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The Roman Catholic church of St Charles in Gosforth was built in 1911 (replacing an earlier iron-built structure) and is a handsome building with two small west steeples flanking the main facade and a wide cruciform body culminating in a shallow apse. The interior is partially enlivened by marble-cladding, particularly around the sanctuary.
The outstanding features here however are in glass, principally the two large windows that dominate the north and south transepts, the largest windows in the church and both filled with gloriously rich stained glass by Harry Clarke Studios of Dublin and installed in 1945 (long after the death of Clarke himself and most likely designed by his successor Richard King). The south window depicts the Nativity, whilst that to the north represents the Deposition, with Christ's body being removed from the Cross. There is a further window by the same studio in the south nave clerestorey depicting Christ before Pilate, somewhat smaller and sadly less accessible.
This is a thoroughly rewarding church to visit for lovers of stained glass, though it is best to check with the church about access as it isn't always open outside mass times.
Luxury apartment buildings near Huangpu River in Shanghai
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High Light
A view from the medieval stronghold the Burcht over the City of Leiden basking in the evening light.
(c) 2018 martijnvandernat all rights reserved
Universally known as Aragonese, it was actually much more ancient, since there is already mention of its existence in 1027, though it must have existed already in 536, probably on a preexisting stronghold of Roman times. Есть подтверждения, что этот замок уже возвышался на территории Реджо Калабрия в 1027 году, в норманнский период, однако временем его построения считается период с 536 по 549 гг. Замок был сооружен византийцами, а при норманнах он был отреставрирован и переделан под нужды местных правителей. Замок также переходил из рук в руки: от норманнов в анжуйским, и в конце концов перешел к арагонским.
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SEIA (Portugal): Cabeça - Aldeia Natal.
Entre 18 de Dezembro e 2 de janeiro de 2022, a pequena Aldeia de Montanha da Cabeça, no concelho de Seia, volta a ser a Aldeia de Natal mais ecológica do país.
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Pretty much everyone who visits the south of France stops off in Carcasonne. This small town is famous for its absolutely well-preserved medieval old town, with city walls, towers and so on. Unfortunately, you are never alone there and one tourist trap follows another. It's a little quieter in the church, which can easily stand comparison with other places of worship.
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Panoramic view of the city of Barcelona from the Hill of Tibidabo.
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The land upon which the castle is constructed was purchased by the oil industrialist P. L. Steingel (nephew of the famous Russian railroad builder Baron Rudolf Steingel, a German nobleman who had made a fortune extracting oil in Baku. Baron von Steingel adored the Gothic architectural style, so he ordered the prominent Russian architect Leonid Sherwood to use the Neuschwanstein Castle in Germany as an example for the new construction, but to make the building even more fairytale-like.
The available land only measured 20 x 10 meters, so the castle was built up high with turrets, spires and open battlements. Inside the main tower, there were 2 tiny bedrooms. The living room, with a large fireplace and stairs, were brought closer to the “shore” for security reasons. Sherwood made a beautiful toy “copy” of the Gothic Rhine castles but did not take into account that large grottoes were located under the cliff. Behind the balconies, at the edge of the cliff, there was originally a garden, but in 1927 an earthquake occurred, and the rock upon which the castle stood broke: the garden fell into the sea, and one main tower was almost completely destroyed.
The next large-scale reconstruction took place in the 1960s. Originally it was proposed that the castle be dismantled brick by brick and moved “to the mainland”, however, this idea was abandoned. The Soviet architect Tatiev was responsible for the eventual reconstruction and the Swallow’s Nest was “rebuilt” with the entire castle being dismantled with each brick numbered and then reassembled on an earthquake-resistant slab placed on top of the rock.
Известный всем небольшой замок на вершине скалы в поселке Гаспра, недалеко от Ялты, построен в 1911 году архитектором А. Шервудом по заказу барона Ф. Штейнгеля. Известный нефтепромышленник хотел придать своей даче образ рыцарского замка и даже дал название «Генералиф», что означает «замок любви». Однако это название не прижилось. Архитектор построил дачу-замок в готическом стиле, добавив в убранство фасада аркатурные фризы, декоративные башенки, зубчатое завершение стен.
Размер постройки совсем не велик: ширина 10 метров, длина 20 метров, а высота 12 метров. Столь величественным здание делает, безусловно, его местоположение, ведь высота скалы, на которой оно расположено, — более 40 метров. Внутри дома разместились прихожая, гостиная с большими окнами, лестница, ведущая на башню, и две спальни.
Барон В. Штейнгель продал дом в 1914 году и уехал из России. Новый хозяин открыл в «Ласточкином гнезде» ресторан, который успешно работал.
Угроза над постройкой нависла во время землетрясения 1927 года, когда обрушилась часть скалы. К счастью, здание устояло, но была частично разрушена башня и пострадала смотровая площадка. В последующие годы здесь размещался красный уголок дома-отдыха, читальный зал, а затем столовая, пока здание не опустело из-за аварийного состояния.
Реконструкция началась в 1968 году и продлилась три года; под основание «Ласточкиного гнезда» была подведена монолитная железобетонная труба, были восстановлены архитектурные элементы наружного декора.
The Galleria built between 1865 and 1877 is formed by two arcades shaped like a Latin cross covered by a glass and iron dome. The structure of the Galleria is 32 metres high, comprises 353 tonnes of iron utilised for the skeleton of the cover, and its octagonal-shaped roof reaches a height of 47 metres. If you walk around the galleries, the central dome has a stunning mosaic that represents the continents of Asia, Africa, Europe and America.
Расположенная в самом сердце города, эта торговая галерея соединяет две красивейшие площади «столицы моды» — площадь перед собором Дуомо и площадь перед театром Ла Скала. алерея носит имя короля Витторио Эммануэле II (или Виктора Эммануила), а построена она была в 1865—1877 гг. по проекту архитектора Джузеппе Менгони, который, увы, до окончания работ не дожил — упал со строительных лесов и погиб. Пассаж имеет удивительно гармоничную в архитектурном плане форму латинского креста с восьмиугольным центром. Его главная изюминка — стеклянные крыши и гигантский 47-метровый купол посередине. Украшенную мозаиками, изображающими четыре континента (кроме Австралии), галерею можно назвать поистине архитектурной жемчужиной столицы Ломбардии. Внутри — яркие фрески, изящные скульптуры, причудливая лепнина и мозаичный пол с гербами Милана, Турина, Рима и Флоренции.
The “floating” holiday huts stand on stilts in the local lake, the waters unique because they will not freeze in winter due to heat generated by a nearby power plant. This makes the lake suitable for fishing year round, to the delight of local anglers.
The Buonconsiglio Castle, splendid residence of the Prince Bishops and symbol of the city of Trento, is made up of different parts built in different ages: an older one, called Castelvecchio, includes Torre Aquila, with the frescoes of the Cycle of the Months, a masterpiece of Gothic art that takes us to the heart of courtly and peasant life at the end of the 14th century. Then there is a Renaissance part, the Magno Palazzo, commissioned by the Prince Bishop Bernardo Cles and richly frescoed, while another wing of the palace, the Giunta Albertiana, is from the Baroque age. During the First World War the trial against the irredentists Cesare Battisti, Fabio Filzi and Damiano Chiesa was held here.
Мощная цитадель с толстыми стенами, окнами-бойницами, оборонительными башнями, подъемным мостом – типичное строение XIII века в романском стиле. Внутри находились подземелья и камеры пыток. Через 200 лет была надстроена высокая Орлина башня (Torre dell’Aquila) – веяние готики; внутренние росписи башни – сцены времен года – ценнейший памятник готического искусства. В XVI в. к крепости был пристроен Парадный дворец (Magno Palazzo): фронтоны, галереи с колоннадами, росписи на темы античных сюжетов – это уже Ренессанс. Новая пристройка к замку – La Giunta Albertiana с элементами барокко была сделана в XVII.
Temple of Concordia, Agrigento, built c.440-430 BC, is an ancient Greek temple of the ancient city of Akragas, located in the Valle dei Templi in Agrigento
Morning over the Windmill museum and city mill 'Molen de Valk' in Leiden, the Netherlands.
I lost my Polarizing filter while taking this shot. I took it off because I liked the hazy conditions and accidentally dropped it.
Later that day (after work) during sunset I went and visited that spot again and guess what I found? That and the awesome sunset conditions really made my day!
(c)2018 martijnvandernat.nl all rights reserved
Es el acueducto de la Partida diseñado por Sabatini y cuyos vestigios podemos encontrar en diversas zonas de la Casa de Campo. En la foto vemos uno de estos restos junto a una fuente construida durante la República y restaurada por el Ayuntamiento de Madrid en 2016.
Europe, Portugal, Lisboa, Belem, MAAT, Oval gallery, Jesper Just, "Servitudes - Circuits (Interpassivities)" installation, people
Captured in hall 3 of MAAT (Lisbon's museum of architecture, art and tech) at Jesper Just's "Servitudes - Circuits (Interpassivities)" installation.
"Using the exhibition architecture as a medium that enters into a dialogue with film projections, Danish artist Jesper Just transforms the Oval Gallery into a couple of emotional spaces inhabited by fleeting characters that reflect the human condition in the present era, in a site-specific intervention. Through sound, built structures and deconstructed moving images, the artist alters the physicality and perception of exhibition spaces, obstructing the normal flow of museum visitors. This performative approach makes the visitor adjust to unexpected conditions, testing ideas of agency, self-conscience and physical boundaries. In a collaboration with Copenhagen’s Kunsthal Charlottenborg, Servitudes – Circuits (Interpassivities) combines and re-stages two interrelated pieces in the artist’s recent production: Servitudes, an eight-channel video installation that was first presented in 2015 at the Palais Tokyo, and Circuits - Interpassivities, a multimedia piece presented here for the first time in a museum context, after its initial presentation at the artist’s gallery in Denmark."
Text source: MAAT.
Number 356 of the Interiors album: It's about architectural choices, decoration and practices of use, as seen from within buildings. Sometimes in tune and sync with the exterior and sometimes not.
By tradition, this is one of the churches built on the orders of Matilda of Tuscany (1046-1115). Its layout reminds of the Church of the Holy Sepulchre in Jerusalem, while its proximity to Sant'Andrea basilica – where the Blood of Christ is guarded – reminds of the Calvary.
Была построена в 1080 - 1151 годах, это - ломбардский романский стиль. Самое интересное — это форма, таких круглых церквей в Ломбардии остались считанные единицы. Внутри можно увидеть сохранившиеся следы византийских фресок.
The house of Baron Fredericks (the official name until 1917 - "ministerial house with apartments for ladies") was erected in 1901–1902. Petersburg architect Alfred Avgustovich Biber. The three-storey building is designed in the so-called Baltic Art Nouveau style. On the western and south-western facades, metal decorations have been preserved - lattices, brackets, elements of awnings. There were several apartments inside, the largest of which belonged to Vladimir Borisovich Fredericks
Дом барона Фредерикса (официальное название до 1917 г. – «министерский дом с квартирами фрейлин») был возведен в 1901–1902 гг. петербургским архитектором Альфредом Августовичем Бибером. Трехэтажное здание выдержано в стиле так называемого «прибалтийского модерна». На западном и юго-западном фасадах сохранились металлические украшения – решетки, кронштейны, элементы навесов. Внутри было несколько квартир, самая большая из которых принадлежала Владимиру Борисовичу Фредериксу
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St. Bernard de Clairvaux Church is a medieval Spanish monastery cloister which was built in the town of Sacramenia in Segovia, Spain, in the 12th century but dismantled in the 20th century and shipped to New York City in the United States. It was eventually reassembled at 16711 West Dixie Highway, North Miami Beach, Florida, where it is now an Episcopal church and tourist attraction called Ancient Spanish Monastery. It is the oldest European-built structure in the Western Hemisphere.
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