View allAll Photos Tagged Breakup
After knocking over a glass table and breaking it, I decided it might be useful for a photo someday, so I kept most of the big pieces (but stupidly, only two of the three legs). I thought of a rough concept pretty soon after that, but as I tend to do every now and then, chose to put it aside just for a short, little while...
So... after about six months of having heavy, jagged shards of broken glass sitting around my apartment (and a couple of incidents requiring bandages), I finally did something with them. In the time that had past I'd also broken three drinking glasses and, naturally, saved them as well (Yes, actually I AM a klutz). So here is the result:
It took a while to arrange a time with Stacia (the model), and twice we had it scheduled but plans fell through (once because of a friend's pregnancy). When the schedule was finally worked out, I had to move several pieces of furniture out into my hallway to get the setting I wanted, as the room is small (a LOT smaller than in looks). Unfortunately the hallway isn't exactly giant, and the furniture basically barricaded the front door, trapping Stacia inside my apartment with me, surrounded by sharp slabs of glass and a hammer. Of course, she had brought her own gun to our previous photoshoot, so I suspect she wasn't too worried:)
The lighting set-up included one monobloc in a softbox high and about 45 degrees camera-right, pointing down at her face. I had another monobloc in a softbox right next to me camera-left a bit lower, bouncing light off the wall (both for fill light on Stacia and to try and get some depth in the objects on the floor). I put two speedlites in the window (one clamped to the handle) with CTO gels, using the curtain as a partial diffuser, to get the shadow pattern on the wall and ceiling. I also had on-axis fill coming from a speedlight stuck in an Orbis ring flash. The flashes were all triggered with Radiopoppers.
I did a lot of post-work to get the look of this shot the way I wanted (surreal), which, on its own, is already quite an involved, time-consuming process, involving two or more RAW file conversions, and lots of contrast masking with filters. There's no automatic action for this, as far as I know.
You've got to get the lighting right first, of course. No amount of editing can make good light when it wasn't already in the original photo; and anyone who thinks it's easy to just photoshop something any way you want and have it look good, please pass on your secrets to me:)
Since I had only kept two of the (table) legs, I used a tripod and moved them around in a couple of different frames and merge them together later to make it look like there were four. Unfortunately, I didn't realize during the shoot (but should've suspected) that I was repeatedly nudging the lens with the ring flash, which slightly shifted each frame. Not really enough to see it on the camera's LCD, but definitely enough to make merging the separate layers a gigantic pain in the... well, you know. Particularly since the six-year-old computer I was using at the time was so terminally ill that it sometimes took 10-15 minutes JUST TO SAVE A FILE. Grrrrr...
At least I can finally throw out those glass shards. Well, wait... hold on. Hmmm... maybe there's another photo concept that I can use them for... I think I'll just hold off throwing them out for a short little while...
P.S. I realize that technically there should be little pieces of glass all over the floor as well, but even I have my limits. Particularly since I'm already running low on glasses...
To view larger sizes, find out more about this photo, and see more of my work, please go to: www.robcorpuz.com
Thanks!
किसी के साथ रिलेशनशिप में होना एक सुखद अनुभूति का एहसास कराता है लेकिन जब यही रिश्ता टूटता है तो काफी तकलीफ भी होती है. अगर आप भी किसी ऐसी ही परिस्थिति से जूझ रहे हैं तो निश्चित रूप से यह समय आपके लिए तकलीफदेह है.
किसी के साथ प्यार भरे रिश्ते में रहने के बाद अचानक से जब यह टूटता है तो ऐसा लगता है...
#After, #Breakup, #Learn, #Men, #Things
"Although all cat games have their rules and rituals, these vary with the individual player. The cat, of course, never breaks a rule. If it does not follow precedent, that simply means it has created a new rule and it is up to you to learn it quickly if you want the game to continue." ~Sidney Denham
"Way down deep, we're all motivated by the same urges. Cats have the courage to live by them." ~Jim Davis
An undetermined species of creature dwelling in the water column is observed breaking apart at a depth of 2000 m, 15 June 2012.
Observation : 7380, 2012-06-15 02:15:42UTC, dive 1564.
N47°55.9872′, W129°6.4894′
Credit: NEPTUNE Canada/CSSF
We stood there for 1/2 an hour, and we could watch Ship Creek break up, as well as hear it. There would be a loud crack, and we could see fissures develop, and chunks of ice break off and float down Ship Creek.
Saw this rolled up on the driveway next door. Since no one actually lives there my dad went over to pick it up. He thought it was just some trash that was blown in from somewhere. Heh instead its a break-up letter that looks like a 10 year old wrote it.
Steve, whoever you are, be a man a break-up face to face.
The crossed out "love" is such a nice touch.
Breakup describes the feeling when of suddenly being left after a longtime relationship (such as marriage) without being given any explanation or the opportunity to make things right. It is the ultimate state of helplessness, deprived of any power to change this one-sided decision.
The Breakup Song (They Don’t Write ‘Em) b/w When The Music Starts
Greg Kihn Band, Beserkley Records/USA (1981)
Can you imagine, if such a little river such as Ship Creek were like this, what it must be like on the Yukon or the Kuskokwim?
To see more information about this card, please check out my blogpost about it here: stampcolorcreate.blogspot.com/2011/09/lawnscaping-17.html
Green Mountain (w/ Flat Irons) and Bear Peak in the background as a fast moving thunderstorms starts to break up and move east. The sun is highlighting the still falling rain on Bear Peak in the background. A little sunbeam action adds to the interest.
I don't know why I felt compelled to photograph myself at that moment.
I had just told my girlfriend, who was also my best friend, that I thought we should see other people. She was very upset. I was in the grip of heavy guilt.
It worked out for both of us.
John William Waterhouse (April 6, 1849 – February 10, 1917) was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heyday in the mid-nineteenth century, leading to his sobriquet "the modern Pre-Raphaelite". Borrowing stylistic influences not only from the earlier Pre-Raphaelites but also from his contemporaries, the Impressionists, his artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
Born in Italy to English parents who were both painters, he later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Later on in his career he came to embrace the Pre-Raphaelite style of painting despite the fact that it had gone out of fashion in the British art scene several decades before.
Although not as well known as earlier Pre-Raphaelite artists such as Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, Waterhouse's work is currently displayed at several major British art galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009.
Waterhouse was born in the city of Rome to the English painters William and Isabella Waterhouse in 1849, in the same year that the members of the Pre-Raphaelite Brotherhood, including Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, were first causing a stir in the London art scene. The exact date of his birth is unknown, though he was baptised on 6 April, and the later scholar of Waterhouse's work, Peter Trippi, believed that he was born between 1 and 23 January. His early life in Italy has been cited as one of the reasons why many of his later paintings were set in ancient Rome or based upon scenes taken from Roman mythology.
In 1854, the Waterhouses returned to England and moved to a newly built house in South Kensington, London, which was near to the newly founded Victoria and Albert Museum. Waterhouse, or 'Nino' as he was nicknamed, coming from an artistic family, was encouraged to get involved in drawing, and often sketched artworks that he found in the British Museum and the National Gallery. In 1871 he entered the Royal Academy of Art school, initially to study sculpture, before moving on to painting.
Waterhouse's early works were not Pre-Raphaelite in nature, but were of classical themes in the spirit of Alma-Tadema and Frederic Leighton. These early works were exhibited at the Dudley Gallery, and the Society of British Artists, and in 1874 his painting Sleep and his Half-brother Death was exhibited at the Royal Academy summer exhibition. The painting was a success and Waterhouse would exhibit at the annual exhibition every year until 1916, with the exception of 1890 and 1915. He then went from strength to strength in the London art scene, with his 1876 piece After the Dance being given the prime position in that year's summer exhibition. Perhaps due to his success, his paintings typically became larger and larger in size
In 1883 he married Esther Kenworthy, the daughter of an art schoolmaster from Ealing who had exhibited her own flower-paintings at the Royal Academy and elsewhere. They had two children, but both died in early childhood. In 1895 Waterhouse was elected to the status of full Academician. He taught at the St. John's Wood Art School, joined the St John's Wood Arts Club, and served on the Royal Academy Council.
One of Waterhouse's most famous paintings is The Lady of Shalott, a study of Elaine of Astolat, who dies of grief when Lancelot will not love her. He actually painted three different versions of this character, in 1888, 1894, and 1916. Another of Waterhouse's favorite subjects was Ophelia; the most famous of his paintings of Ophelia depicts her just before her death, putting flowers in her hair as she sits on a tree branch leaning over a lake. Like The Lady of Shalott and other Waterhouse paintings, it deals with a woman dying in or near water. He also may have been inspired by paintings of Ophelia by Dante Gabriel Rossetti and John Everett Millais. He submitted his Ophelia painting of 1888 in order to receive his diploma from the Royal Academy. (He had originally wanted to submit a painting titled "A Mermaid", but it was not completed in time.) After this, the painting was lost until the 20th century, and is now displayed in the collection of Lord Lloyd-Webber. Waterhouse would paint Ophelia again in 1894 and 1909 or 1910, and planned another painting in the series, called "Ophelia in the Churchyard".
Waterhouse could not finish the series of Ophelia paintings because he was gravely ill with cancer by 1915. He died two years later.
Kensal Green Cemetery, Kensal Green, London
A book that confronted me as I stepped into the library... I can't even read a book like this, but I thought it was poignant.
How to Handle Sex Attachment and Break-Ups in Life (Most Inspirational Video by the best motivational speaker in India ) By Dr.Vivek Bindra
www.ayurvedahimachal.com/index.php?page=completearticle&a...
The storms that had socked us in at Granite Park Chalet lifted and broke up Thursday evening.
© Katie LaSalle-Lowery
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Edited Landsat 8 image of the breakup of the large iceberg that just split away from the Larsen C ice shelf.
Image source: earthobservatory.nasa.gov/IOTD/view.php?id=90627
Original caption: When a massive iceberg first broke away from Antarctica’s Larsen C ice shelf sometime between July 10-12, 2017, scientists knew it would eventually start breaking apart. That’s the normal life cycle of a drifting iceberg, which is at the mercy of the ocean’s battering currents, tides, and winds. Already those forces have turned A-68 into two named bergs, A-68A and A-68B, as well as a handful of pieces too small to be named by the U.S. National Ice Center.
In the two weeks following the initial break, satellite imagery has documented the iceberg’s motion. The southern end appears to have slammed into a mix of floating ice above Gipps Ice Rise—the bump of snow- and ice-covered bedrock visible in the lower right of the image. Then the berg rebounded and its northern end swung back toward the just opened rift. The resulting impact caused both the berg’s north end and the ice shelf to fracture.
“The back-and-forth movement of A-68 looks akin to maneuvering a parallel-parked car out of a tight parking space—like an Austin Powers three-point turn,” said Christopher Shuman, a cryospheric scientist at NASA’s Goddard Space Flight Center and the University of Maryland, Baltimore County.
The fractured berg and shelf are visible in these images, acquired on July 21, 2017, by the Thermal Infrared Sensor (TIRS) on the Landsat 8 satellite. The false-color view shows the relative warmth or coolness across the region. White indicates where the ice or water surface is warmest, most notably in the widening strip of mélange between the main iceberg and the remaining ice shelf. Dark grays and blacks are the coldest areas of ice.
So far, the calving and fracturing has taken place under the dark cover of polar night during Antarctica’s austral winter. That makes thermal imagery from satellites a critical tool for “seeing” the action. Adrian Luckman of the UK-based Project MIDAS first saw the berg break away in thermal data from the Moderate Resolution Imaging Spectroradiometer (MODIS), before Sentinel radar data became available later on July 12.
The thermal view above shows a remarkable amount of detail. The bright signature of relatively warm ocean water appears around A-68B, which broke off sometime between late July 13 and early July 14. More subtle fractures north of A-68B are visible on the shelf; these pieces will eventually break free and move out to sea with the rest of the ice.
All of the ice pieces large and small are subject to the water currents of the Weddell Gyre and the strong weather systems that can whip up blinding snow and blanket the region in clouds for many days at a time. This same ocean circulation that will eventually move the bergs northward toward South Georgia Island.
In the meantime, scientists will have to wait until August—the end of polar night here—to get their first natural-color images since the long-growing Larsen C rift became a complete break.
References and Related Reading
NASA Earth Observatory, Rift and Calving at Larsen C Ice Shelf.
NASA Earth Observatory (2017, July 12) Antarctic Ice Shelf Sheds Massive Iceberg.
NASA Earth Observatory (2017, July 12) Landsat Spots Birth of Iceberg A-68.
Project MIDAS (2017, July 12) Larsen C calves trillion ton iceberg. Accessed July 12, 2017.
NASA Earth Observatory images by Jesse Allen, using Landsat data from the U.S. Geological Survey. Story by Kathryn Hansen.
Instrument(s):
Landsat 8 - TIRS