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Diversas cintas magnetofónicas usadas para difusión radial de publicidad, inicio y final de la transmisión y noticias importadas, entre otros.
Normalmente se graban a 7 1/2 pps. estéreo o mono, en una sola dirección.
Solían usarse directamente, o se grababa su contenido en otra cinta más larga o en un cartucho de cinta sin fin, a modo de tanda (en especial, la publicidad.)
Archives New Zealand Reference: AAAA21431D56921 / b
R15291934
collections.archives.govt.nz/web/arena/search#/?q=15291934
From series 21431
The photographs in this series document the history of public broadcasting, primarily television programming, in Otago. The photographs portray the staff and production work of DNTV-2 television station from its beginning in 1962.
Material from Archives New Zealand Te Rua Mahara o te Kāwanatanga Dunedin Office
Further enquiries email Dunedin.Archives@dia.govt.nz
1. I am thankful for getting better at respecting my own time. I had a cancelled appointment this morning but already had stuff in my queue with which to do! :) It also makes me limit time I spend on tasks which significantly increases my ability to focus. What tactics do you use to respect your own time? Enquiring minds want to know!! ;)
2. I am thankful for the time I spend by myself. Spending time by myself means not having to explain myself when I blurt out, “It’s a BOOLEAN!” while doing the supper dishes! :) What idiosyncrasies do you have when you are alone? :)
3. I am thankful for finishing, framing, photographing and wrapping a piece on Tuesday.
4. I am thankful for identifying that one thing that holds me back from Biggification and allowing people any opportunity to enjoy my art is that I feel anxious about getting too wrapped up in Biggification that I could/would get sick .. and umm I can’t even say it .. about my transplant. This allowed me to put health in the forefront of my personal manifesto which currently consists of three words ( / Gratitude / make art / health / ) in a circle with two-way arrows. Identifying the elephant in the room has been refreshing. :)
5. I am thankful for reminding myself why I write the thankful lists! To remind myself that I do have (and maybe am much) to be thankful for. Gratitude lists also distract me when I become too enthralled with my own belly button lint.
6. I am thankful that you can never step into the same river twice.
7. I am thankful for finding more excuses to walk and smile - often at the same time! ;)
8. I am really thankful for beautiful writing books with unassuming black covers and smooth unlined paper that I can write and draw on with lovely felt pens that are able to last much longer. Do you have a favourite place and/or way to write? :)
9. I am thankful for Lindsay recommending Eat, Pray, Love: One Woman's Search for Everything Across Italy, India and Indonesia. It has some lovely kernels of wisdom that I identify with AND, like every really good book, it made me laugh, cry and think! :) What really great books have you read? What drew you to the book?
10. I am seriously thankful for the people that blog what they need to communicate (their art) accessibly and are finding sustainable ways to help other people make their own art. Without their help I don’t know that I would have re-started making my own art, continued practising making photos or written anything publicly. They demonstrate that you can make your art, whatever that is, you can find a way. It can take LOT of work but it can be done!! :)
11. I am thankful for people (OK! it was one person!) that sent me stuff like this art making video and this letter to The Kidbecause it made me feel better and inspired me. (They also made me cry dang it.) I am thankful for posting a link to an audio file that helped some people feel better. :) What were you able to do to help someone feel (even) better? Did someone do something that made you feel better (even) better? What was it, did you let the person(s) know?
Thank you for reading. If you don’t feel like leaving a comment to answer any or all of the questions feel free to send a telepathic message, I believe my receptor should be up and running again! ;)
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2017 SDPB
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2021 SDPB
The BBC is a national institution and provides probably the worlds best public television and radio service. The online services is excellent also. That said, the BBC has come under a lot of criticism lately over variety of issues. The balance between being independent from government whilst providing an appropriate service to the license fee payer has always been difficult and is under even greater scrutiny today.
Broadcasting House is one of the original buildings, but has recently been sold.
This is the speaker through which DJs can listen to music without broadcasting it over the air. This thing comes in handy when a DJ has overslept and isn't fully prepared with enough music to cover a full radio show. Not like this happens often... we're just sayin'.
If you would like to adopt this Fixture, please make a paid-in-full pledge of $180 or more to WFMU's 2025 Marathon by 11:59pm on March 16th, 2025, and then send an email via this page to stake your claim. Make sure that you specify in the email that you'd like to adopt The Studio A Cue Speaker!
First come, first served!
Public Service Broadcasting
Live in Studio A, 9.13.17
Photographers: Mary Munshower, Kristal Ho, and Dan Tuozzoli
Finally, I personally reached out to this building. I usually see this building in every ABS-CBN Station ID or even as an integral part of any ABS-CBN's programs. I just walked from GMA Network Drive to Sgt. Esguerra Avenue just to visit this iconic building. Also, I finally saw the ABS-CBN logo that I used to see when I was a child.
ABS-CBN BROADCAST CENTER
This iconic building is situated in Bohol Avenue (now Sgt. Esguerra Avenue), Diliman, Quezon City. Designed by Architect Carlos Arguelles, the Broadcast Center was finally commenced in December 1968, and at that time, this was one of the ultra-modern television facilities in Asia, second to the NHK Headquarters in Japan. In 1972, the building was seized by the government after the declaration of martial law. KBS-9 (now RPN-9) and PTV-4 were the occupants of the Broadcast Center during the Marcos and Aquino Regime. After EDSA Revolution, the Lopezes was able to occupy some of the space in the area while PTV was the main occupant (until 1992), and after the transfer of PTV facilities in 1992 (and the resurgence of ABS-CBN as main television leader), the Lopezes were able to fix the building, and upgrade its equipment for broadcasting.
Date Taken: November 26, 2024
Medium: Canon EOS 4000D
Copyright 2024. All Rights Reserved.
A student-made bevel board and bevel gauge are in use in the Traditional Large Craft shop.
The British Broadcasting Corporation (BBC) asked the Boat School to build three traditionally-built Whitehalls as replicas of the boats used by John Wesley Powell and his group of explorers during their first-ever descent of the Colorado River in 1869. The BBC will film a reenactment of the voyage later in 2013.
Students at the School are building one 16-foot Whitehall, the "Scout Boat", and two 21-foot Whitehalls. Though Powell launched four Whitehalls onto the river in 1869, one, the 21-foot "No Name", was lost to the river shortly after the descent began.
The white oak from which the boats are constructed was supplied by Newport Nautical Timbers www.newportnauticaltimbers.com/ . The 16-foot boat will be planked in larch from eastern Washington, which is as close as it is possible to come to the original white pine planking used on that boat.
Whitehalls are the iconic American pulling boat.
They emerged in New York City and, possibly, shortly thereafter in Boston in the 1830's. It is thought the name derives from Whitehall Street in New York City, though no one is sure. By the mid-19th century, they could be found anywhere there was a sizeable body of water - the East Coast, the Great Lakes, and the Pacific Coast at San Francisco all boasted boatbuilders turning out Whitehalls.
The boats were usually used under oars and occasionally sail as fast harbor ferries and the boat used to take harbor pilots out to meet inbound sailing ships. They have a fine reputation as fast, easy-rowing vessels that are capable of carrying a great deal of weight.
Nearly all Whitehalls were carvel-built with white cedar planking on an oak backbone with oak frames. (Carvel planking means that the planks butted up against each other, edge to edge, which results in a smooth hull). The finer boats were highlighted with a bright sheer plank (the top plank) varnished to catch one's eye.
There is surprisingly little known about the boats used by the 1869 Powell Expedition, the first to descend the Grand Canyon of the Colorado River. We do know that the Powell Expedition boats were built in Chicago IL to Powell's specifications.
It's known that the EMMA DEAN, or the "Scout Boat" as Powell called it was 16 feet long and planked in white pine, that the other boats (MAID OF THE CANON, KITTY CLYDE's SISTER and NO NAME) were 21 feet long and planked in white oak with twice the number of frames and doubled stems and stern posts. (NO NAME was lost to the river shortly after Powell began the descent, though her crew survived).
There are no complete descriptions of the boats themselves, no pictures, and only a few scattered references made to the boats in the surviving journals and records of the Expedition.
The three boats we are building for the BBC are being constructed to the best information available, using the general scantlings provided by John Gardner's historical work, extent plans, our significant experience in building Whitehalls over our 32 years, and the historical data available to us.
The boats will be completed by mid-July, 2013.
The Northwest School of Wooden Boatbuilding is located in Port Hadlock WA and is an accredited, non-profit vocational school. You can find us on the web at www.nwboatschool.org .
Our mission is to teach and preserve the fine art of wooden boatbuilding and traditional maritime crafts.
We build both commissioned and speculative boats for sale while teaching students boatbuilding the skills they need to work in the marine trades. If you're interested in our building a boat for you, please feel free to give us a call.
You can reach us via e-mail at info@nwboatschool.org or by calling us at 360-385-4948.
Sitting at the helm of MTV Europe, this desk deals with satellite uplinks responsible for piping television to screens across the continent. Displayed here are video feeds from the Hotbird and Astra satellite grids, among others. These control suites are the brains of a modern behemoth; awesomely connected steering wheels of the high-technologies which tirelessly keep the worldwide transmitters on-air around the clock.
PUBLIC SERVICE BROADCASTING IS THE CORDUROY-CLAD BRAINCHILD OF LONDON-BASED J. WILLGOOSE, ESQ. WHO, ALONG WITH HIS DRUMMING COMPANION, WRIGGLESWORTH, WILL BE TOURING THE LENGTH AND BREADTH OF THE UK IN 2013 ON A QUEST TO INFORM - EDUCATE AND, MOST IMPORTANTLY – ENTERTAIN.
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2022 SDPB
Fifty years ago today, to the day and to the time, Monday August 14th, 1967, from 3pm in the afternoon, almost all the Pirate Radio Stations, bar one, closed down, one or two had already gone on that day and all the others had gone by midnight. Radio London, 266m, closed at 3pm on that afternoon and I was sat listening in the 'studio' at 'Radio Caroline West', more on this later, as Paul Kay one of the 'Big L' disc jockeys proclaimed 'Big L time is three o'clock and Radio London is now closing down'. The weather forecast just before this was also delivered by Paul Kaye, '... there will be fresh southerly winds and there is an unsettled outlook for tomorrow'; very prosaic.
'Wonderful' Radio London on Wikipedia-
en.wikipedia.org/wiki/Wonderful_Radio_London
Radio London Final Hour-
www.radiolondon.co.uk/rl/scrap60/finalhour/final.html
Radio Caroline flouted d the new law which came into force at midnight on this day in 1967 and chose to isolate themselves from the UK which meant the DJ's couldn't come back here and advertising revenue and supplies had to be sought from abroad. American, 'Billy Graham' type religious programmes were a vital mainstay to keep the finances coming in to operate the MV Mi Amigo, Caroline's southern ship anchored off Walton-on-the-Naze/Clacton in the Thames Estuary and Radio Caroline North, the MV Frederica anchored in Ramsey Bay off the Isle of Man. Today, Monday 14th 2017, Manx Radio on 1368kHz medium wave are hosting a 5-day extravaganza along with Radio Caroline which is now aboard the ship MV Ross Revenge and anchored on the River Blackwater in Essex and is back on the air again, see-
www.radiocaroline.co.uk/#home.html
they are playing music from the era and have to say that not all of it is good! According to the schedule, there is a commemorative program starting at 14:00hrs BST - 'Live from the Ross Revenge' and there are other features as well during the 5-day remembrance programming. A a small tribute to 'Caroline', Ronan O'Rahilly's pirate radio ship and after Radio Atlanta, was the 1st fully successful off-shore, i.e. in International waters beyond the 3 mile limit of the UK authorities.
The three sets of mosaic pictures shown here are from my archives from 1966-1968, when I was an avid pirate radio fan and listened to them all, a full list of these is, along with other details, is given in the last, 3rd, set of pictures along with a news clipping regarding why the then postmaster general, Ted Short, under the labour governments telecommunications minister, Anthony Wedgwood Benn, had decided to close the station down. This 1st set of 5 pictures shows the covers from the 3 books which were purchased in August 1967, 'Radio Caroline', by John Venmore Roland, Paul Harris's book, 'When Pirates Ruled the Waves' published in 1968 and Adrian Johns 'Death of a Pirate', published in 2011. All very well written and all give varying accounts of the different facets of the era; the last 'Death of a Pirate', probably the most useful history of it all, well after its 'heyday'. At lower right, own up time. Being a bit of a whizz with electronics, something which has stood me in good stead over the years, particularly in my last job at the Australian National University, a couple of pictures, the only two, of my radio studio at my parent house in Rotherham, in 1966. Those were the days of the 'Practicals' - Wireless and Electronics, and TV followed as well. So, building a low power transmitter and obtained a crystal to operate on medium wave, yikes!, the crude and dated setup was used to broadcast music in about a 1 mile radius of the transmitter; a pole sat atop a flat-roofed bungalow, now, since 2013, sadly demolished and also 50 years since its construction by 'Fred Moncaster, my grandfather the builder and featured here a short time ago, see-
www.flickr.com/photos/daohaiku/31862800414/
and
www.flickr.com/photos/daohaiku/31862799994/
the name was chosen, craftily, so the existing Carline North or South radio 'jingles' could be used which were recorded onto magnetic tape using the Grunding TK20 tape recorder. The 'studio' was equipped with a 'transcription unit' as they were called by professionals, this one was lifted out of a 'Dansette record player' which at this time had become a less useful piece of domestic family equipment! To the left of the Grunding tape machine a home-made 4-channel mixing console with master fader, bass and tone controls. Announcements were made on a cheap Sennheiser microphone supported by an extendable rod clamped to a lab retort stand with 2 large, weighty, circular TV magnets on the stands base to stop it toppling over! Behind the microphone, a valve amplifier for the microphone. Out of shot to the left, beyond the LP cover and a picture of my future wife!, the homemade transmitter built bread-board style with the crystal tuned to around 227m if memory serves correctly. The LP covers on display, of course no CDs or MP3s, were Bernstein's version of '2001 A Space Odyssey' at the back above the tape machine and poking from under it, 'Disraeli Gears' by Cream, behind the microphone, the Incredible String Band's 'The Hangman's Beautiful Daughter' and over on the left, 'On the Threshold of a Dream', by the Moody Blues... not a bad set from 1967! The state of the 'studio furnishings' is clear to see! at lower right, the DJ himself in residence, there were two of us, the other, an old school chum, Mike Taylor who had the 'Saturday morning slot'. Head phones and speaking live from Caroline West, 'Grant Walker', think this IS too much information, the name chosen to again reflect the name of one of Caroline South's DJs, Johnnie Walker, and still going, though now on BBC Radio Two. Here the DJ can be seen cueing up a piece on the tape deck, probably recorded from the BBC afternoon pop programme presented by 'Fluff', Alan Freeman, 'Pick Of The Pops', and the stuff recorded in lively fashion to avoid any over-voicing or 'Fluff' coming in before the end what was usually no more than 2-2.5 minutes of music; John Peel's 'Top Gear' programme, from 3-5pm, the two hour slot just before 'Pick of the Pops', was a completely different matter in terms of the length of the music he played. In front of the woollen jumpered DJ, no central heating or double-glazing in those days, the Grunding microphone is in action as well as the 'studio mike' and in between the two LP covers seen earlier is a copy of Bob Dylan's 'Greatest Hits'... What more can I say... Guilty!
Picture shows: Martha Howe-Douglas as Georgian woman, Ben Willbond as Viking Man and Mathew Baynton as Egyptian man Channel: CBBC TX: CBBC week 22 ©BBC Horrible Histories is also being simulcast on the award-winning BBC HD channel - the BBCís High Definition channel available through Freesat 108; Freeview 50; Sky 143 and Virgin 108. BBC HD offers the very best of the BBC's programming in high definition, bringing audiences the programmes they love with up to five times more detail than standard definition, and exceptionally vivid colours and crisp pictures. WARNING: Use of this copyright image is subject to the terms of use of BBC Picturesí BBC Digital Picture Service. In particular, this image may only be published in print for editorial use during the publicity period (the weeks immediately leading up to and including the transmission week of the relevant programme or event and three review weeks following) for the purpose of publicising the programme, person or service pictured and provided the BBC and the copyright holder in the caption are credited. Any use of this image on the internet and other online communication services will require a separate prior agreement with BBC Pictures. For any other purpose whatsoever, including advertising and commercial prior written approval from the copyright holder will be required.
From May 1956 until recently, this was the beating heart of regional telly in this part of the North West on the ITV network, but now all that has been transferred to the characterless and frankly unprepossessing Media City on the other side of the Irwell in Salford Quays. This was Quay Street Studios, home to a television station named by founder Leonard Bernstein after his favourite place - the Sierra Granada mountain range in the Andalusia region (pronounced 'Andaloothia') of Spain.
"What Manchester sees today London will see tomorrow" was his proud boast in the year when Britain and France invaded Suez, only for America to tell them to get out of there. Because it wasn't a war they started, they had to get jealous but I digress.
This was also where Richard Madeley (big, BIG fan of Tesco!) met Judy Finnegan who cheerfully told him on his first day at the station back in 1982 that she 'was his mummy' and, let's face it, the years haven't exactly been kind to her!
Of course, I should really have taken a few photos of this in the past when it was an active TV studios but From May 1956 until recently, this was the beating heart of regional telly in this part of the North West on the ITV network, but now all that has been transferred to the characterless and frankly unprepossessing Media City on the other side of the Irwell in Salford Quays a venue shared by the BBC, who also broadcast from the iconic (and should never have been closed) Television Centre. Anyway. this was Quay Street Studios, home to a television station named by founder Leonard Bernstein after his favourite place - the Sierra Granada mountain range in the Andalusia region (pronounced 'Andaloothia') of Spain.
"What Manchester sees today London will see tomorrow" was his proud boast in the year when Britain and France invaded Suez, only for America to tell them to get out of there. Because it wasn't a war they started, they had to get jealous but I digress.
This was also where Richard Madeley (big, BIG fan of Tesco!) met Judy Finnegan who cheerfully told him on his first day at the station back in 1982 that she 'was his mummy' and, let's face it, the years haven't exactly been kind to her!
Of course, I should really have taken a few photos of this in the past when it was an active TV studios but what spurred me into action was Peter Kay's tribute to the station Goodbye Granadaland and that was a week before I took these shots. Why a week you may ask? Well, because I forgot to charge my camera battery the night before I first went (June 16), I had to make do with the camera on an old mobile phone. I only took a few photos with that because I was used to MY camera. Anyway, long story short, as soon as I got home that day, I put the battery on charge and it was ready the following week. When taking this shot of the main entrance (for those driving in) on Quay Street itself, I flirted with death a bit because I wanted to get a decent shot and the only way of doing that is to stand in the road...luckily Quay Street isn't that busy! Not just that, but you can just about make out (through the ivy) where the letters 'Granada TV' would have been. Presumably someone with a fucking great big van has liberated these, either that or they're in some museum.
Oh yeah, you may be wondering how the title came about. Well, years ago when the telly started at half nine in the am, they were the words you would have heard uttered in the dulcet tones of Graham James or whoever was announcer that day.
Showing my age, aren't I? But hey, I don't give a fuck!
Broadcasting Place Leeds voted best tall Building in Europe 2010
www.fcbstudios.com/projects.asp?s=27&ss=&proj=1326
Click here for a walkthrough of the interior: www.leedsmet.ac.uk/news/index_broadcasting_place_190509.htm