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210 x 210 mm

макет мой.

рисунок Ю. Хариков

Cover for Constructing the Ineffable: Contamporary Sacred Architecture

In an attempt to find some passage in the kind of voice I could use for my type ex project, I went to Chapters and skimmed through various novels looking for bits of something.

 

In the process, I stumbled upon this book which utterly compelled me to pick it up because of its sublime cover design. All the books in the Vintage Classics series are simply gorgeous (The Wind-up Bird Chronicle is also part of this series).

 

Apparently the Murakami books are popular for theft so they are kept behind the counters... In the end the one bit (by Murakami of course) that stuck out to me was this:

 

I'm alone. Just me and the malicious, no make that indifferent, dusty morning light.

A preview from this unique piece. It's a giant book I designed for a series by photographer Yveline Loiseur. The exhibition takes place in Lomme, near Lille. I won't be there, but I'll try to get you pictures of the work in situ.

Sarkana Zvaigzne

 

Sarkana Zvaigzne - Series

Gads: 1921

 

Client: Standard Chartered Bank

A "hidden" Sacker monogram, under the "E" in "Helen" !

opracowanie edytorskie książki dla:

dziecko + dorosły.

"Kot w butach"

Ilustracje zbudowane na prostych kształtach-modułach opierają

się na rysunku liter kroju,

którym złożony jest tekst baśni.

Ujednolicenie części ilustracyjnej, powtarzalność jej elementów jest próbą stworzenia czegoś w rodzaju "typografii dla dzieci".

Ilustracje wykorzystują budowę książki: kontakt sąsiadujących ze sobą stron, to, że można je "przewracać"

Linia podziału między stronami staje się elementem dynamicznym,

jest równoprawną bohaterką ilustracji.

 

Książka wymaga wspólnej aktywności obojga jej czytelników: dziecka i dorosłego

B. Grakov

The Scythians

Popular science essay

Moscow State University Publishing, 1971

Golden comb. Kurgan Solokha.

Latvju Menesraksts

Izdevejs:

Gads: 1942

Makslinieks: Niklava Strunkes

210 x 210 mm

макет мой.

рисунок Ю. Хариков

How can research findings, personal experiences, and complex ideas be translated into a concise visual identity?

 

45 Symbols—Clay to Code examines how emerging artists and designers develop systematic approaches to a visual language, inspired by one of the most enigmatic objects in media history: the 3,700-year-old, still-undeciphered Phaistos Disc, embossed with 45 distinct symbols. The works present a range from personal narratives to global themes and demonstrate how an original visual grammar can be constructed.

 

Over more than a decade, the internationally hosted design seminar series The Phaistos Project—Forty-five Symbols have evolved into a global community—driven by open calls, workshops, exhibitions, and risograph publications. This volume, 45 Symbols—Clay to Code, brings together over 2,000 symbols as the result of this collaborative endeavor. It stands not only as a living archive of research inquiries but also as a testament to collective experimentation, bold visions, and the expression of intercultural dialogue.

 

The contributions are organized into five thematic fields:

 

I. Traces of everyday life, material culture, and the domestic archive

II. Planetary surfaces, landscape as archive, and the ecological memory of the Anthropocene

III. Politics of language, symbols of protest, and collective transformation

IV. Cultural scripts, spiritual codes, and visual identity

V. Speculative alphabets, linguistic flux, and future archives

 

This book aims to both inspire and provide hands-on methods for developing skills in visual storytelling, documentation, and reflection practice that foster authentic, systematic, and distinctive personal outcomes.

  

Publisher: Slanted Publishers

Editors & Design: Olivier Arcioli, Pascal Glissmann, Andreas Henrich

Release: January 2026

Format: 21 × 28 cm

Volume: 320 pages

Language: English

Printing: offset printing

Paper: Munken Print White, 115 g/sm

Workmanship: Softcover, Swiss brochure with flaps, thread stitching, black thread, foil lamination

Exam work for Typography Classes of the Moholy-Nagy University of Art and Design. The final task has been defined as a complete cover, front and body matter design of a fictional book series – entitled the self-explanatory ”Világirodalmi könyvsorozat” (World Literature Book Series) – of novels from the literature history of the world.

This is how the books look like beside each other on the shelf.

How can research findings, personal experiences, and complex ideas be translated into a concise visual identity?

 

45 Symbols—Clay to Code examines how emerging artists and designers develop systematic approaches to a visual language, inspired by one of the most enigmatic objects in media history: the 3,700-year-old, still-undeciphered Phaistos Disc, embossed with 45 distinct symbols. The works present a range from personal narratives to global themes and demonstrate how an original visual grammar can be constructed.

 

Over more than a decade, the internationally hosted design seminar series The Phaistos Project—Forty-five Symbols have evolved into a global community—driven by open calls, workshops, exhibitions, and risograph publications. This volume, 45 Symbols—Clay to Code, brings together over 2,000 symbols as the result of this collaborative endeavor. It stands not only as a living archive of research inquiries but also as a testament to collective experimentation, bold visions, and the expression of intercultural dialogue.

 

The contributions are organized into five thematic fields:

 

I. Traces of everyday life, material culture, and the domestic archive

II. Planetary surfaces, landscape as archive, and the ecological memory of the Anthropocene

III. Politics of language, symbols of protest, and collective transformation

IV. Cultural scripts, spiritual codes, and visual identity

V. Speculative alphabets, linguistic flux, and future archives

 

This book aims to both inspire and provide hands-on methods for developing skills in visual storytelling, documentation, and reflection practice that foster authentic, systematic, and distinctive personal outcomes.

  

Publisher: Slanted Publishers

Editors & Design: Olivier Arcioli, Pascal Glissmann, Andreas Henrich

Release: January 2026

Format: 21 × 28 cm

Volume: 320 pages

Language: English

Printing: offset printing

Paper: Munken Print White, 115 g/sm

Workmanship: Softcover, Swiss brochure with flaps, thread stitching, black thread, foil lamination

A project based of of Ray and Charles Eams' Building Cards children's toy. We had to pick a design era and make cards about that era. I chose the Arts and Crafts Movement of the 1910's and 20's.

Exhibition of Graphics.

Package of Artist's Book.

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