View allAll Photos Tagged Breakup
I was trying to capture the feel of spring breakup on the Winnipeg River. I think this is probably my best effort.
- www.kevin-palmer.com - The ice on the Tongue River will likely be breaking up soon with warm weather on the way.
On a glorious sunny day the Yukon River in Whitehorse, Yukon is breaking out of winter's grip, leaving these huge chunks of ice and snow in the shallows.
Here we often speak of "Breakup" more than "Spring." Breakup referring to when the ice breaks up and moves out from the rivers. On the Tanana River by Fairbanks the ice went out last week and the river is now free-flowing, but there are still large chunks of ice present and melting along the banks.
The Tanana River is the major tributary of the mighty Yukon River, where breakup is still occurring and this year wreaking havoc on villages and residents.
click on the link below for another view of the pic ^_*
www.arb-up.com/files/arb-up-2008-6/SPF78522.jpg
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Lonely I'm Mr Lonely,
I have nobody,
For my owwnnn
I'm so lonely, I'm Mr. Lonely
I have nobody,
For my owwnnn
I'm so lonely,
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AKON ... ( Lonely )
www.youtube.com/watch?v=H1vaszd6NnA
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Taken by : FOXY
Edited by : 7amodation`¬?G´™ .. special thanxXxx to u .. ^^ ana ash'had ennk ma ga99art .. and here is hiz link ^_*
up.flickr.com/people/22795654@N08/
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Sea ice breakup in Tethis Bay at Mario Zucchelli Station, Antarctica. This ice was our runway for the beginning of the season.
We have zoomed up into the forties after enduring weeks and weeks of sub-zero temperatures. The snow is turning to mush - people are taking off their parkas, and either going around in shirt sleeves, or sweatshirts.
Doc and I drove into Glennallen this morning and saw huge puddles forming everywhere. On the way back home, a big black cloud opened up and actually rained on us.
Caribou have been spotted gathering in small herds and heading north to the birthing grounds.
Now I will finally concede, that spring has arrived in Alaska.
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Cranes at the Lahore Wildlife Park...
Seem to be troubled by domestic issues! ;-)
No editing people, the dirty water compliments the image!
More storyboarding here for "Thief In the Night."
The way I am conceiving this scene, Nolan (played by Conan Bankersbox) is returned from seeking a resolution for Melanda's problem, but Melanda believes the only thing to do is to break up with Nolan and leave him. As you can see from photo 4, the breakup isn't an easy one for either side....
Conan is once again wearing Utopia evening wear (Diplomat); I'm in the lusciously over the top Aeon gown from Heth Haute Couture. Hair by Letituier; jewels by Lazuri and Modern Couture; cigarette holder from Anachron; nails by S H O C K.
Thanks much, Conan! I can never pull off these shots without your help.
Around the Grid has more!
When the year drew towards the end and closed with Christmas I started dating someone. We even lasted for the magical seven weeks. It ended this January. I made an island in Second Life with a grave on it. There our relation lies buried cried over by my blue stick man.
Perdu is French for hidden or lost. She lived in France.
Original Caption: Breakup of a storm over Pike's Peak, 04/1974.
U.S. National Archives’ Local Identifier: 412-DA-12926
Photographer: Norton, Boyd
Subjects:
Environmental protection
Natural resources
Pollution
Colorado Springs (Colorado, United States)
Persistent URL: research.archives.gov/description/555378
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
An early 1969 rehearsal tape-montage of a track that failed to survive The Beatles breakup, eventually appearing on the George Harrison 1970 solo LP "All things must pass". The 'Get Back' keyboard player Billy Preston was at both sessions and can be clearly heard to explore themes in these combined segments. The final track is here:
www.youtube.com/watch?v=1XTYXEpeEYA
Liverpool as a city had a number of ways to nourish the mindscapes of talented musicians and artists. From Hope Street out to Princess Park were immigrant communities and some grand houses - holes in walls for calypso music and other pre-ska sing-songs. There were race problems, but they did not extend to ideas of exclusion, so the late and affordable bars attracted a mix that included art students. Further into town and often out towards Ringo's dockland Bootle, were scatterings of Irish weighted pubs. Celtic jams of different sizes attracted shuffles and crys, tapping and sing-song. Irish music needs to be catchy to 'work' and can procure hypnotic effects of phase and repetition. Other pubs and get-togethers had busks of make-do instruments with a skiffle of adapted and traditional song. Glasgow Scots might come down-south for work at the docks and could add their voice to the pub of their choice and pub singers were not unknown (a song or two for a pint). Global shipping used the big ports prior to their cancellation by airliner, and sailors and travellers arrived in Liverpool from around the world. Early heavy 78rpm records of Elvis Presley and Buddy Holy were among those that turned up along the rails of cranes, and they were played and called for in homes and record shops. People studied songs, learned them, and in so doing, saw a little inside the art of musical creation. There were upright pianos in many homes and musical instruments were brought from well stocked and erudite local shops. Not far from the art college was and is an imposing classical music Royal Philharmonic: Liverpool had Malcolm Sargent to take it past the war years and gave birth to Simon Rattle when George Harrison was 12. A range of theatres both large and small also helped to satisfy a local love affair with music hall. Closer into town, small side bars were given over to more Calipso enthusiasm and 'Jacaranda' dreams. Still further, in the broad direction of the wide river estuary, and off up the slight hill, were fire-proof brick-arch storage cellars converted into heaving clubs - a triangular sandwich away from the giant insurance and banking buildings that gave the Liver birds their nest egg. Liverpool never had the same weather as Manchester and was a hermetic and utterly urban identity - anyone who was not from one of the central areas (Croxteth, Everton, Bootle...) being 'smile-stigmatised' as countryside shepherds or 'woolybacks' - even if they simply lived in one of the many merging suburban peripheral estates of Merseyside. The same 'woolyback' shepherds also provided the music halls and audiences for many early Beatles gigs, and were the communities with their encyclopedic knowledge of rare grooves and dance moves that would become known as 'Northern Soul'. With Graham Nash up the coast in Blackpool, and myriad solid musicians and songwriters, there was music and talent to be a part of. Whilst detours to Hamburg failed to generate a range of sophisticated songs, they did grind together a ergonomic form of character and repetition. When finally afforded serious studio attention, their vast language of chords and visual sense of the 'meaning' of a note or musical juxtaposition, coupled with robust playful creativity and utter 'red line' seriousness, afforded The Beatles creative vistas that were far larger than anything popular music had ever seen before or since.
Liverpool was a town for experience: the local art galleries had powerful collections and there were posh schools and giant Cathedrals aside covered markets and pedestrianised 'bomb damaged' regeneration. Today, it is probably not possible to find a single person on the planet earth that does not like at least one Beatles song, and their creative speed and dynamic range remains a source of quiet pride for the human race, a sense of sharing for the many who are simply happy to know some of their words and melodies.
The song "Let It Down" was written in late 1968 and may come from chords explored during time George Harrison spent with Bob Dylan. The reel-to-reel tape of the creative run-throughs that took place for the 'Get Back sessions' and 'Twickenham tapes' are increasingly available via the internet, and the Debussy explorer and Beatles sound scholar 'J Alesait' has taken the time to piece together a clean version of the song from different run-throughs. The word 'clean' is not the same as 'true' and there is no certainty that this is a projected final form - but on saying that, it is certainly a fascinating montage. The instrumental ending has echos of the reverberations at the end of 'Helter-skelter' and is shaped by a 'visual' drumming chain, with perhaps the overall measure of a rich yet pared down 'Abbey Road' track. Contrast this with the 'wall of sound' version that was finally released via Phil Spectre, where the orchestration seems to spill out from the studio and mic-up as far as the kitchen sink: a result as impressive as Paul McCartney's 'In the back seat of my car' from a year later, but perhaps lacking the measure that comes from a tight band.
There used to be a Stuart Sutcliff painting in the John Moores gallery and some of the tones and moves from the end of this film are influenced by my distant memory of this canvas.
Quite by chance this lens test was posted on George Harrison's birthday, and there were a few articles in the press. A hoo was made that his songs were rejected by the band... 'All things must pass', 'Let it down' as if it was a personal issue of exclusion. Great tracks by Paul MacCartney were also 'rejected' ('Junk', 'Back seat of my car'...) and in truth, George was a slower song writer and later to develop into song writing: songs can also take years to finally rise to the surface so the word 'rejected' may be context bound. Many of Harrison's songs were given great thought and iconic place on Beatles LP's and he was listened to regarding visiting India, the need to stop touring; and his red lines of 'taste' were simply important to the band. No musician exists without the odd argument (Mozart argued with himself and his backers, Harrison with McCartney/Lennon/Yoko...). Imaginative sitar and guitar work, songwriting and a great 'character' voice made him one of the four Beatles and seeding a sense of injustice seems to be journalistic gaud.
AJM 26.02.20
Press play and then 'L' and even f11. Escape and f11 a second time to return.
I've kept these a little vague as I can't be bothered doing an in-depth instruction manual and its good for people to create their own stuff. Hopefully if you're interested you can get some ideas from these scraps.
picture from last spring. Ice was starting to breakup and the lake ice formed wonderful ridges of ice and snow. The clouds rolled in, the sun began to set and it started to lightly rain and soon this amazing rainbow formed that stretched from one tip of the land on the right to the small island on the left. It was truly a wonderful moment.