View allAll Photos Tagged CHAOS
There is an awful lot going on here-I don't think I'll even try....But it does involve an old TV and vintage Singer,and much,much more.And that's just the first part of the room....
A great pic of the TV,by Aces & Eights:
I've wanted some Spawn in my army for a while, but struggled to come up with a concept. Much as I wanted them to be mental, I also wanted them to look coherent as a unit.
Eventually I settled on a 'cerberus' concept, to tie in with the 'sin and redemption' vibe my army has going. I paid homage to a couple of my favourite computer games in the process...
The bodies are Fenrisian Wolves, which I cut open just behind the neck so I could bend them outwards. The teeth are small claws from Hormagaunt feet, and the tentacles are rolled from Green Stuff using a tube tool.
I'm quite pleased with how the sculpting turned out, particularly filling in the gaps at the necks with fur, which I was able to make almost seamless on most of the models.
Part of a series of photos of my campaign army for 2013.
Here, a shot of Saren's display base. I chose to make a display base for Saren after finding a sizeable quantity of old Cities of Death sprues. The base itself is made from ruined walls from said sprues, as well as some adornments from the Chaos Vehicle Accessories sprue, to add a little more barbarism. The stones on the base were cleverly designed to wrap around a normal 25mm round base, with a slot at the back to allow for access. This allows the model to be used with its normal base instead of the large base in game situations. It also allows any model with a 25mm base to be used on the display base. The design of the removable aspect of the base was influenced heavily by the model of the Primarch Angron, even going as far as to convert a model to be placed at the receiving end of Saren's axe...
Forge World makes some lovely Renegade models, but I've found a head swap on the already excellent Cadian model works pretty effectively. These guys are a mix of Cadian and Empire Flagellant, and the Resident Evil 4/Evil Dead-inspired Eviscerator is a Chaos Space Marine arm with the Sentinel close combat weapon instead of a hand.
'Picasa made' collage of Sydney night pics (eg. of 1 of the original photos)
( Image for Photo Friday )
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
------------------------------------------------------------------------------------------
WEBSITE: denofimagination.com/
YOUTUBE: www.youtube.com/user/denofimagination
SHOP: shop.denofimagination.com/
TWITTER: Twitter.com/doiStudio
FLICKER: www.flickr.com/photos/97996892@N07/
PINTEREST: www.pinterest.com/denstudio/
INSTAGRAM: instagram.com/doiphoto/
Chaos Theory... an Observation : 73° 35' W: 45° 30' N: 10/10/05: 9:30 EST
The Butterfly Effect is a phrase that encapsulates the more technical notion of sensitive dependence on initial conditions in chaos theory. The idea is that small variations in the initial conditions of a dynamical system produce large variations in the long term behavior of the system.
Edward Lorenz first analyzed the effect in a 1963 paper for the New York Academy of Sciences. According to the paper, "One meteorologist remarked that if the theory were correct, one flap of a seagull's wings could change the course of weather forever." Later speeches and papers by Lorenz used the more poetic butterfly, possibly inspired by the diagram generated by the Lorenz attractor, which looks like a butterfly; other theories propose that the phrase's basis is to be found in fiction (Ray Bradbury's 1952 story "A Sound of Thunder"), but there is no proof available that Lorenz was swayed by literary precedent.
The practical consequence of the butterfly effect is that complex systems such as the weather are difficult to predict past a certain time range - approximately a week, in the case of weather. This is because any finite model that attempts to simulate a system must necessarily truncate some information about the initial conditions—for example, when simulating the weather, one would not be able to include the wind coming from every butterfly's wings. Although in all practical cases, deficincies in the knowledge of the initial conditions are more important source of error, as are model deficiencies. In a chaotic system, these errors are magnified as the simulation progresses. Thus the predictions of the simulation are useless after a certain finite amount of time...en.wikipedia.org/wiki/Chaos_theory
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
------------------------------------------------------------------------------------------
WEBSITE: denofimagination.com/
YOUTUBE: www.youtube.com/user/denofimagination
SHOP: shop.denofimagination.com/
TWITTER: Twitter.com/doiStudio
FLICKER: www.flickr.com/photos/97996892@N07/
PINTEREST: www.pinterest.com/denstudio/
INSTAGRAM: instagram.com/doiphoto/
Looking to the west with a mixture of aurora and lenticular cloud at various levels, and the iridescent Moon, Jupiter and Venus over Benachie.
Large swell pounding bats cave at the Nahoon Point Nature Reserve of the Eastern Cape of South Africa.
John & Tina Reid | Commercial Portfolio | Photography Blog | Travel Flickr Group
Birth of the mysterious Alchemical Sentinels
3 months working day and night with an exceptional “dream team"… a big thank you to ACS, Luc, my trusty Giant who could lift a juggernaut onto a balcony (QED Thierry Loir) Thomas Cart'1, Goin, and of course Marc for the paints.
I have managed to set up my installation of 99 raw steel sculptures with an incredibly demanding specification: none of the 3600 work on the DDC site were to be hidden… we had to think about power sources, water crossings, access for construction machinery including the telescopic booms (3m wide)… public safety, ERP museum standards, etc, ... constantly alternating between the visible and the invisible...
Are they inhabited? I don’t know. One thing is certain: each sentinel stands as a unique sculpture in terms of its alchemical elements and paintwork (either with anti-rust paint or voluntarily with paints that do not resist rust). This autumn, each sentinel will reveal – with the acid rain – different interpretations, depending on the paints and solvents used, making each one different, with stratifications that future archaeologists will decipher.
But my most perilous challenge was to create a giant (9000 m²) installation that envelops the Abode of Chaos with dozens of tons of steel, so that my visitors, from any angle, enter a dreamlike fantasy and where the world of the Abode of Chaos on the one hand and that of the 99 monumental sculptures (named "Alchemical Sentinels" during an extremely busy night ) intersect like the Inframince defined by Marcel Duchamp (or, how to build intensities by subtraction).
These 99 Alchemical Sentinels are now the guardians of the Sanctuary that the Abode of Chaos has become. I designed them as veritable quantum energy wells that we placed with patience and wisdom at different spots all over the Abode of Chaos.
There are 99 in total, made of 10mm rough steel (50 tons), welded to form perfect equilateral triangles. Each of the three sides constituting an Alchemical Sentinel is itself cut to reveal a meurtrière, again in the shape of an equilateral triangle, presenting a superb Euclidean geometry to the visitor.
These 99 Alchemical Sentinels are each placed at specific energy points on the 9000 m² of the Abode of Chaos. Some are hidden by vegetation or natural landforms or are placed in relation to existing works. Others are located in our private and professionals spaces.
In my alchemical work that began on 9 December 1999, the three gates arranged in an equilateral triangle with one vertex pointing upwards, form the luminous delta. They represent the three elements that alchemists work with. These three elements are sulphur, mercury and salt.
Note that the three elements found in the Prima Materia (or Alchemical Chaos) are very closely related. The point triangle is also the symbol of the fire philosophers.
The equilateral triangle resting on its base – like the three points – is the symbol of the fire element, one of the four elements that the alchemist works with in the laboratory.
The geometric properties of the equilateral triangle evoke absolute perfection by their spiritual strength and their age-old symbolism going back to ancient Egypt… strength, beauty and harmony.
They will remain for a thousand years as witnesses to a civilization lost through the folly of men.
thierry Ehrmann
-------------------------------------------------
3 mois de travail jour et nuit, une "dream team" hors du commun, un grand merci à ACS, Luc, mon fidèle Géant qui poserait un 38 T. sur un balcon (cqfd Thierry Loir) Thomas, Cart'1, Goin et bien sûr Marc pour les peintures.
Je suis arrivé à poser mon installation de 99 sculptures d'acier brut avec un cahier des charges de ouf, aucune des 3600 œuvres de la DDC ne devaient être occultées, penser aux sources électriques, les passages d'eau, les voies de transport pour engin de chantier, les nacelles télescopiques (3m de large), protéger le grand public, respecter les normes ERP muséales, etc… Alterner en permanence monstration et effacement…
Sont-elles habitées ? Je l'ignore. Une chose certaine est que chacune, par les éléments alchimiques et les codes peints soit à l'antirouille soit volontairement avec des peintures dégradables par la rouille avec le temps, rend chaque sentinelle comme une sculpture unique. Cet automne chaque sentinelle va laisser apparaître, avec les pluies acides, différents niveaux de lecture, selon les peintures et solvants utilisés, les rendant singulières avec des stratifications que les archéologues des temps futurs décrypteront...
Mais mon défi le plus périlleux, était de créer une installation géante de 9000 m2 qui enveloppe, par des dizaines de tonnes d'acier, la Demeure du Chaos pour que mes visiteurs sur 360 degrés, plongent dans un univers onirique et fantasmagorique où les deux univers que sont la Demeure du Chaos d'une part et d'autre part l'installation des 99 sculptures monumentales (baptisées par une nuit très agitée "Sentinelles Alchimiques") s'entrecroisent selon l'Inframince définit par Marcel Duchamp (ou comment construire des intensités par soustraction).
Ces 99 Sentinelles Alchimiques sont désormais les gardiennes du Sanctuaire que représente la Demeure du Chaos. Je les ai conçus comme de véritable puits d’énergie quantique que je pose avec patience et sagesse sur l’ensemble de la Demeure du Chaos.
Elles sont au nombre de 99, faites d’acier brut de 10 mm (50 tonnes) soudées pour former un triangle équilatéral parfait. Chacun des 3 pans constituant une Sentinelle Alchimique, est lui même découpé pour laisser entrevoir une mystérieuse meurtrière, elle même en forme de triangle équilatéral, donnant ainsi une géométrie Euclidienne au regard du visiteur.
Ces 99 Sentinelles Alchimiques sont chacune à des points d’énergie particuliers de la Demeure du Chaos sur 9000 m2. Certaines se dissimulent par la végétation ou les reliefs naturels ou bien en écho aux autres œuvres, d’autres sont dans les espaces privatifs ou professionnels.
Dans mon travail alchimique démarré le 9 décembre 1999, les trois portes disposées en triangle équilatéral, dont un sommet est dirigé vers le haut, forment le delta lumineux. Elle sont les trois corps sur lesquels l’alchimiste va œuvrer. Ces trois corps sont le soufre, le mercure et le sel.
Soulignons que les trois corps présents dans la Materia Prima ou Chaos alchimique sont étroitement mélangés. Le triangle de point est aussi la marque des philosophes par le feu.
Le triangle équilatéral reposant sur sa base, à la manière des trois points, est le symbole de l’élément feu, l’un des quatre éléments avec lequel l’alchimiste travaille au laboratoire.
Les propriétés géométriques du triangle équilatéral relèvent de la perfection absolue par sa force spirituelle, son symbolisme de la nuit des temps notamment dans l’ancienne Egypte, il est force, beauté et harmonie.
Elles resteront durant mille ans comme les témoins d’une civilisation disparue par la folie des hommes
thierry Ehrmann
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
------------------------------------------------------------------------------------------
WEBSITE: denofimagination.com/
YOUTUBE: www.youtube.com/user/denofimagination
SHOP: shop.denofimagination.com/
TWITTER: Twitter.com/doiStudio
FLICKER: www.flickr.com/photos/97996892@N07/
PINTEREST: www.pinterest.com/denstudio/
INSTAGRAM: instagram.com/doiphoto/
Among the chaos of smoke, explosions and bombing runs of the Pearl Harbour re-enactment was this two-aircraft dogfight, with a P-36 close on the tail of a Zero.
The A6M Zero is ‘AI-114’ and is registered as N15797. She started life as a Harvard IV in RCAF service as ‘20408’. The P-36 is registered as N9820C and was previously in US Navy service as an SNJ-6 with the Bureau No 112178.
2019 Wings over Houston Airshow.
Ellington Airport, Houston, Texas.
20th October 2019