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Anyone who considers ladybugs cute (I include myself) should consider this photo. I found this ladybug chowing down on a mass of little insects on the underside of a bean leaf. If you look very, very closely, you can see the remains of aphids and other tiny insects beneath the ladybug. I can not identity all of the tiny insects on the buffet table, but there are some aphids, which ladybugs favour. I'm in the process of preparing my computer for a major upgrade, so I've been working through my archived photos. The shot was taken in August 2017, with my trusty Olympus digital camera. Enjoy.
Since I consider myself somewhat of an expert on Snowy Egrets and Utqiaġvik is known for its population of Snowy Owls, I felt quite confident there would be opportunity during my recent visit to the Arctic to profit from such synergy. But apparently Snowy Egrets and Snowy Owls don't share as much in common as I had anticipated. Of the two birds I spotted, the closest I got was this heavily cropped, distant view while kneeling under a low-hung pipeline.
Snowy Owl atop a tussock on the tundra outside Utqiaġvik, Alaska.
Considerando che il colore non esiste ed è assolutamente opinabile:
-meglio alba o tramonto?
-fredda o caldo?
-blu o gggialla?
S'il y a bien un édifice digne d'être considéré comme la splendeur du gothique civil catalan, c'est bien l'ancien Hospital de la Santa Creu. La construction de l'ensemble a été commencée en 1401, dans le but de regrouper les six hôpitaux de Barcelone. Un siècle plus tard, on lui a donné l'aspect qu'il a encore de nos jours. Aujourd'hui, lorsque l'on pénètre dans la Bibliothèque de Catalogne, logée à l'étage supérieur des trois halls qui structurent l'édifice, on découvre un espace ouvert et sans colonnes : c'était les salles d'hospitalisation. Couvertes de plafonds de bois à double pente, elles se différenciaient de celles du rez-de-chaussée, où se trouvent aujourd'hui deux bibliothèques publiques. Là, la voûte de la croisée gothique marque le schéma des nefs, destinées en leur temps à l'administration, à la cuisine et à la blanchisserie. L'ensemble architectural s'achève par la Casa de la Convalescència, siège aujourd'hui de l'Institut d'Estudis Catalans, de la Reial Acadèmia de Medicina, d'une grande beauté, et de l'ancienne chapelle de l'ensemble hospitalier, de nos jours centre d'expositions.
En 1929, le centre a été transféré dans le nouveau complexe moderniste de l'Hospital de la Santa Creu i de Sant Pau. L'ancien Hospital, qui était devenu obsolète, a été déclaré Monument historique artistique d'intérêt national.
Article "Barcelona Turisme "
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A Portrait of a Lao child deep in the misty mountains of Phongsali, Laos.
Le temple, bien qu'apparemment bien conservé, penche considérablement vers l'arrière (nord-ouest), et son garbhagriha est généralement sous l'eau une grande partie de l'année, sauf pendant quelques mois pendant l'été.
Le temple est élégamment construit dans le style classique avec un nagara shikhara et un phamsana mandapa ( entrée) . Le site du temple est très inhabituel. Contrairement à tous les autres temples de Varanasi sur la côte du Gange, le temple est construit à un niveau très bas. En fait, le niveau d'eau peut atteindre la partie shikhara( ¤¹) du temple.
[¤¹ Le shikhara recouvre et protège le saint des saints où se trouve la divinité du temple. C'est la partie la plus haute et la plus visible du temple. ]
Il est construit à un endroit très bas; le constructeur devait savoir que son garbhagriha ¤ ² serait sous l'eau pendant une grande partie de l'année. Malgré cela, il est assez bien conservé, .
¤²La partie la plus intérieure d'un temple hindou où préside l'idole de la divinité est connue sous le nom de Garbhagriha ou sanctum sanctorum.
Dans tout temple hindou, c'est la zone la plus importante et la plus sacrée car elle abrite la divinité elle-même. Toutes les offrandes de puja c'est-à-dire comme les fleurs, les fruits, etc. sont faites à l'intérieur de cette zone.
le temple est célèbre pour avoir une inclinaison d'environ neuf degrés, une déviation beaucoup plus sévère par rapport à la verticale comparé à la tour penchée de Pise qui a actuellement un petit quatre degrés
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“We should consider every day lost on which we have not danced at least once.”
― Friedrich Wilhelm Nietzsche
To all my Jazzercise and Zumba peeps, thank you for sharing the fun times with me. Also, thanks to my family for listening to me plunk away on the piano as I keep on trying to learn. I appreciate my parents for their love of music and passing that interest to me. Some of my best memories all have to do with music.
Philadelphia's most famous son looks out on the street and considers a photographer. Two hundred years+ on, there are many reminders of him in a center city walkabout. This is known as the "Keys to the Community" bust, a relatively recent bronze that has the imprint of hundreds of keys in the surface. Franklin established the first fire company in the Colonies in 1736 on this site, and now his bust sits in the garden of a fire station that descends directly from that first fire house.
The wall to the right of the photographer is the side of the Betsy Ross House, the seamstress who sewed the first American flag in 1776. History walks with you when you take a ramble in this old city.
El Teide es un volcán situado en la isla española de Tenerife, en el archipiélago de Canarias. Cuenta con una altitud oficial de 3715 metros sobre el nivel del mar123 y 7500 metros sobre el lecho oceánico, siendo el pico más alto de España, el de cualquier tierra emergida del océano Atlántico y el tercer mayor volcán de la Tierra desde su base en el lecho oceánico, después del Mauna Kea y el Mauna Loa, ambos en Hawái.4 La altitud del Teide convierte además a la isla de Tenerife en la décima isla más alta del mundo.
Su última erupción se corresponde con las lavas negras que cubren el cono, y ha sido datada entre los siglos VII y X d. C.56
Forma parte del parque nacional homónimo, declarado Patrimonio de la Humanidad por la Unesco el 28 de junio de 2007. Es, además, un espacio natural protegido en la categoría de monumento natural que encierra el complejo volcánico Teide-Pico Viejo, un gran estratovolcán de tipo vesubiano que se mantiene dormido desde la última erupción de las Narices del Teide ocurrida en 1798, aunque permanecen activas las fumarolas que emite regularmente desde su cráter.
El Teide es considerado el monumento natural más emblemático del archipiélago canario.7 También es un gran atractivo turístico que cada año atrae a millones de personas.891011
STRADA LUNGO LA VALLE LESACHTAL
La Lesachtal è considerata La valle più naturale d’Europa e fa parte dell’iniziativa “Paesi alpinistici d’Austria”, a cui aderiscono solo le valli e i paesi che promuovono un turismo sostenibile e vicino alla natura.
Tutti i paesi hanno un proprio carattere: Maria Luggau con il suo santuario è il centro religioso della valle e ospita anche il sentiero dei mulini “Mühlenwanderweg”; St. Lorenzen sfrutta le fonti curative dei bagni Tuffbad; Liesing cura la tradizione folcloristica con l’Accademia alpina di musica popolare “Alpenländische Volksmusikakademie”; Birnbaum è il punto di partenza perfetto per escursioni stupende (per esempio al lago Wolayersee) e a St. Jakob si trova il monte dei fiori “Mussen”.
CANON EOS 600D con ob.
The Birmingham Main Line Canal in Smethwick, Sandwell, West Midlands.
On 24 January 1767 a number of prominent Birmingham businessmen, including Matthew Boulton and others from the Lunar Society, held a public meeting in the White Swan, High Street, Birmingham to consider the possibility of building a canal from Birmingham to the Staffordshire and Worcestershire Canal near Wolverhampton, taking in the coalfields of the Black Country. They commissioned the canal engineer James Brindley to propose a route. Brindley came back with a largely level route via Smethwick, Oldbury, Tipton, Bilston and Wolverhampton to Aldersley.
On 24 February 1768 an Act of Parliament was passed to allow the building of the canal, with branches at Ocker Hill and Wednesbury where there were coal mines. The first phase of building was to Wednesbury whereupon the price of coal sold to domestic households in Birmingham halved overnight. Vested interests of the sponsors caused the creation of two terminal wharves in Birmingham. The 1772 Newhall Branch and wharf (now built upon) originally extended north of, and parallel to Great Charles Street. The 1773 Paradise Street Branch split off at Old Turn Junction and headed through Broad Street Tunnel, turned left at what is now Gas Street Basin and under Bridge Street to wharves on a tuning fork-shaped pair of long basins: Paradise Wharf, also called Old Wharf. The Birmingham Canal Company head office was finally built there, opposite the western end of Paradise Street.
By 6 November 1769, 10 miles (16 km) had been completed to Hill Top collieries in West Bromwich, with a one mile summit pound at Smethwick. Brindley had tried to dig a cutting through the hill at Smethwick but had encountered ground too soft to cope with. The canal rose through six narrow (7 ft) locks to the summit level and descended through another six at Spon Lane.
In 1770 work started towards Wolverhampton. On 21 September 1772 the canal was joined with the Staffordshire and Worcestershire Canal at Aldersley Junction via another 20 locks (increased to 21 in 1784 to save water). Brindley died a few days later. The canal measured 22 miles and 5 fur-longs (22⅝ miles), mostly following the contour of the land but with deviations to factories and mines in the Black Country and Birmingham.
Over the next thirty years, as more canals and branches were built or connected it became necessary to review the long, winding, narrow Old Main Line. With a single towpath boats passing in opposite directions had to negotiate their horses and ropes. In 1824 Thomas Telford was commissioned to examine alternatives.
Telford proposed major changes to the section between Birmingham and Smethwick, widening and straightening the canal, providing towpaths on each side, and cutting through Smethwick Summit to bypass the locks, allowing lock-free passage from Birmingham to Tipton.
By 1827 the New Main Line passed straight through, and linked to, the loops of the Old Main Line, creating Oozells Loop, Icknield Port Loop, Soho Loop, Cape Loop and Soho Foundry Loop, allowing continued access to the existing factories and wharves.
A year earlier he had built an improved Rotton Park Reservoir (Edgbaston Reservoir) on the site of an existing fish pool, bringing its capacity to 300 million imperial gallons (1,400,000 m3). A canal feeder took water to, and along, a raised embankment on the south side of the New Main Line to his new Engine Arm branch canal and across an elegant cast iron aqueduct to top up the higher Wolverhampton Level at Smethwick Summit. The reservoir also fed water to the Birmingham Level at the adjacent Icknield Port Loop.
The Smethwick Summit was bypassed by 71 ft cutting through Lunar Society member, Samuel Galton's land, creating the Galton Valley, 70 feet deep and 150 feet wide, running parallel to the Old Main Line. Telford's changes here were completed in 1829.
By 1838 the New Main Line was complete: 22⅝ miles of slow canal reduced to 15⅝; between Birmingham and Tipton, a lock-free dual carriageway. It was also called the Island Line as it was cut straight through the hill at Smethwick known as the Island.
Information Source:
Consider the lilies of the fields, how they grow; they toil not, neither do they spin: And yet I say unto you that even Solomon in all his glory was not arrayed like one of these.”
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Si può considerare veramente libero un uomo che ha fame, che è nella miseria, che non ha un lavoro, che è umiliato perché non sa come mantenere i suoi figli e educarli? Questo non è un uomo libero. Sandro Pertini
Nel medioevo, la costruzione di un ponte era un'opera di grande ingegno, considerata quasi prodigiosa. Per questo la costruzione dei ponti ha dato origine a molte leggende, che spesso avevano come protagonista il diavolo, in quanto congiungere due luoghi che la natura (e Dio) aveva voluto separati era vista da molti come un'opera "diabolica".
Secondo una prima antica tradizione, il maligno contattò san Colombano, promettendogli di costruire il ponte in una notte, in cambio della prima anima mortale che lo avrebbe attraversato. Il santo accettò. Nella notte, il diavolo convocò vari diavoletti che lo aiutarono nell'opera muratoria, reggendo le volte del ponte. I demoni erano di statura diversa e così le varie arcate del ponte uscirono di dimensioni variabili. Al mattino, il diavolo si appostò all'estremità del ponte, per esigere il suo compenso. San Colombano gli mandò un cagnetto. Il diavolo, turlupinato, se ne tornò all'inferno, non prima di avere sferrato un calcio al suo manufatto, che da allora è anche sghembo.
Consider the lilies how they grow: they toil not, they spin not; and yet I say unto you, that Solomon in all his glory was not arrayed like one of these.
If then God so clothe the grass, which is today in the field, and tomorrow is cast into the oven; how much more will he clothe you, O ye of little faith?
And seek not ye what ye shall eat, or what ye shall drink, neither be ye of doubtful mind.
For all these things do the nations of the world seek after: and your Father knoweth that ye have need of these things.
But rather seek ye the kingdom of God; and all these things shall be added unto you. ...
Luke 12:27-31 (KJV)
Alien art
My picture above is showing that an alien bird is picking up a leaf.
Development of some aliens from an animal stage to a developed stage ( at tree of life) might take very long time or the expected development might not happen at all if some components don't come together.
The environment, the world they are in, might not be very rich for the development of the aliens, and/or biological development might head in a very different direction. Their "tree of life" might not have proper branches for a progressive development. The tree would be weak, like a tree in a desert.
For a chemical reaction, we have to have specific atoms. We need substances to create other substances. For reactions to happen, we have to have some conditions present at the place where the reaction should happen.
Already developed aliens would be the lucky ones, passing all hurdles. When we consider the existence of billions of stars, planets and a lot of different places within planets in our universe, the probability would be very hight to be lucky for some aliens.
Another issue is that we might not see any alien at all because of the distance between stars and galaxies. Non of us ( we and aliens ) might reach the very high development to create very high technology to fly that far ( the distance between galaxies getting more in each day, expanding universe ) before our universe collapse, before the black holes pull the galaxies, before the stars of the planets explode, before the artificial intelligence takes over ( AI doesn’t need to be conscious and alive, and doesn’t need to have feelings and emotions. it can survive on its own if it is programmed properly ), etc.
Al might be the biggest threat to humans and aliens, it could wipe out them very easily. The creation of very destructive Al is possible when we consider how much hatred there are in our world between nations, races and between the people with different religions.
consider me the past,
consider me a smile in an old photograph.
someone who used to make you laugh.
this is goshen, virginia.
"Consider the lilies, how they grow: they neither toil nor spin, yet I tell you, even Solomon in all his glory was not arrayed like one of these. 28 But if God so clothes the grass, which is alive in the field today, and tomorrow is thrown into the oven, how much more will he clothe you, O you of little faith! 29 And do not seek what you are to eat and what you are to drink, nor be worried. 30 For all the nations of the world seek after these things, and your Father knows that you need them. 31 Instead, seek his kingdom, and these things will be added unto you." Luke 12:27-30
It's a pretty basic concept that we should trust in God to provide our needs, and yet I am one that fails in this area regularly! He's never let me down and yet I still panic inside when my business slows down and the bills pile up. It's good for me to stop and consider the lilies.
During stressful times I find myself dreaming of the ocean. There are few things as wonderful as simply walking along the beach at sunset. The Calla Lilies in this photo meander along a small creek that leads to the sea. If you look closely you can just barely see the waves at the end of the valley. After shooting the lilies the sun sank into the horizon and the light faded. I put my camera and tripod on my shoulder and walked out along the beach. The seagulls circled around calling out the way seagulls do. I stood there listening to the sounds and watching the waves. Suddenly a big swell rolled up the beach and before I knew it I was knee deep in ocean! I figured since I was all wet I may as well take a few long exposures before it was totally dark. It was fun but none of the images were worth keeping. It didn't matter. I had the lilies I came for and I was happy.
There's something that intrigues me about the lilies in this photo. Nearly everyone has the same response when I show them this photo. "Wow! Those don't even look real!!" Well all of these flowers were very real. I searched through each and every one for over an hour before planting my tripod in this spot. The lilies were so fresh and perfect on that day. But it's been a few weeks since then. All of the perfect flowers in this image are now more like dried raisins. It's kind of a weird thought isn't it? I've often felt that photography is like putting time in a bottle.
Thanks for stopping by.
Considero valore ogni forma di vita, la neve, la fragola, la mosca.
Considero valore il regno minerale, l'assemblea delle stelle.
Considero valore il vino finché dura il pasto, un sorriso involontario,
la stanchezza di chi non si è risparmiato, due vecchi che si amano.
Considero valore quello che domani non varrà più niente e quello
che oggi vale ancora poco.
Considero valore tutte le ferite.
Considero valore risparmiare acqua, riparare un paio di scarpe,
tacere in tempo, accorrere a un grido, chiedere permesso prima di sedersi,
provare gratitudine senza ricordare di che.
Considero valore sapere in una stanza dov'è il nord,
qual è il nome del vento che sta asciugando il bucato.
Considero valore il viaggio del vagabondo, la clausura della monaca,
la pazienza del condannato, qualunque colpa sia.
Considero valore l'uso del verbo amare e l'ipotesi che esista un creatore.
Molti di questi valori non ho conosciuto.
E. De Luca, Valore
What I consider (imho) to be one of the prettiest Butterflies we get to see in the UK, catch them in the right light and on the right flower and they look gorgeous, this one caught here in flight on its way to the next nectaring station ;)
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Thanks to those who look and take the time to comment, it's very much appreciated.
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Please respect my wishes and Do Not post Icons, Links or Awards on my photo stream.
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Note: I only upload a minimal size and minimal quality image.
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Please do not use my images in any way shape or form without obtaining my explicit consent.
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All my images are: © All Rights Reserved
Proceso evolutivo
Es considerada una de las plantas que representa la navidad y a su vez un imán de buena suerte.
es.wikipedia.org/wiki/Schlumbergera
Reino: Plantae
División: Magnoliophyta
Clase: Magnoliopsida
Orden: Caryophyllales
Familia: Cactaceae
Subfamilia: actoideae
Tribu: Rhipsalideae
Género: Schlumbergera
Please consider joining my weekly photo sharing community that "gets together" on Thursdays - TODAY! NOW! :). The theme for next week is a poem or you can post the theme or anything that speaks to your artistic self. Please go here: www.flickr.com/groups/re-inspiredthursdays/
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I consider this my best fig because it looks great, but what i especially love about this is the cape. I tried my best to do this. Do you guys like it? Comment if you want to. :)
Humphrey considers the seriously cold nature of the weather at this time of year whilst taking a well earned rest.
Charles BAUDELAIRE (1821-1867)
Le coucher du soleil romantique
Que le soleil est beau quand tout frais il se lève,
Comme une explosion nous lançant son bonjour !
- Bienheureux celui-là qui peut avec amour
Saluer son coucher plus glorieux qu'un rêve !
Je me souviens ! J'ai vu tout, fleur, source, sillon,
Se pâmer sous son oeil comme un coeur qui palpite...
- Courons vers l'horizon, il est tard, courons vite,
Pour attraper au moins un oblique rayon !
EXTRAIT**
Considéré comme l'un des 1 776 exemplaires du Coupé XJ6 Série 2 4,2 litres construit en 1977
Vendu 17.250€
Hoje que a tarde é calma e o céu tranqüilo,
E a noite chega sem que eu saiba bem,
Quero considerar-me e ver aquilo
Que sou, e o que sou o que é que tem.
Olho por todo o meu passado e vejo
Que fui quem foi aquilo em torno meu,
Salvo o que o vago e incógnito desejo
Se ser eu mesmo de meu ser me deu.
Como a páginas já relidas, vergo
Minha atenção sobre quem fui de mim,
E nada de verdade em mim albergo
Salvo uma ânsia sem princípio ou fim.
Como alguém distraído na viagem,
Segui por dois caminhos par a par
Fui com o mundo, parte da paisagem;
Comigo fui, sem ver nem recordar.
Chegado aqui, onde hoje estou, conheço
Que sou diverso no que informe estou.
No meu próprio caminho me atravesso.
Não conheço quem fui no que hoje sou.
Serei eu, porque nada é impossível,
Vários trazidos de outros mundos, e
No mesmo ponto espacial sensível
Que sou eu, sendo eu por `'star aqui ?
Serei eu, porque todo o pensamento
Podendo conceber, bem pode ser,
Um dilatado e múrmuro momento,
De tempos-seres de quem sou o viver ?
[Fernando Pessoa]
(...) Considere la cantidad de pura superstición que contribuye a la formación del hombre convencionalmente virtuoso y piense que, mientras de niños se nos trataba de proteger contra toda clase de peligros imaginarios a base de prohibiciones estúpidas, prácticamente ni se mencionaban los verdaderos peligros morales a los que se expone un adulto: las triquiñuelas en los negocios no penadas por la ley, la dureza en el trato a los empleados, la crueldad con la esposa e hijos, la malevolencia hacia los competidores (...) éstos son los pecados verdaderamente dañinos entre los ciudadanos respetables y respetados.
A través de ellos, el hombre siembra miseria en su entorno inmediato y pone su parte en la destrucción de la civilización.
Pero, ¿por qué su moralidad subconsciente está tan desligada de la razón? Porque la ética en la que creían los que le guiaron en su infancia era una tontería; no estaba basada en un estudio de los deberes del individuo para su comunidad; porque estaba compuesta por viejos resíduos de tabúes irracionales dictados por sacerdotes y parientes mentalmente esclavizados (...) va siendo hora de que quien va a participar de la vida normal del mundo aprenda a rebelarse contra esa idiotez enfermiza.
B.Russell
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Please contact me at miqi2k2@gmail.com
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Portfolio (Architecture Photography)
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© Álbum 0498
By Catedrales e Iglesias
Arquidiócesis Primada de México
Morelos No. 10,
Colonia Culhuacán
Delegación Iztapalapa
C.P.: 09800;
México D. F.
Telefonos:
5608 0122 / 0414 y 0163
Horarios del museo:
Martes a Domingo - La entrada es gratuita
de 9:00 a 17:00 hrs.
El Ex Convento de Culhucán fue fundado en el año 1607, en Culhuacán, México. según lo refiere el cronista Texcocano Chimalpain. Culhuacán tuvo gran importancia como centro religioso pues aquí se adoraba a los dioses del agua y la fertilidad. Se ubica en las faldas del Cerro de la Estrella o que fue su nombre prehispánico.
Culhuacán significa, cerro encorvado, antiguo y venerable, también se traduce como "lugar de Culhuas".
El Ex Convento Culhuacán contiene ahora un museo de sitio con seis salas. Las salas se ubican en el claustro alto, se resguardan deidades tales como la diosa de las mazorcas de maíz o Chicomecoatl (siete serpiente); un mascarón de Tlaloc, dios de la lluvia; que muestra la riqueza cultural de los antiguos culhuacanos. Además se ilustra la época virreinal con objetos significativos que evocan la labor evangelizados de los frailes, como los libros de registro de bautismo de los siglos XVI y XVII, también se exhiben cuatro columnas de retablo y base de pulpito que decoraban la Iglesia original.
El Ex convento es considerado como una joya arquitectónica, es uno de los dos únicos edificios construidos en las décadas del siglo XVI en la Ciudad de México. Los muros fueron edificados con roca volcánica; y en su parte interior se encuentra decorado con escenas de la vida de Cristo, santos y frailes, en los que se destaca la delicadeza y maestría con que fueron elaborados por los pintores indígenas o tlacuilos.
El edificio que actualmente es conocido como Ex Convento de Culhuacán fue construido por los frailes de la orden de San Agustín, como centro evangelizador, es decir que durante la colonia o virreinato, los frailes agustinos permanecieron aquí enseñando la religión católica a la población indígena.
Siurana puede considerarse como uno de los pueblos más bellos de la provincia. Asentado sobre un enorme peñón de roca caliza y rodeado por el torrente del Estopiñá, preside una magnífica panorámica del valle del río Ciurana y su embalse. Ciurana de Tarragona fue declarado paraje pintoresco en 1961. Entre sus paisajes naturales destacan formaciones rocosas como la peña gemela de la Siuranella, el Salto de la Reina Mora o la Trona, y los acantilados de Arbolí, frecuentados por aficionados a la escalada. Siurana está flanqueada por la sierra de Montsant, y por picos como el de la Gritella (1.089m) y el de Gallicant (1.028m).
Siurana de Prades se encuentra en el extremo este de la Sierra de Prades, a 737m de altitud sobre el nivel del mar, en una montaña con forma de península que domina los valles del río Siurana y de Cornudella. Se llega por una pista asfaltada desde la población de Cornudella, y también por un camino forestal desde Prades. también se puede llegar a pie por varios caminos y senderos, usados frecuentemente por vecinos, escaladores y excursionistas. Desde el año 1942 forma parte del municipio de Cornudella de Montsant.
textured with
'Paint 3' www.flickr.com/photos/chorando/3271982153/in/set-72157607...
by Clive Sax
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this one made EXPLORE 2013-07-12
Considéré comme l'un des plus beaux du Léman par les navigateurs et les visiteurs, le port de La Tour-de-Peilz doit incontestablement une partie de son charme au fait qu'il dessine et forme un tout avec le Château qui abrite le Musée Suisse du Jeu, dont la visite vaut à elle seule le détour. Flâner un moment dans ce superbe coin, qui s'étend paresseusement entre vieux bourg et lac est un privilège et un plaisir rare. L'endroit, calme, harmonieux, incite à la promenade, à la détente, voire à la méditation. D'ici, la vue embrasse le Grammont, de l'autre côté du lac, les majestueuses Dents-du-Midi, plus au sud, et en tournant la tête encore un peu sur l'arrière, les Rochers-de-Naye et la Dent de Jaman, tout proche.
Assemblage de cinq prises de vues
Having artificially darkened the sky of this panoramic shot of Happisburgh Lighthouse I did consider adding a light but with a lot of these things, it's knowing when to stop.......
Click here to see more photos from my trip to Norfolk : www.flickr.com/photos/darrellg/albums/72157668564966360
From Wikipedia : "Happisburgh Lighthouse in Happisburgh on the North Norfolk coast is the only independently operated lighthouse in Great Britain. It is also the oldest working lighthouse in East Anglia......
In 1987 Happisburgh was one of five lighthouses declared redundant by Trinity House and deactivation was planned for June 1988. Villagers organised a petition to oppose the closure, and as a result the date was postponed.
Under the Merchant Shipping Act of 1894, Trinity House may dispose of a working lighthouse only to an established Lighthouse Authority. On 25 April 1990 the Happisburgh Lighthouse Act received the Royal Assent establishing the Happisburgh Lighthouse Trust as a Local Light Authority, and Happisburgh became the only independently run operational lighthouse in Great Britain."
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© D.Godliman
Consider the lilies of the field...soft lavender pink ones in my senior apartment's garden area. I did not grow these but my camera and lens like to show them off.
Non so bene di cosa avrei voluto scrivere in questa foto. Non era neanche necessario che fosse proprio in questa, ma diciamo che si prestava. Avevo buttato giù qualcosa, qualcosa che mi cominciava anche a piacere e non è affatto scontato che accada, da un bel po' di tempo a questa parte. L'inizio era tipo
Gente che viene, gente che va... gente che viene per rimanere -almeno un po'- e cercare di vendervi qualcosa. Se vi capita, spendete almeno qualche parola con loro, anche in questi tempi di crisi, soprattutto in questi tempi di crisi le parole non spendetele con parsimonia...
Poi cercavo anche un brano da metterci, che non è che lo faccia sempre ma qualche volta mi va e allora pensavo a quale pezzo della mia musica potevo metterci e uno di quelli che avevo preso in considerazione era senz'altro questo, solo che mentre guardavo nel tubo ho letto un rip riferito a GURU, uno degli artisti hip hop (e non solo) che ho apprezzato di più. Ho fatto una ricerca, sentendomi anche un po' in colpa, ed ho scoperto che ci ha lasciato più di un anno fa. Come fa uno a perdersi queste cose? Succede, eh, per carità. E certo non è la cosa peggiore, il peggio è che uno se ne va, non che qualcuno non se ne accorga. E mi è dispiaciuto.
Cosa fare, a quel punto? Integrare lo scritto con delle parole per GURU? Avevo anche pensato di dedicargli almeno un tributo musicale, andando a cercare un brano che potesse prestarsi; ne conosco diversi sull'argomento specifico -uno proprio suo, ai tempi dei Gangstarr- dedicato ai tanti artisti hip hop scomparsi ma poi ho pensato che Lifesaver era il più indicato, con quell'inizio Is this really the end? Or is the new beginning?, che pure io col mio inglese approssimativo capisco cosa vuol dire e quindi il pezzo è questo.
E le parole lasciano il posto al silenzio, perché non c'è molto altro da dire, ormai.
Rest in peace, Keith.