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A preview from this unique piece. It's a giant book I designed for a series by photographer Yveline Loiseur. The exhibition takes place in Lomme, near Lille. I won't be there, but I'll try to get you pictures of the work in situ.
opracowanie edytorskie książki dla:
dziecko + dorosły.
"Kot w butach"
Ilustracje zbudowane na prostych kształtach-modułach opierają
się na rysunku liter kroju,
którym złożony jest tekst baśni.
Ujednolicenie części ilustracyjnej, powtarzalność jej elementów jest próbą stworzenia czegoś w rodzaju "typografii dla dzieci".
Ilustracje wykorzystują budowę książki: kontakt sąsiadujących ze sobą stron, to, że można je "przewracać"
Linia podziału między stronami staje się elementem dynamicznym,
jest równoprawną bohaterką ilustracji.
Książka wymaga wspólnej aktywności obojga jej czytelników: dziecka i dorosłego
B. Grakov
The Scythians
Popular science essay
Moscow State University Publishing, 1971
Golden comb. Kurgan Solokha.
Book Plates have historically been used to denote ownership of books. They would be printed and then placed inside the covers with the owner's name on them so that when people borrowed books they would know who to return it to. These were commonly used before the 20th century when books were much more expensive to manufacture and purchase. Mine is based on Penrose Tilings, a non-repeating tessellating pattern I'm rather fond of. It gives the piece a look of stained glass windows. I left the bottom open for my name and the 'Ex Libris' or 'from the library of'.
How can research findings, personal experiences, and complex ideas be translated into a concise visual identity?
45 Symbols—Clay to Code examines how emerging artists and designers develop systematic approaches to a visual language, inspired by one of the most enigmatic objects in media history: the 3,700-year-old, still-undeciphered Phaistos Disc, embossed with 45 distinct symbols. The works present a range from personal narratives to global themes and demonstrate how an original visual grammar can be constructed.
Over more than a decade, the internationally hosted design seminar series The Phaistos Project—Forty-five Symbols have evolved into a global community—driven by open calls, workshops, exhibitions, and risograph publications. This volume, 45 Symbols—Clay to Code, brings together over 2,000 symbols as the result of this collaborative endeavor. It stands not only as a living archive of research inquiries but also as a testament to collective experimentation, bold visions, and the expression of intercultural dialogue.
The contributions are organized into five thematic fields:
I. Traces of everyday life, material culture, and the domestic archive
II. Planetary surfaces, landscape as archive, and the ecological memory of the Anthropocene
III. Politics of language, symbols of protest, and collective transformation
IV. Cultural scripts, spiritual codes, and visual identity
V. Speculative alphabets, linguistic flux, and future archives
This book aims to both inspire and provide hands-on methods for developing skills in visual storytelling, documentation, and reflection practice that foster authentic, systematic, and distinctive personal outcomes.
Publisher: Slanted Publishers
Editors & Design: Olivier Arcioli, Pascal Glissmann, Andreas Henrich
Release: January 2026
Format: 21 × 28 cm
Volume: 320 pages
Language: English
Printing: offset printing
Paper: Munken Print White, 115 g/sm
Workmanship: Softcover, Swiss brochure with flaps, thread stitching, black thread, foil lamination
Exam work for Typography Classes of the Moholy-Nagy University of Art and Design. The final task has been defined as a complete cover, front and body matter design of a fictional book series – entitled the self-explanatory ”Világirodalmi könyvsorozat” (World Literature Book Series) – of novels from the literature history of the world.
This is how the books look like beside each other on the shelf.
How can research findings, personal experiences, and complex ideas be translated into a concise visual identity?
45 Symbols—Clay to Code examines how emerging artists and designers develop systematic approaches to a visual language, inspired by one of the most enigmatic objects in media history: the 3,700-year-old, still-undeciphered Phaistos Disc, embossed with 45 distinct symbols. The works present a range from personal narratives to global themes and demonstrate how an original visual grammar can be constructed.
Over more than a decade, the internationally hosted design seminar series The Phaistos Project—Forty-five Symbols have evolved into a global community—driven by open calls, workshops, exhibitions, and risograph publications. This volume, 45 Symbols—Clay to Code, brings together over 2,000 symbols as the result of this collaborative endeavor. It stands not only as a living archive of research inquiries but also as a testament to collective experimentation, bold visions, and the expression of intercultural dialogue.
The contributions are organized into five thematic fields:
I. Traces of everyday life, material culture, and the domestic archive
II. Planetary surfaces, landscape as archive, and the ecological memory of the Anthropocene
III. Politics of language, symbols of protest, and collective transformation
IV. Cultural scripts, spiritual codes, and visual identity
V. Speculative alphabets, linguistic flux, and future archives
This book aims to both inspire and provide hands-on methods for developing skills in visual storytelling, documentation, and reflection practice that foster authentic, systematic, and distinctive personal outcomes.
Publisher: Slanted Publishers
Editors & Design: Olivier Arcioli, Pascal Glissmann, Andreas Henrich
Release: January 2026
Format: 21 × 28 cm
Volume: 320 pages
Language: English
Printing: offset printing
Paper: Munken Print White, 115 g/sm
Workmanship: Softcover, Swiss brochure with flaps, thread stitching, black thread, foil lamination
A project based of of Ray and Charles Eams' Building Cards children's toy. We had to pick a design era and make cards about that era. I chose the Arts and Crafts Movement of the 1910's and 20's.
Opracowanie edytorskie "Małego Księcia" Antoine de Saint-Exupéry w postaci kolekcji "43 zachodów słońca"
("Pewnego dnia oglądałem zachód słońca czterdzieści trzy razy - powiedział Mały Książę")
Publikacja jest zbiorem 43 kartek (25x25cm) przechowywanych luźno w pudełku.
Trzon layoutu to pozioma linia (horyzont) wyznaczona kilka centymetrów nad dolną krawędzią.
Cały układ typograficzno-ilustracyjny koncentruje się wokół tego założenia.
Strony ułożone jedna za drugą, tworzą liniową kompozycję o długości prawie 10m.
Każda kartka jest poświęcona jednemu rozdziałowi (lub jednej z dwóch jego części)
Book cover for book edition of Arthur Rimbaud. Done as school work using real paint splatters (it was fun :)
Book cover for book edition of Arthur Rimbaud. Done as school work using real paint splatters (it was fun :)
Brandi Hagen of Eminent Interior Design is an award-winning interior designer based in Minneapolis, MN with more than 15 years of industry experience. Brandi’s interior design portfolio has a vast array of projects from sleek contemporary to formal traditional. She is currently working on new construction, interior design and remodeling projects with many of the Twin Cities’ top builders and architects. This is the second book we have designed for Eminent Interior Design that showcases some of their stunning design work.