Schreiber was the opening Food and Beverage Manager, previously he was at the Hilton Hawaiian Village. In 1964 Berne Hal-Mann and Group played for seven months in the La Pergola - they were the house band at the Garden Bar at the Hilton Hawaiian Village for many years.

 

From 1964 to 1967 Gabor Olah De Garab (1924-2014) was the general manager. He also managed the Watergate Hotel in Washington DC for 18 years from 1967 to 1985. Gabor Olah de Garab was born in Paszto, Hungary on August 8, 1924. After studying hotel management at the world-renowned Ecole Hoteliere in Lausanne, Switzerland, he held managerial positions at the Gallia Excelsior in Milan, the Hotel Splendido in Portofino and the Cavalieri Rome Hilton. In 1967, at the request of Giuseppe Cecchi, one of Washington, DC's foremost real estate developers and then project manager for the Watergate complex development, Olah assumed leadership of the Watergate Hotel that year and served as its General Manager for 18 years.

 

When Hilton took over the Kaiser Hawaiian Village in 1961 it appointed Olaf S. Bonde as Executive Assistan Manager. German born Bonde came to the U.S. in 1952 and worked for the Statler hotel chain until it was purchased by Hilton. He arrived in Hawaii from the Berlin Hilton which he helped to open. Bonde has a Bachelor of Science in Hotel Administration, Heidelberg University, Germany, 1948. Bonde went on to be the general manager Tokyo Hilton, 1963-1965, and the Cavalieri Hilton-Rome from 1965-1972. He was appointed Area director, vice president Hilton International (central Europe, eastern Mediterranean), officed in Rome from 1973-1988. Currently semi-retired running Bonde Consulting.

 

Serge Ethuin was the Cavalieri general manager from 2008 thru 2014. Serge graduated in 1982 from the Ecole Hôtelière in Strasbourg, and began his career in 1983 working for the Hilton Group as a receptionist at Hilton Paris, Strasbourg Hilton and the Orly Hilton. In 1997, he was appointed general manager of the Hilton Madagascar and followed by Hilton Rome Airport and Hilton Arc de Triomphe. In 2008 he moved to head the Rome Cavalieri Hilton, which became the first European hotel to integrate the prestigious Waldorf-Astoria Collection. Serge Ethuin inspired a new dynamic through the three Michelin Star restaurant La Pergola, the Grand Spa Club, the hotel's unique Art collection. In 2011, he was awarded “Best General Manager” by Waldorf Astoria Worldwide. After 30 years within the Hilton Group, Serge Ethuin moved on to managed the Royal Monceau Raffles Paris and most recently as General Manager of the Hotel Metropole Monte-Carlo.

 

In 2014 Alessandro Maurizio Cabella was appointed general manager of the Rome Cavalieri, Waldorf Astoria Hotels & Resorts. He previously served as general manager at Hilton Molino Stucky Venice, the Hilton Vilamoura As Cascatas Golf Resort & Spa in Portugal and Hotel Mirabeau - Société des Bains de Mer Monte Carlo in Monaco.

 

It seems the best chef in Rome is German. Heinz Beck has presided over Pergola, the panoramic restaurant at the Rome Cavalieri Hilton, since 1994. The dining room tables are arrayed around the picture windows overlooking the city. Rare tapestries, paintings, sculptures, and blown glass give the restaurant an atmosphere of excellence. Rated 3 stars in the Michelin guide, La Pergola is routinely voted the best in Rome. The wine cellar is vast: an array of rooms containing 65,000 bottles of wine, with 3,500 different labels offered on the list. The 7 course tasting menu here was €210, with a full a la carte choice as an alternative. Heinz Beck now has restaurants in Portugal, Dubai, London (Apsleys) and Tokyo.

 

Compiled by Dick Johnson, May 2017

Air Force cooperation with ground units, in the Integrated Battle Series display, February 2011.

 

Photo by: Carmel Horowitz.

 

שיתוף פעולה של חיל האוויר עם יחידות השדה, בתצוגת סדרת קרב משולב, פברואר 2011.

 

צילום: כרמל הורוביץ.

Coopetition is a portmanteau of cooperation and competition coined to describe cooperative competition.

 

2012 Buzzwords

www.slideshare.net/planeta/buzzwords2012

A soccer game

Los Angeles, California, Photography, Creativity, City, Fall, Ciclavia

From left to right:

José Miguel Insulza, OAS Secretary General

Jiri Vogl, Head of Department of Relations with International Organizations and non-member States, Council of Europe

Pratap Parameswaran, Director, Political and Security Cooperation, Association of Southeast Asian Nations

Yves Leterme, Secretary-General, International Institute for Democracy and Electoral Assistance (International IDEA)

Aisha Laraba Abdullahi, Commissioner for Political Affairs, African Union Commission

Mohamed Ibrahim Ghafoori, Director for Afghanistan, South Asian Association for Regional Cooperation

Andie Fong Toy, Deputy Secretary General, Pacific Islands Forum

 

Date: October 17, 2014

Place: Washington, DC

Credit: Juan Manuel Herrera/OAS

Italian destroyer ITS Caio Duilio seen from the flagship - Dutch frigate HNLMS De Ruyter during the close approaches exercises.

This type of cooperation is designed to conduct replenishment at sea (fuel, water, provisions) and line transfer procedures for a small items exchange.

 

“Elson Basic Readers, Book Two” by William H. Elson and William S. Gray. Published by Scott, Foresman and Co., 1931. Illustrator(s) unknown.

Variations of prisoner's dilemma iterate en mass.

 

--

Sent from my Treo

From Instagram Cooperation and friendship. "Lest we forget" #eudk #brexitour #brexit #seaford #dkpol #tw

My fellow citizens: I stand here today humbled by the task before us, grateful for the trust you have bestowed, mindful of the sacrifices borne by our ancestors.

 

I thank President Bush for his service to our nation...

 

... as well as the generosity and cooperation he has shown throughout this transition.

 

Forty-four Americans have now taken the presidential oath.

 

The words have been spoken during rising tides of prosperity and the still waters of peace. Yet, every so often the oath is taken amidst gathering clouds and raging storms. At these moments, America has carried on not simply because of the skill or vision of those in high office, but because We the People have remained faithful to the ideals of our forbearers, and true to our founding documents.

 

So it has been. So it must be with this generation of Americans.

 

That we are in the midst of crisis is now well understood. Our nation is at war against a far-reaching network of violence and hatred. Our economy is badly weakened, a consequence of greed and irresponsibility on the part of some but also our collective failure to make hard choices and prepare the nation for a new age.

 

Homes have been lost, jobs shed, businesses shuttered. Our health care is too costly, our schools fail too many, and each day brings further evidence that the ways we use energy strengthen our adversaries and threaten our planet.

 

These are the indicators of crisis, subject to data and statistics. Less measurable, but no less profound, is a sapping of confidence across our land; a nagging fear that America's decline is inevitable, that the next generation must lower its sights.

 

Today I say to you that the challenges we face are real, they are serious and they are many. They will not be met easily or in a short span of time. But know this America: They will be met.

 

On this day, we gather because we have chosen hope over fear, unity of purpose over conflict and discord.

 

On this day, we come to proclaim an end to the petty grievances and false promises, the recriminations and worn-out dogmas that for far too long have strangled our politics.

 

We remain a young nation, but in the words of Scripture, the time has come to set aside childish things. The time has come to reaffirm our enduring spirit; to choose our better history; to carry forward that precious gift, that noble idea, passed on from generation to generation: the God-given promise that all are equal, all are free, and all deserve a chance to pursue their full measure of happiness.

 

In reaffirming the greatness of our nation, we understand that greatness is never a given. It must be earned. Our journey has never been one of shortcuts or settling for less.

 

It has not been the path for the faint-hearted, for those who prefer leisure over work, or seek only the pleasures of riches and fame.

 

Rather, it has been the risk-takers, the doers, the makers of things -- some celebrated, but more often men and women obscure in their labor -- who have carried us up the long, rugged path towards prosperity and freedom.

 

For us, they packed up their few worldly possessions and traveled across oceans in search of a new life. For us, they toiled in sweatshops and settled the West, endured the lash of the whip and plowed the hard earth.

 

For us, they fought and died in places Concord and Gettysburg; Normandy and Khe Sahn.

 

Time and again these men and women struggled and sacrificed and worked till their hands were raw so that we might live a better life. They saw America as bigger than the sum of our individual ambitions; greater than all the differences of birth or wealth or faction.

 

This is the journey we continue today. We remain the most prosperous, powerful nation on Earth. Our workers are no less productive than when this crisis began. Our minds are no less inventive, our goods and services no less needed than they were last week or last month or last year. Our capacity remains undiminished. But our time of standing pat, of protecting narrow interests and putting off unpleasant decisions -- that time has surely passed.

 

Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America.

 

For everywhere we look, there is work to be done.

 

The state of our economy calls for action: bold and swift. And we will act not only to create new jobs but to lay a new foundation for growth.

 

We will build the roads and bridges, the electric grids and digital lines that feed our commerce and bind us together.

 

We will restore science to its rightful place and wield technology's wonders to raise health care's quality...

 

... and lower its costs.

 

We will harness the sun and the winds and the soil to fuel our cars and run our factories. And we will transform our schools and colleges and universities to meet the demands of a new age.

 

All this we can do. All this we will do.

 

Now, there are some who question the scale of our ambitions, who suggest that our system cannot tolerate too many big plans. Their memories are short, for they have forgotten what this country has already done, what free men and women can achieve when imagination is joined to common purpose and necessity to courage.

 

What the cynics fail to understand is that the ground has shifted beneath them, that the stale political arguments that have consumed us for so long, no longer apply.

 

The question we ask today is not whether our government is too big or too small, but whether it works, whether it helps families find jobs at a decent wage, care they can afford, a retirement that is dignified.

 

Where the answer is yes, we intend to move forward. Where the answer is no, programs will end.

 

And those of us who manage the public's dollars will be held to account, to spend wisely, reform bad habits, and do our business in the light of day, because only then can we restore the vital trust between a people and their government.

 

Nor is the question before us whether the market is a force for good or ill. Its power to generate wealth and expand freedom is unmatched.

 

But this crisis has reminded us that without a watchful eye, the market can spin out of control. The nation cannot prosper long when it favors only the prosperous.

 

The success of our economy has always depended not just on the size of our gross domestic product, but on the reach of our prosperity; on the ability to extend opportunity to every willing heart -- not out of charity, but because it is the surest route to our common good.

 

As for our common defense, we reject as false the choice between our safety and our ideals.

 

Our founding fathers faced with perils that we can scarcely imagine, drafted a charter to assure the rule of law and the rights of man, a charter expanded by the blood of generations.

 

Those ideals still light the world, and we will not give them up for expedience's sake.

 

And so, to all other peoples and governments who are watching today, from the grandest capitals to the small village where my father was born: know that America is a friend of each nation and every man, woman and child who seeks a future of peace and dignity, and we are ready to lead once more.

 

Recall that earlier generations faced down fascism and communism not just with missiles and tanks, but with the sturdy alliances and enduring convictions.

 

They understood that our power alone cannot protect us, nor does it entitle us to do as we please. Instead, they knew that our power grows through its prudent use. Our security emanates from the justness of our cause; the force of our example; the tempering qualities of humility and restraint.

 

We are the keepers of this legacy, guided by these principles once more, we can meet those new threats that demand even greater effort, even greater cooperation and understanding between nations. We'll begin to responsibly leave Iraq to its people and forge a hard- earned peace in Afghanistan.

 

With old friends and former foes, we'll work tirelessly to lessen the nuclear threat and roll back the specter of a warming planet.

 

We will not apologize for our way of life nor will we waver in its defense.

 

And for those who seek to advance their aims by inducing terror and slaughtering innocents, we say to you now that, "Our spirit is stronger and cannot be broken. You cannot outlast us, and we will defeat you."

 

For we know that our patchwork heritage is a strength, not a weakness.

 

We are a nation of Christians and Muslims, Jews and Hindus, and nonbelievers. We are shaped by every language and culture, drawn from every end of this Earth.

 

And because we have tasted the bitter swill of civil war and segregation and emerged from that dark chapter stronger and more united, we cannot help but believe that the old hatreds shall someday pass; that the lines of tribe shall soon dissolve; that as the world grows smaller, our common humanity shall reveal itself; and that America must play its role in ushering in a new era of peace.

 

To the Muslim world, we seek a new way forward, based on mutual interest and mutual respect.

 

To those leaders around the globe who seek to sow conflict or blame their society's ills on the West, know that your people will judge you on what you can build, not what you destroy.

 

To those who cling to power through corruption and deceit and the silencing of dissent, know that you are on the wrong side of history, but that we will extend a hand if you are willing to unclench your fist.

 

To the people of poor nations, we pledge to work alongside you to make your farms flourish and let clean waters flow; to nourish starved bodies and feed hungry minds.

 

And to those nations like ours that enjoy relative plenty, we say we can no longer afford indifference to the suffering outside our borders, nor can we consume the world's resources without regard to effect. For the world has changed, and we must change with it.

 

As we consider the road that unfolds before us, we remember with humble gratitude those brave Americans who, at this very hour, patrol far-off deserts and distant mountains. They have something to tell us, just as the fallen heroes who lie in Arlington whisper through the ages.

 

We honor them not only because they are guardians of our liberty, but because they embody the spirit of service: a willingness to find meaning in something greater than themselves.

 

And yet, at this moment, a moment that will define a generation, it is precisely this spirit that must inhabit us all.

 

For as much as government can do and must do, it is ultimately the faith and determination of the American people upon which this nation relies.

 

It is the kindness to take in a stranger when the levees break; the selflessness of workers who would rather cut their hours than see a friend lose their job which sees us through our darkest hours.

 

It is the firefighter's courage to storm a stairway filled with smoke, but also a parent's willingness to nurture a child, that finally decides our fate.

 

Our challenges may be new, the instruments with which we meet them may be new, but those values upon which our success depends, honesty and hard work, courage and fair play, tolerance and curiosity, loyalty and patriotism -- these things are old.

 

These things are true. They have been the quiet force of progress throughout our history.

 

What is demanded then is a return to these truths. What is required of us now is a new era of responsibility -- a recognition, on the part of every American, that we have duties to ourselves, our nation and the world, duties that we do not grudgingly accept but rather seize gladly, firm in the knowledge that there is nothing so satisfying to the spirit, so defining of our character than giving our all to a difficult task.

 

This is the price and the promise of citizenship.

 

This is the source of our confidence: the knowledge that God calls on us to shape an uncertain destiny.

 

This is the meaning of our liberty and our creed, why men and women and children of every race and every faith can join in celebration across this magnificent mall. And why a man whose father less than 60 years ago might not have been served at a local restaurant can now stand before you to take a most sacred oath.

 

So let us mark this day in remembrance of who we are and how far we have traveled.

 

In the year of America's birth, in the coldest of months, a small band of patriots huddled by dying campfires on the shores of an icy river.

 

The capital was abandoned. The enemy was advancing. The snow was stained with blood.

 

At a moment when the outcome of our revolution was most in doubt, the father of our nation ordered these words be read to the people:

 

"Let it be told to the future world that in the depth of winter, when nothing but hope and virtue could survive, that the city and the country, alarmed at one common danger, came forth to meet it."

 

America, in the face of our common dangers, in this winter of our hardship, let us remember these timeless words; with hope and virtue, let us brave once more the icy currents, and endure what storms may come; let it be said by our children's children that when we were tested we refused to let this journey end, that we did not turn back nor did we falter; and with eyes fixed on the horizon and God's grace upon us, we carried forth that great gift of freedom and delivered it safely to future generations.

 

Thank you. God bless you.

 

And God bless the United States of America.

 

-Barack Obama

Signing Cooperation Agreements, September 2009

This image is excerpted from a U.S. GAO report:

www.gao.gov/products/GAO-16-669

 

U.S.-CHINA COOPERATION: Bilateral Clean Energy Programs Show Some Results but Should Enhance Their Performance Monitoring

 

Friends cooperating in making a circle

A pair of airplanes cooperating together and attacking the maritime targets during the air-defense exercise with the 'big ships' at sea...

Governor Inslee, Oregon Governor Brown, California Governor Newsom and British Columbia Premier John Horgan smile as they complete the signing of the Pacific Coast Collaboration Statement of Cooperation.

It pleases me to see interaction between the old and young. I love the expression on the boy's face.

Cooperation Platform

Mon 13 Oct - (From left) José Badia, Principality of Monaco’s Minister for Foreign Affairs and Cooperation and William Danvers, Deputy-Secretary General of the OECD. OECD, Paris, France.

 

For more information, visit: www.oecd.org/ctp/exchange-of-tax-information/conventionon...

 

Photo: OECD/Marco Illuminati

It was a successful meeting of Ministers on December 1, 2015 at COP 21 in Paris, France. BC Environment Minister Mary Polak joined Chile's Honourable Máximo Pacheco, Minister of Energy, to discuss carbon pricing, intensity benchmarking and GHG reporting measures.

Cooperation Platform 2022

Signing Cooperation Agreements, September 2009

PATTAYA, Thailand (June 15, 2018) - U.S and Royal Thai Marines conduct small boat operations in support of Cooperation Afloat Readiness and Training (CARAT) Thailand 2018. The CARAT exercise series, in its 24th iteration, highlights the skill and will of regional partners to cooperatively work together towards the common goal of ensuring a secure and stable maritime environment. (U.S. Navy photo by Mass Communication Specialist 3rd Class Tristin Barth) 180615-N-NI298-028

 

** Interested in following U.S. Indo-Pacific Command? Engage and connect with us at www.facebook.com/indopacom | twitter.com/PacificCommand |

www.instagram.com/indopacom | www.flickr.com/photos/us-pacific-command; | www.youtube.com/user/USPacificCommand | www.pacom.mil/ **

   

VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST

www.emergencyrooms.org/biennalist.html

 

Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )

please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk

www.colonel.dk

 

lists of artists participating at the Venice Biennale :

 

Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.

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other pavilions at Venice Biennale

 

Andorra Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison

Commissioner: Henry Périer Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella

Curators: Josep M. Ubach, Paolo De Grandis

Angola Artist: Edson Chagas Commissioner: Ministry of Culture

Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos

Argentina Artist: Nicola Costantino Commissioner: Magdalena Faillace Curator: Fernando Farina

Armenia Artist: Ararat SarkissianCurator: Arman Grogoryan

AustraliaArtist: Simryn Gill Commissioner: Simon Mordant Deputy Commissioner: Penelope Seidler Curator: Catherine de Zegher

AustriaArtist: Mathias Poledna ,Curator: Jasper Sharp

AzerbaijanArtists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov

Commissioner: Heydar Aliyev FoundationCurator: Hervé Mikaeloff

Bahamas Artist: Tavares Strachan Commissioner: Nalini Bethel, Ministry of Tourism Curators: Jean Crutchfield, Robert HobbsDeputy Curator: Stamatina Gregory

BangladeshChhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School

Commissioner/Curator: Francesco Elisei. , Curator: Fabio Anselmi.

BahrainArtists: Mariam Haji, Waheeda Malullah, Camille Zakharia

Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture

Curator: Melissa Enders-Bhatiaa

BelgiumArtist: Berlinde De Bruyckere

Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture .Curator: J. M. Coetzee ,Deputy Curator: Philippe Van Cauteren

Bosnia and Herzegovina

Artist: Mladen Miljanovic .Commissioners: Sarita Vujković, Irfan Hošić

Brazil Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari

Commissioner: Luis Terepins, Fundação Bienal de São Paulo,Curator: Luis Pérez-Oramas ,Deputy Curator: André Severo

CanadaArtist: Shary Boyle

Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada ,Curator: Josée Drouin-Brisebois

Central AsiaArtists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov

Commissioner: HIVOS (Humanist Institute for Development Cooperation)

Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)

Curators: Ayatgali Tuleubek, Tiago Bom

Scientific Committee: Susanne M. Winterling

ChileArtist: Alfredo JaarCommissioner: CNCA, National Council of Culture and the Arts Curator: Madeleine Grynsztejn

ChinaArtists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao

Commissioner: China Arts and Entertainment Group (CAEG) ,Curator: Wang Chunchen

Costa Rica Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto

Commissioner: Francesco EliseiCurator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)

Croatia Artist: Kata Mijatovic ,Commissioner/Curator: Branko Franceschi.

CubaArtists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone ,Commissioner: Miria Vicini

Curators: Jorge Fernández Torres, Giacomo Zaza

CyprusArtists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister

Commissioner: Louli Michaelidou

Deputy Commissioners: Angela Skordi, Marika Ioannou

Curator: Raimundas Malašauskas

Czech Republic & Slovak RepublicArtists: Petra Feriancova, Zbynek Baladran ,Commissioner: Monika Palcova, Curator: Marek Pokorny

DenmarkArtist: Jesper Just in collaboration with Project ProjectsEgypt

Artists: Mohamed Banawy, Khaled Zaki

EstoniaArtist: Dénes Farkas ,Commissioner: Maria Arusoo ,Curator: Adam Budak

FinlandArtist: Antti Laitinen , Commissioner: Raija Koli , Curators: Marko Karo, Mika Elo, Harri Laakso

FranceArtist: Anri Sala ,Curator: Christine Macel

GeorgiaArtists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze

Commissioner: Marine Mizandari, First Deputy Minister of Culture Curator: Joanna Warsza

GermanyArtists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh Commissioner/Curator: Susanne Gaensheimer

Great BritainArtist: Jeremy Deller ,Commissioner: Andrea Rose , Curator: Emma Gifford-Mead

Holy SeeArtists: Lawrence Carroll, Josef Koudelka, Studio Azzurro ,Curator: Antonio Paolucci

Hungary , Artist: Zsolt Asztalos , Curator: Gabriella Uhl

Iceland , Artist: Katrín Sigurðardóttir ,Commissioner: Dorotheé Kirch

Curators: Mary Ceruti , Ilaria Bonacossa

IndonesiaArtists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi

Deputy Commissioner: Achille Bonito Oliva , Assistant Commissioner: Mirah M. Sjarif

Curators: Carla Bianpoen, Rifky Effendy

IraqArtists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)

Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)Curator: Jonathan Watkins.

IrelandArtist: Richard MosseCommissioner, Curator: Anna O’Sullivan

Israel , Artist: Gilad Ratman , Commissioners: Arad Turgeman, Michael GovCurator: Sergio Edelstein

ItalyArtists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa ,Commissioner: Maddalena Ragni

Curator: Bartolomeo Pietromarchi

Ivory Coast Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny

Commissioner: Paolo De Grandis , Curator: Yacouba Konaté

Japan ,Artist: Koki Tanaka ,Curator: Mika Kuraya

KenyaArtists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César MeneghettiCommissioner: Paola Poponi ,Curators: Sandro Orlandi, Paola Poponi

Korea (Republic of)Artist: Kimsooja

KosovoArtist: Petrit Halilaj ,Commissioner: Erzen Shkololli ,Curator: Kathrin Rhomberg

KuwaitArtists: Sami Mohammad, Tarek Al-Ghoussein

Commissioner: Mohammed Al-Asoussi ,Curator: Ala Younis

Latin AmericaIstituto Italo-Latino Americano

Artists:Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi.

Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski ,Commissioner: Sylvia Irrazábal ,Curator: Alfons Hug

Deputy Curator: Paz Guevara

Latvia Artists: Kaspars Podnieks, Krišs Salmanis ,Commissioners: Zane Culkstena, Zane Onckule ,Curators: Anne Barlow, Courtenay Finn, Alise Tifentale

LithuaniaArtist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter SinisterCommissioners: Jonas Žokaitis, Aurime Aleksandraviciute . Curator: Raimundas Malašauskas

LuxembourgArtist: Catherine LorentCommissioner: Clément Minighetti Curator: Anna Loporcaro

MexicoArtist: Ariel Guzik ,Commissioner: Gastón Ramírez Feltrín ,Curator: Itala Schmelz

Montenegro ,Artist: Irena Lagator Pejovic .Commissioner/Curator: Nataša Nikcevic

The Netherlands ,Artist: Mark Manders

Commissioner: Mondriaan Fund ,Curator: Lorenzo Benedetti

New Zealand Artist: Bill Culbert ,Commissioner: Jenny Harper ,Deputy Commissioner: Heather Galbraith ,Curator: Justin Paton

Venue: Santa Maria della Pietà, Calle della Pietà, Castello

Finland: ,Artist: Terike Haapoja ,Commissioner: Raija Koli ,Curators: Marko Karo, Mika Elo, Harri Laakso

Norway:Artists: Edvard Munch, Lene Berg

Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese

Paraguay Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi ,Commissioner: Elisa Victoria Aquino Laterza

Deputy Commissioner: Nori Vaccari Starck , Curator: Osvaldo González Real

Poland Artist: Konrad Smolenski Commissioner: Hanna Wróblewska Curators: Agnieszka Pindera, Daniel Muzyczuk

Portugal Artist: Joana Vasconcelos Curator: Miguel Amado

RomaniaArtists: Maria Alexandra Pirici, Manuel Pelmus Commissioner: Monica Morariu Deputy Commissioner: Alexandru Damia Curator: Raluca Voinea

Artists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian MoldovanCommissioner: Monica Morariu ,Deputy Commissioner: Alexandru Damian ,Curator: Anca Mihulet

Russia Artist: Vadim Zakharov ,Commissioner: Stella Kasaeva ,Curator: Udo Kittelmann

Serbia Artists: Vladimir Peric, Miloš Tomic .Commissioner: Maja Ciric

SloveniaArtist: Jasmina CibicCommissioner: Blaž Peršin ,Curator: Tevž Logar

South Africa Commissioner: Saul Molobi ,Curator: Brenton Maart

Spain Artist: Lara Almarcegui , Commissioner/Curator: Octavio Zaya

Switzerland Artist: Valentin Carron Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki

Curator: Giovanni CarmineVenue: Pavilion at Giardini

Syrian Arab RepublicArtists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo

Commissioner: Christian Maretti Curator: Duccio Trombadori

Taiwan Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU Curator: Esther Lu

Thailand Artists: Wasinburee Supanichvoraparch, Arin Rungjang

Curators: Penwadee Nophaket Manont, Worathep Akkabootara

Turkey Artist: Ali Kazma Commissioner: Istanbul Foundation for Culture and Arts Curator: Emre Baykal

Venue: Forte Marghera, via Forte Marghera, 30

Ukraine Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna Commissioner: Victor Sydorenko

Curators: Soloviov Oleksandr, Burlaka Victoria

United Arab Emirates Artist: Mohammed Kazem

Commissioner: Dr. Lamees Hamdan Curator: Reem Fadda

Uruguay Artist: Wifredo Díaz Valdéz

Commissioner: Ricardo Pascale Curators: Carlos Capelán, Verónica Cordeiro

USA Artist: Sarah Sze Commissioners/Curators: Carey Lovelace, Holly Block

Venezuela Colectivo de Artistas Urbanos Venezolanos , Commissioner: Edgar Ernesto González Curator: Juan Calzadilla